We found 51326 price guide item(s) matching your search

Gentleman's brush. Size: 7 x 2 1/2 x 2 in. Please note that all sales are final. No refunds will be given under any circumstances. Location O8

Birks Sterling Silver Handled Brush. Marked Birks Sterling. Size: 5 x 3 in. Please note that all sales are final. No refunds will be given under any circumstances. Location O8

Antique Lunt Sterling Silver Handled Brush, marked Lunt sterling. Size: 3 x 2 in. Please note that all sales are final. No refunds will be given under any circumstances. Location O8

Antique Gorham Sterling Silver Handled Brush, marked Gorham sterling. Size: 11 x 3 in. Please note that all sales are final. No refunds will be given under any circumstances. Location O8

Pair of Ladies Silver Mirror & Brush, both are marked 835. Largest: 10 1/2 x 4 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances. Location O8

Set of (4) Ladies Sterling Accessories. Two brushes and two mirrors. Size of largest mirror: 14 x 4 1/2 in. Size of largest brush: 10 1/2 x 3 in. Please note that all sales are final. No refunds will be given under any circumstances. Location O8

(2) Sterling Silver Mirror and Brush. Size of larger: 13 1/4 x 4 in. Please note that all sales are final. No refunds will be given under any circumstances. Location O8

MOSCHINO Handtasche "BRUSHSTROKE BIKERBAG", akt. NP.: 1.295,-€. Weißes Lammleder mit schwarzen Pinselstrichen, schwarzer Hardware, Bikerjacken-Design. Überschlag mit magnetischem Verschluss. Innenraum in Schwarz mit Kartenfächern und einem Reißverschlussfach. Schulterriemen und Staubbeutel anbei. Neuwertig. 18x23x11cm| MOSCHINO handbag "BRUSHSTROKE BIKERBAG", retail price 1.295€. White lambskin leather with black brush strokes, black hardware, biker jacket design. Flap with magnetic closure. Interior in black with card slots and a zippered compartment. Shoulder strap and dust bag attached. In mint condition. 18x23x11cm

John C. Gray (Scottish, circa 1880-1945): boats on a river, signed lower left, oil on board, 16.5 by 24cm, framed, 26 by 33cm. Notes: painter John C. Gray worked and lived in Dundee and was born with no arms or feet, he taught himself to paint using a brush held in his mouth.

John C. Gray (Scottish, circa 1880-1945): a woman driving a cow along a track, stopping to drink at a water trough, signed lower right, oil on canvas, 35 by 24cm, framed, 53.5 by 43cm.Notes: painter John C. Gray worked and lived in Dundee and was born with no arms or feet, he taught himself to paint using a brush held in his mouth.

Five silver mounted dressing table items, with various embossed designs, including a lidded hat pin holder, two oval dishes, a shoehorn and a brush, various makers and dates (5)

A silver backed dressing table mirror (lacking glass), a handled brush and a clothes brush, various decoration, dates and makers (3)

Collection of Vintage toys to include Basil Brush puppet & push along Chiltern Toys dog

A silver mirror, Birmingham 1912 and a silver hair brush, both a/f, a silver comb and silver clothes brush

An 18th century continental copper bed warming pan, probably German, decorated in relief with flower heads and spandrels, a set of fire irons, six various decanters, Singer sewing machine, turned ebony candlesticks and brush pot, books, etc (qty)

An Elizabeth II silver propelling Cocktail Swizzle Stick, hallmarked Birmingham, 1954, together with three silver napkin rings, two silver brush covers, a silver plated napkin ring and a very small unmarked propelling pencil, weighable silver 4.2ozt (a lot)

A boxed Royal Doulton Thelwell figure 'Body Brush', 5 1/2'' tall.

(See English version below)Norbert Schwontkowski (1949 – Bremen – 2013). „Cantor“. 2005Öl und Pigment auf Leinwand. 60 × 50 cm ( 23 ⅝ × 19 ⅝ in.). Rückseitig mit Pinsel in Schwarz signiert und datiert: Schwontkowski 2005. Auf dem Keilrahmen mit Filzstift in Schwarz betitelt und mit der Werknummer bezeichnet: Cantor NS/M 430. Ebendort mit Stempeln und Eti­ketten der Galerie Contemporary Fine Arts, Berlin.[3405] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Norbert Schwontkowski (1949 – Bremen – 2013). ”Cantor”. 2005Oil and pigment on canvas. 60 × 50 cm ( 23 ⅝ × 19 ⅝ in.). Signed and dated with brush in black paint on the reverse: Schwontkowski 2005. Titled and inscribed on the stretcher in black felt-tip pen: Cantor NS/M 430. As well as stamps and labels of the Contemporary Fine Arts Gallery, Berlin.[3405] Framed. We charge 30% premium on the hammerprice.

(See English version below)Norbert Schwontkowski (1949 – Bremen – 2013). „Der Erfinder der Tricolore“. 2009Öl und Collage auf Leinwand. 181 × 201 cm ( 71 ¼ × 79 ⅛ in.). Rückseitig mit Pinsel in Schwarz signiert und datiert: Schwontkowski 2009. Auf dem Keilrahmen mit Filzstift in Schwarz betitelt und be­schriftet: Der Erfinder der Tricolore NS/M 1043. Hier mit einem Ausstellungsetikett der Galerie Mitchell-Innes & Nash, New York, sowie einem Etikett und Stempel der Galerie Contemporary Fine Arts, Berlin.[3023] Gerahmt. Provenienz: Privatsammlung, New York (bei Mitchell-Innes & Nash, New York, erworben)Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Norbert Schwontkowski (1949 – Bremen – 2013). ”Der Erfinder der Tricolore”. 2009Oil and collage on canvas. 181 × 201 cm ( 71 ¼ × 79 ⅛ in.). Signed and dated with brush in black on the reverse: Schwontkowski 2009. Titled and inscribed on the stretcher in black felt-tip pen: Der Erfinder der Tricolore NS/M 1043. Here also an exhibition label of the Mitchell-Innes & Nash gallery, New York, as well as a label and stamp of the Contemporary Fine Arts gallery, Berlin.[3023] Framed. Provenance: Private Collection, New York (acquired at Mitchell-Innes & Nash, New York)We charge 30% premium and 7% import tax on the hammerprice.

(See English version below)Per Kirkeby (1938 – Kopenhagen – 2018). „Skowhegan VI“. 1991Öl auf Leinwand. 117 × 96,5 cm ( 46 ⅛ × 38 in.). Rückseitig mit Pinsel in Braun signiert, datiert und betitelt: PER KIRKEBY 1991 Skowhegan VI. Auf dem Keilrahmen ein Etikett der Galerie Michael Werner, New York.[3349] Gerahmt. Provenienz: Privatsammlung, HessenWir berechnen auf den Hammerpreis 30% Aufgeld.Per Kirkeby (1938 – Copenhagen – 2018). ”Skowhegan VI”. 1991Oil on canvas. 117 × 96,5 cm ( 46 ⅛ × 38 in.). Signed, dated and titled with brush in brown paint on the reverse: PER KIRKEBY 1991 Skowhegan VI. On the stretcher a label of Galerie Michael Werner, New York.[3349] Framed. Provenance: Private Collection, HesseWe charge 30% premium on the hammerprice.

(See English version below)Daniel Richter (Eutin 1962 – lebt in Berlin und Hamburg). Ohne Titel. 1982Acryl auf Nessel. 116 × 195 cm ( 45 ⅝ × 76 ¾ in.). Unten rechts monogrammiert und datiert: D 82. Rückseitig mit Pinsel in Gelb bezeichnet: von den schrecklichen paten, hab ich kaputt gemalt (Bezeichnung schwer leserlich).[3441] Gerahmt. Provenienz: Privatsammlung, Berlin (direkt vom Künstler erhalten)Wir berechnen auf den Hammerpreis 30% Aufgeld.Daniel Richter (Eutin 1962 – lives in Berlin and Hamburg). Untitled. 1982Acrylic on cotton. 116 × 195 cm ( 45 ⅝ × 76 ¾ in.). Monogrammed and dated lower right: D 82. On the reverse inscribed with brush in yellow paint: von den schrecklichen paten, hab ich kaputt gemalt (inscription barely legible).[3441] Framed. Provenance: Private Collection, Berlin (received directly from the artist)We charge 30% premium on the hammerprice.

Theodore Deck, a pair of Japanesque vases, circa 1880, cylindrical brush pot form, painted in the Oriental style with Persian cartouches of birds on chrysanthemum and peony branches, within a Chinese foliate scroll ground, between flower head borders, impressed marks, 27.5cm high

Longwy, an art pottery cloisonne vase, cylindrical brush pot form, enamelled with a dragon and butterfly in a floral and foliate scroll ground, impressed marks, 18cm high

A Silver hand brush, mirror, silver lid and glass base dressing table preserve pot, ebony & silver top preserve pot, small silver frame & silver rectangular frame.

(See English version below)Emil Nolde (Nolde 1867 – 1956 Seebüll). „Stehende nach links gebeugte Frau in rotem Kleid mit ausgestreckten Armen“. Um 1916/20Aquarell und Tuschpinsel auf ursprünglich zweifach gefaltetem grundierten Chinapapier. 44,2 × 35,9 cm ( 17 ⅜ × 14 ⅛ in.). Unten links mit Bleistift signiert: Nolde.Mit einer Expertise von Prof. Dr. Manfred Reuther, Klockries, vom 23. Februar 2021. Stellenweise stockfleckig. [3019] Provenienz: Joseph Heymann, Köln / London (zwischen 1925 und 1935 erworben, seitdem in Familienbesitz)Wir berechnen auf den Hammerpreis 30% Aufgeld.Emil Nolde (Nolde 1867 – 1956 Seebüll). ”Stehende nach links gebeugte Frau in rotem Kleid mit ausgestreckten Armen”. Circa 1916/20Watercolour and brush and India ink on originally twice folded primed China paper. 44,2 × 35,9 cm ( 17 ⅜ × 14 ⅛ in.). Signed in pencil lower left: Nolde.Accompanied by a certificate by Prof. Dr. Manfred Reuther, Klockries, dated 23 February 2021. In places foxing. [3019] Provenance: Joseph Heymann, Cologne/ London (acquired between 1925 and 1935, thence by descent to the present owner)We charge 30% premium on the hammerprice.

(See English version below)Emil Nolde (Nolde 1867 – 1956 Seebüll). „Marschlandschaft mit Abendhimmel“. Um 1925/30Aquarell und Tuschpinsel auf Japan. 33,6 × 46,9 cm ( 13 ¼ × 18 ½ in.). Unten rechts mit Feder in Schwarz signiert: Nolde.Mit einer Expertise von Prof. Dr. Manfred Reuther, Klockries, vom 27. April 2021. Farben etwas geblichen. [3305] Gerahmt. Provenienz: Privatsammlung, RheinlandWir berechnen auf den Hammerpreis 30% Aufgeld.Emil Nolde (Nolde 1867 – 1956 Seebüll). ”Marschlandschaft mit Abendhimmel”. Circa 1925/30Watercolour and brush and India ink on Japan paper. 33,6 × 46,9 cm ( 13 ¼ × 18 ½ in.). Signed in pen and black ink lower right: Nolde..Accompanied by a certificate by Prof. Dr. Manfred Reuther, Klockries, dated 27 April 2021. Colours somewhat faded. [3305] Framed. Provenance: Private Collection, RhinelandWe charge 30% premium on the hammerprice.

(See English version below)Walter Dexel (München 1890 – 1973 Braunschweig). „Straße bei Florenz“ („Zur Porta Romana II“). 1913Öl auf Pappe, auf Holz. 52,2 × 34,7 cm ( 20 ½ × 13 ⅝ in.). Unten rechts signiert und datiert: W DEXEL 13. Rückseitig mit Pinsel in Schwarz signiert, datiert und zweifach betitelt: W DEXEL 13 STRASSE BEI FLORENZ ZUR PORTA ROMANA II. Rückseitig Etiketten der Ausstellungen Hannover 1974, Ulm 1979 und Ahlen 1980 (s.u.).Wöbkemeier 32. [3376] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Walter Dexel (Munich 1890 – 1973 Braunschweig). ”Straße bei Florenz” (”Zur Porta Romana II”). 1913Oil on cardboard, on wood. 52,2 × 34,7 cm ( 20 ½ × 13 ⅝ in.). Signed and dated lower right: W DEXEL 13. Signed with brush in black on the reverse, dated and twice titled: W DEXEL 13 STRASSE BEI FLORENZ ZUR PORTA ROMANA II. On the reverse labels of the exhibitions Hanover 1974, Ulm 1979 and Ahlen 1980 (see below).Wöbkemeier 32. [3376] Framed. We charge 30% premium on the hammerprice.

(See English version below)Fritz Schaefler (Eschau 1888 – 1954 Köln). „Waldbild III“. 1920er-JahreÖl auf Leinwand. 91,2 × 60 cm ( 35 ⅞ × 23 ⅝ in.). Unten links der Mitte signiert: F. Schaefler. Rückseitig auf der oberen Keilrahmenleiste mit Pinsel in Rot signiert und betitelt: F. Schaefler Waldbild III.[3482] Gerahmt. Provenienz: Ehemals Joseph Heymann, LondonWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.Fritz Schaefler (Eschau 1888 – 1954 Cologne). ”Waldbild III”. 1920sOil on canvas. 91,2 × 60 cm ( 35 ⅞ × 23 ⅝ in.). Signed lower left the centre: F. Schaefler. Signed and titled in red with brush on the reverse on the upper stretcher bar: F. Schaefler Waldbild III.[3482] Framed. Provenance: Formerly Joseph Heymann, LondonWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.

(See English version below)August Wilhelm Dressler (Bergesgrün/Böhmen 1886 – 1970 Berlin). „Der kranke Vogel“. 1927Öl auf Holz. 64,3 × 50,6 cm ( 25 ⅜ × 19 ⅞ in.). Rückseitig mit Pinsel in Schwarz signiert, bezeichnet und betitelt: Aug. Wilh. Dressler Charlottenburg „Der kranke Vogel“.[3423] Gerahmt. Wir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.August Wilhelm Dressler (Bergesgrün/Bohemia 1886 – 1970 Berlin). ”Der kranke Vogel”. 1927Oil on panel. 64,3 × 50,6 cm ( 25 ⅜ × 19 ⅞ in.). Signed, inscribed and titled with brush in black on the reverse: Aug. Wilh. Dressler Charlottenburg „Der kranke Vogel“.[3423] Framed. We charge 30% premium and 7% import tax on the hammerprice.

(See English version below)Erich Wegner (Gnoien 1899 – 1980 Hannover). „Strandstraße 3“. 1922Gouache, Tuschfeder und -pinsel über Bleistift auf Papier. 33,8 × 24 cm ( 13 ¼ × 9 ½ in.). Unten rechts signiert: Wegner. Rückseitig mit Bleistift betitelt und datiert: Strandstraße 3 1922.[3327] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Erich Wegner (Gnoien 1899 – 1980 Hanover). ”Strandstraße 3”. 1922Gouache, pen and brush and India ink over pencil on paper. 33,8 × 24 cm ( 13 ¼ × 9 ½ in.). Signed lower right: Wegner. Titled and dated in pencil on the reverse: Strandstraße 3 1922.[3327] Framed. We charge 30% premium on the hammerprice.

(See English version below)Karl Schmidt-Rottluff (Rottluff 1884 – 1976 Berlin). Stillleben mit Äpfeln und Birnen. Aquarell und Tuschpinsel auf Papier. 35,3 × 50,7 cm ( 13 ⅞ × 20 in.). Unten rechts signiert: S. Rottluff.[3323] Gerahmt. Provenienz: Privatsammlung, NorddeutschlandWir berechnen auf den Hammerpreis 30% Aufgeld.Karl Schmidt-Rottluff (Rottluff 1884 – 1976 Berlin). Still life with apples and pears. Watercolour and brush and India ink on paper. 35,3 × 50,7 cm ( 13 ⅞ × 20 in.). Signed lower right: S. Rottluff.[3323] Framed. Provenance: Private Collection, Northern GermanyWe charge 30% premium on the hammerprice.

(See English version below)Hermann Max Pechstein (Zwickau 1881 – 1955 Berlin). „Sonnenblumen“. 1948Öl auf Leinwand. 80 × 70 cm ( 31 ½ × 27 ½ in.). Unten links signiert und datiert: HMPechstein 1948. Rückseitig oben mit Pinsel in Schwarz betitelt, datiert und signiert: Sonnenblumen 1948 HMPechstein.Soika 1948/9. [3484] Provenienz: Privatsammlung, Brandenburg (vom Künstler erworben)Wir berechnen auf den Hammerpreis 30% Aufgeld.Hermann Max Pechstein (Zwickau 1881 – 1955 Berlin). ”Sonnenblumen”. 1948Oil on canvas. 80 × 70 cm ( 31 ½ × 27 ½ in.). Signed and dated lower left: HMPechstein 1948. Titled, dated and signed with brush in black on the reverse at the top: Sonnenblumen 1948 HMPechstein.Soika 1948/9. [3484] Provenance: Private Collection, Brandenburg (acquired directly from the artist)We charge 30% premium on the hammerprice.

(See English version below)Jean Cocteau (Maisons-Lafitte 1889 – 1963 Milly-la-Fôret). „Autour des Chevaliers de la Table Ronde“. 1937Tuschpinsel und Bleistift auf Papier, ausgeschnitten. 46,3 × 31 cm ( 18 ¼ × 12 ¼ in.). In der Darstellung signiert, gewidmet, bezeichnet und datiert: Souvenir de Jean Cocteau à Iovka Hadji Paris mai 1937.Mit einer Expertise von Annie Guedras, Paris, vom 28. November 1995. Die Zeichnung ist unter der Nummer 3032 D in ihrem Archiv registriert. [3395] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Jean Cocteau (Maisons-Lafitte 1889 – 1963 Milly-la-Fôret). ”Autour des Chevaliers de la Table Ronde”. 1937Brush and India ink and pencil on paper, cut out. 46,3 × 31 cm ( 18 ¼ × 12 ¼ in.). Signed, dedicated, inscribed and dated within the image: Souvenir de Jean Cocteau à Iovka Hadji Paris May 1937.Accompanied by a certificate by Annie Guedras, Paris, dated 28 November 1995. The drawing is registered in her archive as number 3032 D. [3395] Framed. We charge 30% premium on the hammerprice.

(See English version below)Hann Trier (Düsseldorf-Kaiserswerth 1915 – 1999 Castiglione della Pescaia). „Ferrara“ („Schifanoia“). 1971Acryl auf Leinwand. 65 × 65,3 cm ( 25 ⅝ × 25 ¾ in.). Unten rechts monogrammiert, datiert und bezeichnet: hT 71 nach Fresco in Ferrara. Rückseitig mit Pinsel in Schwarz signiert, bezeichnet, datiert und bezeichnet: Trier Schifanoia 1971 A WNr. 596.Gerlach-Laxner 630. [3256] Gerahmt. Wir berechnen auf den Hammerpreis 30% Aufgeld.Hann Trier (Düsseldorf-Kaiserswerth 1915 – 1999 Castiglione della Pescaia). ”Ferrara” (”Schifanoia”). 1971Acrylic on canvas. 65 × 65,3 cm ( 25 ⅝ × 25 ¾ in.). Monogrammed, dated and inscribed lower right: hT 71 nach Fresco in Ferrara. Signed, inscribed, dated and inscribed with brush in black paint on the reverse of the canvas: Trier Schifanoia 1971 A WNr. 596.Gerlach-Laxner 630. [3256] Framed. We charge 30% premium on the hammerprice.

(See English version below)Asger Jorn (Vejrum 1914 – 1973 Aarhus). Ohne Titel. Um 1950/51Tuschpinsel und -feder auf Papier. 40 × 49,7 cm ( 15 ¾ × 19 ⅝ in.). Unten mittig signiert: Jorn.Die Zeichnung ist registriert im Archiv des Museum Jorn, Silkeborg. [3366] Gerahmt. Provenienz: Ehemals Robert Dahlmann-Olsen, KopenhagenWir berechnen auf den Hammerpreis 30% Aufgeld.Asger Jorn (Vejrum 1914 – 1973 Aarhus). Untitled. Circa 1950/51Brush and pen and India ink on paper. 40 × 49,7 cm ( 15 ¾ × 19 ⅝ in.). Signed in the lower centre: Jorn.The drawing is recorded in the archive of the Museum Jorn, Silkeborg. [3366] Framed. Provenance: Formerly Robert Dahlmann-Olsen, CopenhagenWe charge 30% premium on the hammerprice.

(See English version below)Antoni Tàpies (1923 – Barcelona – 2012). „Espiral de tinta“. 1985Tuschpinsel auf Japan, auf dünnes Japan aufgezogen. 49,5 × 56,5 cm ( 19 ½ × 22 ¼ in.). Unten rechts mit Bleistift signiert: Tapies.Agustí 4968. [3471] Gerahmt. Provenienz: Joint Gallery, Hong Kong / Privatsammlung, SüddeutschlandWir berechnen auf den Hammerpreis 30% Aufgeld.Antoni Tàpies (1923 – Barcelona – 2012). ”Espiral de tinta”. 1985Brush and India ink on Japan paper, laid down on thin Japan paper. 49,5 × 56,5 cm ( 19 ½ × 22 ¼ in.). Signed in pencil lower right: Tapies.Agustí 4968. [3471] Framed. Provenance: Joint Gallery, Hong Kong / Private Collection, Southern GermanyWe charge 30% premium on the hammerprice.

Hunting interest - Three Pups Around the Barn Yard - and - We Know The Hoary Customer Who Flirts His Brush At Dangers - prints, framed & glazed, 29 by 23cms (11.5 by 9ins) and 22 by 28cms (8.75 by 11ins) (2).

A three-piece silver dressing table set, Birmingham 1962, comprising hand mirror, hair brush and clothes brush.

A 19th century Japanese carved ivory netsuke in the form of a boy holding a calligraphy brush, 3.5cms (1.25ins) high.

A Chinese hardwood brush pot, 11cms (4.25ins) high; together with a Chinese bamboo chopstick case decorated with fish and lilies, 25cms (10.25ins) high; a Chinese Republic style brush rest, 9cms (3.5ins) high; and a Chinese hardwood figure of a kneeling man (4).

A pair of Chinese bamboo brush pots decorated with figures in a landscape, 15cms (6ins) high); together with a Chinese bamboo wrist rest, 24cms (9.5ins) wide (3).

A Chinese jade brush washer in the form of a lily pad with frogs, 11cms (4.25ins) wide.

A collection of miscellaneous items all relating to various British and World Exhibitions, to include a boxed "Speedweve" Lancashire's Smallest Loom (Exhibited Olympia & Earl's Court 1949), a Romeo Mojoli & Ci hanging brush, South Bank Exhibition 1951 glass slides, a Spong & Co Manufacturers of Domestic Machinery catalogue, Edinburgh 1890 embroidered handkerchief, Hong Kong 1984 World's Fair playing cards and two Russian painted plaster wall plaques etc.

A collection of Wedgwood items to include: Peter Rabbit Lamp Base, Black Basalt Cylindrical Brush pot, 1978 Christmas Tri-colour Plate, etc

Job lot collection of glass & silver plus loaded silver: All of the 7 glass and silver or silver coloured metal pieces have faults, together with loaded silver comport, inkwell and brush, all with various faults. NO FURTHER CONDITION REPORT AVAILABLE ON THIS ITEM.

Chester silver mirror and brush set: Hallmarks for 1922. Good overall condition, the handle of the mirror is slightly loose, the resin loading appears to be very slightly compromised.

A mixed collection of item to include: Beldray Copper Crumb Tray & Brush, base metal dressing table set etc

20th century Chinese carved hardwood brush pot, decorated with figures and pine trees in a mountain landscape, 15cm high.

19th/20th century Chinese carved bamboo brush pot, decorated with pond lilies and carp, 18cm high.

Chinese hand carved bamboo brush pot, figures, pagodas and pine trees, 27cm high.

A silver Williams Art Nouveau brush marked Birmingham and another silver backed brush marked Birmingham

Football West Ham Utd celebrating after the 1980 FA cup final, multi-signed by names such as Phil Parkes, Billy Bonds, Alvin Martin, Paul Brush, David Cross, Stuart Pearson, Alan Devonshire, Ray Stewart and Geoff Pike. 10x8 colour photograph. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Paul Brush signed 10 x 8 b/w football photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Silver dressing table hand mirror together with silver backed brush, three silver backed clothes brushes and a silver handled clothes brush, various makers

A fully hallmarked sterling silver hand brush and mirror set, maker marked for Deakin & Francis Ltd, assayed in Birmingham and dated 1911.

A collection of fully hallmarked sterling silver to include a brush and mirror set and a cruet set.

Assorted silver plated items including spoons, a brush, mirror and comb set, three plated dress watches, cut glass salt and pepper pots, a chain plus coins and a lighter

GROUP OF BRASS COW BELLS, along with an early 20th century copper crumb tray and brush

A Ryobi PCB 3020 30cc petrol Brush cutter.

A Stihl brush cutter.