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Lot 522
A group of English porcelain tea wares, late 18th/19th century, including two Chelsea-Derby teabowls and saucer decorated with leaf or flower swags, two cups and saucers with formal leaf designs, a fluted Derby armorial coffee cup, a rare Davenport coffee can in the Church Gresley pattern, and four Derby coffee cans with green and yellow grounds, various marks, 13.6cm max. ((13)
Lot 554
A study group of predominantly English porcelains, c.1770 and later, including two Chelsea-Derby plates, two Chelsea-Derby toilet pots and matched covers, a Derby coffee can and saucer, a Swansea teabowl, a small Minton vase, a Minton tea cup and two saucers, a Paris porcelain toilet pot and cover, and a Paris copy of a Chelsea saucer, all decorated with flowers, putti or birds in the manner of Sèvres, some damages, 22.5cm max. (16)
Lot 698
Three English porcelain figures, c.1765-70, a Chelsea figure of a gardener holding a nest of birds, gold anchor mark, a Bow figure of a flower girl standing beside flowering bocage with an apron full of blooms, and a Bow figure of a New Dancer, raised on a footed base before flowering bocage, red anchor and dagger marks, some damages and restorations, 24cm max. (3)
Lot 728
A Longton Hall figure of Winter, c.1758-60, from the Rustic Seasons, modelled as a bearded gentleman in fur-lined hat and lilac greatcoat, warming his hands before a flaming brazier, a few small chips, 11.5cm. This figure was derived from Meissen and also produced at Chelsea around the same time as Longton Hall.
Lot 737
A Chelsea-Derby vase, c.1770, the ovoid form supported by three female terms rising from lion paw feet, gilded with butterflies and applied with flowers on a mazarin blue ground, raised on a shaped base painted with landscape panels, double gold anchor mark, one handle repaired, the cover lacking, 23.5cm. The shape was copied from a print in Joseph-Marie Vien's Suite de Vases of 1760. The shape was made at Chelsea prior to its takeover by the Derby porcelain factory in 1770.
Lot 764
Three Chelsea botanical plates, c.1758-60, with Hans Sloane type decoration of single botanical specimens within moths and other colourful insects, with feather-moulded rims picked out in turquoise and brown, brown anchor marks, and a similar plate with small flower sprig decoration, some damages, 21.4cm. (4)
Lot 783
A pair of Chelsea leaf dishes, c.1755, each formed as a large cos leaf painted with a spray of flowers over puce veins, red anchor marks, a Chelsea plate painted with panels of birds within leaf scrolls on a blue ground, gold anchor mark, and a Derby dish decorated with an Imari design, pseudo Chinese script mark, the leaf dishes restored, 23.8cm max. (4)
Lot 249
Three delftware bird tiles, c.1750-70, probably Bristol, painted in manganese, each with a large bird strutting beside low rocks, two with their heads turned, some chipping, 13.2cm max. (3) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Whilst sharing attributes with pheasants or peacocks, these birds probably derive from those being depicted on English porcelain (especially at Worcester and Chelsea) of the same period.
Lot 927
A group of three English porcelain figures: comprising a Chelsea bocage sweetmeat figure of a mother and child, she holding an open basket, on tree stump scrollwork base, gold anchor mark, circa 1765, 18cm [restored]; and two Derby bocage figures of the Garland Shepherds, each holding a letter, a dog at their feet, on rococo mound bases, patch marks, circa 1770, 14 and 19cm.* Provenance the smaller shepherd with paper label for the Alison Foord Collection.
Lot 928
A group of three Chelsea plates and a Worcester octagonal dish: comprising two plates painted with floral bouquets and sprigs, one with red anchor mark, circa 1755, 22 and 24cm [one with some wear, the other with two firing cracks to rim]; another painted with panels of fancy birds reserved on a cobalt blue ground, gold anchor period, circa 1765, 23cm [minor chip to rim, some firing/glaze flaws]; and a First Period Worcester meat dish painted with central floral bouquet within two turquoise and gilt borders, circa 1775, 34cm [some wear to gilt] 4.
Lot 96
A group of four Sampson porcelain figures,late 19th century in the Chelsea style, comprising a figure of Napoleon on horseback, 15.5cm high, a figure of a lady in a tricorn hat, 21cm high, a pair depicting a young couple, 15cm high, each with a gilt anchor mark, together with a similar pair of porcelain figures, with underglaze 'R' mark, 15cm highLady in the tricorn hat. Some minor nibbles to the edge. Possibly missing something from her left hand.Young couple - losses to hands and bocage.'R' marked figures - chips and losses - general wear and rubbing throughout.
Lot 206
Crown Derby porcelain figures of Chelsea birds, modelled and painted by J.Griffiths, Joan Lee and J.Plant, approx 17 cms h, both boxed. Together with a porcelain flying sea bird marked Hutschenreuther to base, approx. 18cms h. (af) April Sale The yellow bird has a small loss to the beak on one side, please study the images as it forms part of the condition report.
Lot 1265
BIRMINGHAM LETTER 1930 SIGNED BY THE MANAGER LESLIE KNIGHTON Letter dated 24th October 1930 Knighton also managed the following clubs 1912 Huddersfield Town (caretaker)1919–1925 Arsenal1925–1928 Bournemouth & Boscombe Athletic1928–1933 Birmingham1933–1939 Chelsea1945–1948 Shrewsbury Town
Lot 70
1906 THE BOOK OF FOOTBALL- A COMPLETE HISTORY AND RECORD One of the best early works on Football and Rugby, this is a lavishly illustrated history originally issued in weekly parts. Includes features of all the major clubs from that era, plus some facinating articles including a profile of the 1 year old Chelsea, Also includes a section on the famous All Blacks. Original green cloth with gilt engraving of the original FA Cup Trophy. Light spotting to front boards otherwise clean and bright, Unuusually, this book contains the original full colour original front covers of the weekly parts bound in at the rear. A very rare and highly collectable book
Lot 539
Seven Pictures including V Powell, 20th century Three Graphite Drawings mounted in one frame of Chelsea and Westminster Hospital, Watercolour of Ballerina, 20cm x 24cm, Two Pastel Portraits of Men by Ella Bennett, a further Portrait, Charles James Lauder R.S.W Print of Victorian London Street Scene, signed, 34cm x 24cm together Anthony Bream Watercolour ' Casa Colonica near Florence ', 35cm x 24cm, all framed and glazed
Lot 150
λ JULIAN BARROW (BRITISH 1939-2013) CRANBOURNE CHASE, DORSET (WIN GREEN, NEAR SHAFTESBURY) Oil on canvas Signed (lower right) 35.5 x 51cm (13¾ x 20 in.) Provenance: Acquired direct from the artist by the present owner Exhibited: London, The Chelsea Arts Society, no. 3 Julian Barrow was born in 1939 in Cumberland but spent most of his life in London. Barrow began as a restorer and joined the National Gallery restoration department in London. During his time there he was sent on many trips to complete commissions. Ireland, was a location that made a particular impression on Barrow. He was inspired by the rural scenery and surrounding hills and began to paint the view in his spare time. In 1960, he decided to become a full-time artist, and trained under Pietro Anningoni in Florence. Condition Report: Craquelure scattered throughout. Stretcher marks visible. A small scratch to the lower right corner. Very small pools of varnish scattered across the upper left quadrant. Inspection under UV reveals uneven varnish. Condition Report Disclaimer
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