We found 55673 price guide item(s) matching your search

Year 2000 figure, second piece of the "Masquerade" trilogy. Figure made with clear, frosted, and color crystal. Includes SCS Annual Edition 2000 Columbine plaque. Swarovski etch marks on the bases. Certificate of Authenticity included. This item has its original box: 6.25"L x 5.5"W x 10"H. Figurine 242032: 4.25"L x 3.25"W x 6.5"H. Plaque 255780: 2.25"L x 1.25"W x 1"H. Artist: Gabriele StameyIssued: 2000Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Figurine Lady in green and orangeEarly figure of lady wearing green hat, green dress with orange multi colored coat with white ruffled sleeves with green stipe accent Artist: Leslie HarradineIssued: 1935-1949Dimensions: 6.5" HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Glazed hand painted porcelain figurine of a happy baby taking his first steps. Part of the Little Cherubs Series. Royal Doulton backstamp. Artist: V. AnnandIssued: 1992Dimensions: 2.75"L x 2.25"W x 6"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Matte finished figurine with glossy details modeled as woman in floral decorated dress playing a pan flute. Made special for the G. Armani Collectors Society. Fixed to round dark wood base. Giuseppe Armani impressed to base and Capodimonte backstamp. Artist: Giuseppe ArmaniIssued: 1994Dimensions: 5.25"L x 5.25"W x 14.5"HManufacturer: CapodimonteCountry of Origin: ItalyCondition: Age related wear.

Limited edition. Matte and glossy finished figurine modeled as a beautiful woman with Roman style dress holding a swan-shaped vase brimming with pink roses and purple lilacs. Fixed to round dark wood base. Giuseppe Armani impressed to base and Capodimonte backstamp. Artist: Giuseppe ArmaniIssued: 1992Dimensions: 5.25"L x 5"W x 16.5"HEdition Number: 1897 of 7500 Manufacturer: CapodimonteCountry of Origin: ItalyCondition: Age related wear.

Glazed porcelain figurine. Part of the Street Vendor series. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1933 - 1949Dimensions: 6.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Hand painted glossy Art Deco figure of a woman in an verdant green attire, standing on a stone stage with a landscape backdrop.'Artist original proof by John Michael for Kevin Francis' handwritten in pink. #KevinFrancis #Ceramic #Figurine #ArtDeco Artist: John MichaelDimensions: 4.5" L x 3" W x 9.25" HManufacturer: Kevin FrancisCountry of Origin: EnglandCondition: Age related wear.

Saturday's Child Works Hard For A Living. Seated girl. Royal Worcester backstamp.#figurine Weight: 6 oz Issued: 20th c.Dimensions: 5.5"HManufacturer: Royal WorcesterCountry of Origin: England

Adorable figurine with frosted arms and face. Crystal basket with frosted handle. This item has its original box: 5.75"L x 5.75"W x 5"H. Dimensions: 2"L x 1.5"W x 3.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

A Lladro boy figurine Flowers On The Back no.1286. Designed in 1974 retired in 1998. 9 inches x 3.5 inches.

Ca. 1100-1200 AD.A bronze bird figurine presents a captivating representation of avian form and beauty. This freestanding figurine portrays a gracefully sculpted bird, potentially a dove, with its slender body elegantly poised on two meticulously crafted short legs. The wings of the bird are gently folded, conveying a sense of tranquility and repose. The head of the figurine showcases a short beak, expertly rendered to capture the essence of avian anatomy, while the accentuated large eyes add a touch of lifelike expression and charm. Birds held profound significance in Seljuk art, serving as powerful symbols with both cultural and spiritual connotations. Birds, particularly doves, were often associated with peace, purity, and divine attributes. They represented an aspiration for harmony and tranquility, embodying qualities that were highly valued in the Seljuk culture. In Seljuk art, birds frequently adorned architectural elements, textiles, and various decorative objects, showcasing the artistic affinity for capturing the grace and elegance of these creatures. Size: L:55mm / W:70mm ; 55g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 1368-1644 AD, or later.A ceramic figure portraying a horserider sitting atop a horse. The gentleman is dressed in a green tunic with yellow trimmings, black trousers, and one arm extended as if to hold something. The horse stands still, with its mane falling over its neck and its tail flicking over the hindquarters, creating a sense of dynamic movement. The horse's equipment, including the saddle and other trappings, is modelled in high relief, adding to the sense of realism and creating a striking visual impact. The equipment is painted in a rich green hue. This Ming Dynasty ceramic figurine belongs to the mingqi tradition, a practice in which tomb figurines were used to provide the deceased with a retinue of servants, soldiers, and officials in the afterlife. The depiction of a horse and rider was a popular choice for tomb figurines, as horses held a significant cultural and social status in Chinese society. Size: L:370mm / W:275mm ; 2.4kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.

Ca. 1-200 AD.A bronze figurine portrays Asclepius as a standing figure, positioned atop a circular base for stability and support. The figurine showcases meticulous attention to detail, particularly in the sculpting of the heavy cloak draped around Asclepius, skillfully delineating its folds and adding a sense of weight and realism. The face of the figurine is characterized by recessed eyes that exude a sense of depth and introspection. The prominent nose and small lips further contribute to the facial expression, conveying a combination of wisdom, serenity, and benevolence associated with Asclepius. In Roman mythology, Asclepius was a significant deity associated with healing and medicine. He was revered as the god of medicine and physicians, embodying the ideals of health, wellness, and the art of healing. Asclepius was often depicted with a staff entwined by a serpent, known as the Rod of Asclepius, which has become a universal symbol of medicine to this day. Size: L:50mm / W:20mm ; 25g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 618-907 AD.A ceramic figurine known as the 'Fat Lady.' Crafted with meticulous attention to detail, this figure stands with a graceful pose, her curvaceous body elegantly swayed to the side. Resting upon an integral flat base, she is adorned in a flowing, long robe that drapes softly around her form. Delicate hands, raised in a poised gesture, hold an intriguing object, capturing the viewer's curiosity. The lady's countenance exudes a sense of serenity and inner tranquility. Her face, delicately painted, features rouged cheeks that enhance her complexion, while her black eyebrows add definition to her expression. A lavish coiffure frames her face, meticulously arranged to accentuate her beauty. Traces of colored pigment on the robe, face, and hair provide glimpses into the vibrant palette that once adorned this masterpiece. These remnants serve as a testament to the Tang Dynasty's penchant for vivid and opulent aesthetics, where color played a significant role in elevating the visual impact of artworks. These sculptures were created as mingqi, burial objects meant to accompany the deceased in the afterlife. Symbolically, the presence of these figurines served to convey the wealth, abundance, and prosperity of the deceased in the spiritual realm. Their voluptuous bodies represented the ideals of beauty and fertility, emphasizing the aspiration for a prosperous and fruitful afterlife. Moreover, the popularity of the 'Fat Lady' figurines reflects a broader cultural shift in the perception of feminine beauty during the Tang Dynasty. This era witnessed a departure from the slender aesthetic that had prevailed in earlier periods, embracing a new ideal that celebrated fuller, more buxom figures. The 'Fat Lady' figurines became visual manifestations of this evolving beauty standard, embodying the grace and allure of women with more generous proportions. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with the full report will also accompany this lot. For a similar, please see Christie's, Live Auction 2830, Fine Chinese Ceramics and Works of Art, 21 March 2014, Lot 2070. Size: L:520mm / W:205mm ; 4.66kg Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.

Ca. 1st millennium BC or later.An ancient cast bronze figurine of an ibex, portrayed standing on four short legs and featuring an elongated body. The animal's facial and anatomical features are rendered in a naturalistic manner. Cf. The Metropolitan Museum of Art, Accession Number: 53.47.2. Size: L:100mm / W:95mm ; 145g Provenance: Private London collection since the 1990.

Ca. 100-300 AD.A bronze right arm with outstretched fingers, presented as an independent fragment, exemplifies the artistry and attention to detail prevalent in the Roman sculptural tradition. Crafted from bronze, the arm showcases a remarkable level of naturalistic rendering, capturing the anatomical nuances and muscular contours with precision and skill. This finely sculpted arm, detached from its original context, is believed to have originated from a figurine or statue, where it would have served as an integral component of a sculptural ensemble. The careful execution of the fingers, extended in a graceful manner, adds a sense of dynamic movement and expressive gesture to the piece. Size: L:65mm / W:10mm ; 20g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 3rd Millennium BC.A creme-coloured ceramic figurine of a zebu bull. Painted with stripes on the back, and shoulders, and on exaggerated crescent horns. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull's importance in religious sacrifice. Restored. For a similar, please see The Dallas Museum of Art, Accession Number: 2009.14. Size: L:62mm / W:82mm ; 64.23g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 300-200 AD.A bronze figurine of a female deity, exquisitely crafted in a standing pose with a subtle sway to her right. This dynamic representation depicts the goddess with both hands outstretched, symbolizing her divine power and authority. The goddess is elegantly dressed in a long garment, beautifully adorned with incised folds that accentuate the fine details of the piece. The charm of her face is further accentuated by her captivating eyes, well-defined nose, and delicate lips that convey a sense of grace and serenity. Her hair is intricately styled into a coiffure, which is elegantly tied back, adding a sense of refinement and sophistication to her appearance. Displayed on wooden stand. Size: L:140mm / W:75 (with stand)mm ; 320g Provenance: Property of a London Ancient Art gallery, formerly English private collection, according to the heirs possibly purchased in some auction or Art Gallery during 1970s-1980s.

Ca. 400 AD.A bronze figurine depicting a rooster, elegantly poised atop an integral square-shaped base. Crafted from bronze, this figurine showcases remarkable attention to detail. The slender legs of the rooster provide a stable foundation, supporting a beautifully sculpted body that tapers gracefully towards its raised tail. The wings of the rooster are depicted in a folded position, while its arched neck leads to a round head with a short beak and large, expressive eyes situated on the sides. The rooster's head is adorned with a raised crest and notable wattles, further enhancing its visual appeal. Roosters held significant symbolism in the Roman world, often associated with various aspects of Roman culture and belief systems. They were considered sacred birds and were associated with the god Apollo, who was often depicted with a rooster by his side. Roosters were believed to possess divine qualities, such as the ability to ward off evil spirits and bring good fortune. They were also closely linked to concepts of vigilance, courage, and fertility. Size: L:105mm / W:75mm ; 160g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Late Period, Ca. 664-332 BC.A light faience ushabti. This mummiform figurine stands atop a diminutive, level base, with its hands gracefully crossed at the chest, firmly grasping the symbolic tools of the afterlife. The head of the ushabti exhibits intricate details, including a meticulously fashioned wig, and a distinguished false beard. An ornate column of hieroglyphs gracefully runs along the front. Notably, the reverse side of the ushabti remains unadorned, characterized by its unworked, flat surface. Ushabtis, a term derived from the ancient Egyptian word "swabty" meaning "answerer," were miniature funerary figurines intricately crafted to serve their deceased owners in the realm of the afterlife. These figurines were commonly placed within tombs, often in large numbers, as part of burial practices and beliefs in ancient Egypt. It was believed that ushabtis would magically come to life and perform manual labor and tasks in the place of the deceased in the afterworld. The intricate detail and symbolic elements present on this particular ushabti illustrate the importance placed on the provision of companionship and assistance to the deceased in their eternal journey. Size: L:125mm / W:38mm ; 70g Provenance: Private London collection, ex. B. Kickx and J. Peeters collections, pre 1978, Belgium.

Ca. 3rd Millennium BC.A pottery zebu bull idol. Crafted with meticulous attention to detail, this terracotta figurine embodies the essence of the revered animal through its simplified features and artistic renderings. The muscular body of the zebu bull idol, supported by four short and sturdy legs, captures the physical strength and resilience associated with these animals. The robust physique serves as a representation of power and vitality within the cultural context of the Indus Valley. The short horns, delicately depicted on the head of the idol, contribute to its overall appearance. A prominent feature of the zebu bull idol is the back hump, meticulously molded. The artistic application of black paint to the eyes and the presence of spots around the body add visual depth and enhance the figurine's overall appeal. Zebu bulls played a pivotal role in agricultural practices, contributing to successful harvests and sustaining the community's livelihood. Their significance extended beyond the realm of practicality and agriculture, with zebu bulls embodying divine attributes and serving as intermediaries between the human realm and the spiritual world. Restored. Size: L:60mm / W:85mm ; 62.93g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 2nd millennium BC.A pottery statuette depicting a female figure, displaying an extraordinary level of stylization. Its flattened composition emphasizes the unique aesthetic qualities inherent in this artistic creation. The figure, divested of any clothing, assumes a poised and timeless presence, with her generous hips and closely conjoined legs demarcated by a distinct groove. Notably, the arms of the statuette are depicted with a slight bend at the elbows, and her hands are gracefully positioned to support the breasts. The head of the idol, intriguingly reminiscent of a violin in shape, bears an enigmatic countenance akin to that of a bird, evoking an ethereal quality that captivates the observer. The figurine's visage exhibits a pinched nose flanked by pellet-shaped eyes expertly affixed to the surface. The ears of the idol are pierced, perhaps intended for the attachment of ornamental earrings. Enhancing its allure, a decorative collar encircles the neck, offering an additional layer of intricate detailing. Interpreting the significance of this particular type of figurine invites a spectrum of perspectives. While some scholars contend that these artifacts serve as votive offerings or amulets dedicated to a mother goddess, others propose the classification of fertility goddesses, attributing them with symbolic representations of procreation and fecundity. For a similar, please see The Metropolitan Museum of Art, Accession Number: 33.47.3. Size: L:145mm / W:50mm ; 95g Provenance: Property of a Central London gallery, acquired on the US Art market; Ex. David Hendin collection.

Ca. 100-300 AD.A bronze dog figurine depicts a dog in a state of alertness, captured in a realistic and lifelike manner. The meticulous attention to detail is evident in the finely sculpted body, characterized by its slender legs, erect ears, and pointed muzzle, which contribute to the overall sense of vitality and energy. The positioning of the tail, centered along the middle of the hind legs, further enhances the naturalistic representation of the animal. Roman figurines of animals, including dogs, served various purposes, ranging from votive offerings to decorative items. These figurines were often associated with religious practices, where they were offered to deities or placed in household shrines. Size: L:30mm / W:35mm ; 20g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 1200-900 BC.A cast bronze figurine depicts a slender-bodied bull standing on all fours, with a raised small tail and a long neck supporting a head adorned with impressive, curved horns. The facial features are simplified, creating a sense of elegance and abstraction. Notably, the dewlap of the bull is adorned with a concentric circles design, while horizontal incisions embellish the legs. Bronze animal figurines, like this bull, held significant cultural and symbolic roles in Bronze Age societies. They were not merely decorative objects but were imbued with meaning and function. The bull, in particular, was a prominent and revered animal in various ancient civilizations. It symbolized strength, fertility, and power, often associated with deities and natural forces. These figurines might have been used in ceremonial contexts, placed in sanctuaries, or employed in ritualistic offerings or processions. Size: L:90mm / W:80mm ; 75g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Ca. 100-200 AD.A bronze goddess figurine portrays a goddess with a pleasantly rounded, chubby body, gracefully adorned in what appears to be a long skirt. Standing atop an integral flat base, she emanates an aura of divine presence. The goddess assumes a poised stance, with her left arm gently resting along her body, while her right hand is raised and outstretched, delicately holding a five-petaled flower. The head of the figurine is notably large, featuring simplified yet captivating facial features. Her eyes, prominently large, exude a sense of watchfulness, while her broad nose and fleshy lips add a sense of naturalistic beauty. Her ears are adorned with heavy earrings, further emphasizing her status and elegance. The elaborate headpiece crowning the goddess's head signifies her elevated status and may reflect her association with particular attributes or spheres of influence. This item comes with a custom-made stand. Size: L:110mm / W:45mm ; 155g Provenance: Private UK collection; From an old London collection formed in the 1990s.

Box of assorted Ceramics inc. Minton Marlow, Wedgwood figurine etc

Bronze figurine - Safari collection Leonardo

Porcelain figurine - Approx height 22cm

Group of Royal Doulton ceramics to include a Jester figurine (HN 2016), three small character jugs including the Gladiator and two large character jugs including Uncle Tom Cobbleigh (D6337) and Johnny Appleseed (D6372). Jester measures 25cm tall.

Group of Lladro ceramic figurines to include a large female figure, two single child figurines and a boy and girl group figurine. Largest measures 31cm tall. All marked Lladro.

20th Century hollow cast bronze figurine in the form of a lion having moulded details. Measures approx 42cm wide.

Chinese hollow cast brass seated laughing Buddha figurine depicted holding a string of beads to one hand and robes to the other. Raised on a carved wooden base. Measures 30cm tall.

Assorted 20th Century metal wares and tools to include a trench art style brass plane figurine, woodwork plane, saw copper jug etc.

A LLADRO FIGURINE AND VARIOUS OTHERS.

A Coalport Ladies of Fashion figurine.

A Royal Doulton Royal Governers cook figurine

A Royal Worcester figurine, a Royal Doulton figurine and a Coalport figurine.

A Royal Doulton figurine - My Love HN2339.

A Royal Doulton figurine, Karen, in good condition.

A Royal Doulton figurine - Autumn Breezes, HN 1934.

An art deco clock surmounted figurine. COLLECT ONLY.

FIGURINE, Manuf Christofle, versilbert, Schleiereule mithonigfarbenen Topazaugen und -bauch in Herzform (dieser 1x best.), H. 4 cm, im Boden Marke, orig Etui

Two carriage clocks; boxed La Pieta figurine; and boxed metal model of a combination motorcycle (4)

A rare Royal Doulton figurine A Highwayman 'Beggars Opera'HN 592 (slight chip to the back of the hat)

A Art Deco figurine by Neundorf

Royal Doulton figurines, to include 'My True Love' Ltd edition 722/12500, 'Red Red Rose' Ltd edition 4899/12500, together with a Royal Worcester figurine 'A Royal Presentation' Ltd edition. (3)

EAGLEMOSS PUBLICATIONS LTD FOR MARVEL THE CLASSIC MARVEL FIGURINE COLLECTION complete collection with standard figures #1-200 (including two issue #31 Angel with blue face variants), all specials and mega-specials including subscriber only red costume Spider-Man, Mojo, Cloak and Dagger, Fin Fang Foom, Sasquatch and Puck, M.O.D.O.K. and Northstar Aurora, all double packs, all boxed and presented as issued, accompanied by corresponding magazines, the majority presented in official branded binders and the remaining in the original branded plastic packaging

LLADRO PORCELAIN FIGURINEdepicting a Geisha in traditional dress, 19.5cm high and a Lladro figurine of a cherub playing a flute, 16,5cm high (2)

FOUR NAO FIGURINEScomprising boy with a fly swatter, 29cm high, girl with a torn nightgown, 29cm high and two ducks, 12cm and 10.5cm high; and a Miquel figurine of a girl in a long dress, 20.5cm high (5)

A Lladro figurine depicting a young girl holding a bucket of flowers - sold with three Nao similar

An old Chinese carved jade lidded jar with all over stylised floral decoration, the lid with flying cranes, set on hardwood stand, a similar carved jade cup set on hardwood stand - Sold with a large Chinese carved jade figurine depicting a scholar with a child set on a decorative carved hardwood base and a similar cylindrical vase

A 19th Century bisque porcelain figurine depicting a classical maiden and another similar depicting a gentleman drinking - sold with four resin figurines

A Lladro porcelain figurine depicting a Japanese lady flower arranging and a similar depicting a lady holding flowers with original box - sold with another Lladro figurine - various condition

A small quantity of assorted glassware including Murano duck figurine, controlled bubble bowl, etc.

A small selection of ceramic items comprising Beswick mouse figurine, Leonardo horse, modern porcelain bull and a resin dog figurine

Three Royal Doulton figurines comprising Winsome HN2220, Rhapsody HN2267 and Babie HN1679 - sold with a Coalport china figurine Marie

A box containing a small quantity of assorted ceramic items including Poole Pottery dolphin figurine, etc.

A Beswick seated kitten - sold with a smaller similar and a goldfinch figurine

A 19th Century lampwork glass figurine depicting a King Charles Spaniel dog (a/f), set in small glass dome with turned wood base - sold with a similar cat (detached from base)

A late 20th Century pottery cat figurine decorated in the Art Deco manner with faux Crown Devon mark to base