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A BRASS OCTAGONAL HANGING LANTERN.

A morse code signalling lamp, BTH Intermediate Lantern, Admiralty pattern W2174.

A Collection of Assorted Magazines and Trade Cards including Bloodshot, Green Lantern Mosaic, Splatterball, Amazing Spiderman, The last ever issue of The Dandy, Beano, Walt Disney favourite story cards, Hologram trading cards, Meanstreak, Star Trek, Spiderman, the XFiles etc

A brass lantern with plaque for Powell & Hanmer, Birmingham, 34cm high (a/f - glass cracked)

A Shatz lantern pattern anniversary clock - sold with a dove decorated porcelain battery timepiece

A vintage metal porch lantern with coloured fragments

A French bubble glass and wire cased lantern with internal electric timepiece

A vintage Eveready lantern torch, a companion set (a/f), and a metal boot stretcher

A large Bradford Exchange Thomas Kincade Masterpiece Santa Claus with recording of The Night Before Christmas and light up lantern

A fine and very rare mid 18th century gilt brass-mounted walnut musical and astronomical longcase clock with mirrored panelsGeorge Clarke in Leadenhall Street, LondonThe arched hood set with mirrored panels flanked by freestanding facetted glass brass-mounted Doric columns over a full width door set with five shaped mirrored glass panels, all with bevelled edges throughout and framed by beaded brass borders, on a matching base (restored), the 14 inch arched dial with silvered arc detailing 12 tunes, namelyA March No.1Poor Robins ComplaintPretty Salley (sic)This great world isTransported wth. pleasureThe grand MusquelineThe Mock to BellsizeMasquerade MinuetA MarchSpanish JiggA Rigadoon No. 4A Young Virgin of 15 over the engraved polished/blued spherical 'Halifax' moon, the main body of the dial set with a subsidiary dial to each corner offering Strike/Silent, Chime/Not Chime, Moon's age 1-29.5 and the phase i.e. 'New Moon' 'First Quarter', 'Full Moon', and 'Last Quarter', and a twice XII-XII framed by a six times 0-48 outer ring, with Roman and Arabic chapter ring, subsidiary seconds, date aperture and signature arc, the massive movement with shaped plates united by ten knopped and ringed pillars, the anchor escapement with crutch beat adjustment to the heavy pendulum, rack striking the hour on the hour on a vertical bell, and playing one of twelve tunes every three hours on 27 hammers and 15 bells via a 13 inch pinned barrel mounted transversally to the rear, with trip repeat. 2.61m (8ft 7ins) high. Footnotes:Provenance: Christie's 13 November 2014, lot 138.George Clarke worked from Leadenhall Street, London throughout the second quarter of the 18th century. As well as supplying the UK domestic market with well-made longcase, bracket and lantern clocks, he also had a strong trade with the Eastern and Ottoman markets. These export markets preferred a more ostentatious style and Clarke made strong use of lacquer, tortoiseshell, mirror and glass to appeal to the continental aesthetic. A good example of this is the red-lacquered hooded wall clock made for the Turkish market which was sold in these rooms on 14th June 2005, lot 125. Perhaps his most famous extant clock is the large musical bracket clock with glass (or 'crystal') spherical finials and cupola over facetted glass columns in the collection of The Goldsmith's Company, previously in the Wetherfield Collection. It shares the same facetted glass columns as the current lot. Another comparable clock to this lot was recorded by Lord Macartney during his visit to China 1792-1794 in the Emperor's Great Hall of the Summer Palace:'At one end I observed a musical clock that played twelve old English tunes, the 'Black Joke', 'Lillibullero', and other airs of the 'Beggars' Opera'. It was decorated in a wretched old taste, with ornaments of crystal and coloured stones but had been, I dare say, very much admired in its time. On the dial appeared in large characters, 'George Clarke, Clock and Watch Maker, in Leadenhall Street, London.' This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A mid 17th century brass lantern clockPeter Closon near Holborn Bridge fecitThe strapped bell over urn finials, foliate frets, turned columns and ringed ball feet, the top plate with hoop over a pair of spikes set into the column bases, the 6.25 inch Roman chapter ring with star half-hour markers, (the 'V' numerals particularly wide) and single fettled steel hand, the signature flanked by a pair of symmetrical flower stalks emerging from above VI, the weight driven movement with two independent wheel trains, the restored verge escapement with balance wheel control and countwheel strike on the bell. Sold with two weights and two small counter weights. 41cms (16ins) high (5)Footnotes:Peter Closon is one of the best known of the First Period makers. He was involved in the very beginnings of the Clockmaker's Company in 1631 and rose to become an Assistant and the Warden in 1637/8. From 1638 he took many apprentices through the Company, several of which later made lantern clocks including John Wise, Robert Cosby, Richard Ames, William Speakman and Humphrey Clarke. He was married on 25 June 1629 at St Mary Mounthaw, London, to Margaret Buckner. He is believed to have died before 1662-63.For further information on this lot please visit Bonhams.com

A mid 17th century brass lantern clock with alarmJohn Ebsworth, at ye Cross Keys, Lothbury, Londini fecitSurmounted by a strapped bell and five urn finials between three pierced dolphin frets, over tapering columns on ball feet, the 6.25 inch wide brass Roman chapter ring with inner quarter hour track and wheatear half-hour marks, framing the florally engraved centre featuring flowers emanating from VI towards the pictogram signature, with single hand and Arabic alarm setting disc, with rope drive to a reconverted balance wheel escapement, with countwheel strike on the bell and rear-mounted alarm train. Sold with three brass weights. 39cms (15 ins) high (4)Footnotes:John Ebsworth worked at the Cross Keys in Lothbury and also, at one time, 'in new Cheape Side' (see Loomes: 'Watchmakers and Clockmakers of the World', NAG Press, 1988, page 238). He was apprenticed to Richard Aymes in 1657 and made free of the Clockmakers Company in 1665. He died in 1699. It is probable that he succeeded Thomas Knifton at the Cross Keys upon Knifton's death circa 1667.For further information on this lot please visit Bonhams.com

A unique and important dated 17th century lantern clock of large size, engraved with the arms of The Brewers CompanyWilliam Bowyer, London, dated 1632. The bell cast with the initials 'KS'The case:15.5 inches high to the top of the reduced finial, and surmounted by a substantial strapped bell (the bell cast internally with the letters KS), over three pierced frets (cast to accommodate the bases of the finials and measuring 91 x 144mm), each centred by a shield and framed by foliate scrolls, the front central shield engraved with the coat of arms of the Brewers Company above the signature WILLIAM BOWYER OF LONDon FECIT (sic), the square top plate with original holes for the balance control and with a hoop to the rear, with four boldly cast squat urn finials on tapering Doric columns over bulbous turned feet. (doors and rear plate lacking, rear left hand finial smaller) The dial:the silvered chapter ring 1 and 1/16th of an inch in width, with double line border enclosing the Roman numerals and inner quarter hour track with star half-hour markers raised on single lines, the corners with foliate scrolls, the centre fully engraved and divided into diagonal quarters by pairs of sword-shaped leaves, the upper quarter with the date 1632 below a human face surrounded by petals, the lower quarter with another male face with leaves as hair, framed by largely symmetrical patterns of leaves, with single filed iron handThe movement:the weight driven movement (two modern weights accompany the clock) with later verge escapement, the crown wheel set on a shaped brass top potance, the pallet arbor cocked front and back and with forked crutch (displaying some decorative filing) , but missing the pendulum, the strike train dictated via a pierced brass countwheel with three crossings, the heavy iron hammer with substantial stop and altered spring 39cms (15.5ins) high. Footnotes:William Bowyer is one of the great early British clockmakers and we have been fortunate enough to present several important examples in recent years, including: The so called 'Masterpiece' clock dated 1623, lot 72, 19th June 2007 £144,000. His earliest known clock, dated 1617, lot 60, 11th June 2018, £43,750. The clock he sold to John Earle of Rothes circa 1626, lot 68, 11th December 2019, £43,800. Literature: This clock is discussed and illustrated in an article by John Hooper 'William Bowyer Great Clock Maker', published in Antiquarian Horology, Summer 1998, p.122-133. 'His standard of workmanship, design and execution was exemplary throughout his working life.....His clock frames were splendidly turned and assembled and the dials beautifully engraved, especially on his early clocks....The movements of his clocks are of an equal standard of workmanship and the finishing of his wheels and pinions generally of an excellence rarely approached by other makers of his era. The tempering of his steelwork is invariably good and the wear on his pinions minimal considering the great age of his clocks and the survivors are, as a rule, still in good working order if suitably looked after.' There are no records as yet of the bell founder 'K.S', although another Bowyer clock is recorded in White with a bell cast with the initials 'G.S'The Worshipful Company of BrewersThe Worshipful Company of Brewers is one of the oldest of London's livery companies with references as far back as the 13th century. The first Royal Charter was granted by Henry VI in 1438 and the first Coat of Arms in 1468, these were the arms of Saint Thomas Becket, the Company's patron Saint. The Arms were changed to the present sheaves of barley and barrels, after the reformation, by Royal grant in 1544.Initial inspection of the Court Minutes and Accounts book has not yet revealed a reference to this wonderful clock - like today, this would have been an object of enormous rarity and value in the early 17th century, and it is quite possible that it was presented to the Company by a member as a gift - just as Bowyer himself had presented a clock to the Clockmakers Company. The Masters of the Brewers Company at around this time were Samuel Cranmer (1575-1640) from Cripplegate in 1631 and Francis Zachary, of Stepney in 1632.Andrew King writes:WILLIAM BOWYERGREAT CHAMBER CLOCK MAKERWith the more regular appearance of domestic clocks in the inventories from the earlier years of the sixteenth century, almost exclusively the work of Continental makers, the clock making trade in England may have been established in that century if it had not been for the successive plagues that took their toll of so many craftsmen. These human disasters led to a revived clock making trade which became established in the beginning of the seventeenth century learning their trade from previous sources as well as turret clock work, locksmithing and the art of the blacksmith. Within that first decade of the seventeenth century the tradition of the English lantern clock emerged. Of all the notable clockmakers from what has now become known as The first Period of lantern clock making, 1580-1640, William Bowyer remains one of the leading lights with his voluminous output of fine crafted clocks. Bowyer, probably born in the 1590s, in Berkshire and avoiding the contagion of plague married and possibly with his second wife Prudence produced six children with only three surviving infancy. Bowyer became a member of the Pewterer 's Livery Company, becoming a Freeman of the City of London in 1630, this, sometime before the Worshipful Company of Clockmakers received their Royal Charter in 1631. Establishing himself in Leadenhall Street Bowyer took at least six apprentices during his early years and another four some years later from 1638 through the Clockmakers Company. This providing only the smallest indication of the considerable workforce that must have existed in the Leadenhall Street manufactory not too far away from Lothbury the busiest area of lantern clockmaking with not only the Hall of the Founders Company but also the necessary foundries themselves for the adjacent trade.With the formation of the Clockmakers Company William Bowyer appeared to be a somewhat reluctant and not fully committed member in their ranks. His name first appeared in 1632 when he was sent with a small committee 'to treat to the Blacksmiths about their business' but the following year he was in trouble for failing to attend the Court despite warnings. Nine years later in 1642 Bowyer presented the Company with a great chamber clock, the purpose to absolve himself of all Company responsibilities, 'Mr Bowyer to be exempt from place, office and service'. With possibly a somewhat unpredictable and recalcitrant character he nevertheless, became Assistant in 1651 and was elected a Warden in 1653, the year in which it is believed he may have died.William Bowyer's lantern clocks are always notably varied and impressive with unique art and innovation in both styling and mechanical versatility.The dials of Bowyer's clocks are a unique cornucopia of flowers, fruit, swirling leaves and comical masks much of this witness from the world of silversmithing, needlework and the publications of craft and design. This unique artwork suggesting that perhaps Bowyer employed a full time engraver. It would certainly appear that with the output of this manufactory any engraver would have been very busy. The adjacent frets a reflective artwork perhaps with a central urn of flowers and leaves flowing to form the outer region of the fret and sometimes incorporating an owl or even a boar's head. These frets were considered to be such an important feature that Bowyer is cast them to accommodate the bases of the finials, a unique feature. An unusual feature of some of Bowyer's chapter rings and surely another unique feature to him, are the quart... For further information on this lot please visit Bonhams.com

A quantity of Lucas and motoring ephemera together with a vintage Schrader spark plug pump, a Mariol vintage Powerite lantern and vintage tins and saucy adult magazines from the mid 20th century

A brass arts and crafts style lantern, an ivory handled walking stick with an exotic hardwood shaft, and a Persian rug A/F

A quantity of magic lantern slides, Boots & Saddle, The Desert Song & Verse and others together with Merrimac paper and printing block with Kensitas silk flags, cigarette and collectors cards

A LARGE CHINESE FAMILLE VERTE PORCELAIN LANTERN VASE, decorated with panels of dragons and phoenix in landscapes, further decorated with panels of flora and birds, the base with a six character kangxi mark, 47.5cm.

Boer War Interest:- a set of twelve stereoscopic cards published by Underwood & Underwood, showing scenes from the Boer War, in the original book form box; also, seven further similar cards and a contemporary aluminium and wood stereoscopic viewer, all by Underwood & Underwood; a Collection of Fifty Three Glass Magic Lantern Slides, many from the "Kaffirs, Boers and Britons in South Africa" series, in black and white photographic and colour printed, in a pine box (qty)

Box full of The Autochrome Lumière plates with original A Lumiere labels and original boxes full of magic lantern slides (large quantity)

A quantity of lantern slides relating to (and probably previously belonging to Joseph Burton) Pilkington's Royal Lancastrian property, various slides depicting interior and exterior views of the the factory, workers, pieces and other pottery, approx. 115 slides, the box labelled 'Joseph Burton's Slides'.

* Bird (Owen Graystone, 1862-1943). A collection of approximately 115 diapositive lantern slides, early 20th century, including 31 identified as photographs by Graystone Bird of Bath, the remaining slides mostly photographs of London and Continental views including Germany and Holland, floral studies, etc., plus 10 chromolithographic lantern slides, the collection in a wooden lantern slide boxQty: (approx. 125)NOTESGraystone Bird was a professional photographer, active during the late nineteenth and early twentieth centuries. He was the winner of numerous photography prizes, many of his photographs, as here, in a pictorialist-style. Titles of his identified slides here include: Summer idleness; The day's work done; Wood-carrying - loading 'of such is the kingdome of heaven'; On the road to be sheared; Beached for repairs; On moonlit waters; Overhauling the net; Childhood joys; The last load; The village gossip; Happy childhood; In the heyday of life; The hour of rest; A tiff, etc. Many are additionally inscribed in white china ink as the recipient of photography prize medals.

* Egypt & Greece. A group of approximately 85 diapositive magic lantern slides, c. 1920s, mostly views of temples and ruins in Egypt and Greece, contained in an old wooden slide boxQty: (approx. 85)

* Magic Lantern Slides. A group of approximately 220 magic lantern slides, early 20th century, including miscellaneous views, natural history, diagrams, lithographic slides and a group of hand-coloured photographic lantern slides of the Isle of Wight, partly contained into wooden slide boxesQty: (approx. 220)

* Military Lantern Slides. A group of 55 diapositive magic lantern slides, c. 1910-15, the majority of military and some aviation interest, showing soldiers training and fixing camp, etc., together with a group of approximately 50 military stereoviews, half of Boer War interest and half of First World War interest, mostly Underwood & Underwood or Realistic TravelsQty: (approx. 110)

* London & Royalty. An assorted group of late 19th and early 20th-century photography, including 50 stereoviews (15 military interest), 10 glass stereoviews (4 military interest), 12 miscellaneous lantern slides, a three-quarter-plate ambrotype of an unidentified elderly man, a small selection of photographs featuring shopfronts and shop staff including 5 tintypes, plus a panel print of Queen Victoria and a three-quarter-length albumen print portrait of an elderly Prince George, Duke of Cambridge in full military dress, signed 'George' in upper left blank area, 28 x 18 cm, framed and glazedQty: (a small carton)

* China & Hong Kong. A group of 96 diapositive lantern slides, c. 1930s/1940s, mostly depicting river scenes with junks, some river steamers and a few destroyers, plus views with people, temples and shrines, etc., some duplication, several cracked and all somewhat mildewed with occasional seal tears, a few with modern labels attached, contained in an old wooden slide boxQty: (96)

A collection of ships brass and glass light fittings, (2, 1 with wall bracket), two lanterns (1 lacking glass) and a small copper ships lantern. (6, AF)

A late 19thC Gothic style hall lantern, with paraffin lamp attachment, inset with coloured glass Cabochon, 67cm high overall, and an ebonised metal carrying lantern, (2).

A collection of ephemera, to include Pound stamp album and other stamps, photographic plates relating to narrow boats, and five magic lantern type slides, each depicting vintage cars.

Photography Interest - a Miller Cine camera; other cameras; a spotting scope; magic lantern slides

MARVEL; a group of comics comprising The Mighty Thor king size annual no. 1 1965, Spider-Man king size no. 3 (cover loose), Fantastic Four king size no. 4 (cover loose), Fantastic Four nos. 37 and 54 (the latter British issue), Tales of Suspense feat. Iron Man and Captain America no. 85 (British issue), Fantasy Masterpieces no. 2, 5, 6, Collectors’ Item Classics no. 1, Not Brand Echh no. 3; DC comprising Superboy no. 135, Aquaman no. 26, Superman & Batman no. 304, Green Lantern no. 177; also singles of Mighty Samson, Kona, The Shadow and The Parent Trap.Additional InformationGenerally worn condition, loose covers where stated, creasing, mottling, fading, some small tears, some folds, etc, refer to illustrations and request additional if necessary.

A French reproduction brass cased lantern clock with applied detail depicting intertwined fish and applied silvered dial, height 28cm, together with a brass cased miniature carriage clock, height including swing handle 11cm.Additional InformationPitting to the case on the carriage clock, the lantern clock is missing its back door. The movement is stamped 'France 51928'. We are unable to check if either of the clocks are in working order.

HUNTLEY & PALMERS; an advertising lantern biscuit tin, height 23cm, together with further collectors' items to include treen boomerang, carved oak framed panel with floral sprays, 45 x 31cm, metal hat tin, etc.Additional InformationGeneral wear, the tin with heavy wear, minor denting.

A pair of Murano glass clown lamps, modelled as clowns sitting at the bases of lampposts, 34cm highCondition report: Surface scratches and minor frits. The lantern sections are loose and would benefit from being secured, the top to one lamp has been broken and glued together.

A Vaughan table lamp, and a hall lantern, 48cm high (2)

Marine distance meter, Weldon range finder, a compass, Spare Parts Case (empty) and a Lantern Electric No.2 with broad arrow mark.

NINETEENTH CENTURY STAFFORDSHIRE THE PARSON AND HIS CLERK POTTERY GROUP, painted in colours and raised on a moulded, rounded oblong base, 9? (22.8cm) high C.R. the Parson with left fore arm and hand missing, lantern re-glued

A Henry Brown & Sons Sestrel teak ship's binnacle, having brass cover enclosing gimbal-mounted compass marked B Cooke & Son Ltd, Hull 27/9, side lantern with chart tube and iron weights, repainted black, 142cm high.

Collection of various clear and coloured glass, Coleman Duel Fuel lantern, candle holders, etc.

An interesting collection of sixty-three magic lantern slides depicting the 1912/13 Balkan War, Native Rising South Africa 1907, German landing manoeuvres etc, mostly Newton & Co, Covent Garden, hand-anotated, in oak case

A Powell & Hanmer Ltd 'Sultan' bicycle lamp, together with a Victorian over painted ship's lantern (2):

A large collection of early 20th century 3 inch diapositive magic lantern slides of European mountains and topography: many inscribed and dated circa 1921/22.

A group of early 20th century 3 inch diapositive magic lantern slides of travel interest:, including Peking, Hong Kong and Switzerland, also a slide of Kyoto, all circa 1920s.

A late 19th century 3 inch diapositive lantern slide 'Launching of The SS Oceanic. Jan 14 1899: (cracked) together with another of RMS Titanic, a slide of an early De Dion style motor car, a hand painted curtain slide and a slide of a family portrait (5)

A large collection of early 20th century 3 inch lantern slides, mostly European topography, English churches and architecture: (a lot)

A late 19th/early 20th century 'The Standard' tinplate magic lantern by Ernst Plank:, in original box, together with a collection of lithograph magic lantern slides (poor condition).

The Cyclist and Bicycling & Tricycling Trades Review, 1883 to 1888, Vols. V to IX. Five thick quarto cloth-bound volumes in mixed colours, the bindings dull, marked, the hinges weak and the covers and spines of the last two volumes loose, but the contents, though dusty, generally appearing to be sound and complete. Vol. V, 1883-84, holds the weekly issues from No. 209, Oct. 17, 1883 to 260, , Oct. 8, 1884; Vol. VI, 1884-85, holds those from No. 261, Oct. 15, 1884, to 312, Oct. 7, 1885; Vol. VII, 1885-86, those from No. 313, Oct. 14, 1885 to 364, Oct. 6, 1886; Vol. VIII, 1886-87, those from No. 365, Oct. 13, 1886, to 416, Oct. 5, 1887, plus the 114-page, Cycledom, the well-illustrated Christmas Number and Year Book for 1886-87 bound in at the rear of the volume; Vol. IX, 1887-88, those from No. 417, Oct. 12, 1887, to No. 468, Oct. 3, 1888, plus the 126-page The Lantern, the well-illustrated Christmas Number and Year Book for 1887-88, bound in at the rear of the volume. Each volume has title page and index pages, Vol. V with an engraved portrait frontispiece of the Editor, Henry Sturmey, and all contain engraved period advertisements. (5)

S.E. & C.R. and SR Lamps and Gauges, a red repainted signal lamp of square form with loop handle, stamped S. E. & C.R. F N 1774, also stamped L.M.S. with interior burner stamped L.M.S. Railway and one glass panel (undamaged), together with an S.R. Welch Patent signal interior lantern by The Lamp Manufacturing & Railway Supplies Ltd with two glass lenses (undamaged) an SR Duplex Gauge with repainted metal case and brass cased pressure gauge by Westinghouse Brake and Signal Co, F (4)

L.B.S.C.R. Railway Signal Lamp, repainted of cylindrical form by Saxby & Farmer London with two lenses (undamaged) and iron mounting bracket (20" high) and inner lantern with burner by Lamp Manufacturing & Railway Supplies LTD, with rust and three lenses one chipped, P-F

An early Bing Gauge II (2") LNWR Bogie 1st Class Coach, a possible restoration project, in LNWR brown/ivory livery, with early 'diamond' bogies attached by original 'butterfly' nuts, a 4-compartment coach 13¼" over buffers with 4 compartments with interior seating and luggage racks, essentially complete with all doors and handles, hinged roof with 4 lantern pots, F, missing only coupler droplinks, one buffer and one end step, finish generally deteriorated by surface rusting and paint loss, some detachment of end joints and slight distortion

Keiner Topf mit anhua-Dekor und zartgrüner Glasur und ein blau-weißer Kraak-Teller. 17. Jh. a) Eiförmiger Topf, umlaufend dekoriert in anhua-Ritztechnik mit Vögeln und blühenden Zweigen, ganz bedeckt mit einer blassgrünen Glasur. Sprung. Holzdeckel. b) Teller, dekoriert in Unterglasurblau mit einem Schmetterling und Blumen, auf der Fahne mit stilisierten Blumen und Emblemen. Rep. (2)a) H 17,5 cm; b) D 21,2 cmProvenienzPrivatsammlung, Rheinland A pale green-glazed lantern jar with anhua decoration and a blue and white kraak dish. 17th century a) A small lantern-shaped jar, decorated to the exterior with birds and flowers in anua technique, all covered with a pale-green glaze. Crack. Wooden cover. b) The dish decorated in underglaze-blue to the centre with a butterfly, flowers and a garden rock, the rim with opposing reserves of flowers and auspicious emblems and the reverse with alternating reserves. Repaired. (2)a) Height 17.5 cm; b) Diameter 21,2 cmProvenancePrivate collection, Rhineland

Lanterne ottomaneTurquie, fin du XIXe siècleSuspension en tôle ajouré et découpé et plaques de verre polychromes alternant avec du verre blanc décoré d'arabesques, à base quadrangulaire, le corps octogonal flanqué de quatre tourelles hexagonales, le sommet en forme de dôme à plusieurs coupoles surmonté d'un croissant, peinte en rouge et vert. 38 x 17 cmAn Ottoman copper and glass lantern, Turkey, late 19th century

A vintage 20th century purple glass Moroccan porch lantern light shade. The glass shade of a bulbous form with purple painted glass, white metal hanging chains and mounts, with metal finial with pierced decoration. 

A vintage pierced cast iron Japanese pagoda lantern with bamboo detailing. H.20cm

CROWN TOP LANTERN

Six brass clocks, to include torsion examples, Schatz two jewel, Smiths lantern clock etc.

A magic lantern - NO RESERVE

VICTORIAN MAGIC LANTERN

REPRODUCTION HALL LANTERN

A Hotwheels model car together with a Westminster Chime wall clock and a novelty candle lantern in the form of an elephant