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Simone Cenedese - A contemporary Italian Murano glass sculptural vase in the form of a paint pot tin of cylindrical form cased in clear crystal over graduated blue to white with applied paint drops to the exterior, together with a sculptural novelty paint brush, engraved signature and numbered 2/12, height 20cm.
‡ Alan Caiger-Smith MBE (1930-2020) an Aldermaston Pottery Loving cup, circa 1987, twin-handled form, painted with simple brush design in ruby and gold lustre on a tin-glaze, and a cylindrical storage jar and cover by Alan Caiger-Smith painted mark, 13.5cm high (3) Catalogue notes Alan Caiger-Smith wrote a letter to the vendor in 1995 confirming the piece was probably a trial piece painted by him circa 1987, although made by an apprentice, which explains the lack of an ACS monogram.
BLUE AND WHITE BRUSH LICK 花押款 青花穿花龍鳳紋鼓形筆舔 sturdily potted in drum form, painted to the exterior with a continuous scene of phoenix and kui-dragon amongst scrolling tendrils, the concaved top dressed in persimmon glaze with a small opening near the rim, the base painted with a lingzhi motif mark(15cm diameter)
CARVED BAMBOO 'SCHOLAR AND PINE' BRUSH POT QING DYNASTY, 19TH CENTURY 清 竹雕文人松林筆筒 the hollow cylindrical body on the one side deeply carved in the reduced ground technique with three standing scholars engaging in a conversation and an attendant serving wine aside, on the reverse carved with three further seated scholars under pine trees with a pavilion afar(16.7cm high)
WHITE JADE FOLIATED BRUSH WASHER QING DYNASTY, 18TH-19TH CENTURY 清 白玉雕荷葉形筆洗 in the form of a folded lotus leaf, supported on a short foot, the curved sides terminating to an inverted foliated rim, a fern-shaped leaf finely carved in low relief between each lobe, the base further carved in low relief to a blossoming lotus flower(9.5cm wide)
George V silver dressing table set, Birmingham 1934, maker Hasset & Harper Ltd. with art deco style engine turned decoration, consisting of two hair brushes, two clothes brushes and hand mirror handle, similar silver handled clothes brush, London 1934, maker Collett & Anderson, circular silver picture frame, 8cm diameter, plated pin dish with cherub decoration (8)
Nicole Rose Breeze 1 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992 Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year. Gallery Representation Rise Art, The Artling - both online platforms Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.
Nicole Rose Breeze 2 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992 Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year. Gallery Representation Rise Art, The Artling - both online platforms Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.
Nicole Rose Breeze 3 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992 Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year. Gallery Representation Rise Art, The Artling - both online platforms Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.
Nicole Rose Breeze 4 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About My work, as an artist and designer, explores my emotional response to the natural world around me. I primarily create abstract paintings based on the landscape. Using layers of oil colour and a sweeping brush technique the finished paintings take on an ethereal quality. Alongside my paintings I also create complementary prints that are at once a reflection of the original painting - and a new perspective on it. Focusing on a photographed section of a finished painting, I work in Photoshop to reimagine and rebalance, creating a run of limited-edition giclée prints that are both a part of the original works - and a fresh response to the landscape in their own right. My current selection of paintings and prints have been created following visits to nature reserves where I records sights, sounds, colours and routes taken, to remember and work from in my studio. I graduated from Central St Martins School of Art in 1992 with a BA in Graphic Design. I have had a successful career as a Creative Director, running my own commercial design studio for many years, and now work from my art studio in North London. Education Central St Martins BA (Hons) Graphic Design 1992 Select Exhibitions/Awards The Other Art Fair July 2021, October 2021, March 2022. Woolwich Contemporary Print Fair November 2021. Shortlisted for the Boodle Hatfield Fair Print Prize 2022. Award ceremony later in the year. Gallery Representation Rise Art, The Artling - both online platforms Statement about AOAP Submitted Artwork The Breeze collection of postcards follow the same technique as I apply to my larger canvas paintings. They were created following a visit to my local nature reserve as a remembered visual recording to the surroundings.
A collection of ivory dressing table items, late 19th to early 20th century comprising three handheld brushes, two hairbrushes, a clothes brush, five glove stretchers, a silver button hook, a shoehorn, two boot pulls, two jars and covers and four similar small examples (qty.)IMPORTANT NOTEThis lot contains ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.If you are a UK buyer, we request that you collect your purchase as soon as possible following the sale due to ongoing changes to ivory regulations.Condition report: Cracks, marks and wear throughout. Silver hallmarked London 1906.
SILVER DRESSING TABLE ITEMS, 4 PIECES to include an embossed hand mirror, Birmingham 1896, Arthur and John Zimmerman, silver topped brush, London 1909, Mappin & Webb, pierced frame easel mirror, London 1889, Judah Rosenthal and Samuel Jacob, now fashioned with a hinged handle from another item to create the easel stand, lion passant and a Victoria head part hallmark to the handle, 16 x 12cms standing, 29.5cms overall and a small nail buffer, Birmingham 1898, Levi and Salaman
Cased 6 shot 80 Bore self cocking hammer bar percussion cap Pepperbox revolver by "Henry Allport of Cork". 80mm long fluted colour hardened barrels. Proof marked. Engraved decoration to the hammer and receiver. Signed "H Allport, Cork". Finely chequered one piece walnut grip with blank silver escutcheon plate. Working order. Overall length 210mm. Case is complete with original trade label and contains bullet mould, powder flask, brush, tin for caps, tools, cleaning rod, screwdriver etc. Section 58 (2) no licence required.
Cased Beaumont Adams Double Action 54 Bore Percussion Cap Revolver serial number B15381. Adams Patent No.31045R. 140mm long barrel. Top strap engraved "William & Powell, 25 South Castle St. Liverpool". Working order. Good original finish. Overall length 299mm. London Proof marked. Complete is original wooden case with label, along with bullet mould, Hawksley powder flask, tin of caps, brush, oil bottle etc. Section 58 (2) no licence required.
Cased 44 Bore Double Barrel Howdah Percussion cap pistol by Manton & Co. 90mm long barrels. Signed on top rib "Manton, London". Double trigger. Working action which holds at both full and half cocked positions. Complete with folding ramrod. Engraved decoration. Trap to butt. Birmingham Proof marks. Overall length 220mm. Case contains powder flask, screwdriver, oil bottle, bullet mould, brush and cleaning rod. Section 58 (2) no licence required.
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51252 item(s)/page