C. AD 618-907. Tang Dynasty. A large ceramic figurine of a Bactrian camel, also known as a Mongolian camel, with a rider. The beast features a sandy pelt, while its characteristic mane, beard and the air of its upper leg are picked out in a coral-red. It stands in a contrapposto pose, with its right leg foreleg forward, as if walking and its head is thrown back as if bellowing. Atop its back is a saddle-pad with carefully delineated details, including a lantern on the left-hand side. The rider is depicted with non-Asiatic features, wearing knee-high boots, and matching tight orange trousers and a long sleeved orange tunic. The foreigner is posed with a bottle half lifted as if about to drink. The Bactrian camel depicted with a European rider represents the link between Europe and Asia. It is an exceptionally hardy beast of burden, easily able to cope in the harsh deserts of Central Asia which border China. The domestication of these creatures allowed the development of the ancient Silk Road, which transported people, ideas and luxury goods between China and the West, by crossing the massive and inhospitable terrain which divided them. This beautiful figurine probably reflects medieval Chinese respect for a beast without which such trade would not have been possible. The Tang dynasty ruled most of China between AD 618 and 907, and this period is widely viewed as an era of progress and stability, during which many scientific and artistic advances were made. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:610mm / W:430mm ; 9.9kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
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C. 3rd millennium BC. Indus Valley Civilisation. Cream-coloured pottery ram figure with painted black details, curved horns strong, expressive facial features and short, squat legs. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic figurine belongs, was in the 3rd millennium BC. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the ram’s importance in religious sacrifice. Excellent condition. Size: L:80mm / W:130mm; 760g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
C. 3rd millennium BC. Indus Valley. An creme-coloured ceramic figurine of a zebu with exaggerated crescent horns, painted with stripes on the horns, back and shoulders, and rondel eyes. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Excellent condition.Size: L:90mm / W:120mm ; 440g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
Ca. 1368-1644 AD. Chinese Ming Dynasty. Ceramic horse and groom figurine. This figurine shows a groom, dressed in a dark blue tunic, with light blue trim, a light blue belt and light blue trousers, standing by a horse with one arm extended as if to hold the reins. The horse stands still, with blue mane falling over its neck, and its blue tail flicking over the hindquarters, as though swatting flies. The horse's equipment is modelled in high relief with the saddle and bridle painted dark blue, whilst the rest of the equipment is coloured shades of light blue. Horses were an important status symbol in ancient China. These animals were brought to China via the Silk Road and were considered a luxury good. As such horses were a sign of wealth among the elite, and there were strict laws which restricted the ownership of horses to people of elevated rank. In fact, soldiers serving in China's military had to provide their own mounts indicating that only the richest members of society could serve in the cavalry. This exceptionally well-preserved terracotta is part of a long tradition of horse statuettes in China, and in fact, the earliest known example of a stirrup, today a mainstay of equestrianism, was found on another Chinese statue of a horse from Hunan province, dated to AD 302 (see Cartier, M. 1993.Considerations sur l'histoire du harnachement et de l'Aquitation en Chine. Anthropozoologica, 18, 29-44). Good Condition.Size: L:160mm / W:185mm ; 780g; Provenance: From an old Oxford collection formed in the 1990s.
Ca. 206 BC - 220 AD. Attractive Han dynasty terracotta rabbit. A hollow-formed terracotta rabbit figurine; with black pelt and coral-pink pigmentation on the nose. The rabbit is depicted sitting on its haunches with its forelegs raised as if about to groom itself. In the Chinese tradition, the rabbit is the luckiest of animals and symbolises elegance, beauty and mercy. The Han Dynasty, which ruled between 202 BC–220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilisation during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:250mm / W:195mm ; 2.8kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
CA. 200 AD. Western Asiatic. Beautiful cream alabaster figurine of a standing male. The figure, who wears a loose tunic, holds his hands by his side, and appears to be barefoot. He sports a carefully-defined chin-strap beard and neatly-kept hair. The identity of the individual is unclear but it is likely that such an intricate item reflects religious beliefs. Excellent condition.Size: L:230mm / W:70mm ; 1.2kg; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
Ca. 206 BC - 220 AD. Attractive Han dynasty terracotta rabbit. A hollow-formed terracotta rabbit figurine; with creme pelt and coral-pink pigmentation on the nose. The rabbit is depicted on all fours as if about to hop forward. In the Chinese tradition, the rabbit is the luckiest of animals and symbolises elegance, beauty and mercy. The Han Dynasty, which ruled between 202 BC–220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilisation during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Excellent condition.Size: L:285mm / W:260mm ; 2.75kg; Provenance; Property of a Central London gallery, acquired from an established English collection; formerly acquired in Hong Kong, Hollywood Antique Center in the early 1990s.
C. 3rd millennium BC. Indus Valley. An creme-coloured ceramic figurine of a zebu with exaggerated crescent horns, painted with stripes to the horns, back and shoulders, and rondel eyes. The Indus Valley Civilisation was an important Bronze Age culture which arose in c. 3300 BC and lasted until c. 1300, though its heyday, to which this figurine belongs, was in the 3rd millennium BC. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley, appearing on painted pottery like this example but also on figurines and stamps. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull’s importance in religious sacrifice. Excellent condition. Size: L:95mm / W:130mm; ; 260g; Provenance: Property of a North London professional; previously acquire on the UK/European art market in the 1980s.
Ca. 1368-1644 AD. Chinese Ming Dynasty. Ceramic. This figurine shows a groom, dressed in a dark blue tunic, with light blue trim, a light blue belt and light blue trousers, standing by a horse with one arm extended as if to hold the reins. The horse stands still, with mane falling over its neck, and its tail flicking over the hindquarters, as though swatting flies. The horse's equipment is modelled in high relief with the saddle painted dark blue, whilst the rest of the equipment is coloured shades of light blue. Horses were an important status symbol in ancient China. These animals were brought to China via the Silk Road and were considered a luxury good. As such horses were a sign of wealth among the elite, and there were strict laws which restricted the ownership of horses to people of elevated rank. In fact, soldiers serving in China’s military had to provide their own mounts indicating that only the richest members of society could serve in the cavalry. This exceptionally well-preserved terracotta is part of a long tradition of horse statuettes in China, and in fact, the earliest known example of a stirrup, today a mainstay of equestrianism, was found on another Chinese statue of a horse from Hunan province, dated to AD 302 (see Cartier, M. 1993.‘Considérations sur l'histoire du harnachement et de l'équitation en Chine.’ Anthropozoologica, 18, 29-44). Excellent condition.Size: L:160mm / W:195mm ; 835g; Provenance: Private collection of an Oxford professional, formed in the 1970s-1990s on the UK art market.
TWO ROYAL WORCESTER COMPTON & WOODHOUSE LADY FIGURES AND ANOTHER SIMILAR COALPORT FIGURE, comprising 'Grace - The Royal Worcester Figurine of the Year 1996 with certificate, extensive crack running from her shawl through the skirt to the underside of the base, nibbles to the roses in her hair, 'The Royal Worcester Anniversary Figurine of the Year 1998 'A Day to Remember', nibble to bouquet and the rose in her hair and Coalport 'Millenium Debut' limited edition No 4201/7500 (no certificate) (3)
THREE BOXES OF SUNDRY ITEMS ETC, to include two boxes of Christmas themed items, a box of treen to include biscuit barrels, boxes and ornaments, a suitcase of soft toys including a Furby, small Eden Jeremy Fisher figurine, a Wincross diecast model of an international truck with trailer on wooden plinth with pen holder, etc
Meerschaum Pipe in the form of a woman's head with hat, pipe stem missing, in original leather case; wooden secret box in the form of a book; leather stud case with mirror to lid containing a set of jet cufflinks and matching shirt studs, case marked to interior and exterior Krementz; carved soapstone figurine of a terrier; green onyx lidded box, lid mounted with carved kneeling camel; two porcelain plaques; metal shield shape car badge written "The Tooting and Balham District MCC". Estimate £80-120.
A Royal Doulton "A stitch in time" figurine, HN2352, 15.5 cm and A Royal Doulton "The favourite" figurine, HN2249, 19.5 cm. CONDITION REPORT: Stitch in time, there is a depletion to the fine needle, otherwise good condition. The favourite, this has a poor glue repair to the head and neck with some glue residue showing to the body.
Royal Doulton Collection of Hand Painted Porcelain Small Figures ( 4 ) In Total. Comprises 1/ ' Mary Had a Little Lamb ' HN2048. Issued 1949 - 1988. Height 8.9 cms - 3.5 Inches. 2/ ' River Boy ' HN2128. Designer M. Davies. Issued 1962 - 1975. Height 4 Inches - 10.01 cms. 3/ ' My First Figurine ' Red and Pink. HN3424. Issued 1993 - 1998. Height 4.25 Inches - 10.08 cms. 4/ ' Baby's First Christmas ' HN4421. Height 4 Inches - 10.3 cms. All Figures are 1st Quality and Mint Condition.
A Royal Worcester porcelain figure 'Jayne' Anniversary figurine of the year 2004, with certificate, a Royal Doulton figure 'Rosie' (HN4094) boxed, two Royal Doulton Pretty Ladies, 'Amy' (HN4782) figure of the year 2005 and 'Fair Lady' (HN4719), both boxed, a Petite figure 'Buttercup' (HN4805) in fitted box with certificate, and a Royal Doulton Collectors Club 2006 'Autumn Stroll' (HN4588) with box
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55673 item(s)/page