Late Period, Ca. 664-332 BC.A captivating blue faience ushabti encapsulates the artistry and symbolism of ancient Egyptian funerary practices. This mummiform figurine, meticulously crafted with intricate details, adorns a tripartite wig, an iconic hairstyle commonly associated with the afterlife. The crossed hands of the ushabti tightly grip hoes, emphasizing their role as agricultural laborers in the realm of the deceased. During the Late Period of ancient Egypt, these tomb figures garnered the appellation "ushabtis," meaning "answerers" in reference to their perceived ability to respond to the Pharaoh's call for assistance in the afterlife. Believed to serve as loyal servants, ushabtis were entrusted with the crucial task of carrying out agricultural duties on behalf of the deceased, who assumed the form of the deity Osiris in the afterlife. Their purpose extended beyond mundane tasks, as they played a vital role in ensuring the comfort and liberation of the individual from arduous labor in the eternal realm. Size: L:95mm / W:25mm ; 35g Provenance: Private London collection, ex. B. Kickx and J. Peeters collections, pre 1978, Belgium.
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Ca. 2nd or 3rd century AD.A bronze zoomorphic figurine or terminal depicts a free-standing, four-legged animal, seemingly resembling a feline, characterized by its graceful, slender legs, alert posture, and prominently raised head. The figurine's eyes are recessed, while its tail is elegantly curled, adding a touch of dynamism to the overall composition. The most intriguing feature of this piece is its long, round-section staff protruding from the animal's back, adorned with polyhedral bulges in the lower and upper portions, culminating in a captivating zoomorphic head with a wide-open mouth. Its elaborate design and refined execution suggest that this piece may have held ceremonial or symbolic value, perhaps being utilized in religious rituals, prestigious ceremonies, or other commemorative occasions. The Parthians, renowned for their military prowess and strategic expertise, were an ancient civilization that thrived from the 3rd century BC to the 3rd century AD. They forged a formidable empire, known as the Parthian Empire, which stood as a formidable rival to the Roman Republic and later the Roman Empire. The Parthians were skilled metalworkers and artisans, and their artistry in bronze casting and other crafts left an indelible mark on the cultural heritage of the ancient world. Size: L:146mm / W:22mm ; 55g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 300-200 BC.A bronze figurine of Herakles, depicted in a commanding standing pose. The statue features a subtle sway to his right, with his right leg slightly bent, and his right hand raised. His left hand is outstretched with a piece of lion skin draped over it. This representation of the mythical hero is both powerful and graceful, conveying a sense of strength and poise. The figurine features a nude representation of the hero, with a muscular body that is masterfully rendered with intricate details. The chiseled contours of his physique, including his well-defined muscles and sinews, are executed with remarkable skill and precision, conveying a sense of physical prowess and athletic grace. The facial features of the statue are equally impressive, with a well-proportioned and expressive face, and nicely arranged hair. The depiction of Herakles in this figurine exemplifies the importance of the hero in Etruscan mythology and his continued relevance in the ancient world. For a similar, please see The Metropolitan Museum of Art, Accession Number: 96.9.430. This item comes mounted on a custom-made stand Size: L:105mm / W:75mm ; 200g Provenance: Private London collection, B.A.; formerly in pre-2000 European collection.
New Kingdom, ca. 1570-1070 BC.An alabaster ushabti. This mummiform figurine stands atop a diminutive, level base, with its hands gracefully crossed at the chest, firmly grasping the symbolic tools of the afterlife. The head of the ushabti exhibits intricate details, including a meticulously fashioned wig. Notably, the reverse side of the ushabti remains unadorned, characterized by its unworked, flat surface. Ushabtis, a term derived from the ancient Egyptian word "swabty" meaning "answerer," were miniature funerary figurines intricately crafted to serve their deceased owners in the realm of the afterlife. These figurines were commonly placed within tombs, often in large numbers, as part of burial practices and beliefs in ancient Egypt. It was believed that ushabtis would magically come to life and perform manual labor and tasks in the place of the deceased in the afterworld. The intricate detail and symbolic elements present on this particular ushabti illustrate the importance placed on the provision of companionship and assistance to the deceased in their eternal journey. Size: L:83mm / W:28mm ; 45g Provenance: Property of a central London gallery; formerly in an old Uk collection formed in the 1970s, purchased in 2018 from a Dorset gentleman.
Late Period, Ca. 664-332 BC.A mummiform figure crafted from light-blue faience and adorned with a delicate glazed finish, this exquisite figurine manifests profound attention to detail. The ushabti is adorned with a tripartite wig, a distinctive hairstyle associated with the afterlife, and worn by the deceased to symbolize their eternal transformation. Enhancing its divine countenance, a braided beard graces the chin of the ushabti, signifying its connection to the realm of the gods. The ushabti's crossed arms are meticulously folded over its chest, symbolizing a position of reverence and introspection. Clenched within its hands are the tools of labor—a pick and a hoe—testifying to the ushabti's role as an eternal servant, ready to fulfill agricultural tasks on behalf of the deceased in the realm of the afterlife. These implements underscore the individual's desire for an existence characterized by abundance and self-sustenance, ensuring their comfort and well-being throughout eternity. A striking feature on the reverse side of the ushabti is the presence of a dorsal pillar, representing the backbone of the revered deity Osiris. Symbolically, this pillar embodies stability and longevity, underscoring the belief in an enduring and harmonious afterlife. The inclusion of this sacred element accentuates the figurine's divine connection and reinforces the idea of a transformed existence beyond the earthly realm. Size: L:125mm / W:35mm ; 65g Provenance: Private London collection, ex. B. Kickx and J. Peeters collections, pre 1978, Belgium.
Corgi Toys boxed model group of 2 comprising No. 224 Bentley Continental Sports Saloon in black and silver, with red interior and spun hubs (E-NM,BG), and No. 241 Ghia L.6.4 saloon comprising of dark metallic blue body with red interior and spun hubs, dog figurine to parcel shelf, housed in the original blue and yellow all-card box, with model club leaflet (VG-BG)
Assorted boxed / carded film character figures and toys to include Universal Studios Monsters 'Dracula' and 'Mr Hyde', James and the Giant Peach 'Pirate Jack' collection doll, The Nightmare Before Christmas 'Sally' limited edition figurine and A Bugs Life 'Heimlich' talking lamp (5, packaging worn)
A set of two figurines depicting a young man and woman dressed in summer outfits holding the grapes that they have collected. Dimensions of the boy figurine: 3.75"L x 2.75"W x 7.5"H. Dimensions of the girl figurine: 3.75"L x 2.75"W x 7.5"H. Dimensions: 3.75"L x 2.75"W x 7.5"HCondition: Age related wear.
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55673 item(s)/page