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Click here to subscribeAn Art Deco diamond and black onyx pendant brooch, in the form of a rectangular pierced panel, millegrain set at the centre with an old-cut diamond within a rose diamond geometric surround and cylindrical terminals with black onyx roundels, suspending a diamond, pearl and black onyx lantern shaped drop, in a fitted Hennell red leather case inscribed in gilt 'Nina 1930', (the pearls untested)
A brass lantern clock circa 1650, of posted construction, originally with balance wheel escapement, now with early conversion to anchor, with countwheel strike on a bell mounted within the domed cage above, the replaced? dial with tulip engraved centre within a narrow 6.25 inch Roman numeral chapter ring, with original iron hand, removable side doors and brass backplate applied with spurs beneath hanging loop, replacements and restorations, 39cm high; with later pendulum and weight. The distinctive baluster turning of the arbors is reminiscent of the work of Peter Closon, see White, George 'The English Lantern Clock' page 102. The countwheel also bears the 'matchstick man' foundry mark on its inner surface.
A 17th century style brass lantern clock, of posted construction with verge escapement and countwheel strike on a bell mounted within the domed cage above, the dial with tulip engraved centre signed 'Dent, London, England' within an applied silvered Roman numeral chapter ring with trident half-hour markers, with blued steel hand and removable side doors, 38cm high; with wall bracket and original instruction booklet.
A 17th century style brass miniature lantern clock, early 20th century, the eight-day timepiece movement with platform lever escapement, with engraved dial signed 'Smiths' applied with Roman numeral chapter ring, in a traditional posted case with domed superstructure housing a bell, 25cm high.
A brass lantern clock circa 1690, of posted construction with verge escapement and countwheel strike on a bell mounted within the domed cage above, the dial with tulip engraved centre signed 'Thomas Power, Wellingborow' within an applied 6.5 inch Roman numeral chapter ring with trident half-hour markers, with replaced iron hand, side doors and brass backplate, movement with restorations, 37cm high. Thomas Power is recorded in Brittens 'Old Clocks and Watches and their Makers' as working in Wellingborough circa 1700.
A good brass wing lantern clock circa 1710, of posted construction with verge escapement and pendulum swinging between the trains, with countwheel strike on a bell mounted within the domed cage above, the dial with central alarm disc to the foliate engraved centre within an applied 7.25 inch Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Jn'o Crucefix, London' to lower edge, with steel hand, winged side doors, iron backplate, hanging loop and spurs, alarm lacking, 39cm high. John Crucefix is recorded in Britten's 'Old Clocks and Watches and their Makers' as working 1689-1714 an example of his work resides to Stirling Castle.
A brass lantern clock, of posted construction with anchor escapement and countwheel strike on a bell mounted within the domed cage above, the dial with tulip engraved centre signed 'Jn'o Culliford, Bristoll' within an applied 6.25 inch Roman numeral chapter ring with stylised sword hilt half-hour markers, with brass hand, removable side doors and hanging hoop with spurs to rear, frame and dial circa 1690, movement mid 20th century, 38cm high; with wall bracket, weight and pendulum.
A Japanese ivory netsuke of a Sambaso dancer, 19th Century standing on his left foot holding a drum, signed Masatsugo - 2?in. (5.7cm.) high; two ivory netsuke of a man holding a lantern, signed Sogyoku and of the figure of Hotei; a celadon porcelain netsuke of Fukurokuju and two various netsuke of a seated man and a dancer. (6)
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