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Lot 3
ALFRED KUBIN (1877-1959)Der Mann im Mond signed 'Kubin' (lower right)brush, pen, ink and wash with Spritztechnik on paper27.3 x 22cm (10 3/4 x 8 11/16in).Executed in 1903 - 1904Footnotes:Dr. Annegret Hoberg has kindly confirmed the authenticity of this work.The authenticity of this work has kindly been confirmed by Dr. Peter Assmann.ProvenanceAlois Samhaber Collection, Wernstein (gifted by the artist).Rosa Samhaber Collection, Wernstein (bequeathed by the above).Galerie Altnöder, Salzburg.Galerie Corso, Vienna.Private collection, US (acquired from the above in 1992); their sale, Christie's, London, 24 June 2004, lot 404.Private collection, London (acquired at the above sale).ExhibitedSalzburg, Galerie Altnöder, Alfred Kubin (10.4.1877 - 20.8.1959), Zur Wiederkehr des 30. Todestages, 1989.Innsbruck, Galerie Bloch, Perle und Tarockanien, Alfred Kubin und Fritz von Herzmanovsky-Orlando, 28 February – 27 March 1980.Alfred Kubin was a founding member of the Spiritualist art movement Der Blaue Reiter and a foremost Symbolist artist. Inspired by the nihilist philosophy of Nietzsche and Schopenhauer, Kubin's work drew upon the dark interior realms of his subconscious and the anxiety of the human condition. His works from 1898 – 1903, from which Der Mann im Mond issues, are the most powerful renderings of his engagement with these psychoanalytical and philosophical ideas and are considered the most important of his entire oeuvre.Depicting a solitary man on the moon standing on an outcrop and silhouetted against the sky, the present work acts as a Symbolist re-imagining of Caspar David Friedrich's Romantic 19th century masterpiece, Der Wanderer über dem Nebelmeer. While Friedrich's protagonist displays a sense of awe and command of the landscape, Kubin's lonely figure appears to be engulfed by his wild, other-worldly surroundings. The work depicts a familiar subject of Kubin's – 'the eternal wanderer', and encapsulates the alienation of modern man as described by Nietzsche.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 52
MAURICE DE VLAMINCK (1876-1958)Village signed 'Vlaminck' (lower right)gouache, watercolour, brush and India ink on paper49 x 58.8cm (19 5/16 x 23 1/8in).Executed circa 1925Footnotes:This work will be included in the forthcoming Maurice de Vlaminck Digital Database, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.ProvenanceGalerie Simon, Paris. Acquired from the above by the previous owner (in 1994); their sale, Christie's, London, 24 June 2004, lot 358. Private collection, Geneva (acquired at the above sale).This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 33
MAN RAY (1890-1976)La vierge signed and dated 'Man Ray 52' (lower left)brush, India ink and pencil on pink paper31.8 x 25.2cm (12 1/2 x 9 15/16in).Executed in 1952Footnotes:This work will be included in the Catalogue of Works on Paper of Man Ray, currently in preparation by the Man Ray Committee.ProvenanceGalerie Schwarz, Milan (acquired directly from the artist in 1970).Galerie Levy, Hamburg.Hubertus Wald Collection, Hamburg (acquired from the above in September 1987).Hubertus Wald Charitable Foundation Collection, Hamburg; their sale, Christie's, London, 8 February 2012, lot 223.Private collection, UK (acquired at the above sale).ExhibitedMilan, Galleria Schwarz, Man Ray, 60 anni di libertà, June - July 1971, no. 147.Syracuse, Museo Regionale di Palazzo Bellomo, Man Ray, Disegni, June - July 1985, no. 85.Madrid, Galería Levy, Man Ray, September - October 1987, no. 25 (later travelled to Madrid & Dusseldorf).Darmstadt, Kunsthalle, Meret Oppenheim Meets Man Ray, 6 April - 1 June 1997, no. 19 (later travelled to Rotterdam & Wilhelmshaven).For further information on this lot please visit Bonhams.com
Lot 35
FRANS MASEREEL (1889-1972)La vespasienne sous le métro signed with the artist's initials and dated 'FM 1926' (lower right) watercolour, brush and India ink on paper74.1 x 81cm (29 3/16 x 31 7/8in).Executed in 1926Footnotes:ProvenancePrivate collection, Belgium.LiteratureP. Vorms, Masereel, catalogue raisonné, Antwerp, 1976, no. 165, p. 47.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 44
RUDOLF BAUER (1889-1953)Untitled signed 'Rudolf Bauer' (lower left)gouache, watercolour, brush, pen and ink on paper51.3 x 66.1cm (20 3/16 x 26in).Executed circa 1922Footnotes:The authenticity of this work has kindly been confirmed by Mr. Rowland Weinstein.ProvenanceSolomon R. Guggenheim Museum Collection, New York, no. D.M153.Takis Efstathieu Collection (formerly Ericson Gallery), New York. Private collection, Hessen. Anon. sale, Van Ham Kunstauktionen, Cologne, 27 May 2014, lot 7.David Lévy, Brussels.Private collection, Brussels (acquired from the above in 2015).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 383
A good quality late 20th-century honey-coloured oak display cabinet on cupboard, ogee moulded cornice with two eight-panel glazed doors covering three adjustable shelves, brush and slide above two raised and fielded panel doors, covering single fixed shelf, all standing on bracket feet.width 114cm (45"), depth 40cm (16"), height 198cm (78")Condition report: Overall condition good.
Lot 638
An Edwardian silver twin handled pedestal trophy cup by Thomas Hayes, Birmingham 1902, with twin flying double scroll handles, a girdle and on a circular moulded spreading foot, 20cm (8in) long; three silver mounted and guilloche enamel mounted dressing table items by Mappin & Webb, Birmingham 1928, engraved EFL, the hand mirror 15.5cm (6in) long; a similar silver mounted glass jar; and another silver mounted brush, 287g (9.25 oz) weighable Condition Report: Trophy appears to have been dropped, one handle repaired Condition Report Disclaimer
Lot 650
Y A collection of silver and silver mounted items, to include: a Victorian silver shaped rectangular card case, maker's mark obscured, Birmingham 1871, engraved with foliate decoration and a monogram to a shaped reserve, 10cm (4in) high; a silver engine turned cigarette case by William Neale Ltd., Birmingham 1928, 10cm (4in) high; a silver rectangular cigarette box, 18cm (7in) long, with a cedar liner; a silver mounted brush; and a silver mounted and tortoiseshell comb, 206g (6.6 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as seen Condition Report Disclaimer
Lot 908
A small collection of items, to include: an Edwardian silver mounted brush by A. & J. Zimmerman Ltd., Birmingham 1902, chased with a mythical creature among foliage and a shaped vacant reserve, 15.5cm (6in) long; four French glass bottles and stoppers with silver coloured and purple enamelled covers, 9cm (3 1/2in) and 10cm (4in) high; a silver mounted desk clock and photo frame by Kitney & Co., London 1995, with reed and stitch borders, 6.5cm (2 1/2in) high; a pair of silver coloured shaped circular and pierced bowls, 9cm (3 1/2in) diameter; a white metal owl shaped book mark; and a copper and electro-plated ruler, chased with a tiger, 24cm (9 1/2in) long, 127g (4.1 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as seen Condition Report Disclaimer
Lot 1349
A vintage mahogany cased "His Master's Voice" gramophone with a small collection of 78 records. Complete with wind up handle, record brush attachment and 2 original His Masters Voice needle tins containing needles. Record storage to base . One small handle to speaker door missing. In working order. Approx. 97cm tall.
Lot 724
In the manner of Shoji Hamada - A rectangular slab vase from The Leach Pottery, with shallow collar neck, tenmoku glaze with sweeping brush work motifs in resist decoration, height 11.5cm, width 8.5cm.Provenance - This vase was purchased and owned by Gillian (Gill) Harrington who worked at the Leach Pottery on Kensington Church Walk in the early 1970s. Gill had originally worked for Bernard Stone at the Turret Bookshop which shared a space with The Leach Pottery. During her time working at The Turret Bookshop Gill became close friends with Sybil Hansen who worked for Leach at the Kensington Church Walk shop. From this friendship Gill began working at the shop covering shifts and selling the ceramics. Her daughter, who studied at St Mary Abbots School just down the road remembers sitting with her mother in the shop after school and also being taught how to pot by William (Bill) Marshall. Her diaries of the time make numerous mentions to her job at The Leach Pottery and her close friendship with both Sybil Hansen and Guy Worsdell. This piece and the other two examples were acquired by Gill at her time there.
Lot 136
A group of three canes pertaining to writing Various dates late 19th/20th century Comprising a Japanese brass-mounted silver and ebonized bamboo calligrapher's cane, the handle unscrewing to reveal ink brush, ink stick and stone, with brass ferrule; a gilt brass-mounted brass and bamboo systems walking stick, lever releases a jet cabachon-capped pencil from hammered brass handle; and a brass-mounted celluloid and malacca systems walking stick, the celluloid handle containing an inkwell and unscrewing to reveal a fountain pen, with faux horn ferrule. (3).L: 36 in. (longest) PROVENANCE: The collection of award-winning independent film director Larry Clark, New York.
Lot 47
A 6 shot 60 bore self cocking bar hammer percussion pepperbox revolver, by Wilkinson, 8" overall, fluted barrels 3½” with Birmingham proofs; with scroll engraved German silver frame and butt strap, signed “WILKINSON & SON, LONDON”, and numbered “164”; the bag shaped butt having plain dark walnut grips. Good Working Order and Condition (the nipples and hammer rest ring slighted knocked); in its original blue velvet lined fitted mahogany case with brass lid escutcheon, containing Sykes copper powder flask, steel pincer mould (worn), turnscrew, pewter oil bottle, small cap tin (worn), bristle brush, and key to case. Good Condition Plate 10 £800-1200.
Lot 72
A Chinese blue and white Meiping vase, decorated figure, 6 1/2" high, a blue and white brush pot decorated figures in a garden, a polychrome decorated brush pot, an Imari plate, 9 3/4" dia, and other items Condition: Vase condition fine, polychrome plate crazed and chipped, Imari plate chipped and rubbed, small blue and white bowl chipped, one lid cracked and restored.
Lot 218
Y Asprey, a brown crocodile travel case, the case stamped A. B. C., with twin loop handles and two flip lock clasps, opening to silver and silver mounted items by various maker's and dates, with engine turned decoration, engraved with a crest above the motto Tout jour, to include: five cut glass bottles with silver mounted covers, a silver corkscrew, a silver vesta case, a silver mounted shaving brush, two leather boxes with silver mounted corners, a mirror case with silver mounted corners and other silver and silver mounted items; two electro-plated mounted spirit flasks; an electro-plated lamp; and ivory mounted dressing table items, the case 66 x 43 x 22cm, 132g (4.25 oz) gross weighable; together with another brown crocodile bag, with twin loop handles and stamped ABC, 55 x 40 x 26cm
Lot 277
An Edwardian enamelled charm bracelet, circa 1910, the fancy link bracelet suspending enamelled charms with two mounted huntsmen, two hounds and a fox, stamped 9ct, 18cm long, 8.7g grossCondition Report: There are chips to the enamel on the grey horse, to the two hounds, and the foxes brush, there is some slight wear commensurate with age and useCondition Report Disclaimer
Lot 273
Chinese mutton fat jade hardstone bowl, 12cm diameter, two small soapstone carvings, 10cm and 7.5cm and a pierced hardwood stand, to fit base 16cm diameter. (4). Conditon report:Bowl - tiny chip to rim natural fissures running through it. Also small bruises to rimSoapstone figures ok, slight knocks to top of brush washerStand - old repair bit ok
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51252 item(s)/page