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Lot 55
TOKO SHINODA (JAPANESE, 1913-2021) - 'ELAPSE' (2000) Lithograph with gold brush work, Artist's Proof, Edition of 20, signed, titled, dated and numbered in pencil lower right, Kimura blindstamp beneath mount lower left, further titled and inscribed to gallery label verso Sight size 68 x 90cm Provenance: With Galerie412, Tokyo, labels verso Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 28
Turner Auctions and Appraisals ushers in the next generation with andDaughters Auctions, founded by daughters Cassandra and Elysia Turner, along with Jason Krell. &Daughters Notes. Louis Vuitton†has a long heritage†as a trunk and luggage†maker. This vintage weekender bag exudes the timeless craftsmanship of the now iconic fashion House. A timeless addition to any travel wardrobe.† † Product Details. Condition: Vintage Fair Condition: missing top handle, white paint brush stroke on bottom of bag, and rubbing to edges. Material: Leather, cloth lining interior, and synthetic lining interior. Size: Height 41cm, Length 50cm, Width 30.5 cm. Color: Traditional LV colors. Ships from: Salzburg, Austria. Special Notes: This is a vintage bag with some wear throughout. Please consider that any condition statements given should not be treated as a statement of fact. &Daughters has no responsibility for any error or omission of detail. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. If you have any questions about the lot, please do not hesitate to get in touch with &Daughters before the date of the auction.
Lot 892
Neue Wilde A.R. Penck (d.i. Ralf Winkler) (1939 Dresden - 2017 Zürich)Schmerzblatt II. 1989. Kaltnadelradierung und Pinselätzung auf Velin. 34,6 x 49 cm (53,5 x 67,7 cm). Signiert und nummeriert. - Im Rand vereinzelt minimal fleckig und leicht knickspurig. Verso mit Spuren früherer Montierung. Insgesamt sehr gut erhalten. Prachtvoller, farbsatter Druck mit breitem Rand. Eines von 25 Exemplaren. Drypoint and brush etching on wove paper. Signed and numbered. - In the margin minimally stained and slightly creased. With traces of former mounting on the verso. Altogether in a very good condition. Splendid, colour- rich impression with wide margin. - One of 25 copies.
Lot 81
A Japanese black lacquered tea caddy with painted figures and fish (13cm x 13cm), a treen nest of three drawers with fabric knob handles (17cm x 12.5cm x 12cm) and a large leather covered jewellery box (10cm x 20cm x 15cm), a small leather covered jewellery box complete with inner tray (9cm x 18cm x 13cm) and John Hume, The Leading Hatter, Hawick, treen clothes brush with natural bristles (a lot)
Lot 2182
A COLLECTION OF WEMYSS CABBAGE ROSE PAINTED WARES including a lidded pot pourri bowl, 13cm high, an oval pin tray, a circular pot and cover, a hair tidy, a candlestick, a shallow bowl, a pair of brush vases, 12cm high, a three handled pot and a cauldron (10) Condition Report:lidded pot pourri bowl - crazed all overan oval pin traycircular pot and cover - crazed and some restorationa hair tidy - crazed and chipped, some discolourationa candlestick - restoreda shallow bowl - crazed and restoreda pair of brush vases - both crazed and restoreda three handled pot - crazed and restored to handles and bodya cauldron - heavily crazed, some discolouration, restored to handles
![A Pair of Chinese Cloisonne floral design vases/ brush pots. Impressed four character signature to the base. [21.5cm high]](https://cdn.globalauctionplatform.com/0f834287-ac03-43ba-aa14-b02300a1e0f8/566a02cf-ca91-4160-b6b5-b02301147244/468x382.jpg)
Lot 110
Two Cased Silver and Enamel Dressing-Table Services, one decorated with pale blue enamel oval and engine-turned and foliage and engraved ground, the other with green enamel oval engine-turned wavy lines, each comprising a hand-mirror; hairbrush and clothes brush, the green enamelled set with a further associated comb, each in fitted black leather covered case (qty)The pale blue enameled set by Charles S. Green and Co. Ltd., Birmingham, 1929 and 1934. The pieces are in reasonable condition with some surface scratches and wear, consistent with age and use. The case scuffed and marked overall. There is a space in the case for a comb which is now lacking. The green enamelled set by Walker and Hall, Birmingham, 1937. The pieces are in reasonable condition with some surface scratches and wear, consistent with age and use. The case scuffed and marked overall. The comb is by the same maker and of the same date but without enamel. There is some wear and loss to the bristles on each set.
Lot 17
GIOVANNI BENEDETTO CASTIGLIONE, IL GRECHETTO (1609-1664)La famille de Darius devant Alexandre pinceau, huile et gouache, collé en pleinbrush, oil and bodycolour, laid down28 x 40.4 cm (11 x 15 7/8 in)Footnotes:乔凡尼·贝内戴托·卡斯蒂廖内，又称格莱切托(1609-1664)大流士大帝全家面对亚历山大大帝毛笔刷，油和水粉混合ProvenanceCarl Robert Rudolf (1884-1974), sans sa marque; sa vente Londres, Sotheby's, 4 juillet 1977, lot 123, ill.ExpositionLondres, Brod Gallery, Old Master Drawings, 1965, no 31.Paris, Didier Imbert Fine Art, '20 ans de Passion' Alain Delon, Dessins, Printemps 1990, no 16, ill. Ce dessin mêlant huile et gouache sur papier doit dater d'environ 1660. Il est caractéristique des dessins tardifs de Castiglione avec de larges traits de pinceau, des figures brossées rapidement à l'aspect parfois schématique, des formes qui confinent à l'abstraction comme la nature morte d'animaux vers la droite, l'absence de paysage à l'arrière-plan, seulement suggéré par un aplat de bleu évoquant des nuages. Il peut tout particulièrement être rapproché de deux dessins de Windsor représentant l'un Laban cherchant les idoles et l'autre L'Adoration des Mages (inv. RL3896 et RL3869; cat. exp. Castiglione. Lost Genius. Masterworks on Paper from the Royal Collection, Londres, The Queen's Gallery, 2013, no 85, ill. p. 155 et no 90, ill. p. 160).Le dessin représente probablement la mère de Darius aux pieds du roi de Macédoine, le vainqueur de son fils à la bataille d'Issos (333 avant J.-C.), afin d'implorer la clémence pour sa famille prisonnière. Nous remercions Monsieur Timothy Standring d'avoir bien voulu confirmer l'attribution de ce dessin à partir d'une image numérique. Il rapproche la feuille de la collection Delon d'un monotype au sujet mystérieux aujourd'hui à Windsor, qui porte la date de 1660 (inv. RL3946d; op. cit., no 88, ill. p. 158.).This drawing, a mixture of oil and gouache on paper, dates to circa 1660. Its style is characteristic of Castiglione's late drawings, with broad brushstrokes, quickly executed figures, sometimes schematic in appearance, forms that border on abstraction, such as the still life of animals to the right, and the absence of a landscape in the background, suggested only by a solid blue that evokes clouds. It can be closely compared to two drawings at Windsor, Laban seeking the idols and The Adoration of the Magi (inv. RL3896 and RL3869; cat. exp. Castiglione. Lost Genius. Masterworks on Paper from the Royal Collection, London, The Queen's Gallery, 2013, no. 85, ill. p. 155 and no. 90, ill. p. 160).The drawing probably depicts Darius' mother at the feet of the Macedonian king, her son's victor at the Battle of Issos (333 BC), begging for mercy for her captive family. We are grateful to Mr Timothy Standring for confirming the attribution of this drawing from a digital image. He compares the sheet in the Delon Collection to a monotype of an unknown subject now at Windsor, which bears the date 1660 (inv. RL3946d; op. cit., no. 88, ill. p. 158.).This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 24
A Hallmarked Silver Backed Hand Mirror and Hair Brush, together with assorted plated ware including plated on copper chamberstick, a bottle coaster, JWB S plated toast rack, Elkington Modernist sugar bowl, dwarf candlestick, small circular photograph frame, decorative MH&Co plated caddy spoon, twin handled dish etc :- One Tray
Lot 78
Nikon FM + FM2 SLR Cameras plus accessories. Nikon FM (2345941 serial number) has a Nikkor 50mm f2 lens attached, includes instruction booklet. Nikon FM2 is body only (8591375 serial number), includes instruction booklet. Tamron 80-210mm f3.8 telephoto lens, with original box and lens case. Tamron 28mm f2.5 lens, with lens case. Tamron 2x tele converter lens with lens case. Many accessories including a bag with shoulder strap, 2 external Jessop flashguns, cine exposure meter, 6 lens filters, flash filters, shutter release cables, instruction booklets, 3 film rolls, lens wipes, lens blower with brush. Aluminium tripod with tilt head. ALL ITEMS ARE UNTESTED.
Lot 2250
Modern octagonal silver sugar castor London 1963, fluted dish Sheffield 1971, covered salt with blue glass liner, peperette, fiddle pattern table spoon, silver topped dressing table jar, cigarette box, silver backed hand mirror, hair brush and clothes brush, Birmingham 1919, spoon and fob, total weighable silver 15.8oz 491gm
Lot 2195
Pair of silver sauce boats by Mappin & Webb with scroll handles on hoof feet, Sheffield 1925, 10.8oz 335.7gm, sugar castor Birmingham 1976, pedestal goblet, Sheffield 1924 engraved with a monogram, cased set of silver tea spoons the finials cast as a mongoose with a snake, another cased set of tea spoons, silver backed hair brush, silver mounted combe and silver top dressing table jar, weighable silver 23.7oz 737.8 gm
Lot 2242
Silver sauce boat Chester 1911, modern Eric Clements cream jug London 1963, engine turned cigarette case Birmingham 1935, smaller cigarette case, vesta case, two serviette rings, cast tea spoon and a damaged christening mug, total weight 25oz 775gm together with a silver backed hand mirror, two clothes brushes and a hair brush
Lot 44
A collection of silver to include: a Sheffield silver small bonbon dish, with pierced decoration, dated 1896, by Sibray, Hall & Co, two embossed sterling trinket dishes, both marked Sterling, a Viners Sheffield silver spoon with matching fork, a Walker & Hall golf themed teaspoon and three dressing table items including matching brush and mirror by Adie Bros, Birmingham and a smaller Birmingham silver brush, weighable silver: 139 grams (4.4ozt) (1 bag) Further Details: Some denting, tarnishing, wear in parts.
Lot 3157
A large collection of Papier Mache items, mostly lacquered, some Japanese and with chinoiserie, figural, and floral designs including glove boxes, spill vases/holders, letter racks, brush, trinket boxes etc, also with a small amount of 19th century snuff boxes and one spectacle case with various designs including mother of pearl detailing, and a straw work box. (1 box)
Lot 43
A collection of silver dressing table items to include; a pair of planished silver topped clothes brushes, both with vacant cartouches and hallmarked Birmingham, 1911 and 1914 by Henry Matthews, a Birmingham silver hand brush with embossed cherub decoration and a Birmingham silver and faux tortoiseshell comb (broken).Further Details: Tarnishing, slight denting, wear and comb is broken.
Lot 45
A collection of English silver dressing mirrors and brushes to include; two silver backed mirrors, with embossed stylised design, with three embossed stylised silver backed brushes, a matching Chester silver engraved decorated brush and mirror, assay offices including Chester, London and Birmingham. (7)Condition: Some tarnishing, wear, dents, some holes in embossed pieces.
Lot 3135
A collection of decorative Asian items to include; blue and white ceramic large vase, various small plates, dishes, bowls, large Satsuma style planter, prunus patterned jar (missing lid), a painted wooden sculpture of a man, a pair of painted more modern brush pots with decoration to bodies, a small collection of terracotta figurines and a fan shaped Chinese plaque, etc.
Lot 49
Sir William Nicholson (British, 1872-1949)Mrs Reginald McKenna and her sons, Michael and Davidoil on canvas 106.8 x 122 cm. (42 1/8 x 48 1/8 in.)Painted in 1927Footnotes:ProvenanceCommissioned by Reginald and Pamela McKenna, thence by family descent to the present ownerPrivate Collection, U.K.ExhibitedBelfast, City of Belfast Museum and Art Gallery, Loan Exhibition of Paintings and Prints by William Nicholson, January-February 1934, cat.no.5 (as On the Grass)LiteratureLillian Browse, William Nicholson, Rupert Hart-Davis, London, 1956, p.101, cat.no.434Patricia Reed, William Nicholson, Catalogue Raisonné of the Oil Paintings, Modern Art Press, London, 2011, p.449, cat.no.561 (col.ill.)Painted in the summer of 1927 at Mells Park House, Somerset, the present work is the first in a series of conversation pieces by William Nicholson that included Sidney and Beatrice Webb 1928 (London School of Economics) and The Ridley Family 1930 (Private Collection); the best known work features Winston Churchill and his wife Clementine in 1934 Breakfast at Chartwell (National Trust).Having moved to Sutton Veny in 1923 Nicholson was soon making frequent visits to Mells some 12 miles away. Initially to Lady Horner and her widowed daughter Katherine Asquith and family at the Manor House beside the church, and after 1925 also to Park House close by where her niece Pamela Jekyll (1889-1943) and husband Reginald McKenna (1863-1943) lived with their two sons, Michael (1910-1931) and David (1911-2003). In 1920 Nicholson had painted Pamela's aunt, Gertrude Jekyll (National Portrait Gallery) but the introduction came not from the celebrated garden designer but from their mutual friend, the architect Sir Edwin Lutyens who designed several houses, and memorials, for the families. From the meagre correspondence that survives it would seem that Pamela McKenna commissioned the painting, rather than her husband who was Chairman of the Midland Bank and formerly Chancellor of the Exchequer in Asquith's wartime coalition government. When a student at Trinity Hall, Cambridge, McKenna had been a notable rower and a member of the winning crew in the 1887 Oxford and Cambridge Boat Race. He was keen that his sons, who were now both at Eton, should follow in his footsteps. In the late 18th century the landscaping of Park House gardens included broadening the Mells Stream and creating two lakes separated by a weir that formed a waterfall with stepping stones above. They were part of the footpath from Lily Batch Lodge to Park House. By 1925 the upper lake with its Victorian boathouse was too congested with water weed to be suitable for rowing but McKenna had the lower lake excavated and a small island created near the weir from which a pair-oar could be launched and he could encourage the rowers. This island appears in the foreground of Nicholson's composition. Here Pamela McKenna is seated on a rug happily reading a book. Behind her and to the right is her younger son David who is in the green-and-white-painted dinghy which he had built himself and launched earlier that year. David later recalled that Nicholson had him continuously tacking in a circle so that he could capture the effect of the wind in the sails, though the wind wasn't always there. The waterfall forms the backdrop to the composition with a marked division between the smooth flow of the water on the right-hand side which is in shadow, while to the left the water cascades out in irregular bursts catching the sunlight with a silvery pool of smooth water beside the island. Michael is striding purposefully over the stepping stones in the direction of Park House carrying an oar on his shoulder. He is followed by a Shetland pony and the family dog, a golden retriever known as Briney. More than half of the canvas is a cloudscape, capturing the sunny-cloudy day with the playful breeze - possibly suggesting that oars are more reliable than sails.The finished work was hung in the library at Park House. The earlier 18th century house had been destroyed by fire in 1917 and Reginald McKenna had acquired a lease on condition that he rebuild the house, which he did to the designs of Sir Edwin Lutyens 1924-5. The interior design and decoration was by Sir Herbert Jekyll, Pamela's father. Unusually for Nicholson he executed three figure paintings preparatory to the finished work. Pamela McKenna had first refusal on these. She acquired the two of her sons but not the larger painting Mrs McKenna on the Grass, first exhibited in 1928 as Seaward Island (Reed 564). In this version she is seated on a smaller rug which she shares with the dog Briney. The work is more brightly lit than the other two (which are in Private Collections). While David McKenna in a Dinghy (Reed 563) is similar to the finished work, Michael McKenna in a Landscape (Reed 562) is more a study of the waterfall. Michael is standing on the right with his back to the viewer and is looking diagonally across to the waterfall. He is dressed in a jacket and knickerbockers, whereas in the finished work he appears to be wearing a white shirt, or jumper, and long shorts. One reason for these studies might have been that Nicholson just enjoyed being at Park House. He found Pamela, like her aunt Lady Horner, very sympathetic. Often he played tennis with Michael and David, another cousin making up a foursome, and while Nicholson did not share their love of music he was happy to take Michael to the National Gallery during the school holidays.This rapport is manifest in the double 'leaving portrait' of Michael and David that Nicholson executed in three or four sittings in December 1928. The boys had more than fulfilled their father's expectations – both becoming Captain of Boats and Head of School at Eton and gaining places at Trinity College, Cambridge, Michael with a scholarship. The portrait was presented in 1930 (Eton College). We are grateful to Patricia Reed for compiling this catalogue entry.This lot is accompanied by an illustrated letter from William Nicholson addressed to Mrs McKenna, which reads 'I'll expect Mike at 1.15 and will trot (if he still wishes it) along with him to the N.G. after lunch. I couldn't go in the morning as my Dentist claims me. Edie and I are just recovering from a painting injury. I have tennis elbow from holding my brush for 8 hours solid (I got to bed at 4.30. hoping that picture was better than it looked.)'For further information on this lot please visit Bonhams.com
Lot 1115
Pinsel mit Jadegriff L 31 cm. Tierhaarpinsel mit langem Stiel, der aus mehreren zylindrischen, beschnitzten Steinen besteht, die eine Taotiemaske als Relief aufweisen Brush with jade handle L 31 cm. Animal hair brush with long handle consisting of several cylindrical carved stones, which have a taotie mask in relief .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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