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A collection of illustrative printers wood blocks, many featuring angels, varying in different dimensions, a metal lantern and various decorative photograph frames.

A Thornton Pickard wood cased vintage camera, together with five rack & pinion magic lantern slides, a 9” Dillon Telephoto lens, three boxes of stereoscopic slides, together with a Braun Nizo Integral7 super 8 movie camera and a Nizo 3048 film camera.

A sundry lot of collectables, including dinner gong, hipflask, sleigh bells and ceiling lantern

A collection of coloured lantern slides, the Primus Junior Lectuerers Series, and The 'Indcol', some incomplete and two boxes with Parisian views, (7)Condition ReportBoxes worn and torn.

A Victorian silver half-reeded sugar basin with engraved decoration, Dobson & Sons, London 1883 and six various condiments, 15oz total, to/w a Victorian novelty cigar lighter, modelled as a ship's lantern (glass 'lens' a/f), Lawrence Emanuel, Birmingham 1897; lot also includes a triangular dish, stamped 'Silver' and set with a 1912 Chinese Republic Memento Dollar (1949 inscription), an Asian white metal pill-box modelled as a melon, a Continental white metal tea-strainer and an ep example

Mixed Lot: Vintage red plastic telephone, a storm lantern and a brass jam pan

A cast iron sundial, height 90cm, and pagoda style lantern, (2).

A vintage magic lantern with metal plate bearing the name Butcher and Sons, with a quantity of glass slides.

A small collection of magic lantern slides, most from a single set appearing to follow the story of a young couple. Some slides are damaged with burn marks, slide no.10 is missing.

A mixed lot of collectables, including five 80s/90s belt buckles, vintage magic lantern slides, alcohol-related items such as beer mats, spirit sample bottles, along with other items. Five belt buckles including a 1981 Great American Products Pewter Flaming Skull, three Tanside solid brass buckles and a pewter Alchemy Gothic buckle.

EIGHT BOXES AND LOOSE CHRISTMAS DECORATIONS, to include a small number of vintage glass baubles, including lantern shaped examples, tinsel, modern baubles, garland, foliage, hanging foiled decorations, lights, wreaths, small trees, a boxed 6' artificial Glencoe spruce tree, three Christmas/winter themed cushions, etc (8 boxes + loose) (sd, untested)

A Victorian coloured leaded glass and brass hall lantern, 65cm high. Condition - fair. There are some pieces of missing and broken glass, the panels are loose within the frame.

A wrought iron lantern and two candlestick table lamps, largest height 38cm. Condition - poor to fair

A stained glass lantern, height 58cm. Condition - fair

Glass hanging lantern of bell form with brass band on gold hanging cord with brass ceiling rose. 26cm x 20cm.Due to the nature and fragility of the lots in this auction, we are unable to offer an inhouse post and packing service for items purchased in this sale and strongly advise using a professional packing company. Further information on independent shippers can be found on our website - www.reemandansie.com/collection-and-shipping/

Lantern, without light fittings, 37cm high, 17cm diameter baseDue to the nature and fragility of the lots in this auction, we are unable to offer an inhouse post and packing service for items purchased in this sale and strongly advise using a professional packing company. Further information on independent shippers can be found on our website - www.reemandansie.com/collection-and-shipping/

Large Lantern (without light fittings) 47cm high, base diameter 25cmDue to the nature and fragility of the lots in this auction, we are unable to offer an inhouse post and packing service for items purchased in this sale and strongly advise using a professional packing company. Further information on independent shippers can be found on our website - www.reemandansie.com/collection-and-shipping/

Hanging Lantern light, 44cm high, 20cm base with chain and ceiling fitting 10cm diameterDue to the nature and fragility of the lots in this auction, we are unable to offer an inhouse post and packing service for items purchased in this sale and strongly advise using a professional packing company. Further information on independent shippers can be found on our website - www.reemandansie.com/collection-and-shipping/

Lantern, without light fitting, 31cm high, 17cm base diameterDue to the nature and fragility of the lots in this auction, we are unable to offer an inhouse post and packing service for items purchased in this sale and strongly advise using a professional packing company. Further information on independent shippers can be found on our website - www.reemandansie.com/collection-and-shipping/

An decorative tapered hexagonal brass and glass hanging lantern, complete with ceiling boss mount, 47cms high x 25cms wide x 25cms deep. Estimate £30-50.

A decorative Rococo style five sided brass and glass hanging lantern, complete with ceiling boss mount, 57cms high x 29cms wide x 29cms deep. Estimate £30-50.

HALL LANTERN, late 19th century brass hexagonal frame and fluted glass, 82cm H x 36cm W.

Wassily Kandinsky 1866 Moskau - 1944 Neuilly-sur-Seine Boot mit Laterne (Rapallo). Wohl 1906. Öl auf Leinwand, randdoubliert. 13,4 x 33,7 cm (5,2 x 13,2 in). [EH]. • Seit Entstehung in Privatbesitz – erstmals auf dem internationalen Kunstmarkt angeboten. • Im kleinen Format zeigt 'Boot mit Laterne (Rapallo)' die Farbe als Mittelpunkt des Interesses des Künstlers. • Das Farbenspiel greift voraus auf die intensive Farbauswahl in Kandinskys früher Murnauer Zeit. PROVENIENZ: Sammlung Gabriele Münter, Murnau. Privatsammlung München. LITERATUR: Hans Konrad Roethel, Jean K. Benjamin, Kandinsky. Werkverzeichnis der Ölgemälde, Bd. 1: 1900-1915, München 1982, WVZ-Nr. 163. 'Ein Bild muss klingen und von einem inneren Glühen durchtränkt sein.' Wassily Kandinsky 'Waren auch die Gründe für Kandinskys und Münters Reisen rein persönlicher Natur und hingen nicht mit künstlerischen Intentionen zusammen, hatten sie doch wesentliche Auswirkungen auf Kandinskys Kunst. Neue Sujets fanden Eingang in sein Werk, neues Licht und neue Farben verändern seinen Stil, und neue Erlebnisse regen seine Phantasie an.' Vivian E. Barnett, in: Das bunte Leben. Wassily Kandinsky im Lenbachhaus, München 1995, S. 127. Anfang Dezember 1905 brechen Wassily Kandinsky und seine Gefährtin Gabriele Münter wieder zu einer ausgedehnten Reise auf, diesmal an die ligurische Küste. Vom 23. Dezember 1905 bis zum 30. Juni 1906 überwintern die beiden dort in Rapallo. Hier passiert Wesentliches und Wegweisendes: 'Neue Sujets fanden Eingang in sein Werk, neues Licht und neue Farben verändern seinen Stil, und neue Erlebnisse regen seine Phantasie an' (Vivian E. Barnett, in: Das bunte Leben. Wassily Kandinsky im Lenbachhaus, München 1995, S. 127). Dies lässt sich auch in unserem kleinen Gemälde feststellen. Hat er zuvor den Kontrast von schwarzem Grund und bunter Farbe mehr in einer dem Art Nouveau verhafteten Weise in seinen märchenhaften Erzählungen verwendet, so zeigt Kandinsky hier das stimmungvolle Bild eines bunt erleuchteten Bootes in der tiefschwarzen Nacht. Es bleibt ein außergewöhnliches Werk für diese Zeit, in der sonst ausschließlich Schilderungen der Landschaft und des Meeres bei Tag entstehen. Bei diesem kleinen Gemälde wählt Kandinsky nicht die impressionistische Farbpalette, sondern eine Farbauswahl, die schon auf die kräftige Palette verweist, die erst zwei Jahre später in Murnau ihren Durchbruch finden wird. Die klaren, bunten Farben verselbständigen sich zu einem leuchtenden Zentrum in der nächtlichen Ruhe. Die hier von Kandinsky erprobten künstlerischen Varianten werden später in Gemälden der Murnauer Zeit in voller Blüte aufgehen. Aufrufzeit: 07.12.2024 - ca. 15.00 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONWassily Kandinsky 1866 Moskau - 1944 Neuilly-sur-Seine Boot mit Laterne (Rapallo). Wohl 1906. Oil on canvas, laid on canvas. 13.4 x 33.7 cm (5.2 x 13.2 in). [EH]. • In private ownership since it was created – for the first time offered on the international art market. • The small-sized “Boat with Lantern (Rapallo)” showcases the artist's focus on color. • The play of colors anticipates Kandinsky's intense color palette of his early Murnau period. PROVENANCE: Gabriele Münter Collection, Murnau. Private collection, Munich. LITERATURE: Hans Konrad Roethel, Jean K. Benjamin, Kandinsky. Catalogue raisonné of oil paintings, vol. 1: 1900-1915, Munich 1982, cat. rais. no. 163. 'An image must resonate and be imbued with an inner glow'. Wassily Kandinsky 'Even if the reasons for Kandinsky's and Münter's travels were purely personal and not related to their artistic objectives, they had a significant impact on Kandinsky's art. New subjects found their way into his work, new light and new colors changed his style, and new experiences stimulated his imagination.' Vivian E. Barnett, in: Das bunte Leben Wassiliy Kandinsky im Lenbachhaus, Munich 1995, p. 127. Wassily Kandinsky and his companion Gabriele Münter set out on another extended journey in early December 1905, this time to the coast of Liguria, where they spent half a year in Rapallo from December 23, 1905, to June 30, 1906. This was a seminal time for the artist: “New subjects found their way into his work, his style changed in with new colors and light, and new impressions stimulated his imagination” (Vivian E. Barnett, in: Das bunte Leben. Wassily Kandinsky im Lenbachhaus, Munich 1995, p. 127). These characteristics become evident in our small painting, too. While he had previously used the contrast between the black ground and the colorful brushwork in a manner more akin to Art Nouveau in his fairytale-like narratives, Kandinsky depicts the atmospheric image of a colorfully illuminated boat in the pitch-black night in the present work. It is an extraordinary piece for this period, as he mostly created depictions of landscapes and the sea by day. In this small painting, however, Kandinsky did not choose an impressionist palette but a range of colors that pointed the way to the bold spectrum he would first use in his breakthrough paintings from Murnau two years later. The clear, bright colors become independent, creating a glowing center in the nighttime calm. The artistic variations Kandinsky tried out here would later come to full fruition in his paintings from the Murnau period. Called up: December 7, 2024 - ca. 15.00 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

A Class XII Salter's Spring Balance, dial with 26cm diameter, and  a Scout lantern, (2).  The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

Nine brass and glass hexagonal lantern light fittings with ornate wall brackets together with a pair of GNR railway carriage candle lamp brass wall lights

A late 19th century Chinese porcelain lantern and stand of typical form and decoration. 30 cm high.

A Japanese finely carved wood figure of a gentleman, Meiji period (1868-1912), shown in standing pose wearing a wicker hat, with lantern in one hand and stick in the other, standing on a naturalistic base, h.28cmNo obvious damage, , a filled split to the base, light scuffs to the clothing

Joseph Hall of Pickleherring Quay, London - a brass lantern clock, the frame with tall straps and bell over typical scroll spandrels, 6½" Roman chapter ring, signed and scroll leaf engraved dial, single blue steel hand, weight driven 30-hour movement, sold with weight and pendulum, h.37cm, with 20th century made oak wall bracketNote: Joseph Hall of London is recorded in G.H. Baillie Watchmakers & Clockmakers of the World as producing a lantern clock in London circa 1684 In our opinion it is circa 1700.Appears in good original condition with evidence of an overhaul at some point.Wall bracket is modern.With anchor escapement, probably formally a verge.Finial to top appears to be modern.

A mother of pearl inlaid Box (a/f) containing magic lantern glass slides.

A 19thc Continental School, A Woman in a window holding a lit candle and lantern, oil on board, unsigned, in a gilt frame. (19cmx14.5cm)

A CHINESE FAMILLE ROSE LIME GREEN GROUND SGRAFFITO VASE, 19TH CENTURY. Lantern form decorated with ladies and qilin. With six character mark of Qianlong to base, on a turquoise ground. 29cm tall. Ground down at the rim with sections of staple repair. Some staples have been removed leaving small holes. Fine hairline to base.

Nautical Interest; A brass anchor lantern, stamped Birmingham, 1927, and later converted to electric, H-51cm.

Box of collectable odds to include brass ware, vintage chinese lacquered shared box, plated peacocks, antique aqua glass bottle, coal mining lantern etc

A framed collection of St Bernards and mountain rescue lantern slides - 33cm x 33cm

An antique copper and brass ship's lantern

An early 20th century marching compass by Cooke Troughton & Simms within original fitted leather case, compass clinometer, an Air Ministry stereoscope 14B/746, 1914-1918 "Shell" money box, three draw telescope, Octopus Model field glasses, two other pairs of field glasses, Kodak No.2 Brownie, an electric lantern and two cap badges. (qty)

A candle lantern and bird ornaments.

A GEORGE III TURKISH MARKET MINIATURE GILT BRASS STRIKING LANTERN CLOCKBy George Prior, London, Circa 1790With a finely turned finial above the bell and four straps, with four further finials, and two pierced fret work panels, the circular signed 2 1/8in circular white enamel dial with blued steel beetle and poker hands, within an engine turned bezel and shaped gilt dial plate, with verge escapement and countwheel strike15cm highGeorge Prior is recorded working in Prescott Street, Goodman Fields, London 1765-1812.CONDITION REPORTThe clock has been restored.  The side doors and back are replaced.  With two large and two small weights.

A GLASS HANGING LANTERN WITH GILT ENGRAVED STARS 20TH CENTURY Of Hundi form, applied metal frame, hanging chains below glass ceiling cover, with strengthened star decoration, unwired shade 28cm high, 23.5cm diameter

Large early 20th century turned and polished serpentine model of a lighthouse, the lighthouse mounted with metal ladder, door etc., and open trellis lantern beneath ogee dome, raised on unpolished 'rockwork' base with integral steps, raised on conforming pillar plinth, 143cm high overall

Wreckage from Zeppelin L31 Three pieces of wreckage of the German Zeppelin L31, that was brought down over Potters Bar by Second Lieutenant W. J. Tempest, Royal Flying Corps, the first Canadian to shoot down a Zeppelin from the air, on 2 October 1916, comprising fragment of the airship’s outer duralumin lattice, and two pieces of the airship’s engine (?), with R.C.M.I. accession numbers in ink to first and second, all in relic condition (lot) £300-£500 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- Zeppelin L31 was an R-Class Imperial German Navy super Zeppelin commanded by Heinrich Mathy. 198m in length with a crew of 19 and a maximum speed of 64mph, it took part in several raids over London during the Great War. It was shot down over Potter’s Bar by Second Lieutenant Wulstan J. Tempest, a Canadian serving with the Royal Flying Corps, shortly after midnight on 2 October 1916 with the loss of the entire crew. Tempest’s own report is a vivid account of how the L31 met her end: ‘There was a heavy ground fog on and it was bitterly cold, otherwise the night was beautiful and starlit at the altitude at which I was flying. I was gazing over towards the NE of London, where the fog was not quite so heavy, when I noticed all the searchlights in that quarter concentrated in an enormous pyramid. Following them up to the apex, I saw a small cigar-shaped object, which I at once recognised as a Zeppelin, about 15 miles away, and heading straight for London. Previous to this I had chased many imaginary Zepps only to find they were clouds on nearing them. At first I drew near to my objective very rapidly (as I was on one side of London and it was on the other and both heading for the centre of the town): all the time I was having an extremely unpleasant time, as to get to the Zepp I had to pass through a very inferno of bursting shells from the A.A. guns below. All at once, it appeared to me that the Zeppelin must have sighted me, for she dropped all her bombs in one volley, swung around, tilted up her nose and proceeded to race away northwards climbing rapidly as she went. At the time of dropping her bombs, I judged her to be at an altitude of about 11,500 feet. I made after her at all speed at about 15,000 feet altitude, gradually overhauling her. At this time the A.A. fire was intense, and I, being about five miles behind the Zeppelin, had an extremely uncomfortable time. At this point my mechanical pressure pump went wrong, and I had to use my hand-pump to keep up the pressure in my petrol tank. This exercise at so high an altitude was very exhausting, besides occupying an arm, this giving me one hand less to operate with when I commenced to fire. As I drew up with the Zeppelin, to my relief I found that I was free from A.A. fire, for the nearest shells were bursting quite three miles away. The Zeppelin was now nearly 15,000 feet high, and mounting rapidly, I therefore decided to dive at her, for though I held a slight advantage in speed, she was climbing like a rocket and leaving me standing. I accordingly gave a tremendous pump at my petrol tank, and dived straight at her, firing a burst straight into her as I came. I let her have another burst as I passed under her and then banking my machine over, sat under her tail, and flying along underneath her, pumped lead into her for all I was worth. I could see tracer bullets flying from her in all directions, but I was too close under her for her to concentrate on me. As I was firing, I noticed her begin to go red inside like an enormous Chinese lantern and then a flame shot out of the front part of her and I realised she was on fire. She then shot up about 200 feet, paused, and came roaring down straight on to me before I had time to get out of the way. I nose-dived for all I was worth, with the Zepp tearing after me, and expected every minute to be engulfed in the flames. I put my machine into a spin and just managed to corkscrew out of the way as she shot past me, roaring like a furnace. I righted my machine and watched her hit the ground with a shower of sparks. I then proceeded to fire off dozens of green Very's lights in the exuberance of my feelings. I glanced at my watch and saw it was about ten minutes past twelve. I then commenced to feel very sick and giddy and exhausted, and had considerable difficulty in finding my way to ground through the fog and landing, in doing which I crashed and cut my head on my machine-gun.’ For his gallantry that night Tempest, the first Canadian to shoot down a Zeppelin from the air, was awarded the D.S.O. ‘in recognition of conspicuous gallantry and devotion to duty in connection with the destruction of an Enemy Airship’ (London Gazette 13 October 1916). Subsequently awarded the Military Cross and advanced Major, he is commemorated in the names of two streets in Potters Bar, ‘Tempest Avenue’ and ‘Wulstan Park’, close to where the L31 crashed. Sold with copied research, including numerous photographic images of the wreckage, one of which is annotated: ‘Despite the presence of the military [standing guard], many souvenir hunters managed to sneak off with fragments of the wreckage.’

Magic Lantern Photographic slide collection, mainly WWI aerial reconnaissance photos of trench placements used for British military training purposes, along with other military related slides, approx. 24.

Magic Lantern Photographic slide collection, all of Italy and its regions incl. Rome, Venice, Florence etc. approx 120 slides.

Magic Lantern Photographic Slide collection, mostly hand coloured of Cornwall and Devon topographicals incl. Falmouth, Newquay, Truro etc. approx 21 slides.

Magic Lantern Photographic slide collection, mainly of European topographicals and local people, incl. Belgium, Brittany, France, Germany etc. approx 44 slides.

Magic Lantern Photographic slide collection, mainly hand coloured topographical views of 1930s to 1950s country life from the Worcestershire, Gloucestershire and Herefordshire area with a few other English country scenes, approx 85 slides.

Magic Lantern Photographic slide collection, all of the Highlands and Islands of Scotland, approx 72 slides.

Magic Lantern Photographic slide collection, views of China and Chinese people, including small footed maidens, actors, wedding procession etc. approx 16 slides.

Magic Lantern Photographic slide collection, including idyllic woodland maiden scenes by Graystone Bird of Bath, pastoral, views of London and others, approx. 75 slides.

Magic Lantern Photographic slide collection, incl. approx 56 slides of Egypt topogrophical and people, and 30 other slides of Argentina and mixed.

A Glasgow School Arts and Crafts brass lantern pendant light, cuboid house form with pitched roof and embossed rivetted detailing, frosted trellis panels, suspended from a chain, 30cm high

A traditional brass lantern clock, 19th Century in the 17th Century style, urn finial, bell, fretwork panels to three sides, the front with engraved entwined dolphins and scrolls, over a dial with black Roman numerals and inner minute track, scrolling foliage to the centre, pillar corners, peg feet, eight-day movement striking on a bell, 38cm high, 15cm wide

A selection of approximately 45 various photographic magic lantern slides - scenes in India, military scenes, Indian hunting trophies and others etc

An old brass mounted galvanised ship's port lantern with original oil fitment, 23" high

A French lacquered brass hanging stairway lantern. With long twisted support, cut glass shade and tassel form drop, height 130cm.

A Morrocan hanging lantern or lamp. Of Moorish influence, with pierced metalwork and clear and coloured glass panels, height 70cm.

Metal garden storm lantern, H63cm; driftwood sculpture on wooden plinth, H37cm, and two vintage soda siphons (4)

A scare Edwardian novelty piece of decorative silverware in the form of a ships port lantern. Made by Samuel Jacob, London 1911. 8.5cm height x 6cm width. 111gm

The Haw Lantern, FIRST edition, SIGNED dedication to Kevin Mulqueen - a teacher and poet with a presence online discussing and reading poetry, toning to paper, d.j. bright, London: Faber and Faber, 1987  

Britains Village Idiot and other Farm figures, with green smock and yellow hat (condition good) two carters with whips, man with swing barrel, two Shepherd boy with lantern, Blacksmith with anvil, boxed Charbens Farm wagon, Maid with pales and Farmers wife with baby and group of three Rabbits (11).