SEVEN BOXES OF CERAMICS, TEA WARES AND DRINKING GLASSES, to include a Hampton Ivory - Swinnerton's hand painted pitcher marked 1893 on the base, a Torbay Pottery black artist's easel dish (chipped), Price Brothers Cottage Ware teapot, a Wade 'Lyons Tetley' teapot, a Sadler 'Ye Daintee Ladyee' Teapot Reg 824571, a Sylvac -1958 green Squirrel pitcher (chipped), a boxed Old Hall stainless steel tea spoon, a 1950's Salter kitchen scales, a stoneware foot warmer, a Hornsea Pottery Fauna tree trunk vase, Villeroy & Boch 'Mice' salt and pepper pots, a Nature Craft 'Little Mother' figurine, Sylvac bunny and terriers, a 1930's ceramic bird flower frog, chamber pot, a shell art owl, china tea wares, boxed drinking glasses, etc (s.d)(7 boxes + loose)
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SIX BOXES AND LOOSE CERAMICS AND GLASS ETC, to include single dinner plates - Wedgwood Florentine in blue and green, Kutani Crane, Columbia, Wild Strawberry, Mirabelle etc, Minton Avonlea and Cliveden, Royal Albert Meadowcroft teapot, four Lady Hamilton teacups (seconds), assorted other tea and dinner wares, glass wares include three John Walsh Walsh wine glasses, a set of six Webb Corbett juice glasses (two with chipped rims), assorted other drinking glasses, vases and bowls etc, Mdina glass paperweight, Sylvac dog 778504, ceramic figurine of a Japanese lady, Leonardo Collection Robin, Galileo thermometer etc
A GROUP OF CERAMICS AND METALWARES, to include three copper cider measures, a Hockley Lamp & Limelight Company brass miner's lamp height 17cm, a Coalport Ladies of Fashion 'Carnival', Minuettes 'Jessica' and 'Natalie', and Debutante of the Year 2000 'The Winter Ball' figurines, a Royal Doulton 'Catherine' HN3044 figurine with gold signature to base, a Beswick 'Watch It' model no 1558/1678 figure group of a cat and mouse, two Nao ballerina figurines (one missing lower leg and foot), a Nao duck, a baluster Oriental style vase height 24.5cm, etc (19) (Condition report: most pieces appear in good condition, sd and as stated)
A BOX OF ASSORTED COSTUME JEWELLERY AND ITEMS, to include a small basket tray of collectable teaspoons and caddy spoons, an abalone shell, imitation pearl necklaces, beaded necklaces, brooches, bangles and bracelets, a boxed set of four 'World War II British Forces' figurines, a small amount of British and European coins and commemoratives, napkin rings, two small white metal fish figurine, whistle, a silver plated on copper cigarette box unmarked, and a small white metal trinket box etc
Ca. 618-907 AD A large ceramic figurine of a Bactrian camel, also known as a Mongolian camel, with a rider. The beast features a sandy pelt, while its characteristic mane, beard and the air of its upper leg are picked out in a coral-red. It stands in a contrapposto pose, with its right leg foreleg forward, as if walking, and its head is thrown back as if bellowing. Atop its back is a saddle-pad with carefully delineated details, including a lantern on the left-hand side. The rider is a depicted as a plump, older man with a raised fist, who wears a knee-high boots, tight trousers and open-chested vest; he sports a neat beard and moustache, carefully picked out in black. The Bactrian camel is an exceptionally hardy beast of burden, easily able to cope in the harsh deserts of Central Asia which border China. The domestication of these creatures allowed the development of the ancient Silk Road, which transported people, ideas and luxury goods between China and the West, by crossing the massive and inhospitable terrain which divided them. This beautiful figurine probably reflects medieval Chinese respect for a beast without which such trade would not have been possible. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. For a similar see Sotheby's, Important Chinese Art, 15 September 2015, New York, Lot 258. A similar item, albeit with a younger rider, recently sold at Christie’s for HKD 6,100,000, see https://www.christies.com/lotfinder/lot/a-finely-painted-pottery-figure-of-a-6113490-details.aspx?from=searchresults&intObjectID=6113490 Size: L:730mm / W:530mm ; 15.1kg Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed before 2000 on the UK /European art markets.
Ca. 202 BC - 220 AD .A hollow-formed terracotta rabbit figurine with a white pelt and coral-pink pigmentation on the nose and in the inner ears. The rabbit is depicted sitting back slightly on its back legs in an alert posture. In the Chinese tradition, the rabbit is the luckiest of animals and symbolises elegance, beauty and mercy. The Han Dynasty, which ruled between 202 BC-220 AD, brought great prosperity and stability to China, reigning over a golden age of classical Chinese civilisation during which China saw major advances including the widespread development of a monetary economy and the invention of paper, as well as much progress in the decorative arts. Good condition. This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot. Size: L:300mm / W:260mm; 3.57kgProvenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed before 2000 on the UK /European art markets.
Ca. 618-906 AD.A beautifully hollow-moulded figurine, featuring distinctive characteristics of an imperial washing attendant during the Tang Dynasty. The figure is gracefully modelled standing on a low trapezoidal base, her hands joined above his waist holding a decorated white pigment washing cloth, special attention has been placed to the curves of the cloth with winding channels making up the sides, she is wearing a long and voluminous robe enriched in red, blue, and green pigment, secured by a loose belt. She has a round face with well-articulated features in black and red pigments, she is wearing a decorated strap under her chin with knot, her lips are painted red, the hair is decoratively made into a traditional bun. Pottery figures of attendants such as this example complemented a large array of accessories manufactured for internment in burials belong to high-ranking members of the Tang society. Images In China were believed to ‘become alive’, in other words to function just like their physical counterpart, so they could perpetuate their benign effects to the views. Accompanied by a Thermoluminescence report confirming age. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Oxford Authentication. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate will accompany this lot.Size: L:510mm / W:200mm; 4kgProvenance: UK private collection; formerly acquired in the early 1990s in Hong Kong.
Ca. 202BC-220AD. An outstanding earthenware rooster with many traces of the original polychromy. This colourful bird stands on well-defined bronze legs. Rendered in an alert, standing pose with an erect neck, the bird looks straight ahead with delineated wings folded to its abdomen with stylized feathers and presents an overall bold silhouette. This rooster figurine is a mingqi, 'spirit good' belonging to the burial rituals in the Chinese Han Dynasty. High-ranking persons were buried with various everyday objects; it was believed that life after death was a continuation of the present life, and therefore the deceased was provided with all the objects necessary to continue living after death. Thus, terracotta animals, such as these roosters and camels, horses, and cattle were given, as well as food, clothing, and valuables. The tombs were designed architecturally so that, together with the objects, they provided both a comfortable final resting place as well as a safe journey for the deceased into the afterlife. Ancestor worship was very important, for the welfare of the deceased and for the welfare of the entire family. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:150mm / W:180mm ; 450g Provenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed before 2000 on the UK /European art markets.
Ca. 618-907 AD. A terracotta tomb figurine (mingqi) in a form of a female musician depicted in a kneeling position, wearing a long red coloured robe and cream top. Her hair is neatly combed into a coiffure consisting of a bun. The face is covered with white pigment, on which thin, slightly arched eyebrows and narrow eyes have been outlined in black pigment. The small mouth has been painted red. Only the top-rated musicians at the Tang court were allowed to perform seated, while the lesser-rated performers played standing. For a similar see The Metropolitan Museum of Art, Accession Number: 23.180.4. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:260mm / W:140mm ; 1.25kg Provenance: UK private collection; formerly acquired in the early 1990s in Hong Kong.
Ca. 618-907 AD. A hollow-moulded terracotta tomb figurine (mingqi) in a form of a female flautist depicted in a kneeling position, wearing a long cream-coloured robe and a red top. Her hair is neatly combed into a coiffure consisting of a bun. The face is covered with white pigment, on which thin, slightly arched eyebrows and narrow eyes have been outlined in black pigment. The small mouth has been painted red. Only the top-rated musicians at the Tang court were allowed to perform seated, while the lesser-rated performers played standing. For a similar see The Yousef Jameel Centre, Accession no.EA1991.60. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:255mm / W:145mm ; 1.25kg Provenance: UK private collection; formerly acquired in the early 1990s in Hong Kong.
Ca. 3rd millennium BC.A cream-coloured ceramic figurine of a zebu bull with rondel eyes. Painted with stripes and dots on the back, shoulders, and on the exaggerated crescent horns. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull's importance in religious sacrifice. Size: L:80mm / W:100mm ; 120gProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 3rd millennium BC.A cream-coloured ceramic figurine of a zebu bull with rondel eyes. Painted with stripes and dots on the back, shoulders, and on the exaggerated crescent horns. The bull, with its hump and powerful horns, is a recurring motif in the Indus Valley. The animal may represent the leader of a herd, who is able to protect his followers, or it could be a reflection of the bull's importance in religious sacrifice.Size: L:62mm / W:90mm ; 80gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s in Belgium; previously in 1970s European collection.
Ca. 1000 BC .An ancient cast bronze figurine of an ibex, portrayed standing on four short legs and featuring an elongated body. The animal's facial and anatomical features are rendered in an extremely stylised manner. For a similar item see The Metropolitan Museum, item 64.99.Size: L:55mm / W:43mm; 23g.Provenance: Private London collection ( B.A); formerly acquired in the 1970s from John Lees collection.
A 19th century German porcelain figure of a lady, h.20cm; together with five various German porcelain figures of ladies, the largest h.18cm (6)From left: 2nd figurine missing musical lyre Lady with globe missing swordLady with mask has hairline crack on legPainter is missing brush and has broken fingerLady with mallet and lady with lyre appear free from damage
Kilia idol. Anatolia, 2800-2200 BC.Marble.Size: 6 x 2 x 0.3 cm.The "Kilia Idols" were first found in Kilia, near Eceabad, on the Gelibolu peninsula and are named after the place where they are found. These works, also known as 'tepegöz' in Turkey, are known as 'Stargazer' abroad. The characteristic features of these idols are, firstly, that they are between 10 and 17 cm high, secondly, that they depict a standing human being, and thirdly, that the female gender is engraved in a triangle. The head of this type of figurine is in the shape of a flat rhombus, and the arms are raised towards the chest and curved like wings.
Buck Rogers in the 25th Century.- Panini stickers, Topps trade cards, models and related.- comprises: Four Figurine Panini Albums, various publishers, Edizone Panini, Italy, (1980) original pictorial wrappers, one album complete with Panini Buck Rogers stickers nos. 1-240 pasted in and three duplicate albums, incomplete; 800+ loose Figarine Panini Buck Rogers stickers, many duplicates, all unused; a full set of 88 Topps picture trade cards with the 22 stickers unused; Fleetwood Fire Rocket, 300-44, unopened, within original custom card packaging; Fleetwood Space Communicator, 300-68, unopened, within original custom card packaging; Two Corgi Junior 13 Starfighters, 56122, 1979, Mettoy Co., Great Britain, each die-cast and plastic. (Qty.)Buck Rogers in the 25th Century was an Americanscience-fiction adventure television series produced by Universal Studios. The series ran for two seasons from September 1979 April 1981 on NBC. The feature-length pilot episode for the series was released as a theatrical film in March 1979, before the series aired. The film and series were developed by Glen A. Larson and Leslie Stevens, based on the fictional comic strip character created in 1928 by author, Philip Francis Nowlan. Condition Report: overall reasonable conditions, some light wear to original packaging; two Corgi Junior 13 Starfighters with dust soiling.
Buck Rogers.- a group of seventeen related publications, comprises: Steele (Addison E.) Buck Rogers in the 25th Century and Buck Rogers That Man on Beta, two first UK. edition paperbacks, original pictorial covers, Sphere Books, 1979; Larson (Glen A) and Leslie Stevens, Buck Rogers in the 25th Century, Fotonovel, first US. edition, original pictorial covers, colour photo. illustrations throughout, Los Angeles: Fotonovel Publications, 1979; Murdoch (M.S.) The Martian Wars Trilogy Book One: Rebellion 2456 [Buck Rogers] paperback edition, original pictorial covers, Penguin Books, 1990; a group of Five Buck Rogers Annuals for the years 1981, 1982 and 1984, including two duplicates for 1981 and 1982, original pictorial boards, pictorial endpapers, colour comic strips throughout, 4to., Stafford Pemberton Publishing Ltd; Dwight (Ravena) Buck Rogers and the Children of Hopetown, first edition, original silver and black backed pictorial boards, illustrated by Kurt Schaffenberger, Golden Press, Western Publishing Inc, 8vo,1979; Buck Rogers in the 25th Century Official Poster Magazine No. 1, folded, 85 ½ x 57 inches, Robert Dille, Universal Studios Inc, JBPI Ltd, 1980 and two duplicates of the same; Figurine Panini Album, original stapled pictorial wrappers, complete with Panini Buck Rogers stickers numbered 1-240 pasted in, various publishers, printed by Edizone Panini, Italy, (1980); together with three Buck Rogers ring binder A4 exercise books (unused) pictorial wrappers,1979. (17)Condition Report: Buck Rogers in the 25th Century - corners a little bumped, toning to lower cover, spine and pages.Buck Rogers That Man on Beta light creasing to covers, lower cover marked, corners and spine ends bumped, foxing to preliminaries and edges.Buck Rogers in the 25th Century, Fotonovel - light wear to covers, corners and spine ends a little bumped, internally clean.Murdoch (M.S.) The Martian Wars Trilogy Book One: Rebellion 2456 [Buck Rogers - Light creasing to covers, corners a little rubbed, toning to edges and pages.Buck Rogers Annuals - some wear and marks to boards, corners and spine ends bumped, mostly clean and bright internally; duplicate Annual for 1981 lacking pictorial front free endpaper, contemporary inscription to front pastedown; duplicate Annual for 1982 with Sellotape to joint of front endpapers and joint of pp. 52-53, some other joints weak and split.Buck Rogers and the Children of Hopetown - light wear to boards, corners a little bumped, internally clean and bright.Buck Rogers in the 25th Century Official Poster Magazine No. 1 - light marks and creases to front cover, poster corners, top and lower centre edges with signs of tape being removed) some wear to fold creases. The two duplicates of the same the first with marker pen inscriptions to all margins, creasing and marked, with loss to corners; the second with light creasing, two clean edge tears to top and lower centre edges.Figurine Panini Album - CR creasing to covers, spine rubbed, light creasing to pages with some rust marks from staples, pages 15-18 loosely inserted; Buck Rogers exercise books - light marks and creasing to covers, foxing to rear card covers,
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55673 item(s)/page