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[*] Matsuchi, Nakajima -- Japanese bronze vases with and flower and plant arrangements. Circa 1890. 34 albumen prints, each mounted to board in clamshell box. Each ca. 25 x 20,3 cm (34,3 x 27,4 cm). Most with photographer's studio stamp on mount verso. The Japanese photographer Nakajima Matsuchi, renowned during the 1880s-1890s, was a founding member of the Nihon Shashin Kyokai (Japanese Photographic Society) in 1889. His exquisitely hand-colored lantern slides, created in collaboration with his wife, Sonoko, received numerous accolades, including recognition at the Japanese National Exhibitions of 1877 and 1881. Although Nakajima worked with various photographic formats, including stereographs, cartes de visites, and cabinet-sized photographs, his large-format work remains particularly rare. – Some buckling and foxing on mounts, some slight fading along edges of prints, otherwise in very good condition. Lit.: Terry Bennett. Photography in Japan 1853-1912. North Clarendon, Vermont. 2006. see pp. 182-184.
JOAN LESLIE BY KASPER, BERGDORF, GOODMAN, NEW YORK; a 1950s silk purple, cream and brown two piece suit consisting of a knee length sleeveless dress with purple top and jacket with sheepskin bottom and cuffs, size small, a Crayson model vintage green wool cape jacket with button details, fully lined, one size, a Sterling Cooper lantern green short fully lined coat with two large button detail to front, and a Carnegie model 1950s vintage bottle green embroidered dress with button detail, sleeveless and with front pockets and with matching short bolero jacket (4).Condition Report: The bright green jacket has signs of fading to both sleeves but otherwise in good condition, the green dress has a stain under the right arm, but otherwise good condition and the purple suit is creased but has no stains or tears.
First half 20th cent. and later. Comprising: (1) Tin toy Golliwog Ferris wheel w. suspended acrobatic puppets, attached to a tower w. winding mechanism and bell, total height 17 cm. Bent, lacking winding key. (2) Plastic Golliwog puppet shaped like the puppets on the revolving wheel, w. moving eyes and dress, height 25 cm. Face dented. (3) Col. porcelain jazz band, consisting of a singer/ violinist (height 9 cm, lacks part of his right arm), saxophone player, accordeonist, drummer, cello player and banjo player. -and 22 others, incl. a pair of bookstands and 7 magic lantern plates. (total 30)
1940/60s, almost all comic related. Incl. several series such as: (1) Breysse, F.A. Oscar Hamel et Isidore. SOS. 23-75 éditions Filmostat vol. I-X in orig. boxes. (2) Idem. L'Idole aux yeux d'Émeraude vol. I-XVI (no. 6701-6716). -and 98 other magic lantern movies incl. Kapitein Rob, Eric de Noorman, Panda, Prince Valiant, Donald Duck, Mickey Mouse, etc. (total 160)
INTERESTING ITEMS LOT INCLUDING SILVER LANTERN-SHAPED POTPOURRI BOMBILLA PIPE AND SILVER GLASS HOLDERS AN AMERICAN FOSTER & BAILEY STYLE 459 STERLING SILVER LANTERN-SHAPED POTPOURRI/ INCENSE HOLDER. APPROX 2.25 INCHES HIGH AND WEIGHING APPROX 22 GRAMSA SOUTH AMERICAN WHITE METAL, POSSIBLY SILVER, BOMBILLA PIPE - 8.5 INCHES IN LENGTH AND WEIGHING APPROX 22 GRAMSA STERLING SILVER RETAILED BY ANGUS AND COOTE, SYDNEY, AUSTRALIA MONOGRAMMED SOVEREIGN/COIN HOLDER, CYLINDRICAL IN FORM MEASURING 1.25 INS HIGH AND WEIGHING APPROX 12 GRAMS 8 SHOT GLASSES WITH HALLMARKED SILVER CUP HOLDERS, PLUS 4 OTHER GLASSES WITH WHITE METAL STEMS
'The Bottle' Set of eight slides after Cruickshank's series of engravings. Single hand-coloured glass slides in wooden frames, (7 x 4 x 3/8 inches). Maker unknown, but stamped 'J. Felton' on one end of each slide. *Notes- The original etchings of 'The Bottle' were produced by George Cruickshank in 1847 and they were linked with poetry by Charles Mackay. It caused a sensation as soon as they were published. Copies of the eight etchings warned about the potential dangers of alcohol consumption and sold more than 100,000 copies in the first few days. The theme inspired plays performed in eight London theatres, it is therefore no surprise that magic lantern showmen were quick to incorporate this popular topic into their shows.
'The Ascent of Mont Blanc' Eight slides assembled from different sources. Single hand-coloured glass slides in wooden frames, various dimensions as shown. Various makers as shown. 'Ascent of Mont Blanc' Carpenter & Westley (6 7/8 x 3 3/4 x 3/8 inches) 'Ascent of Mont Blanc' Maker unknown (7 x 4 3/8 x 3/8 inches) 'Snow bridge' Carpenter & Westley (6 7/8 x 3 3/4 x 3/8 inches) 'Ascent to the Mur de la Cote' Maker unknown (7 x 4 x 3/8 inches) 'Mont Blanc' Maker unknown (7 x 4 x 3/8 inches) 'Mur de la Cote' Maker unknown (7 x 4 x 3/8 inches) 'Mur de la Cote' Edward George Wood (6 3/8 x 4 x 3/8 inches) 'Grand Mulets' Maker unknown (7 x 4 x 3/8 inches) (8) *Notes- The attempt to reach the summit of the highest mountain in Europe created a great deal of public interest. In the eighteenth century it was considered an impossible feat and a prize was offered if it could be achieved. On the 8th August 1786 it was conquered by Jacques Balmat and Doctor Michael Paccard after two events. In the early 1850s Mont Blanc was once again in the public news .The Illustrated London News and other newspapers published accounts of two more successful climbs of the mountain. The most published one was that of noted showman, Albert Smith. He recreated the drama of his climb in an optical performance at the Egyptian Hall in Regents Park, London incorporating magic lantern slides.
Kaleidoscope slide [coloured fragments move randomly, projected with kaleidoscopic lens] Maker unknown (7 x 4 x 1/2 inches), single rack *Notes- Kaleidoscope slide would have created a changing pattern on the screen when a special lens with internal angled mirrors was exchanged with the usual lectern lens. Sir David Brewster had first invented the optical device in 1817 and a lantern version created changing patterns that were never repeated. Lecturers use this device to demonstrate the laws and phenomena of multiple refraction.
Colour wheel [rotates to show white] Maker unknown (9 3/8 x 3 7/8 x 1/2 inches), pulley *Notes- The colour wheel is a good example of the way the magic lantern could be a good instrument for scientific demonstration in the lecture theatre. In the 18th century Issac Newton produced a foot diameter cardboard disc on which he placed segments of five colours (red, orange, yellow, green and blue) equally spaced between five segments of black. When revolved at speed the colours merged and the disc became white, thus showing that the spectrum was made up of all these colours. This lantern version dates from circa,1850.

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