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A Chinese zitan square brush pot, Qing Dynasty, each side applied with thin bamboo details displaying Buddhist symbols surrounded with meandering leafy scrolls, 12cm high x 6.8cm wideProvenance: From the private collection of a Gentleman, by descent from his father清 紫檀贴黄盘长纹四方笔筒拍品来源：英国绅士私人收藏，其父亲早年所购，并由家族传承Condition Report: the bamboo inlaid with some loss to details and the bamboo veneer on the edges with some cracks commensurate with ageCondition Report Disclaimer

A rare Chinese bamboo veneered square brush pot, 18th century, of rectangular shape, each side carved in shallow relief with different riverscape scene with scholars and pavilions, the surface of the bamboo veneer well patinated to a deep brownish tone, with horn mounts at the top and bottom 11cm, high x 6cm wideProvenance: From the private collection of a Gentleman, by descent from his father清中期 翻篁留青刻山水高士图笔筒拍品来源：英国绅士私人收藏，其父亲早年所购，并由家族传承Condition Report: bamboo with cracks and some loss to the interior commensurate with agethe horn mounts with wear and cracks and several chips to the baseCondition Report Disclaimer

Y A small Chinese huanghuali brush pot, Qing Dynasty, with Sydney L. Moss label, 9.2cm high x 4.8cm diameter; and a small Chinese lobed huanghuali water pot, Qing Dynasty, 3.4cm high x 5.8cm diameter (2)Provenance: Private English collection. The brush pot was purchased by the current owner's father from Sydney L. Moss Ltd清 黄花梨小笔筒及花口水呈两件拍品来源：英国私人收藏，小笔筒由现藏家父亲购自英国著名古董商Sydney L. MossCondition Report: the water pot drilled to the base and filled, both with minor knocks and wear to the surface commensurate with ageCondition Report Disclaimer

A Chinese white jade 'Lingzhi' brush washer, Qing Dynasty or early Republican, the undulating sides rising to a lingzhi-shaped mouth rim, the exterior well carved with meandering branch issuing further small lingzhi blooms enveloping the base and body of the vessel, the white mottled jade with black and brown inclusions, approximately 14cm diameter x 10.5cm high x 7.5c deepProvenance: Property of a lady and by family descent清-民国 白玉灵芝笔洗拍品来源：英国私人女士珍藏Condition Report: good conditionCondition Report Disclaimer

† A large Chinese Gu Family 'Eight Immortals' embroidered silk panel, 17th century, very finely embroidered with the landscape scene depicting three immortals, Zhongli Quan, Lan Caihe and Han Xiangzi, all carrying their Daoist vessels, the figures exquisitely rendered with naturalistic expressions and movements, and dressed in flowing robes of multiple colours and textures, all situated along a winding landscaped path with painted details, picture size 130cm x 30.6cm, framed and glazedProvenance: Formerly from an old American family collectionThe present lot would once have be part of a larger set of silk panels. See a very similar complete set of Gu Family embroidered silk panels depicting the Eight Immortals, Ming Dynasty, at the Taipei Palace Museum, museum accession number 故-絲-000213-00000. Gu embroidery [gu xiu] is a family style of Chinese embroidery that originated from Gu Mingshi's family during the late Ming dynasty (1368-1644) in Shanghai. Traditionally seen as a leisure 'female activity' in Imperial China, the family's womenfolk innovatively integrated brush painting and embroidery in a complementary manner and brought such 'leisure activity' to another levelThe female members of the Gu Family were well-known for their artistic and skilled embroidery. The most famous was Han Ximeng, the wife of Gu Mingshi's second grandson. Reflecting the subtleties of classic painting, the Gu family revived earlier Song-dynasty embroidery techniques by applying subtle shading and splitting the silk floss into even finer threads明晚期 顾绣八仙贺寿图轴挂屏拍品来源：美国私人旧藏，参见台北故宫所藏类似顾绣八仙挂屏（故-絲-000213-00000）Condition Report: Embroidery threads thin and discoloured, with losses most noticeable in figures' garments. General fading, and scattered tears, losses (some with fabric patches), loose threadsCondition Report Disclaimer

A small Chinese celadon brush washer, Ming Dynasty, with crackled celadon glaze, labels for Radcliffe collection 'A12' and BADA, 7cm diameter Provenance: Major Edward Copleston Radcliffe (1898-1967) collection and listed in the family archive, 'A12', as purchased in Oxford, 1944, for £1-10s-0d明 青釉小水洗拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族编号A12），1944年购自英国牛津Condition Report: Four haircracks to rimCondition Report Disclaimer

A Chinese ge-type crackle-glazed pale-celadon brush washer, Qing Dynasty, circa 1700-1800, the pale celadon-blue glaze with fine orange crackle, exhibition labels for Cape Town 1953, Radcliffe collection 'A24', and BADA, 9.5cm diameter Provenance: Major Edward Copleston Radcliffe (1898-1967) collection and listed in the family archive, 'A24', as purchased from Sparks in 1945 for £7-0s-0dExhibited: National Gallery of South Africa, Chinese Exhibition, Cape Town, 1953, no. 14218世纪至19世纪 哥釉冰裂纹小水洗拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族编号A24），1945年购自英国著名古董商Sparks展览信息：南非国家画廊，中国艺术展览，开普敦，1953年，编号142号Condition Report: two cracks extending from rim Condition Report Disclaimer

A Dehua 'Lotus' brush washer, 17th century, Radcliffe collection label 'X3', 7cm long x 6cm wide Provenance: Major Edward Copleston Radcliffe (1898-1967) collection and by family descent. Compare with a similar example in the British Museum, number PDF.417 and others, including an example illustrated by J. Lally in the University of Hull Collection Exhibition of Chinese Ceramics of the Transitional Period from the collection of Mr and Mrs Peter Thompson no. 49, and a further example from the collection of Mr R.H.R. Palmer is illustrated by P.J. Donnelly, op. cit. plate, 44c 17世纪 德化白釉莲瓣型洗拍品来源：Edward Copleston Radcliffe (1898-1967) 少校私人收藏（家族档案编号X3）Condition Report: very good other than tiny rim chip one section of the rim polishedCondition Report Disclaimer

Y COLLECTION OF TUNBRIDGE WARE DESK ITEMS 19TH CENTURY with various design patterns, comprising a letter rack on bun feet with geometric decoration, 19.3cm wide; a clothes brush with a floral panel; a square hinged pocket watch holder; a rosewood pocket watch stand with an arch, the hook suspending a German white metal pocket watch, 15cm wide, 18cm high; a rectangular geometric paperweight; a square section stand with a bird, 9.5cm high; a thermometer of obelisk form, 19.5cm high; an octagonal shallow dish with flowers, 12cm wide; and a rectangular dish with a dog, 12.5cm wideDimensions:laregst 19.5cm wideNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/

An assorted collection of antique & later candle accessories. The lot to include; wall mounted snuffers, handles snuffers, dustpans, brush, brass, turned wood, wicks, AF examples & more. Approx 11 pierces in total. Largest measures approx 50cm.

An unusual Chinese imperial yellow relief glass brush pot mounted on three feet, H. 10cm.

A Chinese yellow ground hand enamelled porcelain brush pot decorated with carp, H. 18.5cm, Dia. 19cm.

An Art Deco hallmarked silver hand mirror comb and brush with original boxes.

A Chinese carved faux ivory brush pot, HH. 13CM, DIA. 10

A Chinese blue monochrome brush washerLate Qing Dynasty/Republic period, 19th/20th centuryThe exterior covered in a bright blue enamel over the creamy, crackled glaze covering the vessel overall, 13.5cm at its widest.晚清民國 藍釉筆洗

A Chinese iron-red 'dragon' brush washerRepublic period, apocryphal Guangxu six character markOf compressed circular form, painted in iron-red with two confronting dragons pursuing a flaming pearl amid cloud swirls, 20.5cm diameter.民國 礬紅繪趕珠龍紋洗，「大清光緒年製」寄託款Condition Report: Rubbing to gilt rim, minor pitting and light surface wear throughout.

A Chinese slip-decorated clair-de-lune-glazed brush pot, bitong20th centuryOf gently waisted form, painted in slip with a pair of butterflies and a pair of lilies, 19cm diam.二十世紀 天藍釉花卉蝶紋筆筒Condition Report: 品相報告Pitting, iron spots, a few glaze lines and mild firing imperfections.

A Chinese reticulated jade brush restLate Qing dynasty/Republic periodCarved and pierced in the Ming style from a celadon and mushroom stone as a rocky outcrop with a monkey, a bee, a bird and a deer, fitted wood stand, 15.5cm wide.清晚期至民國 青玉山子筆置Condition Report: 品相報告: expected inclusions and fissures in stone, including four fissures visible to base. A few nibbles to the animals.

A South Africa Medal 1877-79 to Trooper Louis Rosenthal, Diamond Fields Horse, clasp: 1878 (TPR L. ROSENTHAL, DIAMOND FDS HORSE), engraved in slightly sloping capitals, light brush marks, better than very fine.36.36mm diameterThe collection of Major R. R. Pelham Burn, M.C., T.D.Ex. A.H. Baldwin & Sons, 30th November 1959Confirmed on the roll as having been engaged against the Griquas 1878.

A Queen's South Africa Medal to W. J. Pitt, Mafeking Town Guard, second type, clasp: Defence of Mafeking (W. J. PITT. MAFEKING TOWN GD:), impressed in plain capitals, brush marks, very fine or better.36.38mm diameterThe collection of Major R. R. Pelham Burn, M.C., T.D.Ex. A.H. Baldwin & Sons, 16th October 1946

A Queen's South Africa Medal to Private A. G. Caines, 2nd Battalion The Rifle Brigade, fist type (b) with faint ghost dates, 2 clasps: Tugela Heights, Relief of Ladysmith (259 PTE A. G. CAINES, RIFLE BRIGADE), officially impressed and with official correction to the name, brush marks, very fine or better.36.4mm diameterThe collection of Major R. R. Pelham Burn, M.C., T.D.Wounded at Ladysmith 23/02/1900. Entered on the medal roll with the initial "J", hence the official correction to the naming, which involves the rank, initial, and first letter of the surname. 'Cains' on the casualty roll.

Freemasonry: a Georgian gilt 'Brush Jewel', circular form 44mm, each side covered in Masonic emblems in relief, held in a loose mount supporting a hinged suspension ring, the edge of the mount engraved 'GIFT of BR HUNTER to HIS SON 24 SEP 1802', good very fine or better.

A New Zealand Medal 1845-66 to Able Seaman William Dingle, H.M.S. Castor, reverse dated 1845 to 1846 (WM DINGLE A. B. HM.S. CASTOR), officially impressed, brush marks to obverse, otherwise good very fine or better with toning to the reverse.36.08mm diameterThe collection of Major R. R. Pelham Burn, M.C., T.D.Ex. A.H. Baldwin & Sons, 30th July 194669 medals with this reverse to H.M.S. Castor, out of approximately 160 to the Royal Navy

A Sutlej Medal to Lieutenant J. Gordon, 59th Bengal Native Infantry, Sobraon reverse (LIEUT J: GORDON 59TH REGT N:I:), brush marks and some bruising, otherwise very fine.36.35mm diameterThe collection of Major R. R. Pelham Burn, M.C., T.D.Probably ex. A.H. Baldwin & Sons, 12th June 1946

A Punjab Medal 1848-49 to Lieutenant and Adjutant A. B. Church, 9th Bombay Native Infantry, clasp: Mooltan (LIEUT A. B. CHURCH, ADJT 9TH REGT N.I.), officially impressed, light brush marks, otherwise nearly extremely fine.36.1mm diameterThe collection of Major R. R. Pelham Burn, M.C., T.D.Ex. A.H. Baldwin & Sons, 28th August 1946

A Crimea Medal 1854-56 to J. Cole, 63rd Foot, 4 clasps: Alma, Balaklava, Inkermann, Sebastopol (J. COLE. 63RD REGT.), officially impressed, brush marks, very fine.36.19mm diameterThe collection of Major R. R. Pelham Burn, M.C., T.D.Ex. A.H. Baldwin & Sons, 25th June 19463385 Private James Cole, confirmed on the rolls for these clasps, died at Scutari 21/02/1855

A Canada General Service Medal 1866-70 to Colour Sergeant Antoine Lebeau, 6th Battalion Hochelaga Light Infantry, 2 clasps: Fenian Raid 1866, Fenian Raid 1870 (Cr. Sgt. A. Lebeau, 6th H.L.I.), impressed upper and lower case letters, light brush marks, otherwise extremely fine.36.22mm diameterThe collection of Major R. R. Pelham Burn, M.C., T.D.Ex. A.H. Baldwin & Sons, 30th July 1946Served from 3rd to 18th June 1866 at "Stottsville" (possibly Stittsville Ontario) and from 24th May to 3rd June 1870 at St John's.

A Chinese huali brushpot and travel chest, guanpixiang,Late Qing Dynasty,the brush pot carved to simulate a tree trunk, 17cm high, the chest carved with a pair of dragons to the front and a front facing dragon to the top, with brass hardware, 32cm x 24cm x 31.5cm. (2)十九世紀晚期/二十世紀 木雕筆筒及龍紋官皮箱Condition Report: Light wear throughout, generally good. 

An unusual pair of Chinese 'Canton' famille rose brush pots, bitongQing dynasty, Xianfeng minyao seal marks and of the periodEach enamelled with the scene of a lady holding a ruyi in a garden with two young scholars and an elderly gentleman with his boy attendant, all between gilt-ground decorative bands at the foot and rim, each 11cm high (2).清咸豐 廣彩繪持蓮童子仕女圖紋筆筒一對，「」款Condition Report: 品相報告Expected light surface wear and firing imperfections consistent with type, including pitting, iron spots and firing cracks. The base of one brush pot with some fine lines in the glaze which do not appear to go through to the body.

A Chinese monochrome copper-red glazed brush washerQing Dynasty, Guangxu mark and of the periodStanding on a short tapered foot rising to compressed globular body, applied with dark copper red glaze to the exterior and interior, with a white rim, the base with six-character mark in underglaze blue, 8.2cm diameter.清光緒 銅紅釉洗，青花「大清光緒年製」楷書款Condition Report: 品相報告The washer is restored, with hairlines visible, crazing in the glaze above the foot.

A Chinese famille verte biscuit ‘magpie and prunus’ brush pot, bitongQing dynasty, 19th centuryThe cylindrical vessel decorated in appliqué with a magpie perched on a blossoming prunus, the reverse with a butterfly, all covered in a lustrous green glaze, the tree and flowers picked out in brown and yellow, 13.8cm high.清十九世紀 素三彩堆塑‘喜上眉梢’圖紋筆筒Condition Report: 品相報告An area of hairlines to the bottom right of the prunus tree, consisting of a circular one approx. 4cm wide, and a vertical one approx. 6cm long, and a couple of further associated fine hairlines (refer to images). General expected old wear and firing imperfections. One nibble to flower.

Livio de Marchi (Italian, b. 1943) Large carved and painted paintbrush sculpture. de Marchi is well known for his large scale carved sculptures which include working cars and trompe-l'oeil fabric draped tables. Signed along the lower end of the handle.Provenance: Distinguished corporate collection, Minnesota.Height: 5 ft 9 1/2 in x diameter: 5 1/2 in.Condition: No visible cracks or signs of restoration under UV light. There is a loss to the upper part of the red brush, measuring 1 inch. To the tip of it, there is another loss; please see the listing image. Along the outcarved areas of the brush, there are minute losses that do not significantly alter the overall appearance of the paintbrush. Along the recessed areas, dust collected.

Three Chinese caved bamoo brush pots and a selection of other similar items

A Japanese Meiji period brush pot satsuma ware with gilt decoration of various characters 10cm heightSome wear to gilt rim otherwise good condition WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION. 

A Chinese hardwood carved depiction of seated Buddha with scholars brush height 27cm

An Edwardian walnut slope front coal box; a wall hanging hall brush rack (barometer)

A Vintage Mounted Taxidermy Fox Mask and Brush on Shield Wall Hanging Plinth

Two silver engine-turned lidded powder bowls and silver three piece brush set (5).

BLUE AND WHITE BRUSH POT QING DYNASTY, 19TH CENTURY 清 青花人物故事紋筆筒 of cylindrical form, painted with a male figure greeting a female figure accompanied by her servant in a night scene, the male arrives on a horse, the female a sedan chairDimensions:17.3cm high

FAMILLE VERTE WITH IRON-RED DECORATED BRUSH POT QING DYNASTY, 18TH-19TH CENTURY 清 礬紅五彩武松打虎筆筒 the cylindrical body painted with Wusong confronting a tiger, the reverse decorated with another figure pointing to the sky with a dragon in flightDimensions:14.7cm high

PALE CELADON JADE 'PINE TREE AND CRANE' BRUSH POT QING DYNASTY, 18TH CENTURY 清 青白玉帶皮雕祥鶴松樹瘤紋筆筒 帶木座 carved from a large pebble, supported on a recessed foot, one side intricately carved in high relief with a large pine tree, the reverse with cranes in between lingzhi fungus, with a fitted wooden stand carved with pine treesDimensions:11.4cm high

LARGE ZITAN 'DAOIST IMMORTALS' BRUSH POT QING DYNASTY, 18TH CENTURY 清 紫檀道教仙人過海圖大筆筒 the exterior of the cylindrical body finely carved in low relief with Daoist immortals crossing swirling wavesDimensions:24.8cm diameterProvenance:Provenance: Formerly in a private English collection

PALE CELADON JADE WITH RUSSET SKIN 'BOY' BRUSH REST QING DYNASTY, 19TH CENTURY 清 青白玉帶皮雕臥童筆架 the boy resting on his belly with his legs crossed and arms outstretched as if in flight, his right hand raised and holding lotus and leaf extending on his back, his head finely detailed with almond-shaped eyes and smiling face, the stone of even pale green tone with some russet inclusionsDimensions:7cm wide

PEACHBLOOM-GLAZED BRUSH WASHER QING DYNASTY, KANGXI MARK BUT 19TH CENTURY 清 康熙款 豇豆紅釉鏜鑼洗 applied with a glaze of soft rose colour thinning to pale pink at the sides, variegated with yellowish-green and brown spots, the base inscribed with an apocryphal six-character Kangxi mark in underglaze blueDimensions:10.8cm wide

A tray containing 1930s cut glass dressing table sets, a pair of silver lidded dressing table jars, a metal backed hand mirror and brush.

FAMILLE ROSE INSCRIBED 'WUSHUANGPU' BRUSH POT QING DYNASTY, DAOGUANG MARK AND OF THE PERIOD 清道光款及年代 粉彩無雙譜‘譙國夫人’筆筒 the exterior of the cylindrical body finely painted with Lady of Chiao Kuo, also known as Lady Xian, a Chinese historical figure in Wushuangpu, the reverse inscribed with her title and a corresponding poem, the recessed base inscribed with a six-character Daoguang mark in double squares in iron-redDimensions:12.5cm high

IRON-RED AND GRISAILLE-DECORATED 'LANDSCAPE' BRUSH POT QING DYNASTY, 19TH CENTURY 清 礬紅墨彩山水人物圖筆筒 painted with two figures walking in a dramatic shanshui landscape leading towards houses, the base unglazedDimensions:12.7cm high

FAMILLE ROSE WITH UNDERGLAZE BLUE 'LOTUS' BOTTLE VASE QING DYNASTY, QIANLONG MARK AND POSSIBLY OF THE PERIOD 清乾隆款或到代 青花加彩纏枝蓮紋賞瓶 the globular body supported on a short straight foot, surmounted with a long neck terminating to a flared rim, the body painted with blossoming lotus and various flowers on leafy tendrils, between a band of ruyi lotus around the mouth rim and on the shoulders, the base inscribed with a six-character Qianlong mark in underglaze blue on a turquoise groundDimensions:25.5cm highProvenance:Provenance: Formerly in a private English collectionNote: Note: A comparable famille rose with underglaze blue lobed brush washer of similar decoration, dated to the Qianlong period, was sold at Poly Xiamen, 5 Nov 2021, lot 1023.

RARE SMALL BLUE AND WHITE 'FOUR IMMORTALS' JAR MING DYNASTY, JIAJING MARK AND OF THE PERIOD 明嘉靖 青花雙圈「大明嘉靖年製」六字楷書款 青花蓬頭四仙圖瓜棱小罐 the quatrefoil lobed body sensitively moulded rising from a recessed base to a short straight rim, painted in vibrant underglaze-blue with a continuous scene of four Daoist immortals, including Li Tieguai leaning on his staff holding a double-gourd, Liu Haichan in joyous dance with his three-legged toad, together with Hanshan and Shide, amongst pine trees and rockwork, all beneath a ruyi lappet border, the base inscribed with a six-character Jiajing mark within a double-circle Dimensions:12.2cm highProvenance:Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years.Acquired from Solveig and Anita Gray Oriental Ceramics and Works of Art Gallery, London, 9 December 1998. With an original receipt no. 988 and a declaration of antiquity 'Invoice G988', both dated.Three circular paper labels from Solveig and Anita Gray attached on the jar, of which two on the base, the other in the interior of the mouth, all bearing the gallery's inventory number 'Z51', corresponding to the receipt. Another smaller circular label on the base inscribed '38', is the current owner's inventory number.Note: Note: The Jiajing Emperor (reign 1521-1567) started to pay excessive attention to his Daoist pursuits while ignoring imperial duties from the twenty-first year of his reign. According to the historical record Jiangxi Sheng Da zhi (Annals of Jiangxi), 'Volume of Ceramics', Jiajing Emperor commissioned many ceramic wares infused with the Daoist subject matter. This jar is a testimony of his Daoist obsession. The Daoist immortals depicted on this jar are Li Tieguai, one of the Eight Immortals; Liu Haichan, the God of Wealth; Hanshan and Shide, who are also known together as the Hehe Erxian Twins. It is rare to have them four depicted together. An ink and colour on silk scroll painting, painted by an imperial painter in the Ming Court Shang Xi (ca. 15th century), depicting these four immortals on crashing waves focusing on the God of Longevity in flight in the centre, now in the collection of the National Palace Museum, Taipei, museum number Gu Hua 故畫3689. This scroll painting is painted in meticulous brush craftsmanship, whereas the depiction on the present jar takes on a freer style, aptly applied to the subject matter of Pengtou Sixian (Four Unkempt Immortals), and cleverly captures the liveliness, freedom from the secular judgement, and the nonchalant manner of the immortals.A highly comparable example of a blue and white 'four immortals' quatre-lobed jar, dated to the Ming dynasty, Jiajing mark and period, was sold at Sotheby's New York, 16 September 2009, lot 189. The same jar was subsequently offered at Poly Beijing, 6 December 2011, lot 4938, then sold at the same saleroom, 28 July 2022, lot 5623.

Silver mounted dressing table set, comprising hairbrush, clothes brush and a hair comb, hallmarked London 1927, together with a another brush (lacking silver mount) and a silver plated lidded pot

George V silver mounted mirror, of stylised shield form, hallmarked London 1912 by William Comyns, together with a silver clothes brushCondition ReportOne leg broken

A mixed collection of silver items to include;- an Elizabeth II Queen's pattern handled pastry slice, Sheffield 1962, a similarly handled cake knife, Sheffield 1965, an Edward VII cream jug, maker Henry Clifford Davis, Birmingham 1905, of pear-shaped outline, on tripod feet, also two serviette rings, a mounted brush and a toilet jar cover, weighable silver 127gms, 4.1ozs.

A mixed collection of silver items to include;- an Elizabeth II three-piece cruet set, Birmingham 1985, six napkin rings (various dates and makers), two cut glass dressing table caskets with silver covers, Chester 1905/1908, decorated with embossed cherubs, a silver backed brush, two photograph frames and a trumpet-shaped posy vase, Birmingham 1919, weighable silver 271gms, 8.7ozs.

A George III silver Old English pattern dessert spoon, makers Peter & William Bateman, London 1809, a George IV silver fiddle pattern dessert spoon, maker William Bateman I, London 1822, five Georgian silver Old English pattern teaspoons (various dates and makers), a napkin ring and a plain oval brush mount, 197gms, 6.3ozs. (9)

A quantity of assorted silver items to include: a guilloche enamel decorated silver clothes brush, maker Gibson & Co Ltd, Birmingham 1958, a butter shell, maker Harrison Bros & Howson, Sheffield 1924, an ashtray, maker William Hutton and Sons Ltd, Birmingham.1931, two circular lidded boxes,a pair of knife rests, a child's spoon, dog tag, key ring, sterling spoon with gilt maple leaf, two propelling pencils, button hook, 1923-24 football medal, shoe horn, butter knife, pair of cufflinks, King's pattern sifter spoon with gilded shell bowl, .925, solid cast model of a horse, two teaspoons, three Royal Mint coins in packaging, small anointing spoon, pendant ingot, button pull, clothes brush and matching hair brush, both with engine turned decoration etc, 412 gms.

(Fleece Press, Private Press), three titles, comprising Tirzah Garwood: 'Long Live Great Bardfield & love to you all, her Autobiography, 1908-43, edited and with biographical notes on the period 1943-51, by Anne Ullmann', Upper Denby, The Fleece Press, 2012, limited edition of 550 copies (475 for sale), colour & b/w ills. throughout, folio, original quarter cloth, printed title label to spine, decorative paper covered boards (near fine), reproduced Tirzah Garwood bookplate to front pastedown, m/s note at head of FFEP "* Display copy, not for sale*"; Edward Ardizzone; Malcolm Yorke: 'To War With Paper and Brush. Captain Edward Ardizzone, Official War Artist', Upper Denby, The Fleece Press, 2007, limited edition, (700), profusely illustrated in colour and black & white throughout, 169pp, oblong 4to, original cloth, printed title label to spine, orig. prospectus loosely inserted, orig. slipcase; 'Dearest Joana. A selection of Joan Hassall's lifetime letters and art. Edited by Brian North Lee. With an introduction by John Dreyfus.', The Fleece Press, 2000, 2 volumes, limited edition, one of a total edition of 300 copies, this one of 240 copies on Zerkall paper, quarter bound in cloth, printed title labels to spines, marbled paper covered boards, over 60 engravings, all but three printed from the wood, and around 60 line drawings and colour plates either tipped-in or printed as inserted sections, mostly full-page, orig. prospectus loosely inserted at front of volume 1, all housed in original slipcase (4)

A set of three Chinese blue and white tea caddiesQing dynasty, 18th centuryEach of flattened form, with similarly moulded panels within key fret borders depicting an immortal riding a deer beneath pine tree to the front and back, flowers and stylised rock to each side, featuring a pair of auspicious motif to the top panel beside the mouth, all with silver mount to the mouth stamped with London hallmarks dated 1989, 15.5cm high (3).清十八世紀 鑲銀模印仙人騎鹿紋茶葉罐一組三件Condition Report: 品相報告The one painted with a brush to the top has chips along the foot rim the largest of 1.5cm long, a small chipped area to the edge of the shoulder, some expected nibbling to the extremities commensurate with age.The one with floral motifs to the top panel, with minor expected firing flaws and surface wear, in good condition. The last one with crazing to one side of the panel which developed from a firing flaw visible to the interior, expected surface wear and minor firing flaws, in good condition.

A Chinese carved 'Wang Xizhi' bamboo brush pot, bitongEarly Qing dynasty, 17th/18th centuryFinely and deeply carved with Wang Xizhi overlooking from the fenced terrace of his mountain retreat nestled within a bamboo grove on the rocky shores of a lake populated with geese, all above three small bracket feet, 10.3cm high.Provenance: Acquired by captain André Le Gac (1895-1960) in China in the 1920s, thence by descent.清早期 竹雕‘羲之愛鵝紋’筆筒來源：André Le Gac (1895-1960)上校於1920年代購於中國，後傳承至現藏家。Condition Report: 品相報告A few tiny nibbles to mouth and two small dark spots; a few tiny spots of surface residue to one foot. A couple of expected fine age cracks around the foot.

A pair of Chinese famille verte square brush potsLate Qing dynastyPainted to the sides with a scholar and a boy, a lady playing a qin, and female attendants, unmarked, 7.5cm high, fitted carved hardwood stands (2).清晚期 五彩繪人物故事圖紋四方筆筒一對連木座

A pair of Chinese famille rose and underglaze blue square brush pots, bitongQing Dynasty, Xianfeng seal marks and of the periodPainted to each side with a deity, two with an attendant, inside a gilt-heightened lotus-bloom border, the marks in iron-red to the base, 8.2cm high (2).清咸豐 青花粉彩繪人物故事圖紋筆筒一對，礬紅篆書「咸豐年製」款