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Lot 85
Five Lladro childhood figurines, three Nao, and other ceramic figures including Beswick Mrs Rabbit, and Benjamin Bunny.Qty: 12Condition report:Nao figurine of boy with rabbit - boy's head has been reattached. Beswick Mrs Rabbit - chip to one ear. All other figurines are in very good condition. Please see additional uploaded images.
Lot 671
A collection of vintage 20th century Regency Fine Arts limited edition porcelain figures / statuettes to include "Victorian Collection - Dancing" n. 2821 of 20000, "Countryside Collection - Spring Posy" n. 1038 of 15000, "Victorian Collection - Arriving at the Ball" n. 1245 of 15000, "Victorian Collection - Demure", "Countryside Collection - First Fall" n. 1094 of 15000, "Victorian Collection - Strolling" n. 2256 of 20000. "Edwardian Collection - A Stroll in the Park" n 193 of 20000, "Victorian Collection - The Final Touch" n. 257 of 15000. Together with a Coalport porcelain figurine "Sally" from Silhouettes series. Tallest figure measuring 25cm tall. The Regency Fine Arts figures coming with certificate of authenticity.
Lot 405
EIGHT BOXED PARASTONE ENESCO MAHOGANY PRINCESS FIGURINES, comprising Motherhood (no box), A Father's Love, The Wish, Unconditional Love, Girl With Cat, Woman Holding a Glass Vase (vase missing), Mother and Child, and Woman with Baby, height of tallest figurine 31cm (8 + 7 boxes) (Condition report: generally ok, obvious specific damage as stated, dusty)
Lot 465
TWO BOXES AND LOOSE CERAMICS ETC, to include two 20th Century Chinese ginger jars with lids, no marks to the base approximate height 9cm, two Sadler horse themed tankards, Nao figurine holding two milk pails, two German style porcelain figures holding doves, unmarked salt glazed storage jars, five and six gallon salt glazed barrels - five gallon broken to the tap area, a pair of Harley Jones decorative vases, religious plaster figures, together with assorted other ceramic bowls, vases and ornaments etc, some pieces have damage
Lot 470
TEN DECORATIVE FIGURINES AND DOGS, comprising three boxed Leonardo figurines - 'Celebration', 'Elegance' and 'Belle of the Ball', unboxed figurine by Priest Marians Giftware, two pairs of reproduction Staffordshire dogs, approximate sizes 29cm and 22cm, a single older Staffordshire dog - chipped and cracked and a Trentham Pottery bull with part of hind leg missing
Lot 528
FIVE ROYAL WORCESTER AND COALPORT FIGURINES, comprising Royal Worcester for Compton & Woodhouse: The Fairest Rose 11816/12500 (glue residue in hand), Sweetest Valentine 3191/12500, and The Last Waltz 11343/12500, each with wooden plinths, two have boxes, together with Coalport: boxed The Age of Elegance Society Debut matt figurine height 19.5cm, and miniature figure for Compton & Woodhouse 'Serenade' height 11cm, with certificate (5 + 3 plinths + 3 boxes) (Condition report: good condition, specific obvious damage as stated, would benefit from a clean)
Lot 67
A SILVER TRAVEL PERFUME CASE AND A WHITE METAL FIGURINE, engine turned pattern to the rectangular perfume bottle case, hallmarked London import, containing a small glass perfume bottle, height 60mm, approximate gross weight without bottle 12.2 grams, together with a white metal cherub sitting on a sleigh figurine, stamp marks rubbed and unclear (condition report: general light wear)
Lot 143
Ca. 100 AD A bronze figurine of a young Eros, standing naked atop a spool-shaped base. He is striding forward with his right leg advanced, his left arm stretched holding a branch. His eyes articulated, his lips parted, and a cascade of wavy hair frames his chubby face. Item comes with a professional historical report from Ancient Report Specialists. Size: L:230mm / W:110mm ; 1.65kg Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Lot 17D
Ca. 2nd-1st century BC A bronze votive figurine of a horse in advancing pose with right foreleg raised, arched neck, nicely defined mane, and large ring and dot eyes.Size: L:50.4mm / W:45.1mm ; 59.9gProvenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s.
Lot 24
Late Period to Ptolemaic, Ca. 664-30 BC A finely cast bronze figurine of the young god Harpocrates. He is represented nude, infantile, and seated on top of an alabaster stand, with his hands in the whisper position. Harpocrates was the Greek adaptation of the Egyptian god Horus in his youthful form, his name being a Hellenization of the Egyptian ‘Har-Pa-Khered’ meaning 'Horus the Child'. Traditionally Horus the Child was associated with the rising sun and with healing and protection, but the Greeks and Romans misinterpreted the Egyptian iconography of him raising a finger to his lips; to the Egyptians this was a gesture of youth (akin to showing a child sucking their thumb today) but the Greeks and Romans saw it as the whisper gesture still used today, and thus Harpocrates became a god of silence and secrets. Size: L:78mm / W:38mm ; 130g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Lot 331
Ca. 1100-1200 AD A beautiful cast bronze figurine depicting a lion standing in profile atop an integral flat base. Its captivating visage comprises of a large nose, rounded perky ears, and hollow eyes. Its dramatic countenance is enhanced by incised diagonal lines to represent fur surrounding the mouth. Its body stands with a strong posture connoting pride. An outstanding example of Seljuk metalwork. The Seljuks were a Turkic dynasty of Central Asian nomadic origins. Having defeated the Ghaznavids in the eleventh century they took over Baghdad in 1055 AD. For a similar see The Louvre Museum, Main number: MAO S. 725.Size: L:48mm / W:52mm ; 85gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Lot 37
Ca. 100 AD A bronze figurine of a winged Cupid, standing naked atop a spool-shaped base. He is striding forward with his right leg advanced, his left arm stretched as to accept something. In his right hand, he holds a cornucopia - the horn of plenty. His eyes articulated, his lips parted, and a cascade of wavy hair frames his chubby face. For a similar see The Metropolitan Museum of Art, Accession Number: X.377. Size: L:110mm / W:65mm ; 400g Provenance: Property of a London private collector, acquired on London Art market pre-2000.
Lot 127
Salvatore Leone "U Nnacchiareddu" was born in Caltagirone on April 13, 1912. He attended only the first grade and started working as a bricklayer at an early age and then became passionate about working with clay from the age of 18 at the Mastro Nino Abela cookery shop. . Here he began to make whistles and nativity figures strictly respecting tradition. He took the clay from the San Giorgio district, near his city and initially worked it by hand and then placed it inside the casts previously sprinkled with powdered lime to prevent the clay from adhering to the casts. Finally he gently overturns the cast so as to make the figurine come out, which must be retouched with wooden and iron sticks. In this phase, the 2-3 cm whistle is attached with a small amount of clay. After letting the whistles dry for a few days, he proceeded with cooking in a small furnace and then dipped them in lime milk and finally painted them. His figures are made in a coarse and very imaginative way using pure colors to attract the interest of the children, to whom the whistles were intended. h 18 cm Salvatore Leone
Lot 232
FIVE ROYAL WORCESTER FIGURINEScomprising Melanie Southern Belle modelled by Peter Holland, limited edition of 1000; Hannah - The Royal Worcester Figurine of the Year 2000, sculpted by J Bromley (CW471); Celebration sculpted by Neil Welch, limited edition of 7,500 (CW808); Keepsake sculpted by J Bromley, limited edition number 307 of 12,500 (CW566); and Dinner at Eight sculpted by John Bromley, limited edition number 124 of 9,500 (CW433), the tallest 23cm high, four with certificates (all except Melanie) (5)
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