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Lot 417
AN EARLY 20th CENTURY FRENCH LANTERN CLOCK STYLE MANTEL CLOCK of typical form with silvered Roman chapter ring and engraved centre fronting a spring driven eight day movement striking the hours/half hours on a bell 30cm highConditionIn good condition, movement is complete but will need a service, handle off back door is missing
Lot 443
WILLIAM GRAY, LONDON. A MID 20th CENTURY LANTERN CLOCK the brass case of typical design having a 6" engraved dial with Roman numerals and floral decoration to the centre fronting a weight driven striking movement with verge escapement 38cm highConditionIn good clean condition, one side door is missing and no weights
Lot 3087
A collection of Victorian photographic Magic Lantern slides, Ye Ruined Abbeys of Yorkshire, each slide titled and/or annotated in ink MS with Named-Views of Medieval abbeys and priories, architecture, structures and topography, some slides monogrammed JB, cased en suite, the hinged case titled, 11cm high, 23cm wide, c. 1880, [53]
Lot 184
*John Hardman & Co. (1838-2008). The glass plate negatives archive of the firm of John Hardman & Co, Birmingham, circa 1860-1920, comprising over 1000 glass plates of stained glass window designs (including approximately 400 full plates and 250 half plates), a minority with identification or numbers to plate margins or sleeves, churches and buildings identified including House of Parliament (Peer's Corridor and Royal Gallery), London Docks, Queen Elizabeth Hospital, Birmingham, Volth Presbyterian Church, Buffalo, St Patrick's Church, San Francisco, Stuartholme, Brisbane, New Rochelle, New York, Manly, Sydney, plus churches in Durban, Coventry, Cambridge, Liverpool, Crewe, Lightwater, Caldmore, Yarkhill, Felton, Saltley, Tenby, Crewe, etc., plus a further group of over 800 glass plate negatives of Hardman's designs for ecclesiastical fittings and related metalwork and glassware (including approximately 100 mammoth and full plates and 60 half plates), some cracks and damage, occasional mostly numeric markings to sleeves and plate margins, occasional identification of places, plus over 200 damaged and fragmented glass plates, mostly of stained glass, plus a group of approximately 850 lantern slides and similar of Hardman cartoons and a box of over 500 photographic prints by Hardman, etc., a total of over 3,000 items including copy negative glass plates and some positives, partly arranged by size and subject in various archive boxes John Hardman was one of the pioneers of the stained glass revival of the nineteenth century. It was at the suggestion of Augustus Welby Northmore Pugin (1812-1852) that the business expended into glass manufacture in 1845. Pugin designed for the firm until his death when this role passed onto his nephew John Hardman Powell (1827-1895). Throughout the world most major cathedrals, churches and many civic buildings contain some of the distinctive windows designed and made by Hardmans. The firm was renamed John Hardman Studios in about 1939, at which time Donald Battershill Taunton and Patrick Feeny were designers. Able to move on from the Victorian and Edwardian Gothic Revival styles, the firm survived and continued until its closure in 2008. This glass plate negatives archive was acquired by the current owners directly from Hardmans at this point. The records of the firm of John Hardman are held at Birmingham Archives & Heritage, the cartoons and illustrations produced by the firm are at Birmingham Museums & Art Gallery, and original designs for some of Hardman's 20th-century stained glass windows are held by the University of Birmingham. (an archive)
Lot 106
3¼sq. in. Four Magic Lantern Slide Stories, The Discoveries of Columbus - 12 coloured slides; The Mischievous Puppy - 9 coloured slides; Miss Popp’s Pet - 9 black & white slides and Reading (within the accompanying booklet -‘Miscellaneous Tales”; and, The Newlyweds and Their Baby - 9 coloured slides, G, (40)
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