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IKKOSAI: AN IVORY MANJU NETSUKE OF A DRUNKEN SHOJOBy Ikkosai Kojitsu, signed Ikkosai 一光齋Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)The two-part manju worked in shishiaibori (sunken relief) with a drunken shojo dancing; holding a sake ladle and fan, her robe neatly detailed and engraved with various patterns, and her hair and lips stained red. The reverse is engraved with red sake saucer (sakazuki) and the signature IKKOSAI. Ikkosai Kojitsu was an accomplished pupil of Meikeisai Hojitsu. Central himotoshi through the back, the cord attachment within.DIAMETER 4.2 cmCondition: Excellent condition.Provenance: Max Rutherston Ltd., 2012. Prof. Dr. Henk C. Hoogsteden, Rotterdam, acquired from the above.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 22NL311535/20). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
HIDEHARU: A NAGOYA SCHOOL WOOD NETSUKE OF A DRUNKEN SHOJO WITH LADLE AND SAKE SAUCERBy Hideharu, signed Hideharu 秀晴Japan, Nagoya, late 19th centuryAn amusing and well-sized wood netsuke of a drunken shojo holding a sake ladle and rather amusingly balancing a large sakazuki (sake saucer) on its head. The long hair is finely incised and the hakama shows elaborate, deeply engraved wave patterns and cross-etched designs. Signed within a sunken reserve HIDEHARU. Himotoshi to the back and underside.HEIGHT 4.6 cmCondition: Very good condition, minor wear and traces of use.Provenance: Lempertz, The Kolodotschko Collection of Netsuke III, 5 June 2015, Cologne, lot 1195. A noted private collection, USA, acquired from the above.Literature comparison:Compare to a reclining shojo with sake saucer, by Hideharu, illustrated in Lazarnick, George (1981) Netsuke & Inro Artists, and How to Read Their Signatures (LNIA), Vol. 1, p. 458.13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
A KAGAMIBUTA NETSUKE OF A SHOJO ON MINOGAMEUnsignedJapan, late 19th centuryThe shibuichi disc fitted into a neatly polished, tapered ivory bowl, the front decorated in takazogan with gold and suaka highlights, depicting a miongame holding a hishaku sake ladle and riding a minogame. Central himotoshi to the back, the cord attachment to the back of the plate.DIAMETER 4.4 cmCondition: Very good condition with minor wear and traces of use to the ivory bowl.Provenance: Collection Prof. Henk Hoogsteden, Rotterdam.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 22NL310833/20). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A Bohemian glass punch bowl with ladle, lid and stand, together with a flash glass dish cover and a Millefiori tumbler. Tallest 37 cm. CONDITION REPORT: The punch bowl lid, ladle and bowl itself are in generally very good order with no chips or cracks. There is some rubbing to the gilding and the odd missing raised jewel but no significant problems. The base plate does however have several edge chips. The underside of the plate stand is also quite scratched. There is some rubbing to the gilding on all pieces. The Millefiori tumbler is in good order with no issues. The green glass dish cover is in generally good order with only minor nibbles to the bottom edge. There is some rubbing to the gilding also.
Miscellaneous silver spoons, including two Georgian dessert spoons London hallmark dated 1733, mm Samuel Godbehere, Edward Wigan & James Boult 102 gms; four Georgian dessert spoons London hallmark dated 1824, approx 128.9 gms; two Victorian dessert spoons London hallmark dated 1849 mm Samuel Hayne & Dudley Cater 71 gms; Victorian silver dessert spoon London hallmark dated 1860 and 1862 respectively mm Samuel Hayne & Dudley Cater 95.1 gms; Victorian silver dessert spoon, London hallmark dated 1850 mm Elizabeth Eaton 51.4 gms; two silver serving spoons both London hallmark, dated 1850 and 1801 respectively, approx 118 gms together with a Georgian sauce ladle London hallmark dated 1802 mm HS, approx 47.1 gms, gross weight 610 gms.
Silver matchbox cover embossed with three cherub, London 1902 mm W.C (William Comyns & Sons Ltd), measures approx 7 x 5 x 2.7cms, together with a pair of silver ice tongs marked HB Hester Bateman, silver plated sugar tongs, a silver table spoon marked London 1797, 6 silver teaspoons with decorative handles stamped ITALY, and a silver ladle inset with coin dated 1711, missing handle. Weighs approx. 221gms.
Victorian antler carving knife, with a silver collar and butt, Sheffield hallmark dated 1906, together with four matching steak knives together with a quantity of silver including four mustard spoons, two Victorian silver sugar nips, three salt spoons, silver tea caddy.This lot includes a large silver-plated soup ladle and a basting spoon.Note: the butterknife has been removed from this lot, even though it is pictured it is no longer part of the lot.
George II silver ladle, the bowl inset with a George II 1746 half crown, with a whale bone handle, a Victorian silver and mother of pearl letter opener, with Prince of Wales feathers, mm Martin & Co, boxed, a silver and mother of pearl bread fork (af) Sheffield hallmark dated 1900 mm GGR together with five silver napkin rings, of various designs and hallmarks including two Birmingham hallmark and three Sheffield hallmark approx 122.3 gms.
Assorted silver flatware comprising four forks by Hester Bateman, London 1792, two forks by William Eley I & William Fearn, London 1806, twelve assorted Georgian forks, various dates and makers, four spoons by Thomas Wallis (II) & Jonathan Hayne, London 1815, two spoons by Sarah & John William Blake, London 1816/17, two desert spoons by Thomas Wallis (II) & Jonathan Hayne, London 1810, two further Georgian desert spoons, a ladle by Richard Crossley, London 1801, a set of twelve fish eaters by Elkington & Co, Birmingham 1909, twelve silver handled knives and a silver handled cake knife, silver weight (excluding fish easters and knives) approx. 42ozt.Note:- 12 silver handled knives are 2 sets of six, 6 x 22cm long William Yates Ltd Sheffield 1973, 6 x 25cm long William Yates Ltd Sheffield 1973.Quantity:- six desert forks (on size)
A small collection of Norwegian .830 silver by Thorvald Marthinsen Sølvvarefabrik, comprising Art Deco style ladle, five pastry forks and two spoons and three floral handed cocktail forks, total weight 227.3g. Provenance: from the collection of the late Sheila Jeffery, West Sussex collector and geologist.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A German silver caddy spoon, cast with figural handle and landscape to bowl, import mark Chester 1909 by Berthold Muller, length 7cm, another silver caddy spoon, Sheffield 1918, a Dutch silver sifter ladle with pierced oblong bowl, length 15cm, and a Georg Jensen sterling acorn pattern handled bottle opener, length 8.2cm, together with a group of Continental silver spoons and servers, weight 264g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Elizabeth II silver Princess pattern sauce ladle, London 1961 by Garrard & Co Ltd, a pair of George III silver bright-cut sugar tongs, London 1808 by Richard Crossley & George Smith IV, length 13cm, and a small group of other silver and sterling cutlery, total weight 206g, together with a group of Continental .800 silver souvenir spoons, weight 153.3g, another small group of Continental .835 silver souvenir spoons, weight 53.6g, a set of six silver handled fruit knives, cased, and a group of plated cutlery.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George IV silver Fiddle pattern basting spoon, London 1823 by John Meek, length 30cm, a silver bright-cut engraved caddy spoon with leaf shaped bowl, London 1797 by Thomas Wallis II, length 10cm, and a silver Fiddle pattern salt spoon, total weight 155.6g, together with a toddy ladle, the oval bowl inset with a George III shilling, with a twisted whalebone handle, length 29cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A TABLE SERVICE FOR EIGHT PLACE SETTINGS, maker Gorham, stamped Sterling Pat., in King Edward pattern, comprising dinner and dessert forks, dessert and teaspoons, butter knives, pair of tablespoons, ten pastry forks and sauce ladle, 71ozs 14dwts total, together with eight each hollow handled dinner and dessert knives with stainless blades in a mahogany three drawer canteen (69) (Part Illustrated) (Est. plus 24% premium inc. VAT)
A Christofle of Paris canteen of silver plated cutlery, in arrangement of three tiers, in fitted beech case, comprising twelve butter knives, salad servers, twelve teaspoons, twelve starter forks, twelve dessert spoons, twelve table knives, twelve table forks and twelve large spoons, a fruit spoon, a serving ladle and a shaped serving spoon, the case 36cm high, 50cm wide, 32cm deep.
A Dutch silver flatware service,by Van Kempen & Begeer, mid-20th century,comprising one hundred and fifty-five pieces, with loaded steel-bladed knives,weighable silver approximately 161.62ozt (155)Condition ReportTwelve dinner knives Twelve dinner forks Twelve dinner spoons Twelve butter knivesTwelve dessert knives Twelve dessert forksTwelve dessert spoonsTwo fish knivesTwo two pronged forks Two serving forks A pair of small salad serversA pair of large salad serversTwo carving forks Two large serving spoons Two soup ladles Four soup spoons Two other large serving utensils A large serving ladle Twelve coffee spoons Twelve teaspoons Twelve cake forks Twelve condiment spoons
IMPORTANTE ET RARE BOÎTE OCTOGONALE EN EMAUX PEINTSXVIIIe siècleA RARE PAINTED ENAMEL 'EUROPEAN SUBJECT' BOX AND COVER18th centuryOf octagonal form, the heavy copper body with deep straight sides and flat base, exquisitely painted with bright polychrome enamels of the famille rose palette, the cover featuring an elegant European lady dressed in the European style seated next to a large rock with a Buddhist lion by her side, a large blue beehive with overlapping petals and a ladle beside them, with clusters of foliage and craggy rocks, all against a dramatic darkened black sky, framed by a blue key-fret border, the sides variously decorated with shaped cartouches enclosing different flowers, reserved on meandering leafy scrolls, the inside cover, box and base enamelled white, the box interior with a central roundel enclosing two phoenix in blue enamel and a seal mark of Gai Qi (改琦) (1774-1829). 6cm (2 3/8in) high; 13.3cm (5 1/4in) wide. (2).Footnotes:十八世紀 銅胎畫琺瑯西洋仕女圖八方盒Provenance:Collection of Emile Goubert (b. 1852)Gifted to him by the President of the French Republic Paul Doumer (1857-1932)來源:Emile Goubert (1852年生) 舊藏,獲贈於法國前總統Paul Doumer (1857-1932)With the expansion of the Chinese empire under the Qianlong Emperor, foreigners including merchants, missionaries, ambassadors and delegations poured into China. Still a rare sight, visual representations of foreigners began to appear in the decorative repertory of Qing artists. Led by the Jesuit painter Giuseppe Castiglione, new techniques and decorative elements were taken on, adopted and eventually adapted to Chinese domestic taste. Painted enamels on a metal body were originally introduced by Jesuits as gifts to the imperial court where some of the earliest examples of painted enamel ware on metal and porcelain bodies were produced in workshops attached to the Zaobanchu (Imperial Palace Workshops), see Shih Ching-fei, Radiant Luminance: The Painted Enamelware of the Qing Imperial Court, Taipei, 2012, pp.35-76.The present box and cover are unusual. Heavily worked and exquisitely painted, with rich gilding around the borders, this box reflects the best quality of painted enamel wares made for the Imperial court without bearing an imperial mark. The European subject painted on the cover of the lid is rare as it features a significant amount of black enamel representing the darkened sky, a possible reference to French Limoges enamels which often featured black or dark blue backgrounds. The box is also rare because it bears the mark of Gai Qi (改琦) (1774-1828), a painter known for his depictions of women. For the rare subject, see a pair of painted enamel plaques, one of them featuring a European gentleman playing with a blue feline creature, a subject which Michael Gillinghams relates to a group of Kangxi biscuit figures of the same subject, suggesting a Kangxi date, Michael Gillingham, Chinese Painted Enamels of the 18th Century, New York, 1993, cat.no.47. Few Chinese painted enamel pieces show extensive use of black enamel such as on the cover of this box, compare an early example, a small box and cover with a floral design on a black ground, with Kangxi mark, illustrated in Shih Ching-fei, op.cit. p.38, fig.13B. For two small inro-type layered boxes with Yongzheng marks in the collection of the National Palace Museum, Taipei, see Shih Ching-fei, op.cit., p.105, figs.67 and 68. See also a small circular box in the collection of the Ashmolean Museum, Oxford, collection number: EA1978.1825.For further information on this lot please visit Bonhams.com

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42113 Los(e)/Seite