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Lot 343
A Chinese circular brush washer enamelled butterflies to the interior and with bats to sides, seal mark under, 11cm diameter and a Chinese ivory chess piece modelled as a standing figure holding a fan, 9cm high CONDITION REPORT: Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions/343:Brush washer - gilt mostly worn away from rim, slight wear to enamels, scratches beneath. Chess piece - cracks within ivory, some scratches and marks in line with age and usage.
Lot 1635
Original vintage advertising poster for the 1963 Monterey Jazz Festival featuring a great artwork by Earl Newman showing trumpeter Joe Gordon drawn in white brush strokes against a black background. The Monterey Jazz Festival is an annual music festival in Monterey, California that was founded on October 3, 1958 by jazz disc jockey Jimmy Lyons. The festival had the following lineup of performers in 1963: Carmen McRae, Miles Davis Quintet, Dizzy Gillespie Quintet, Dave Brubeck Quartet, Herbie Hancock, Thelonious Monk Quartet, Jon Hendricks, Harry James Orchestra, Jimmy Witherspoon, The Andrews Sisters & the Gospel Song, and Helen Merrill, Joe Sullivan. Year of printing: 1963, country of printing: USA, designer: Earl Newman, dimensions (cm): 89x58.5. Excellent condition
Lot 60
Original vintage health propaganda poster - For Health's Sake Keep Them Clean Food poisoning germs are spread by things not properly washed up - featuring a minimalist design showing various kitchen tools and appliances including a whisk, carving fork, cleaning brush and a pan with the bold text against a white background and Keep The Clean against a deep pink block in the centre. Produced for The Ministry of Health by the Central Office of Information. The UK government department of the Ministry of Health (1919-1968) led to the formation of the NHS National Health Service in 1948; the Central Office of Information (COI; 1946-2011) was the UK government's marketing and communications agency. Excellent condition.Year of printing: 1950s, country of printing: UK , designer: Unknown, dimensions (cm): 37.5x24.5 .
Lot 218
Nameplate GREAT GABLE ex British Railways Class 60 numbered 60006 built by Brush Traction Loughborough in 1990 and named on delivery. Nameplates removed in June 1997 and renamed Scunthorpe Ironmaster. Withdrawn in September 2010. Rectangular cast aluminium measures 45.5in x 10in and is in as removed condition.
Lot 2065
A Chinese pale celadon jade `floral' brush washer, 17th century or possibly later, modelled in the form of a flower with domed centre and four curved petals, the exterior carved in openwork with a chilong and chrysanthemum borne on leafy branches forming the base, the stone with cream and russet inclusions, 15cm. wide. Illustrated
Lot 20
A group of Art Deco silver dressing table items for a gentleman, comprising a Swiss movement silver cased travel clock with engine turned decoration, 4 by 4 by 1cm (closed), Birmingham 1936, maker SSM, and a dressing table set comprising hair brush, clothes brush, mirror and comb all of angular Art Deco design, London 1936, maker C&A. (5)
Lot 44
A group of Victorian and later silver and tortoise shell dressing table items, including a silver lidded pot, 10.1 by 5.2cm high, A J Zimmerman, 1938, silver and tortoise shell hand mirror, brush and two lidded trinket pots, a Victorian silver topped cosmetics jar with stopper, 7.8 by 8.5cm high, two necessaire stands. (14)
Lot 341
ROYAL WORCESTER PORCELAIN VASE of ovoid two handled form, painted with Highland cattle and signed by Harry Stinton, the narrow gilded neck with acanthus leaves above the moulded shoulders, with gilded highlights, the body with two Highland cattle in a landscape with another landscape verso. Puce marks to base, shape no. 1762. 21cm tall approx. Together with another Royal Worcester porcelain ewer single handled vase, overall painted with fruits and vines, signed by A Shuck and standing on a gilded classical pedestal stepped base. Transfer printed puce marks to base, shape no. 1144, 27cm high approx. (2) (B.P. 24% incl. VAT) CONDITION REPORT: The Stinton vase - the neck appears to have been restored, withh new brush marks when a torch is placed on the area. Minor wear to the gilt work. Ewer vase - has been broken on the handle and back of the spout area. There is evident staple marks placed on it. Otherwise appearing ok.
Lot 493
A WWII Second World War era improvised British gun cleaning kit for the US made .45 Tommy Gun. The tin containing cleaning brush, cleaning gauze, pull-through, oil bottle and 4x2" cloth. Appears un-issued, and in excellent condition. The tin marked M617 to inside. Along with a set of cleaning tools inside a correct cloth bag for the SA80 rifle, also in good condition.
Lot 80
A pair of Chinese bamboo brush pots carved with figures in punt together with another similar two dark stained with figure of a toad catching flies and landscape scene together with a modern framed and glazed colour print after Sir William Russell Flint depicting a naked model reading a folio
Lot 124
Signed (lower left), watercolour, gouache and acrylic on paper (Dimensions: 43.5cm x 56cm (17.12in x 22in))(43.5cm x 56cm (17.12in x 22in))Condition report: Paper appears sound, and colours strong. Some spots of more impasto yellow paint have very slight cracks, or flecksof loss, including to the extreme bottom left corner. To the background hill a very light line where paint slightly disturbed - possibly from the artist's brush.
Lot 86
Initialled (lower right), oil on canvas (Dimensions: 54.5cm x 45cm (21.5in x 17.75in))(54.5cm x 45cm (21.5in x 17.75in))Footnote: Provenance: The Mayor Gallery, London. Note: Still Life with Tulips will be included in any future updated editions of John Gledhill's Catalogue Raisonne of the Oil Paintings of Matthew Smith , first published by Lund Humphries in November 2009. Francis Bacon wrote of Smith, ‘he seems to me to be one of the very few English painters since Constable and Turner to be concerned with painting – that is, with attempting to make idea and technique inseparable. Painting in this sense tends towards a complete interlocking of image and paint, so that the image is the paint, and vice versa. Here the brush stroke creates the form and does not merely fill it in. Consequently every movement of the brush on the canvas alters the shape and implications of the image’.Condition report: Backboard to frame, so reverse of canvas not visible. There are a few very minor isolated spots of craquelure to the flowers, vase and background. Otherwise the work is in generally good overall condition.
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51252 item(s)/page