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Lot 511
A GEORGE III/IV SILVER FITTED AND BRASS BOUND ROSEWOOD DRESSING CASE the lid with brass inset tablet engraved with the initials WR and crest, lined in navy morocco, the accessories including a silver shaving brush and glass bottles and jars with silver covers or caps, ivory handles and other burnished steel items including a peg and worm corkscrew, the crest repeated on the silver accessories, 37cm w, the silver by Charles Rawlings or another maker ID, London 1817-25, 10ozs 10dwts weighable ++A very high quality box in fine condition, lacking some of the accessories. The rims of three of the glass jars chipped, not visible when the cover is in position
Lot 120
POT À PINCEAUX, DIT "BITONG" en porcelaine, émaux polychromes dans le style de la famille rose et traces de dorure, la panse cylindrique, à décor d’un lettré assis près d’une table en compagnie de son disciple portant un vase empli d’un chrysanthème, les deux personnages survolés par une chauve-souris. Marque sigillée émaillée sous la base. (Fêlure en étoile sous la base). Chine, dynastie Qing, XIXe siècle. Haut. 12,8 cm A Famille Rose style brush pot, bitong. China, Qing dynasty, 19th century. H. 12,8 cm (5 1/16 in.)
Lot 273
POT À PINCEAUX, DIT "BITONG" en ivoire, reposant sur une terrasse circulaire ornée de rinceaux et lotus, de forme cylindrique, à décor d’un paysage animé de personnages et construit de pavillons sur fond d’une résille ajourée de cercles entrelacés. (Petits accidents et restaurations). Chine, dynastie Qing, vers 1900. Haut. 11 cm - Diam. 7,5 cm An ivory brush pot, bitong. China, Canton, Qing dynasty, ca. 1900. H. 11 cm & D. 7,5 cm (4 5/16 & 2 15/16 in.)
Lot 285
GRAND POT À PINCEAUX, DIT "BITONG" en bambou, de patine claire, monté sur trois petits pieds, de forme cylindrique, à décor continu d’un paysage, traversé par un cours d’eau et animé d’une myriade de personnages, saisis dans des attitudes variées, parmi des pavillons ombragés d’arbres. (Quelques fissures d’âge). Chine, dynastie Qing, XVIIIe-XIXe siècle. Haut. 17,8 cm - Diam. 16,2 cm A large bamboo brush pot, bitong. China, Qing dynasty, 18th-19th century. H. 17,8 cm & D. 16,2 cm (7 & 6 3/8 in.)
Lot 289
POT À PINCEAUX, DIT "BITONG" en bois de tielimu, de forme cylindrique, la paroi unie, un bouchon amovible sous la base. (Quelques bouchages anciens). Chine, dynastie Qing, XIXe siècle. Haut. 17 cm - Diam. 14,2 cm A tielimu brush pot, bitong. China, Qing dynasty, 19th century. H. 17 cm & D. 14,2 cm (6 11/16 in. & 5 9/16 in.)
Lot 290
GRAND POT À PINCEAUX, DIT "BITONG" en bois de huanghuali, de belle patine, de forme cylindrique et la paroi unie. (Bouchon postérieur et petit rebouchage à l’intérieur). Chine, dynastie Qing, XIXe siècle. Haut. 16,7 cm - Diam. 15,9 cm A huanghuali brush pot. China, Qing dynasty, 19th century. H. 16,7 cm & D. 15,9 cm (6 9/16 in. & 6 1/4 in.)
Lot 294
PETIT POT À PINCEAUX, DIT "BITONG" en bois de zitan, de forme cylindrique, à décor, sculpté en méplat, d’un prunus en fleurs accompagné d’un poème. Signature et cachet apocryphes de Su Fa Luo Ji Su Fa Luo, transcription sanskrite du nom de Nong Jin, peintre de la dynastie Qing (1687-1763), spécialisé dans la peinture des prunus. (Petits accidents et restaurations localisés). Chine, dynastie Qing, fin du XIXe siècle. Haut. 10,5 cm - Diam. 6 cm A zitan brush pot, bitong. China, Qing dynasty, late 19th century. H. 10,5 cm & D. 6 cm (4 1/8 & 2 3/8 in.)
Lot 2150
Seven Piece Chinese Export Silver Dresser Set Chinese Export Silver Dresser Set. Each piece deeply chased with sprays of bamboo; the set comprising: a hand mirror {length 11 1/4 inches (28.5 cm)}, a hair brush, a clothes brush, a comb, a powder box, and a pin tray, each centering raised circular medallions with a monogram "JS"; together with an associated footed jewelry box with bamboo and flowering prunus repousse decoration and a comb with an engraved figure of a dragon chasing the elusive pearl, each piece in the set marked "Zee Sung" and the jewelry box marked "Zee Shun". Zee Sung, First Quarter 20th Century. Total weighable silver 16 troy oz. Losses to comb.
Lot 85
A collection of Chinese blue and white porcelain to include a shallow bowl / lid and saucer, all decorated underglazed in blue with storks, a blue and white bowl with flared rim on a circular foot with all-over foliate and floral decoration, bears four character mark to base, a blue and white tea bowl decorated with fishermen and two boats at sunset, bears four character mark to base, a small dish with relief work foliate decoration and underglaze blue decoration, raised on a circular foot with seal mark to base and a cylindrical brush pot decorated with figures in a landscape and two further saucers with blue and white floral and foliate decoration
Lot 247
Murray & Elzabe Schoonraad Battiss in the Hadhramaut. Sketches of Southern Arabia Contribution by Walter Battiss `In Quest of Arab Art`,two maps,44 full page brush and ink drawings, one colour plate. Dust jacket has some wear and tear, now in protective plastic and still represents well and looks very attractive. A very good, clean, second-hand copy. Very Good Elmur Publications 1985
Lot 342
19th Century King’s Screw four pillar corkscrew, possibly by John Mechi, 21.5cm long Condition Report: Screw/pin is bent at the tip and is probably shorter than it was originally. Handle has two splits both running approximately 4cm long. Brush is missing to one end of handle and the other end has damage to the cap (see image) - ** General condition consis
Lot 16
*§ LARIONOV, MIKHAIL (1881-1964) Still Life with Flowers, signed, also further signed on the reverse. Tempera on canvas, 92 by 65 cm. Provenance: Leonard Clayton Gallery, New York, before 1977 (label on the stretcher). Authenticity of the work has been confirmed by the experts A. Kiseleva and Yu. Rybakova. Exhibited: Art Russe, Ancien et Moderne, Palais des Beaux-Arts, Brussels, May–June 1928, No. 782 or 783 (label on the stretcher). Literature: Exhibition catalogue, Art Russe, Ancien et Moderne, Brussels, Palais des Beaux-Arts, 1928, p. 76, No. 782 or 783, listed. Mikhail Larionov’s Still Life with Flowers from the 1920s is one of the most poetic compositions of his Parisian period. Here, as in other works of this time, the artist moves away from the physical quality of his still lifes from the previous decade. Bright colours are replaced by a spare, almost monochrome palette and all the diversity of the objective world is reduced to a set of three or four choice constituents, used with striking aesthetic impact. Most of his still life compositions from this time are a restrained brown, yellow or pale blue, featuring time and again the lineaments of a simple wooden table, the white of a napkin, a glass goblet, and a twig in bloom in a transparent jug. The eye is drawn especially to the nude that hovers above the table, in picturesquely narrowed perspective. This nude is one of Larionov’s gouaches, placed within the still life as a joint backdrop with the striped wallpaper familiar from so much of the artist’s work from these years. The device of a picture within a picture, where the artist’s own work is used as essential background detail and constitutes a figurative entity integrated with the overall composition, became a trademark feature of his still lifes of the 1920s. In these paintings Larionov reproduces his large works on paper, with their laconic lines, as objects actually present in the still life, whereas by contrast the real things – jug, glass, table – become almost ethereal, taking on incorporeal forms rendered in a diaphanous and fragile texture. According to a vivid description by G. Pospelov, who dedicated an entire section of his book on Larionov to these works, “the draughtsmanship – light as air – reinforces the impression of a tracery of bare twigs reaching upward from the translucent jug”. The elegiac mood of this exquisite monochrome painting and the technical virtuosity of the delicate, almost ephemeral, touch of the brush place Still Life with Flowers on a par with such expressive compositions as Still Life with Standing Figure and Still Life with Twigs in a Glass Jug from the collection of the State Tretyakov Gallery.
Lot 426
Associated Suite of Four Art Nouveau Sterling Silver Dresser Items Associated Suite of Four Art Nouveau Sterling Silver Dresser Items: Comprising a Shreve dresser jar with repousse figure of Cupid and a crown {diameter 4 1/2 inches}; a two piece R. Wallace & Sons Carnation comb and clothes brush set; and a Watrous hand mirror with a repousse lily design {length 10 1/2 inches} {Total weighable silver 9 troy oz}
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51252 item(s)/page