We found 51252 price guide item(s) matching your search
There are 51252 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
51252 item(s)/page
Lot 52
LEE JUNG WOONG (KOREAN, B.1963) - BRUSH PAINTING Ink on rice paper, on stretchers Embossed signature lower right195cm high x 122cm wide Ready to hang! >> Condition report and additional images upon request Provenance: Purchased from Christopher Noto, Tanglin Road Tudor Court, Singapore, in 2011 (original receipt available)
Lot 5
CHAROON BOONSUAN (THAI, B.1938) - WATER REFLECTIONS Lots 1 to 26 - From a Private Singaporean Art Collection Oil on canvas, laid on board Signed lower right 97cm high x 112cm wide, with frame Condition: Painting has some surface dirt, it would benefit from a good clean and being reframed; minor paint loss to the right side of the picture - Detailed condition report and additional images available on request Provenance: From a local art collector, has been kept in the same collection for over 20 years About the artist: Charoon Boonsuan is a famous name in Thai artistic circles. He was born on January 21, 1938 in Singburi, Thailand. He wanted to learn to draw since early childhood and through his fascination with the beauty of colours of the nature, he later developed a realistic and independent brush style. Mr. Boonsuan believes that making one’s dreams a reality takes hard work and patience; arts have been his source of happiness, as well the initiation to the commitment of following his dreams.
Lot 562
* PETER GRAHAM ROI (SCOTTISH b 1959), OLD TOWN, ALTEA gouache on paper, signed and dated '89 75cm x 62cm Mounted, framed and under glass. Note: A rare appearance at auction for one of Scotland's and the UK's most successful contemporary artists. Peter Graham was born in Glasgow in 1959. He attended the Glasgow School of Art, graduating in 1980. In 2000 Peter was elected to Full Membership of The Royal Institute of Oil Painters, R.O.I. Peter has earned a reputation as one of Britain’s most gifted and distinctive Modern Colourists. His work is often related to the Modern Scottish School but Peter has a flamboyant style which is unique, – detailed brush work combined with loose fluid strokes creating vibrant contrasts of pure colour, line and tone. In the winter months within his studio he delves deeply into the still life genre, creating some of his most stunning compositions, always with colour the dominant theme but reflecting the heightened sense of atmosphere and passion that comes directly from painting in the beauty of the Mediterranean. Recently, hugely successful exhibitions in London have allowed Peter to take on extra studio space and his work is being enthusiastically exhibited by many of the UK's most prestigious galleries.
Lot 578
* JOHN CUNNINGHAM RGI D Litt (SCOTTISH 1926 - 1998), SEASCAPE, ARDNAMURCHAN oil on linen, signed, further signed and titled verso 40cm x 80cm Framed and under glass. Label verso: The Macaulay Gallery, Stenton, East Lothian. Provenance: Private Scottish collection. Note: The artist's long obituary in The Glasgow Herald in 1998 began "Dr John Cunningham's death at the age of 72 robs Glasgow of one of its most endearing, well-known and colourful art-world stalwarts". Born in Lanarkshire in 1926, Cunningham attended Glasgow School of Art (GSA) in 1953. From 1967 to 1985, he was a Senior Lecturer at GSA, thus having close contact with several generations of young painters for two decades. John lived in a magnificent and spacious studio flat in the centre of Glasgow which was designed by Sir John Burnett expressly for the use of an artist, and which had previously been owned by other artists including John McGhie and David Gauld. The vision of his paintings was an expression of the man. John Cunningham was a large, charismatic character who loved life abundantly and whose paintings reflected his joy and passion for colour, displaying bold, confident brush-strokes along with subtle sensitivity. His landscapes and seascapes were all painted outdoors with only a few minor touches to be added in the studio. This gives his work a wonderful freshness and vitality with the immediacy of the moment captured. By going to the places, soaking up the vision and perspectives of the people who lived in those places, and painting the vision with a professional attention to its subtleties and variations, he produced a unique body of work. His landscapes are typified by a sense of connection to the earth itself, an honesty about the places depicted – nothing is sentimentalized or diminished – and a lavish generosity of engagement with colour, tone, shade and light. In 1980 he was elected to the Royal Glasgow Institute of the Fine Arts (RGI) and in 1990 he was awarded an Honorary Doctorate from the University of Strathclyde. He received numerous prestigious awards during his long career. He exhibited throughout the UK also in New York and Hong Kong, and his work is in many public, corporate and private collections.
Lot 27
An Edwardian harlequin silver backed manicure set, comprising: two silver topped glass jars, brush, cuticle tools, nail file, George Unite & Sons, Birmingham 1906, 1907 & 1909, an Edwardian silver backed nail buffer, G Watts & Co, Chester 1902 and a pair of white metal scissors, all with foliate scroll relief, to a crocodile skin style case, with a selection of six silver topped dressing table jars and a silver backed comb (8)
Lot 102
A Chinese porcelain brush pot, early 20th century, of cylindrical form, painted with precious objects, the reverse with an inscription and signature of Chu Huanwen, six-character Guangxu mark, 12.5cm high, and a planter, of rectangular form on four bracket feet, painted with a landscape, inscribed, four-character Qianlong mark, 24.7cm long (2) 二十世纪初 浅绛彩博古图笔筒 储焕文款 及 山水图水仙盆 一组两件
Lot 25
A Chinese blue and white plate, Yongzheng (1723-1735), of circular form on a short circular foot, painted with a dragon and a horse amongst clouds encircling a taiji in a roundel, the underside is decorated with a brush, ingot, and ruyi sceptre in underglaze blue, representing the phrase ' biding ruyi' (may everything be according to your wishes), 20.4cm diameter 清雍正 青花云龙纹盘 笔锭如意款
Loading...-
51252 item(s)/page