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A group of approximately eighty-six Chinese export pith paper paintings and one bodhi leaf painting, late 19th-early 20th century, comprising: one bodhi leaf painted with a monk and his attendant, picture size 13.5cm x 12cm; one album containing five leaves of paintings depicting local people with various occupations, picture size 27cm x 18cm; one album containing twelve paintings depicting boys playing different games, picture size 19cm x 11cm; a group of approximately forty eight loose leaves of paintings depicting various figurine scenes, the largest 32cm x 19cm; four paintings of fish studies, the largest 32.5cm x 19cm; six painting with bird or flower scenes, the largest 35cm x 20cm; and nine paintings of junk studies, the largest 33cm x 20cm (86)晚清-民国 菩提叶画罗汉图及各式通草人物花卉图约86件Condition Report: losses, foxing and cracks, many with tears to the edgesCondition Report Disclaimer
Thomas Kinkade 2001 Hawthorne Village Christmas collection "Skating at the Pond" figurine. Together with a small collection of Villagers and figurines comprising: Red Car, Horse & Sleigh, Thomas & Nanette, Girl with gift and Dog. Battery operated to light up, takes 2 AA batteries. Sculpture No G3587. Complete with separate "Skaters" figures, polystyrene packaging and CoA.
Royal Doulton Hand Painted Figurine ' Carolyn ' HN2974. Designer A. Hughes. Issued Worldwide 1984 - 1986. Height 5.5 Inches - 14 cms + A Regal Collection SBL Hand Painted Porcelain Figure ' Girl on a Sleigh .4.5 Inches - 11.25 cms High. Both Figures In Mint - 1st Quality Condition - Please Confirm with Photo.
Still life of Chrysanthemums; a Driving Horse to the reverse signed 'Miles Sharp' (lower right) oil on canvas 59 x 49cmCondition report: Oil on canvas which has an earlier composition of a horse on the reverse. The canvas tension is slightly slack but the picture is in plane overall. The paint layers are in a good, stable condition overall. There is a light scuff near the head of the reflected figurine. The painting is unvarnished and has an intentionally matte surface. There is a light layer of surface dirt. The frame has suffered some wear and losses to the decorative surface.
After Christine Baxter, a Compulsion Gallery pewter coated resin figurine of Ingrid Pitt 'The Vampire Lover', H23 x W34 x D19cm. Compulsion Gallery Sculptures are cast in a high density resin material which is then thermal coated by spraying it with molten pewter metal. Their innovative process is quite unique - producing a beautiful metallic object with the look, weight and cold feel of solid metal. The company was dissolved in 2012 and only produced these exceptional products for 10-15 years.
25+ boxes of individual white metal soldiers, war gaming figures and Citadel Miniatures (Games Workshop), etc. Including; 3x sets of Osprey Games Frost Grave Cultists, Soldiers and Wizards. 3x Post Militaire Military Figurine kits (90mm); Samurai Warrior, French Hussar, French Chasseur a Cheval. Baron Miniatures Ltd.; Archer, etc. Hinchliffe models; Chef de Bataillon, an elephant, cannon, etc. Lord of the Rings; Gandalf, Strider and Frodo, etc. Plus a number of other packeted figures. Most items boxed. Contents VGC-Mint. £40-60
A ROYAL COPENHAGEN MODEL OF A CALF AND A MILKMAID number 644, 7cm wide x 6cm high; a late 19th / early 20th century continental porcelain figurine, a Staffordshire figure and a 19th century Staffordshire tankard Condition: Copenhagen in good condition; continental figure has a crack and restoration to the dress; tankard has minor marks and scratches to the glaze; Staffordshire figure with minor surface chips and crazing
A LATE 18TH CENTURY PEARL WARE COW FIGURINE with milkman and calf, with brown and blue glaze, 16cm wide x 15cm high Condition: one ear on the cow is restored and stuck back down, the calf with chips to both horns, the cows back legs with hairline cracks below the ankles, hairline crack running down the milkman, base with restoration
A LATE 19TH / EARLY 20TH CENTURY MEISSEN PORCELAIN FIGURINE 'Golden Oriole' with blue crossed swords and incised model number 820, 17cm wide x 25.5cm high Condition: chips to the foliage around the base and surface chips to the foliage on the branch outcrops, the tip of one claw missing, otherwise in good condition
FOUR ROYAL WORCESTER FIGURINES 'First Dance' (The Tissot Collection) limited edition No 740/750, 'Royal Debut' (Victorian Era) limited edition No 3993/12500, 'Summer's Lease The Time For Roses' (Seasons of Romance) limited edtion 442/2950 and Figurine of the Year 1996, 'Grace - January' all with certificates, together with two pictures (one depicting a Victorian dance with similar 'First Dance' figure) (6)Condition: Appears in good condition no obvious damage or wear, one of the pictures is loose in the frame which has some minor wear
Ca. 1368-1644 AD. Chinese Ming Dynasty. Ceramic horse and groom figurine. This figurine shows a groom, dressed in a dark blue tunic, with light blue trim a light blue belt and light blue trousers, standing by a horse with one arm extended as if to hold the reins whilst the other hand rests at his side. The horse stands still, with a gently arched neck, and his tail flicking over his hindquarter, as though swatting flies. The horse's equipment is modelled in medium relief with the sadle and bridle painted light blue, whilst the rest of the equipment is coloured shades of dark blue and red. Horses were an important status symbol in ancient China. These animals were brought to China via the Silk Road and were considered a luxury good. As such horses were a sign of wealth among the elite, and there were strict laws which restricted the ownership of horses to people of elevated rank. In fact, soldiers serving in China’s military had to provide their own mounts indicating that only the richest members of society could serve in the cavalry. This exceptionally well-preserved terracotta is part of a long tradition of horse statuettes in China, and in fact, the earliest known example of a stirrup, today a mainstay of equestrianism, was found on another Chinese statue of a horse from Hunan province, dated to AD 302 (see Cartier, M. 1993.‘Considérations sur l'histoire du harnachement et de l'équitation en Chine.’ Anthropozoologica, 18, 29-44). Excellent condition.Size: L:160mm / W:190mm ; 755g. Provenance: Important estate collection from Oxfordshire; formed in the 1970s-2000.
Ca. 1368-1644 AD. Ming Dynasty. Ceramic Horse with Rider. An elegant ceramic figurine depicting a grey horse in a standing pose with its neck strethcing forward and its tail loose, over one hind quarter. The horse’s trappings, including the bridle and breastplate, saddle blanket, and breeching are molded in the round and coloured in dark and light blue. The rider is shown dressed in period-typical garb with the tunic painted blue with cream accents and wearing a brimmed conical hat. The rider’s pose, with arms extended to hold the reins, back straight in a skilled riding posture. Horses were an important status symbol in ancient China. These animals were brought to China via the Silk Road and were considered a luxury good. As such horses were a sign of wealth among the elite, and there were strict laws which restricted the ownership of horses to people of elevated rank. In fact, soldiers serving in China’s military had to provide their own mounts indicating that only the richest members of society could serve in the cavalry. This exceptionally well-preserved terracotta is part of a long tradition of horse statuettes in China, and in fact, the earliest known example of a stirrup, today a mainstay of equestrianism, was found on another Chinese statue of a horse from Hunan province, dated to AD 302 (see Cartier, M. 1993. ‘Considérations sur l'histoire du harnachement et de l'équitation en Chine.’ Anthropozoologica, 18, 29-44). Excellent condition. Size: L:265mm / W:210mm ; 1.3kg Provenance: Private London collection, formed in the 1980s on the UK and European art market.
Ca. 202 BC-220 AD. Chinese Han Dynasty. Ceramic Horse with Rider. An elegant ceramic figurine depicting a grey horse in a standing pose with its neck strethcing forward and its tail loose, over one hind quarter. The horse’s trappings, including the bridle and breastplate, saddle blanket, and breeching are molded in the round and coloured in dark and light blue. The female rider is shown dressed in period-typical garb with the tunic painted blue with cream accents and hair in an updo bound with a ribbon. The rider’s pose, with arms at the wast as if to hold the reins, back straight in a skilled riding posture. Horses were an important status symbol in ancient China. These animals were brought to China via the Silk Road and were considered a luxury good. As such horses were a sign of wealth among the elite, and there were strict laws which restricted the ownership of horses to people of elevated rank. In fact, soldiers serving in China’s military had to provide their own mounts indicating that only the richest members of society could serve in the cavalry. This exceptionally well-preserved terracotta is part of a long tradition of horse statuettes in China, and in fact, the earliest known example of a stirrup, today a mainstay of equestrianism, was found on another Chinese statue of a horse from Hunan province, dated to AD 302 (see Cartier, M. 1993. ‘Considérations sur l'histoire du harnachement et de l'équitation en Chine.’ Anthropozoologica, 18, 29-44). Excellent condition. Size: L:260mm / W:200mm ; 1.3kg Provenance: Private London collection, formed since the 1970s on the UK and European art market.
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55675 item(s)/page