We found 51252 price guide item(s) matching your search

A Famille Rose brush washer, of shallow circular form, painted with a bird perched on the branch of a pine tree, with a border of calligraphy, on raised foot rim, 13cm diameterCondition report: No obvious faults.

A Chinese green glazed vase, of slender baluster form, with a brown rim, the glaze with fine crazing, and a small ribbed body brush pot, in a green glaze with fine crazing, on three short integral legs, 22.5cm & 6.5cm respectivelyQty: 2Condition report: Both items are in good condition, with no obvious chips, cracks or signs of restoration.

Petrol Stihl brush cutter with cow horn bars (unchecked). Not available for in-house P&P

August MackeSpaziergänger im Park (Spaziergänger mit Kind im Park) Tuschpinselzeichnung, im Rand mit Bleistift, auf glattem Papier, auf Unterlagekarton (30 x 29,4 cm) montiert 20 x 20 cm (Blattmaß 23,2 x 22,3 cm) Unter Glas gerahmt. Der Karton rückseitig mit Tuschfeder betitelt und datiert "Spaziergänger mit Kind im Park 1913" sowie mit dem ovalen Nachlass-Stempel (Lugt 1775 b), darin bezeichnet "C 40"; am Unterrand zusätzlich mit Bleistift beschriftet "August Macke/ Rückseitig dat. 1914/Tuschezeichnnung". - Papier und Unterlagekarton vorderseitig jeweils unten rechts mit dem kleinen schwarzen Sammlerstempel "Blome" (Lugt 4043). - Das Papier gebräunt mit schmalem Lichtrand.Heiderich Zeichnungen 1245 ("Spaziergänger im Park", datiert 1912)ProvenienzArnold Blome, Bremen (mit zweifachem Sammlerstempel); Graphisches Kabinett, Kunsthandel Wolfgang Werner, Bremen (mit Etikett auf dem Rahmungskarton); ehemals Sammlung Richard König, Duisburg; seitdem Familienbesitz, RheinlandUrsula Heiderich datiert die vorliegende Tuschezeichnung zusammen mit zwei größeren Tuschpinselzeichnungen, dem Studienblatt "Leute auf der Straße" und "Leute an der Gartenmauer" (vgl. Heiderich Zeichnungen 1243, 1244) auf 1912, nachdem es enge stilistische Bezüge gibt zu zwei Skizzenbüchern Mackes, die in Bonn im Frühjahr und Sommer des Jahres entstanden. Sie führt aus: "Einige Tuschpinselzeichnungen sind in einem charakteristischen Gestus vorgetragen, der in den Skizzenbüchern breiteren Raum einnimmt. In den Skizzenbüchern Nr. 41 und 44, die sich auf das Frühjahr 1912 datieren lassen, wurden ähnliche Motive in diesem Stil gestaltet. Vehement gesetzte Pinselzüge mit offenen Begrenzungen verbinden das graphische Material mit dem tragenden Grund zur optischen Wechselwirkung. Hier werden Anregungen durch die fernöstliche Kalligraphie wirksam, die bereits die Zeichenweise von Emile Bernard oder Albert Marquet zu ähnlichen Resultaten geführt hatten. Auch das Kunstmittel des Arbeitens mit dem angetrockneten Pinsel, dessen Spitze sich beim Abstreifen zu gespaltenen Verläufen öffnet, läßt sich mit Zeichnungen dieser Künstler verbinden. Es ist möglich, daß August Macke Zeichnungen der Fauves in diesem Stile kannte. Jedoch erreicht er in seinen Tuschblättern von 1912 einen ganz eigenen, eigentümlichen, 'freigeschriebenen' graphischen Stil. August Mackes Kunst ist zu jeder Zeit mehr als nur Summe bestimmter Eindrücke." (U. Heiderich, August Macke Zeichnungen, Werkverzeichnis, Stuttgart 1993, S. 44).Die beschriebene Pinseltechnik erzeugt auch in diesem sehr reizvollen Motiv quadratischen Formates quasi malerische Valeurs durch die unterschiedliche monochrome Farbdichte. Die Illusion von Räumlichkeit stellt sich ein wie die abgestuften Werte von sattem Schwarz zu Grau eine raffinierte Wirkung von sommerlichem Schattenspiel entfalten. August MackeSpaziergänger im Park (Spaziergänger mit Kind im Park) Brush and India ink drawing, the margins in pencil, on smooth paper, mounted on supporting card (30 x 29.4 cm) 20 x 20 cm (sheet dimensions: 23.2 x 22.3 cm) Framed under glass. Titled and dated verso on supporting card "Spaziergänger mit Kind im Park 1913" in brush and India ink and inscribed "August Macke Rückseitig dat. 1914 Tuschzeichnung" in pencil and with the oval estate stamp (Lugt 1775b), therein inscribed "C 40" in pencil. - Paper and supporting card each with black collector's stamp "Blome" (Lugt 4043) recto lower right corner. - The paper browned with narrow light-stain.Heiderich Zeichnungen 1245 ("Spaziergänger im Park", dated 1912)ProvenanceArnold Blome, Bremen (collector's stamp twice); Graphisches Kabinett, Kunsthandel Wolfgang Werner, Bremen (label verso on frame card); formerly Collection Richard König, Duisburg; in family possession since, RhinelandUrsula Heiderich has dated the present ink drawing - together with two larger brush-and-ink drawings, the sheet of studies “Leute auf der Straße” and “Leute an der Gartenmauer" (see Heiderich Zeichnungen 1243, 1244) to 1912 on the basis of close stylistic links to two of Macke's sketchbooks created in Bonn in the spring and summer of that year. She explains in detail: “Several brush-and-ink drawings are carried out with a characteristic gesture that occupies a sizeable amount of space in the sketchbooks. In sketchbooks nos. 41 and 44, which can be dated to the spring of 1912, similar motifs are composed in this style. Emphatically executed brushstrokes with open boundaries connect the graphic material with the underlying support to form an optical interplay. Here inspirations stemming from Far Eastern calligraphy become active - inspirations that had already led to similar results in Emile Bernard's or Albert Marquet's manner of drawing. The artistic technique of working with a dried brush, whose tip opens up into separate paths as it is dragged along the paper, can be linked with drawings by these artists. It is possible that August Macke was familiar with drawings of the Fauves in this style. He nonetheless achieves an entirely personal, distinctive, 'freehand' graphic style in his sheets in ink from 1912. At every moment, August Macke's art is more than just the sum of particular impressions.” (U. Heiderich, August Macke Zeichnungen, Werkverzeichnis, Stuttgart 1993, p. 44).The brush technique described here also generates virtually painterly values through the varying density of the monochrome colour in this very appealing motif in a square format. The illusion of space emerges, just as the gradated values from deep black to grey unfold a nuanced effect suggesting a summery play of shadow.

Marcia HafifHeliogen Blue Öl auf Leinwand 147 x 147 cm. Auf der umgeschlagenen Leinwand signiert, datiert und betitelt 'HELIOGEN BLUE MARCIA HAFIF MARCH 21. 1999.'ProvenienzPrivatsammlung, Süddeutschland„Marcia Hafif scheint seit jeher 'auf der Suche nach Neutralem'. Dies versteht sich jedoch keineswegs als Betonung einer Neutralität des vollendeten Gemäldes. Sie versucht, den Ursprung, wie die zu bestimmenden Maße, die Standardisierung des Keilrahmens oder das Malmittel, den Farbwert, neutral, nicht spektakulär zu halten. Weiter setzte sie sich in ihren Bildern wie in den Zeichnungen mit Verschiedentonigkeit, also Farbabstufungen, auseinander. Ganz entgegen dieser Suche 'nach Neutralem' sind die Farben als Material zu sehen. Überall sammelte sie voll Begeisterung Farben, deren Namen allein schon Geschichten erzählen: Mandarin Yellow, Peach parfait, Elfenbeinschwarz usw. Sie geben gleichzeitig auch der entstandenen Arbeit ihren Titel. Ferner belegt sie in Studien bis ins kleinste Detail diese Suche von Ursprung bis endgültiger Erscheinung der sich überlagernden Farbe auf der Oberfläche des Trägers. Hier wurde Farbe gesucht, in ihrem Entstehungsprozeß erkannt, um dann in individueller Textur, die sich aus der zeitlichen Dimension des Hintereinanders und dem Gestus des Pinsels entwickelte, darzustellen.“ (Ulrike Schuck, Malerei und Farbe, in: Marcia Hafif, Erik Saxon, Ausst.Kat. Museum Moderner Kunst Landkreis Cuxhaven, Bremerhaven 1994, S.6) Marcia HafifHeliogen Blue Oil on canvas 147 x 147 cm. Signed, dated and titled 'HELIOGEN BLUE MARCIA HAFIF MARCH 21. 1999.' on canvas overlap.ProvenancePrivate collection, South Germany„Marcia Hafif seems always to have been 'in search of the neutral'. This does not mean an emphasis on neutrality in the finished painting. Instead, she tries to keep everything neutral and avoid the spectacular in the source, the sizes, the standard measurements of the stretchers, the paint and the color. In her paintings as in her drawings she deals with differentiations and gradiations of colors. In contrast to the ‚search for the neutral' colors become her material. She collects colors everywhere with great enthusiasm, colors whose names tell stories, such as ‚mandarin yellow', 'peach parfait', ‚ivory black'. They also lend titles to her works. In her studies she documents meticulously her search from the beginning to the final appearance of the layererd color on its surface. In this process color is actually searched out and discovered so as to be presented in an individual texture, developed out of the dimension of time in painting and the gesture of the brush“. (Ulrike Schuck, Malerei und Farbe, in: Marcia Hafif, Erik Saxon, exhib.cat. Museum Moderner Kunst Landkreis Cuxhaven, Bremerhaven 1994, p.6)

A COLLECTION OF SILVER, comprising an Art Deco perpetual desk calendar, by W.J. Myatt & Co. Birmingham 1936, 17cm wide, an easel watch holder, containing a plated keyless wind pocket watch, a rectangular cigarette box, a spill vase, a dressing table jar, and a clothes brush (6)

A SILVER BACKED DRESSING TABLE SET, with engine turned decoration, comprising hand mirror and hair brush, both with angular handles, clothes brush, comb, and three square section jars, maker T.P London 1947, mirror 22.5cm long.

A LATE VICTORIAN SILVER SMALL HIP FLASK, marks rubbed, inscription dated 1880, 7cm wide, and another, Birmingham 1922, 5cm wide, together with a late Victorian silver shaving brush, Birmingham 1899 (3) Condition report: both hip flasks have some dents and knocks, the larger one has several dents and is a bit misshapen to the back, engraved inscription. The smaller one has a downwards push to the lid, with splits and small dents. Brush is ok, minor scratches, engraved monogram.

AN EDWARDIAN SILVER CRUMB SCOOP, engraved with flowers and foliage and having turned ivory handle, maker's mark rubbed, London 1902, 33cm long, and a silver handled crumb brush, London 1911 (2) Condition report: crumb scoop is a bit bent and knocked along raised edge, maker’s mark worn. Ivory handle dull and discoloured with cracks. Presentation inscription to the back. Brush handle has some dents and dings.

A SILVER CRUMB SCOOP, with lobed decoration and ivory handle, by William Hutton & Sons Ltd, London 1910, 34.5cm long, and a late Victorian silver crumb brush, repoussé decorated with flowers and scrolling foliage, Birmingham 1896 (2)

A SILVER MOUNTED ART DECO STYLE DRESSING TABLE SET, of angular, engine turned form, comprising hand mirror, hairbrush, clothes brush, five various bottles and jars, shoe horn and button hook, the glass etched with swags of flowers, maker H.W, London 1928; a silver circular trinket box, with engine turned cover, Birmingham 1917, 10.5cm diameter, and a further silver mounted manicure set, Birmingham 1917, cased (qty)

A LATE 19TH CENTURY SILVER MOUNTED EASEL DRESSING TABLE MIRROR, with arched top, pierced and embossed with flowers, trellis and scrolling foliage and having bevelled plate, 32cm high; a silver backed hand mirror, 2 hairbrushes and two silver topped glass jars, all with engraved monogram for Lilian Swanwick, (wife of the artist Harold Swanwick), two further silver backed hand mirrors and 3 hairbrushes, a silver handled shoe horn, a clothes brush and a further handle and brush back (qty)

A SILVER RECTANGULAR CIGARETTE BOX, by L.E. McCann, Birmingham 1922, 13.5cm wide; a silver mounted conical glass whisky tot, with whisky label, Birmingham 1913, a silver mounted cut glass thistle form vase, Birmingham 1907, and a silver backed clothes brush and comb, cased

A pair of plain dressing table candlesticks, Birmingham 1910, 11cm high, a silver-backed oval mirror and a hair brush, (4).

Edwardian red morocco leather travelling case with some original fittings including four silver topped bottles together with a silver backed hand mirror and hair brush, circa 1905

Chinese jade brush washer, the jade with some russet occlusions carved with a monkey at one end and mythical beast at the other, 15cm long

Silver backed dressing table mirror and brush; also two non matching brushes, a comb and a hand mirror

Modern silver rectangular photo frame, boxed also a silver mounted pink enamel hand mirror and brush

A Victorian dressing table box import marks for David Bridge, London 1892, of circular form, the hinged lid with all over embossed cherub decoration; together with a similarly decorated pin tray, William Comyns 1898; two various heart shaped boxes with embossed decoration; together with a capstan inkwell Charles Boyton & Son Ltd, 1918 and a mixed metal brush(Weighable silver: 12.5oz)

Edwardian silver four-piece brush set by Charles Fox & Co Ltd, London 1908, a silver engine-turned pencil outer case by Sampson Mordan & Co and three assorted silver-handled knives with pistol grip handles 

A box of assorted brass ware, trivets, goblets, hearth brush etc

A Box of Sundries to Include Children's Tin Plate Globe, Commemorative Flag, Books and Booklets, Dandelion Coffee Tin, Vintage Tins, Clothes Brush and Other Items

6 piece silver backed brush set including mirror, 2 hairbrushes,2 clothes brushes and comb (broken teeth) Initialed E

A hair brush and mirror set, boxed and a wooden box

GEORGE III MAHOGANY BACHELORS CHEST OF FOUR GRADUATED DRAWERS WITH BRUSH SLIDE AND REPLACEMENT BRASS HANDLES, THE OGEE BRACKET FEET PROBABLY LATER REPLACEMENTS (HEIGHT 79CM WIDTH 88CM DEPTH 52CM)

TWO CASED CHINESE BRUSH AND CALLIGRAPHY SETS, FIGURAL TABLE LIGHTER AND CAST METAL CIGARETTE BOX MODELLED AS ANCIENT CHINZESE OBJECTS, AND A SMALL JAPANESE STYLE JEWELLERY BOX

SILVER TOOLS. An Edwardian silver mounted bristle brush, length approx. 7.3cm. Also, a small sterling silver pencil case & a pair of folding scissors in a chatelaine sheath.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

A 1970's textured silver rectangular paint box and brush for Rowney, to commemorate the Queen's Silver Jubilee, maker's E & MR, London, 1977, 7cm.CONDITION: Overall good condition with clear hallmarks. Some use of the paint and brush.

Three Japanese boxwood or cherry netsuke of oni, Meiji period, the first depicting a seated oni holding a paint brush and inkstone, with horn inset eyes, 4cm high, the second an oni and an emaciated man clambering on a lotus leaf, unsigned, 4.5cm, the last, which is probably in cherrywood, of an oni trapped inside a box, engraved two character mark 'Masatoshi?', 3.2cmCONDITION: Oni holding a paint brush - the boxwood is a little sun bleached otherwise in good condition, the second netsuke appears to have some slight wear to the carving, otherwise in good condition and the third netsuke is in good condition and is not damaged, the corners of the crate or box are carved to look as though they have chips on them by the netsuke carver.

A Chinese polychrome soapstone libation cup or brush washer, probably Kangxi period, carved in high relief and openwork with two birds to the interior with prunus branch handles, remnants of polychrome decoration, 15cm wideCONDITION: Natural inclusions in the stone, some tiny losses to the ends of the branches on the prunus handles, otherwise in reasonable condition.

A 1920's silver and gilded chinoiserie guilloche enamel eight piece dressing table set, by Adie Bros, comprising a hand mirror, four brushes, comb(no chinoiserie decoration), powder jar and timepiece, Birmingham, 1927/7, mirror 29.9cm.CONDITION: Comb sprung from mount. Enamel damaged on one large brush, mirror on top of handle and powder jar lid (three areas around the border).

Late 19th / early 20th Century Chinese carved bamboo brush pot with cover

Im Stil von Kaiser Huizong (reg. 1101-1125) CHINA, 17./18.Jh. 29 x 22,5 cm Vogel des kaiserlichen Tierparks. Albumblatt, Papiermontierung, 29 x 22,5 cm, Tusche und Farben auf Seide. Signatur unten links: "Si Ming Lü Ji hat hier ein Bild von kaiserlicher Hand des Song Daojun (Song Huizong) kopiert". Ein Siegel des Künstlers lü ji zhi yin. Vier Sammlersiegel: "Shitian", Tianya" u.a. Provenienz: Aus einer europäischen Privatsammlung, vor 2007 gesammelt - Altersspuren, Fehlstellen In the Style of Emperor Huizong of the Song Dynasty (reg. 1101-1125), Bird of the Imperial Park, China, 17th/18th ct., album leave, Paper mounting, 29 x 22,5 cm, ink and colors on silk. Signature at the lower left: "Si Ming Lü Ji has copied the Imperial brush of Song Daojun (Song Huizong)". One seal of the artist lü ji zhi yin. Four collectors' seals: "Shitian", Tianya" etc. - Provenance: European private collection, assembled prior 2007 - A white bird with a pointed beak and bushy feathers on the forehead sits on a richly decorated red perch with small bowls for food and water. The decoration of the perch shows that it probably belongs to the Imperial hunting park. But the bird is not kept for hunting like hawks and eagles but probably for its singing - Traces of age, losses

Wang Yanxi CHINA, datiert wohl 1663 B. 51,6 cm Fächermalerei mit Pavillion neben hohen Bäumen, Tusche auf goldgeflecktem Papier, signiert, zwei Siegel 'Yanxi' und 'Wangshi'. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Wang Yanxi, Pavilion Beneath Tall Trees, China, dated probably 1663, Fan painting, 16 x 51 cm, ink on gold speckled paper. Signature by the artist: "In winter of the guimao year (1663/1723) painted in the style of Ni Zan (1301-1374), Yanxi." Two seals of the artist: "Yanxi", "Wangshi" - Provenance: Old and important European private collection - This fine painting of an empty pavilion beneath a group of trees shows clearly the style of the famous literati painter Ni Zan of the Yuan dynasty. The bold composition is done with energetic brush strokes in wet ink in a quite impressionistic manner

Großer Shibayama-Pinselbecher aus Elfenbein mit Deckel auf prächtigem Stand JAPAN, signiert, Meiji-Periode H. 50 cm Provenienz: Aus einer Württembergischen Privatsammlung, am 8.11.1974, Lot 8 bei Christie's in London erworben - Kleine Fehlstellen der Einlagen, gefüllte Altersrisse A LARGE SHIBAYAMA IVORY BRUSH HOLDER ON CARVED WOOD STAND, Japan, Meiji period, signed - Property from a Württemberg private collection, bought 18.11.1974, lot 8 - Minor losses to inlays, filled age crack

Sechs Bücher über chinesische Malerei, u. a. William Cohn: 'Chinese Painting' 6 Bd. SIX BOOKS ON CHINESE PAINTINGS, e.g. William Cohn: 'Chinese Painting', 'Discarding the Brush - Gao Qipei 1660-1734', 'Eight Dynasties of Chinese Painting'

Wang Du CHINA, ca. 17./18. Jh. B. 50,6 cm Fächermalerei mit Landschaft mit Gelehrten. Tusche und leichte Farben auf goldgefleckten Papier. Signiert, Siegel 'Wang Du zhi yin'. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Wang Du, Landscape with Scholar's Retreat by a Stream, China, ca. 17th/18th ct., an painting, 15,5 x 50,5 cm, ink and light colors on gold speckled paper. Signature by the artist: "In autumn of the .you year (paper damaged) painted for Mister Yuweng, Wang Du." One seal of the artist: "Wang Du zhi yin" - Provenance: Old and important European private collection - Wang Du, style name Qingxi, was from Jiaxing in Zhejiang province. He was a painter of landscapes and flowers active in the Qing dynasty. This fine fan painting is done in the classic literati style of the 17th and 18th centuries. It is executed with quite wet ink and broad, dynamic brush strokes and finely colored. It reminds one of Wang Jian (1598-1677), one of the famous 'Four Wang' of the Qing dynasty

Cao Xi (tätig ca. 1600-1635) CHINA, datiert 1618 B. 54 cm Fächermalerei. Die Reise von Zhing Kui und seiner Schwester durch die Berge. Tusche und Farben auf goldgeflecktem Papier. Signiert und datiert 1618, Siegel "Cao Xi", "Ding Zixu". Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Cao Xi (active ca. 1600-1635), Journey of Zhong Kui and his Sister through the Mountains, China, dated 1618. Fan painting, 19 x 53 cm, ink and colors on gold pigmented paper. Seven word poem and signature by the artist: "In early spring in the wuwu year (1618) painted in the Yantang Shanzhuang, Cao Xi". Two seals of the artist: "Cao Xi", "Ding Zixu". - Provenance: Old and important European private collection - The nice painting probably illustrates the popular story of the demon queller Zhong Kui marrying his sister. Even after his death he returned to earth to arrange the marriage of his younger sister and to lead her through the mountains to her future husband. Zhong Kui with his large black beard is riding in front of the procession with his sister carried in a wheelbarrow and servants following with her trousseau. Cao Xi, style name Zixu, was a native of Changzhou in Jiangsu province but lived in Wulin (Hangzhou). He painted landscapes and figures in a fine style with an academic flair. His recorded paintings are mostly fan paintings. The pines and figures in this painting are rendered in very fine, crisp brush work as is the calligraphy of his inscription

Fang Yizhi (1611-1671) CHINA, datiert 1640 16,5 x 47 cm Fächermalerei. Tusche auf goldgeflecktem Papier, Signatur und Aufschrift, datiert 1640, Beischrift von Fei Erqi dat. 1687. Siegel und Sammlersiegel. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Fang Yizhi (1611-1671), The Majesty of the Song Mountain, China, dated 1640. Fan leave, 16,5 x 47 cm, ink on gold speckled paper, Inscription and Signature by the artist: "Admiring the Highness of the Song Mountain. In the gengchen year of the Chongzhen period (1640), Fang Yizhi". Two seals of the artist: "Fang gong" (?) etc. At the left a poetic inscription by Fei Erqi, signed "Inscribed by Fei Erqi in the Fangyan Pavilion". Three seals: Zhuchuang", "Erqi". Three collectors' seals - Provenance: Old and important European private collection - Fang Yizhi, style name Changgong, was from Tongcheng in Anhui province. In 1640 he got his jinshi degree. After the fall of the Ming dynasty in 1644 he entered a Buddhist monastery and adopted the monk name Hongzhi. He was a talented calligrapher and landscape painter. This fan paining shows clearly the style of the so called Anhui school with dry, sparse brush strokes outlining empty and lofty forms of rocks and mountains

Paar Pinselbecher mit Samurai-Szenen in feiner Schnitzerei um die Wandung, Holzstände JAPAN, Meiji-Periode H. 27 cm (m.S.) Provenienz: Aus einer alten süddeutschen Privatsammlung, seit vor 1914 im Familienbesitz - Wenige kleine gefüllte Fehlstellen A PAIR OF INELY CARVED IVORY BRUSH HOLDERS WITH SCENES OF SAMURAI, Japan, Meiji period, wood stands - Property from an old German private collection, in the possession of the owner's family since before 1914 - Few small filled losses

Pinselbecher aus Hartholz CHINA, 18./19. Jh. H. 10 cm Provenienz: Aus der Sammlung von Prof. Dr. med., Dr. phil. Hermann Schroeder (1902-1991) - Etwas best. A HARDWOOD BRUSH POT, China, 18th/19th ct. - Property from the collection of Prof. Dr med., Dr phil. Hermann Schroeder (1902-1991) - Slightly chipped

Wang Siren (1576-1646) CHINA, 17.Jh. 17,2 x 53 cm Fächermalerei. Tuschelandschaft mit Pavillion auf goldgeflecktem Papier. Signatur wang jizhong hua (gemalt von Wang Jizhong) mit einem Siegel wang siren yin, zwei Sammlersiegel yaonong pingsheng zhenshang und zhao qufei cang - Wang Siren (1576-1646) mit Beiname jizhong aus Shanyin, erhielt Jinshi Titel in 1595, Hofbeamte, gut in Darstellung der Landschaft - Prof. med. Zhao Qufei (1893-1960) mit originalem Vorname Yuhuang und Beiname yaonong, Abkömmling von berühmtem Scholar Zhao Yi (1727-1814), berühmt für seine Sammlung der Malerei und Kalligraphie Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Wang Siren (1576-1646), Ink Landscape with Pavilion, China, 17th ct., fan leave, 17,2 x 53 cm, ink on gold speckled paper. Signature by the artist: "Painted by Wang Jizhong". One seal of the artist: "Wang siren yin". Two collectors' seals "yaonong pingsheng zhen shang" and "zhao qufei yin" - Provenance: Old and important European private collection - Nice landscape in the style of literati painting executed with energetic brush strokes in wet ink. In its composition it follows the famous Yuan master Ni Zan (1301-1374)

Zwei Pinselbecher aus Wurzelholz, unregelmäßig geformt CHINA, 18./19. Jh. H. 10,5-13,8 cm Provenienz: Aus der Sammlung von Prof. Dr. med., Dr. phil. Hermann Schroeder (1902-1991) - Altersspuren, minim. best. TWO ROOTWOOD BRUSH POTS, China, 18th/19th ct. - Property from the collection of Prof. Dr med., Dr phil. Hermann Schroeder (1902-1991) - Traces of age, slightly chipped

Zhu Bichen CHINA, 17.Jh. B. 51,8 cm Fächermalerei. Tuschelandschaft auf Papier. Signiert, Siegel "Zhu Bichen yin", Sammlersiegel Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Zhu Bichen, Ink Landscape, China, 17th ct., fan painting, 16 x 51 cm, ink on gold pigmented paper. Signature by the artist: "In summer in the bing year (?) painted for the friend Yan Zheng, Bichen". One seal of the artist: "Zhu Bichen yin". Three collectors' seals: "Tianjinglou" etc. - Provenance: Old and important European private collection - The painting shows two high mountains towering above a wide lake scattered with small islands. Fine landscape painted with bold, broad brush strokes in an almost expressionistic manner in the literati style

Signiert Mei Qing (1623 -1697) CHINA 19 x 21,8 cm Albumblatt. Tusche und leichte Farben auf Papier. Signiert Qing, Siegel Laoqu. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Signed Mei Qing (1623 -1697), Lonely Boat in Autumn, Album leave, 19 x 21,8 cm, ink and light colors on paper. Seven word poem by the artist with signature: "Qing". One seal of the artist: "Laoqu" - Provenance: Old and important European private collection - Mei Qing, style names Qushan and Laoqu, was from Xuancheng in Anhui province. He was the youngest and most talented of the so called 'Masters from Anhui'. After failing in the jinshi-examination, he became a poet and later began to paint. He was a friend of the famous monk painter Shitao (1630 - ca. 1710) with whom he travelled in the Huangshan Mountains. Like him he developed an eccentric painting style of bizarre forms and expressive brush lines. This album leave is in contrary to most of his paintings very calm and lyrical

TWO JAPANESE PAINTINGS MEIJI PERIOD, 19TH CENTURY Both half-length portraits of beauties, the first holding an uchiwa fan painted with bamboo, wearing robes with geometrical designs including asa-no-ha and a chrysanthemum-shaped ornament in her hair, the other holding a scroll and a brush, her kimono richly decorated with sakura flowers, in modern frames and glazed, both approx. 29cm x 19cm. (2) Similar portraits were displayed at the Japanese Pavilion of the Chicago World's Columbian Exposition in 1893.

A HM silver dressing table set inc. a hand mirror and brush

A NEW AND UNUSED CASED 12-BORE GUN-CLEANING KIT, including an oak and brass cleaning rod, brush, mop and jag. † Please note this item is subject to 20% VAT on the hammer price.

A NEW AND UNUSED CASED PRESENTATION DELUXE GUN 12-BORE CLEANING KIT, consisting cleaning rod, cleaning heads, snap-caps, oil bottle, cartridge extractor, turnscrews, chamber brush, sectioned in a wooden case with brass fittings. † Please note this item is subject to 20% VAT on the hammer price.

WEBLEY & SCOTT, BIRMINGHAM A BOXED .22 BARREL-COCKING AIR-PISTOL, MODEL 'SENIOR', batch no. 377, with blued 6 5/8in. barrel, blued breech with adjustable rear-sight and stirrup barrel latch, blued stepped air-chamber marked with the model details on the left hand side retaining traces of their white paint infill, the right side stamped 'WEBLEY & SCOTT LTD BIRMINGHAM 4' and 'WEBLEY PATENTS', rear of air chamber with 'DO NOT REMOVE' with red paint infill, three pin trigger group (front pin absent) and mottled brown chequered bakelite grips, appearing in little used condition with much finish intact and complete in its maker's green and black card carton (distressed) containing a cleaning brush and a period box of 'Beatall' pellets,.

AYA A PAIR OF 20-BORE 'NO.2' HAND-DETACHABLE SIDELOCK EJECTORS, serial no. 307-98 / 308-98, 28in. nitro chopperlump barrels, the ribs engraved 'AYA - AGUIRRE & ARANZABAL - MADE IN SPAIN' and gold-inlaid '1' and '2' at the breech ends, 2 3/4in. chambers, bored approx. imp. cyl and 1/4 choke, some external pitting No.2, toplevers gold-inlaid '1' and '2', engraved arcaded fences, automatic safeties, removable striker discs, hand-detachable lockplates, gold-inlaid cocking-indicators, articulated front triggers, rolled-edge triggerguards, fully engraved with acanthus scrollwork, retaining virtually full original colour-hardening and finish, 15in. figured stocks (repaired setting cracks to rear of top tangs) including buttplates, weight 6lb. 1oz., in their brass-cornered oak and leather case with Ray Ward marked turnscrews, chamber brush and oil bottle. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

Pinselhalter aus Celadonporzellan, China, 18. Jhdt. Ablage für Schreibpinsel aus Porzellan mit grünlicher Celadonglasur. Darstellung von vier Knaben, der mittlere auf den Schultern des Gefährten sitzend. Ein Hals gebrochen, geklebt. Höhe 6,5 cm. Zustand: II - A celadon porcelain brush holder, China, 18th century Ablage für Schreibpinsel aus Porzellan mit grünlicher Celadonglasur. Darstellung von vier Knaben, der mittlere auf den Schultern des Gefährten sitzend. Ein Hals gebrochen, geklebt. Höhe 6,5 cm. Condition: II -

A LARGE CHINESE SPINACH-GREEN JADE 'DRAGON' BRUSH WASHER 19TH CENTURY The rounded sides carved in relief with a scaly dragon and two chilong in flight amidst stylised flames, with a band of crashing waves encircling the foot, the base with a four character Qianlong mark, the dark green stone with some pale inclusions and dark specks, together with a wood stand, 17cm. (2) Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s, purchased from Walter Waddington, Harrogate.清  碧玉雕趕珠龍紋筆洗《乾隆年製》款來源：英國西約克郡私人收藏（1970-80年代），購於哈囉蓋特Walter Waddington。

A LARGE CHINESE SPINACH-GREEN JADE 'DRAGON' BRUSH WASHER 19TH CENTURY The exterior carved in relief with four scaly dragons writhing amidst lingzhi-shaped clouds, all raised on a short straight foot, the dark green stone with some russet and pale inclusions, together with a wood stand, 23cm. (2) Provenance: formerly an American private collection.十九世紀  碧玉雕雲龍紋筆洗來源：美國私人舊藏。

SMALL TRAY CONTAINING TREEN ITEMS INCLUDING OWL BRUSH, MODEL OF A CANOE ETC

A group of mainly brass fire compendium tools, coal shovel, fire brush etc to include two copper bed warmers

A SILVER MOUNTED HAND MIRROR from a dressing table with marks for Chester, 15cm wide together with two silver mounted hairbrushes and a clothes brush; and a further hand mirror Condition: wear to the marks, dents, marks and scratches overall

A SET OF SIX VICTORIAN SILVER FRUIT KNIVES with hallmarked loaded handles and hallmarked blades together with five matching forks, a set of six teaspoons with pierced finials and matching sugar tongs, and further silver and plate to include an ashtray, silver gin decanter label, a pair of squat silver candlesticks, silver backed hairbrush and clothes brush etc Condition: marks and dents generally overall, some wear and oxidisation, the ashtray with damage etc

A SILVER BACKED DRESSING TABLE HAND MIRROR together with matching silver back for a hairbrush and a silver backed clothes brush, each decorated with cherubs together with a silver bangle, silver cigarette case and an enamel decorated silver powder compact and further brushes and a lid in white metal Condition: dents, marks and scratches, generally poor condition

A mixed collection of silver to include a cigarette box with engine turned detail, a silver backed brush with two combs, a silver photograph frame to accept an image 20 x 15cm approx, a pair of gloves stretchers, etc