We found 51326 price guide item(s) matching your search

A silver and tortoiseshell matched part dressing table set comprising a hand mirror, hair brush, clothes brush, powder pot and cover and a pin tray

A George V silver part dressing table set, comprising hair brush, clothes brush, hand mirror and scent bottles, London, 1911, together with other dressing table items

A George V silver topped and glass matched travelling set comprising five dressing table pots, two silver backed clothes brushes, a silver backed hair brush, a silver handled shoe horn, a silver handled button hook, leather covered notepad, mirror, ink pot and light pot, contained within a green leather suitcase with cloth covering, London, 1911, and Chester 1911, together with a cased set of silver tea spoons and sugar nips with pierced shamrocks

A continental porcelain Chinoiserie decorated rectangular ashtray / brush rest decorated with a figure holding pots, with vignettes of butterflies, 19cm long x 17cm wide

Chinese mutton fat jade brush washer with in-turned rim, carved with five bats above leafy branches, on carved and fitted wooden stand, 3 x 5in. (8 x 13cm)~Small chips/abrasions/wear to leaves in several areas, more to the base of the body but in other areas too, most very tiny Brown veining to half of the body starting at the top of the rim, one leaf with heavy brown staining and many abrasions/pitting, wear and rubbing Length of longest flaw in jade approx. 12cm, this forks and bends for a further 4/5cm upwards Provenance from a private collector

Chinese bamboo brush pot carved with figures in an outdoor setting, 14in. (36cm)Two large filled splits. Numerous other splits of varying sizes.

19th century Chinese porcelain brush pot decorated with figures, 6¼in. (15cm)Decoration and glaze heavily worn. Several small glaze faults.

Chinese white jade small brush pot carved with a cartouche on each side, one with a flowering narcissus, the second with five rows of gilt highlighted calligraphy of royal poetry and gilt highlighted mark for Qing Long, 4in. (10cm)gilt highlights worn in places mnior wear/rubbing to raised decoration in places drill hole through the centre of the mark small area of brown coloured inclusion to the base of the vase 4" high 2" diameter

Chinese silver brush and comb mounts, page turner, button hook and finger nail protector, various marks,All pieces with some wear.

Pair of late 19th/ early 20th century Chinese bamboo brush pots carved with figures, 6in. (15cm)Both with splits. One with split right through for it`s whole length and most of the way across it`s base.

A Kiracpo ware six piece washing set, comprising jug, bowl, soap dish, tooth brush holder and air of chamber pots, transfer printed with a Bird amongst branches, printed, impressed marks, (6)

Pair of late 19th/ early 20th century Chinese bamboo brush pots carved with figures, 6in. (15cm)Both with splits. One with split right through for it`s whole length and most of the way across it`s base.

Chinese mutton fat jade brush washer with in-turned rim, carved with five bats above leafy branches, on carved and fitted wooden stand, 3 x 5in. (8 x 13cm)~Small chips/abrasions/wear to leaves in several areas, more to the base of the body but in other areas too, most very tiny Brown veining to half of the body starting at the top of the rim, one leaf with heavy brown staining and many abrasions/pitting, wear and rubbing Length of longest flaw in jade approx. 12cm, this forks and bends for a further 4/5cm upwards Provenance from a private collector

Chinese bamboo brush pot carved with figures in an outdoor setting, 14in. (36cm)Two large filled splits. Numerous other splits of varying sizes.

19th century Chinese porcelain brush pot decorated with figures, 6¼in. (15cm)Decoration and glaze heavily worn. Several small glaze faults.

Chinese white jade small brush pot carved with a cartouche on each side, one with a flowering narcissus, the second with five rows of gilt highlighted calligraphy of royal poetry and gilt highlighted mark for Qing Long, 4in. (10cm)gilt highlights worn in places mnior wear/rubbing to raised decoration in places drill hole through the centre of the mark small area of brown coloured inclusion to the base of the vase 4" high 2" diameter

Chinese silver brush and comb mounts, page turner, button hook and finger nail protector, various marks,All pieces with some wear.

Attributed to Antoine Ignace Melling (1763-1831) 'Constantinople', the Bosporus with naval vessels, natives in wooden craft and the city beyond, "Constantinople", Hagia Sophia with Minarets, other domed buildings of the City nearby and figures in vessels on the Bosporus in the foreground. both inscribed with the artists name his dates and the titles on later labels verso, pen ink and watercolour wash, 33cm x 56 cm (a pair) **Provenance, brought back to England by Edward Bishop Elliott, great grandfather of the vendor, a descendant of Dr Thomas Monro (1759-1833) who was principal physician at Bethlem in 1792, and in 1811 and 1812 was called in consultation to George III at Windsor, he also treated John Robert Cozens. He collected watercolours which included examples by, Hearne, Cozens, Canaletto, Wilson, Gainsborough and many other eminent painters, he was also one of the most notable patrons of the day and allowed Turner and Girtin to copy the drawings in his collection. All his children were competent at drawing, Henry and Robert were perhaps the most talented, Henry Monro (1791-1814) is represented in both the Ashmolean Museum Oxford and the Fitzwilliam in Cambridge. He himself called his own drawings, "my imaginings" they are very much in the Gainsborough manner, using wet paper a stick of Indian ink and finished with a brush.

Attributed to Antoine Ignace Melling (1763-1831) 'Constantinople', the Bosporus with naval vessels, natives in wooden craft and the city beyond, "Constantinople", Hagia Sophia with Minarets, other domed buildings of the City nearby and figures in vessels on the Bosporus in the foreground. both inscribed with the artists name his dates and the titles on later labels verso, pen ink and watercolour wash, 33cm x 56 cm (a pair) **Provenance, brought back to England by Edward Bishop Elliott, great grandfather of the vendor, a descendant of Dr Thomas Monro (1759-1833) who was principal physician at Bethlem in 1792, and in 1811 and 1812 was called in consultation to George III at Windsor, he also treated John Robert Cozens. He collected watercolours which included examples by, Hearne, Cozens, Canaletto, Wilson, Gainsborough and many other eminent painters, he was also one of the most notable patrons of the day and allowed Turner and Girtin to copy the drawings in his collection. All his children were competent at drawing, Henry and Robert were perhaps the most talented, Henry Monro (1791-1814) is represented in both the Ashmolean Museum Oxford and the Fitzwilliam in Cambridge. He himself called his own drawings, "my imaginings" they are very much in the Gainsborough manner, using wet paper a stick of Indian ink and finished with a brush.

A walrus ivory umbrella maker, circa 1890, seated using a brush on a completed shade, lacquer and a box of utensils to one side, signed Masayuki, 5.5cm CONDITION REPORT: No obvious faults.

A Chinese cloisonne brush washer, decorated with studies of bats, pomegranates amidst stylised clouds. H.3.5cm

A Chinese carved horn brush pot, relief decorated with studies of scholars in a garden. H.50cm

A small collection of boxes, to include a Tunbridge ware trinket box, a box containing poker cards and chips, and two other boxes, together with a selection of treen items, including a crumb tray and brush, a candlestick, etc.

An antique Chinese bamboo brush pot, carved with figures and a pavilion.

A Chinese carved buffalo hoof brush rest, decorated in the round with a traditional landscape scene, sold together with an antique Chinese brass double handled casket, with all over engraved decoration (AF), and a Chinese silver figure of a street vendor (maker: Zeewo). (3)

A pair of Chinese carved soapstone brush rests, in the form of shoes, signed. (2)

A TRAY OF JEWELLERY, to include a monogrammed hair brush and painted jewellery box

A CASED SILVER BACKED BRUSH/COMB SET

A clear glass dice beaker engraved with a fox mask, brush and a whip, together with an air- twist stem glass

: A Chinese amethyst topped root carved brush washing table, the shaped inset top with carved depression and drainage holes. 50 cms high.

An antique Chinese rootwood brush pot The one piece bird vessel with traces of gilt decoration. 13 cms high. CONDITION REPORTS: Some patination and paint loss, general wear.

A 19th century Chinese bamboo brush pot Carved with a bird amongst foliage, carved seal mark of the reverse. 15 cms high. CONDITION REPORTS: Overall good, some slight surface wear.

A Chinese carved jade brush washer The shallow vessel formed as a lily pad, standing on a similarly modelled carved hardwood base. 14.5 cms wide. CONDITION REPORTS: Some slight fritting, some small cracks, general wear.

An 18th/19th century Chinese blue and white porcelain brush pot Of banded cylindrical form, the exterior decorated with figures and a goose in a landscape, the underside with blue painted seal mark. 14.5 cms high. CONDITION REPORTS: Some glaze wear and pitting, some minor fritting, general wear.

A 19th century Chinese bamboo brush pot Carved with a bird amongst foliage, carved seal mark of the reverse. 15 cms high. CONDITION REPORTS: Overall good, some slight surface wear.

A Chinese carved jade brush washer The shallow vessel formed as a lily pad, standing on a similarly modelled carved hardwood base. 14.5 cms wide. CONDITION REPORTS: Some slight fritting, some small cracks, general wear.

An 18th/19th century Chinese blue and white porcelain brush pot Of banded cylindrical form, the exterior decorated with figures and a goose in a landscape, the underside with blue painted seal mark. 14.5 cms high. CONDITION REPORTS: Some glaze wear and pitting, some minor fritting, general wear.

A pale celadon jade quatrefoil brush washer, Qing Dynasty, 1644-1911 in the form of an open flower with semi- translucent body supported on a flower-shaped base fitted hardwood stand 13.3cm x 10.3cm Provenance: An old Melbourne Collection

A rare pale celadon jade brush-rest, Qing Dynasty, 18th century cleverly carved in the form of a group of ruyi fungus on a gnarled branch, the stone with a soft polish and caramel-coloured skin to some raised sections 16cm long fitted leaf shaped wood stand Provenance From a private Melbourne collection purchased in Hong Kong in the 1960?s

This is a live breast cast made from plaster of paris of Louise Dowe. Louise says, ""We have as sisters taken part in this event in memory of our beautiful mum. She battled hard to fight this disease for twelve years through heartache, pain and many tears. Our mum taught us to care and always be aware!! So we now present to you the casts of our breast?s for you to view. This ones for you our little lady. Love you always, your girls xxxxxx"". Louise`s cast was painted by Finola Foy. ""I am inspired by vibrant colours, shapes and forms. The majority of my work is abstract impressionist, where I work free hand and let my hand guide me in certain directions, movements and brush strokes. Most of the time I never know how my painting will look when finished. I find this veryexciting and gratifying"". The approximate size of this cast is 15 inches x 8 inches. To post this item to you (1st class Special Delivery) a charge of £20 will need to added to this item. This item is also available to collect from Bury St Edmunds. Please state `post` or `collection` at time of payment. Cast by Birds Body Casting. For more information log on to www.birdsbodycasts.co.uk

(lot of 4) Three Dutch .833 silver trays, each shaped and polished surface with decorated corners of scrolling acanthus or foliage, together with an associated crumb brush, largest: 15""l x 12.5""w, 35.76 troy oz.

Chinese ox blood glazed porcelain brush pot, 18th/19th century, with a rolled rim and a short neck above a cylindrical body, the exterior coated with a mottled red glaze, and the interior with a flambe glaze, with wood stand, brush pot: 6""h. Provenance: Property from the Lyman Museum, Hawai`i, Sold to Benefit Future Acquisitions and Collections, originally from Herbert C. Shipman (1892-1976)

Chinese small porcelain brush pot, featuring a pair of egrets in a lotus pond, entitled `he tang qing qu`, bearing signature Cheng Yiting at Zhushan, the recessed base marked `Yiting`, 5.25""h

Chinese bamboo form porcelain brush pot, late Qing/early Republic period, carved with Magu accompanied by a deer and a pair of bats near the shore and coated in a ochre brown glaze, the rim with a speckled pattern imitating bamboo, the recessed base incised with a Daoguang mark, 4.5""h

(lot of 4) Three Dutch .833 silver trays, each shaped and polished surface with decorated corners of scrolling acanthus or foliage, together with an associated crumb brush, largest: 15""l x 12.5""w, 35.76 troy oz.

Chinese ox blood glazed porcelain brush pot, 18th/19th century, with a rolled rim and a short neck above a cylindrical body, the exterior coated with a mottled red glaze, and the interior with a flambe glaze, with wood stand, brush pot: 6""h. Provenance: Property from the Lyman Museum, Hawai`i, Sold to Benefit Future Acquisitions and Collections, originally from Herbert C. Shipman (1892-1976)

Chinese small porcelain brush pot, featuring a pair of egrets in a lotus pond, entitled `he tang qing qu`, bearing signature Cheng Yiting at Zhushan, the recessed base marked `Yiting`, 5.25""h

Chinese bamboo form porcelain brush pot, late Qing/early Republic period, carved with Magu accompanied by a deer and a pair of bats near the shore and coated in a ochre brown glaze, the rim with a speckled pattern imitating bamboo, the recessed base incised with a Daoguang mark, 4.5""h

(lot of 4) Three Dutch .833 silver trays, each shaped and polished surface with decorated corners of scrolling acanthus or foliage, together with an associated crumb brush, largest: 15""l x 12.5""w, 35.76 troy oz.

Chinese ox blood glazed porcelain brush pot, 18th/19th century, with a rolled rim and a short neck above a cylindrical body, the exterior coated with a mottled red glaze, and the interior with a flambe glaze, with wood stand, brush pot: 6""h. Provenance: Property from the Lyman Museum, Hawai`i, Sold to Benefit Future Acquisitions and Collections, originally from Herbert C. Shipman (1892-1976)

Chinese bamboo form porcelain brush pot, late Qing/early Republic period, carved with Magu accompanied by a deer and a pair of bats near the shore and coated in a ochre brown glaze, the rim with a speckled pattern imitating bamboo, the recessed base incised with a Daoguang mark, 4.5""h

A selection of woman's accessories including, 3 handbags (good quality) a Chinese fan, powdering brush and some silk knickers.

A Royal Worcester silver mounted hand mirror and clothes brush. Painted in coloured enamels by Harry Stinton with highland cattle. Signed, assayed Birmingham 1928. Condition Report. To be used as a guide only. Minor dents to the silver. Porcelain crazed, small scratch between the cattle on the mirror. No other damage, free from restoration.

A George V silver hand mirror and hair brush. Decorated in relief with winged cherubs. Assayed Birmingham 1914. Condition Report. To be used as a guide only. Some dents.

A Chinese sang de boeuf glazed brush pot with panelled mouldings, incised Yongzheng seal but later. Along with a similar cylindrical pot. Tallest 18cm. Condition Report. To be used as a guide only. Largest with a large piece of the foot re glued. Both with chipping to the foot. Cylindrical jar with a large portion of the foot lost.

A small mixed lot of silver, including two trumpet shaped vases, two dwarf candlesticks, two cigarette cases, a silver back brush and teaspoon with shell bowl. Various dates and makers.

A mixed lot of silver and white metal, including two christening tankards, a 925 standard dish, butter knife, photograph frame, hand mirror, brush, pickle fork and a ladle, the handle cast with a dragon, various dates and makers.

A small mixed lot of Chinese pottery and porcelain, including a pair of bowls, each polychrome enamel decorated with flowering urns, tied scrolls, flowers and clouds, four character mark to base, a suite of five bowls, each internally decorated with peaches, a similar saucer dish, a crackle glazed brush pot of cylindrical form, decorated in underglaze blue with eagle and dragon and other items.

A Gouda earthenware bowl, decorated with abstract butterfly forms in mustard and turquoise on a mauve ground, a pair of Sylvac Mop & Brush pots, a Maling vase decorated with a pink rose in shallow relief, an Austrian Amphora vase of baluster form, a Ramsey Wilton fruit bowl, decorated with autumn leaves and a Shorter & Son Medina bowl.

Stephen Murfitt (b.1953) A Raku Fired Vase, blue glazed, impressed seal, 14cm; a David Garland Earthenware jug, cream slip with blue brush work, signed Garland, painted 84, 21.5cm; and a David Miller Raku Vase, unmarked, 11cm (3) *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot