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Lot 3
Henri de Toulouse-Lautrec (1864-1901)Ambassadeurs: Aristide Bruant (Delteil 343; Adriani 3; Wittrock P4) Lithograph in colours, 1892, on two joined sheets of wove paper (as issued), Wittrock's only state, printed by Ancourt, Paris, with the République Française inkstamp, with margins, laid onto linen, with vertical and horizontal folds, skillfully repaired splits and losses and touched-in restorations in places, surface dirt, mainly to the margins, the colours slightly attenuated but still good, framed; together with the original Les Chansonniers de Montmartre songbook, a special edition on Aristide BruantSheet 1364 x 939mm. (57 x 37 7/8 in.)Footnotes:Toulouse-Lautrec's oeuvre includes paintings, prints and drawings and he considered printmaking to be just as important as painting. It was in lithography later in his career that he would excel and seal his reputation as one of the greatest colour lithographers of the 19th century.He moved to Paris in 1882 where he experimented with lithography, using dramatic scale, bold outlines and bright colours, inspired by the aesthetics of Japanese woodblock prints which were popular at the time. Toulouse-Lautrec's studio was in Montmartre and he became very well acquainted with the theatrical world, having accepted commissions in the local dance-halls in the 1880s. His paintings hung at the Moulin Rouge and Le Mirliton, where his friend Aristide Bruant was a cabaret singer.He produced 351 lithographs within a ten-year period. Twenty-eight of these were posters which were incredibly popular. Moulin Rouge-La Goulue, produced for the opening of the eponymous cabaret, was an overnight sensation and more commissions followed.Aristide Bruant commissioned the present poster to advertise his new act at the Ambassadeurs café-concert just off the Champs-Elysées, having moved from Montmartre to the more fashionable boulevards of central Paris. Toulouse-Lautrec's knowledge of this world and his friendship with Bruant gave him an advantage when producing these images. He conveys Bruant's big personality by filling the frame with his imposing figure and depicting him in his recognizable customary attire of cape, broad-brimmed hat and bright red scarf, using primary colours to capture people's attention.Toulouse-Lautrec became adept at producing the effects he wanted to render his subjects in just the right way. For Ambassadeurs he drew directly onto the stone and also employed a brush spatter technique where a fine mist of colour is sprayed onto the stone using a brush and mesh. Separate stones were used for each colour and printed in a particular order so they did not interfere with each other and registration marks ensured that they were all in the correct place. Toulouse-Lautrec was assisted by the Ancourt printing firm to print these posters. Their presses were not large enough to print the posters in a single pull so two sheets were used and stuck together. As a commercial poster it was printed in a large edition on thin wove paper and not intended to last a long time, so it is remarkable that it has endured. This impression has been in the same family since the 1940s when it was acquired by the owner's father during a sojourn in Paris. It is accompanied by a copy of Les Chansonniers de Montmartre songbook, containing the sheet music and words for songs in Bruant's act, a further enticement for the audience. It is a testament to Toulouse-Lautrec's technical skill, his powers of observation and use of colour that these images captured people's imagination and became part of the visual language of the belle époque era.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 133
1975 Norton Commando InterstateRegistration number LDF 473PFrame number 333529Engine number 33352920,334 recorded milesOriginal unrestored machine Electric start (upgraded to 4 brush type)Electronic ignitionNew tyres New front master cylinder New calliper seals and padsNew premier concentric carbs Three previous ownersV5C
Lot 253
Group of Asian & Islamic itemsto include a South East Asian bronze mounted elephant, 18cm across, a Chinese metal model of a dragon holding an object in its claws, 12.5cm across and a lacquer brush pot 10.5cm high (3)Provenance:Elephant purchased in Bonhams Oxford, 22nd August 2012 Lot 258At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Lot 633
A FILIGREE GILT METAL STRING BOX AND COVER PROBABLY INDIAN, LATE 19TH CENTURY with a pair of bird shaped scissors, together with a circular brass box and cover inset with a blue jasper style plaque, an oval copper box and cover, a green jade type buffalo brush washer, a pewter tea caddy, a sovereign case, travelling tea and sugar holder and similar items (11) length 18cm (max)
Lot 66
A fine Great War ‘1917’ FE2d and DH4 Ace’s M.C. group of three awarded to Major H. R. Harker, Royal Flying Corps and Royal Air Force - a skilled Flight Commander with 57 Squadron, who extricated his bomber formation from a dog fight with a vastly superior numbered German force led by Lothar Von Richthofen, 30 April 1917. A veteran of such skirmishes during ‘Bloody April’, Harker went on to claim at least 5 Victories before tragically succumbing to the Spanish Flu pandemic of 1919 Military Cross, G.V.R., reverse engraved ‘1917 Awarded To 2nd Lieut. (Temp. Capt.) H. R. Harker. R.F.C. “Consistently Set A Splendid Example To His Brother Officers” Died 27.2.1919 Major In R.A.F.’; British War and Victory Medals, with M.I.D. oak leaves, mounted upside down (Capt. H. R. Harker. R.F.C.) mounted for display, good very fine (3) £3,000-£4,000 --- M.C. London Gazette 9 January 1918: ‘For conspicuous gallantry and devotion to duty. For nearly a year he has carried out extremely valuable work in taking aeroplane photographs and leading bombing raids far behind the enemy lines, often in the face of great opposition and trying weather conditions. On a recent occasion while returning from a successful bombing raid his formation was attacked by more than twice its number but by his fine offensive spirit and skilful leadership the enemy were dispersed. He has consistently set a splendid example to his brother officers.’ M.I.D. London Gazette 27 May 1919. Howard Redmayne Harker was born in May 1891, and was the son of Mr and Mrs J. D. Harker of Prestwich, Manchester. He was educated at Laurence House School, St. Annes-on-Sea, Rossall School and Manchester University. Harker had been a member of the university O.T.C., and upon leaving in 1913 was employed in the Experimental Department of the Royal Air Craft Factory. Eventually, despite deferment because of important war work, he successfully obtained a commission as a Second Lieutenant in the Royal Flying Corps in April 1916. Harker gained his Royal Aero Club Certificate (No. 2945) in May 1916, and having completed his flying training advanced to Flying Officer the following month. He was posted for operational flying with the newly formed 57 Squadron (FE2d’s) to France, 16 December 1916. The Squadron were employed on fighter reconnaissance duties, and Harker achieved their first victory when flying with Second Lieutenant V. D. Fernauld (an American) as his observer, 24 March 1917. The Combat Report gives the following: ‘FE2d A/1954, armed with 2 Lewis guns, Pilot 2/Lt. H. R. Harker, Observer 2/Lt. V. D. Fernauld engaged a hostile aircraft at 1145, east of Lens, at 9,000ft. The H.A. was a signle seat tractor biplane with one or two fixed guns. The H.A. was engaged from above on his right side with the sun behind the FE2d. A burst of about 20 rounds was fired, from almost directly above the H.A. at a range of less than 50 yards, by the Oobserver. The tracer bullets were seen entering the engine and fuselage, and H.A. went down practically vertically, twisting about....’ The superiority of the German aircraft was to come to the fore the following month, known as ‘Bloody April’, when the Squadron lost a number of pilots in combat. Harker wrote home, 7 April 1917: ‘We are having quite a busy time of late for reasons which you will gather by the time you get this letter and see its date. We are engaged in the somewhat arduous and occasionally mildly exciting task of gaining what the politicians love to call ‘The supremacy of the air.’ I have for the third time been appointed acting Flight Commander and may possibly remain so this time. The man who relieved me of my temporary command the last time went over the line yesterday morning and the unkind Huns promptly shot him down and he landed within 50 yards of our outposts in front of the Hindenburg line. He is now in ‘Blighty’ I expect. He was luckier than the other four machines, which did not return all... This particular patrol were asked to do a well nigh impossible task which we have not been required to repeat so you need not think I am likely to follow them... It is somewhat parky in the upper atmosphere just now and many of us are suffering from mild frostbite...’ A ‘scrap’ with Lothar Von Richthofen Harker led a bombing formation, 30 April 1917, which had a brush with Lothar von Richthofen: ‘Forty minutes after his destruction of the 16 Squadron BE, Lothar Von Richthofen and his command, together with elements of Jasta 12, spotted a formation of FEs in the morning light. The FEs, led by Captain H. R. Harker (A6401), were from 57 Squadron. Earlier at 06.50 the British had spotted German fighters over Lécluse but, outnumbered as they were, had decided that discretion was the better part of valour and withdrew. At 07.00 over Vitry, they were approached by yet another formation of enemy scouts, six above them and three others at their own altitude. In the initial attack, two of the FE’s fell, one to Lothar, the other to the leader of Jasta 12, Adolf von Tutschek.... Another of the FE’s (A1966) was picked off by the three enemy scouts operating at the lower level.... An enemy machine was also hit, going down two miles SW of Douai. Yet another of the German planes went down under the fire of the FE’s, landing near to Vitry at 07.15. The German losses were soon more than made good by the arrival of reinforcements.... Still the Germans continued not to commit themselves to an all-out attack, a situation which allowed Harker and three other FE’s to edge their way slowly back to the British lines.’ (Under the Guns of the German Aces, by N. Franks and H. Giblin refers). It is highly likely that the above action is one the one referred to in the recipient’s M.C. citation. Harker advanced to Acting Captain and Flight Commander after ‘Bloody April’. The Squadron re-equipped with DH4’s in May 1917, and was tasked with long range bomber reconnaissance. It moved to Boisdinghem the following month, and joined the 27th Wing as part of V Brigade. The latter was employed in support of the British Army during the Ypres Offensive, and this new role seems to have suited Harker as he added at least another 4 enemy aircraft to his score between 18 June - 21 August 1917 (some sources credit him with 7 enemy aircraft shot down). Having completed his tour with 57 Squadron, Harker returned to the UK at the end of August 1917. Subsequent appointments included as Acting Squadron Commander of 3 I.T.S., and also instructing at No. 2 School of Navigation and Bomb Dropping, R.A.F. Andover. He advanced to Acting Major in October 1918, and tragically succumbed to the then raging Spanish Flu pandemic, dying at the Officer’s Military Hospital at Tidworth, 27 February 1919. Major Harker was mentioned in despatches for his work at Andover, and this was posthumously gazetted. He is buried in the Southern Cemetery, Manchester. Sold with a large amount of copied research, including photographic images.
Lot 879
A DEHUA PORCELAIN FIGURINE OF YUE FEI, REPUBLIC PERIODChina, 1912-1949. Consisting of two dehua porcelain figurines, depicting the military general Yue Fei kneeling with open back, and his mother, holding a staff about to tattoo his back. Provenance: German private collection.Condition: Very good condition with minor wear, the paint brush in the mother's hand lost, with minor manufacturing flaws, such as dark spots.Weight: 390 g (the figurines)Dimensions: Height 15.4 cm and 10.5 cmWith a matching wood base of the same period, reading Yue Fei Zhuan (The story of Yue Fei) (3).Yue Fei was a Chinese military general who lived during the Southern Song dynasty. He is widely seen as a patriot and national folk hero and has evolved into a paragon of loyalty in Chinese culture since his death. According to legend, the mother of Yue Fei tattooed the four Chinese characters jing zhong bao guo (精忠报国) across his back, which can be translated into 'to serve the country with the utmost loyalty'.
Lot 781
A GRISAILLE 'KUI XING' BRUSHPOT, BITONG, TONGZHI MARK AND PERIODChina, 1861-1875, dated 1873. Of cylindrical form, painted in grisaille, iron-red and with golden highlights, depicting the god of literature Kui Xing in his characteristically vigorous pose, holding a writing brush, to his left the constellation of the Big Dipper, the rim with gilding. The recessed base with an iron-red painted dedication, Tongzhi reign mark and dated 12th year of Tongzhi (1873).Provenance: German private collection.Condition: Excellent condition with minor wear, mostly to gilding, a few manufacturing irregularities such as dark spots.Weight: 258.2 gDimensions: Height 10.6 cm
Lot 236
A JADEITE 'LOTUS' BRUSH WASHER, REPUBLIC PERIODChina, 1912-1949. Carved as a single lotus leaf resting on its stem, a branch with buds to the interior. The translucent stone of cloudy white color with subtle pale lavender tones and emerald-green inclusions as well as an opaque ochre patch.Condition: Good with minor wear, three tiny chips to exposed areas. Provenance: French private collection. Weight: 142 g Dimensions: Length 14.5 cm
Lot 249
A CARVED CELADON JADE LINGZHI-FORM BRUSH WASHER WITH A RAMChina, Republic period (1912-1949) or later. Nicely polished pale celadon jade brush washer with natural milky and cloudy inclusions and the depiction of a ram's head holding two lingzhi stalks in its muzzle, carved in high relief.Condition: Excellent condition with hardly any traces of wear.Provenance: Austrian private collection.Weight: 202 g Dimensions: Length 11.5 cm
Lot 625
A GROUP OF FIVE IRON TSUBAJapan, 19th century or earlierThe first a rare tsuba cast in relief with an oni head below a tama (magic pearl), inscribed to the backside. The second of maru-gata form, inlaid in brass with numerous arrowheads. The third in the form of fukura suzume, signed. The fourth of maru-gata form, finely executed in sukashibori (openwork), depicting a grazing horse, signed. The fifth of maru-gata form, cast in openwork with an ink stick and stone, a brush, and a hanging scroll, embellished in gilt.DIAMETER 6 to 8.3 cm (total) WEIGHT (total) 460 gCondition: Each in very good condition with typical associated surface wear and surface scratches. The second with minor losses to the inlays. Provenance: German private collection.
Lot 30
A part silver and enamel dressing table set, Henry Clifford Davis, London 1951-52, comprising; a hand mirror, hairbrush and clothes brush, each decorated with pink and purple sweet peas against a white guilloche enamel background, mirror 28cm long, together with associated silver mounted comb, Henry Clifford Davis, Birmingham 1950, 18cm wide (at fault) (4)
Lot 319
A WOODEN 'RIDING ON THE RIVER' BITONGChina, late Qing Dynasty (1644-1912). Depicting a mountain and river landscape with a scholar and a child on a boat, rowing along a shore, partly hidden behind a tree. The interior of the brush pot with a wooden plate insert.Condition: Very good condition. The wood with some hairlines, nicks, dents and surface scratches.Provenance: German private collection, according to the current owner acquired from the collection of Dr. Henning, Hamburg.Weight: 564.1 gDimensions: Height 14 cm
Lot 237
A JADEITE 'LEAF AND GRAPES' BRUSH WASHER, LATE QING TO REPUBLIC PERIODChina, 1840-1940. Carved as young grapes on a vine leaf, the front and reverse with finely incised veins. The translucent jadeite is of a fine, grayish-white tone with distinct emerald-green streaks and faint russet veining. The raised grapes were likely designed to serve as a brush rest.Provenance: From a reputed French private collection.Condition: Superb condition with a few minuscule nicks to the rim. The stone with natural fissures.Weight: 76 g (excl. stand)Dimensions: Length 18.1 cm With a fitted wooden base, most likely of the same period. (2)清末民初翡翠葡萄筆洗中國，1840-1940年。小葡萄掛藤上，正面和背面雕刻都非常精緻，紋理清晰。翡翠半透明，呈細膩的灰白色，帶有明顯的翠綠色紋理和輕微的赤褐色脈紋。凸起的葡萄很可能可以用作筆擱。來源：法國私人收藏。 品相：狀況良好，邊緣有一些微小的刻痕。玉料有天然裂縫。 重量：76 克 (不含底座) 尺寸：長 18.1 厘米木底座，可能來自同一時期。(2)
Lot 248
A 'CRANE AND DEER' CELADON JADE BRUSH RESTChina, late Qing Dynasty (1644-1912) to Republic period (1912- 1949). Carved with openwork rocks and pine trees forming a canopy. One side with a recumbent deer and a crane peeping from a corner and bird perching in between, the other side with a grooming crane. The stone of even celadon color.Provenance: Private collection, USA. Condition: Excellent condition with only minor wear.Weight: 163.3 gDimensions: Length 8.5 cm, Height 5.2 cmAuction result comparison: Compare a jade brush rest also depicting a deer and crane scene, dated to the 19th century, of slightly larger size (10.5 cm), at Christie's New York in Fine Chinese Ceramics and Works of Art Part I on 14 September 2012, lot 1080, sold for USD 7,500. 13% VAT will be added to the hammer price additional to the buyer’s premium - only for buyers within the EU.
Lot 38
Animation Books - a large selection of assorted animation related books, to include titles; The Arts Of David Levine, Pen, Brush And Ink, The Complete Drawing Book, The Art Of Wall-E, Persuasive Images, Chuck Jones - A Flurry Of Drawing, Cartoon Confidential, American Natives by Erich Sokol, and others. All as used by Richard Bazley during his career as an animator.
Lot 162
A RARE 'OVERLAY GLASS' IMITATION SCROLL-SHAPED PORCELAIN BRUSH REST INSCRIBED WITH THE MARK OF EMPEROR QIANLONG CHINA, QING DYNASTY, POSSIBLY QIANLONG MARK AND PERIOD Made up of porcelain and resting on three tiny round feet, this exquisetely delicate porcelain brush rest has been shaped as a painting scroll with curvy ends. It has been adorned with thick saphire blue enamels, the top part centered by five bats surrounding a shou (longevity) character amidst a geometric pattern, the side parts with mythical beasts, all against a white ground. The base has been all covered with turquoise blue enamels but for its central part, a reserved square, on which an iron-red two-character mark of Emperor Qianlong is painted. H: 2,1 cm - L: 7,9 cm - width: 4,1 cm 罕见的玻璃雕刻瓷刷架，仿乾隆款 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
Lot 233
A YIXING ZISHA ‘SACRED PEAKS’ BRUSH-REST CHINA, LATE QING DYNASTY, LATE 19TH CENTURY Made of a terracotta of brown tones. It has a flat base and is finely modeled as sacred peaks or mountains. The back bears an impressed mark. H: 5,5 cm - L: 21,4 cm Weight: 178,7 grams Note: Mountains (shan - 山) are the places closest to the gods and because of their expanse and heights convey the meaning of limitless. 宜兴紫砂笔架 中国，晚清，19世纪晚期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
Lot 276
*CHINESE SCHOOL IN THE MANNER OF BADA SHANREN 八大山人 (circa 1626-1705) BORN AS ZHU DA 朱耷 Bird on rock Ink wash on paper Signed on the upper right corner with the artist huāyā (花押) signature Bearing two red artist seals on the upper right 33,6 x 29,3 cm Provenance: a Private Collection. Notes: 1. Bada Shanren began painting and writing poetry in his early childhood. He later developed a career as a professional painter adopting a series of descriptive pseudonyms, most notably Bada Shanren by which he is most often known today. The stylized vertical writing of his pseudonym Bada Shanren (八大山人) looks like the characters for laugh (笑) and cry (哭), thus by signing his paintings he implied his confusion and feelings of grief for the fate of his country and home. His paintings feature sharp brush strokes which are attributed to the sideways manner by which he held his brush. In the 1930s, Chinese painter Zhang Daqian (張大千, 1899-1983) produced several forgeries of Bada Shanren's works. 2. A huaya or ‘Flower print’ is a stylized signature or mark used in East Asia cultures in place of a true signature. Originating from China, the huaya was historically used by prominent figures such as government officials and artists. 3. This painting of a bird on rock is similar to that of the anban or anwan album preserved in the collection of the Sen-Oku Hakukokan Museum, Sumimoto Collection, Lyoto, Japan. Click HERE to see the related painting said to be by the hand of Bada Shanren. IMPORTANT NOTICE: *This lot is under temporary importation. An extra VAT will be applied to the final invoice. The rate will depend on the final country of destination. The sole buyers based in Ireland will be subject to an extra 13,5% VAT. Please contact our office (yuchen@adams.ie) for further information. 中国画作 八大山人- 朱耷，约1626-1705 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
Lot 345
A selection of car club accessories and other motorsports ephemera, including: a leather belt with Alvis belt buckle; a Durham Automobile Club commemorative plaque relating to the Mid Summer Rally 1955; West Coast Motor Co. Ltd. brush; a James Bond 'Licence to Kill' glass paperweight; two Beamish Reliability Trial commemorative plaques; and other items, over two trays.
Lot 137
A group of Japanese damascened iron vanity items, by Fujii Yoshitoyo Damascene Co., Meiji period, decorated with various designs including dragons, birds, a temple scene, flowers and foliage, comprising a circular powder box and cover, 9.5 cm, an oval box and cover, two hexagonal boxes and covers, a rectangular box and cover and three mount backs for brushes or a hand mirror and another for the back of a comb.Brush handle detached from brush; mirror lacks glass; oval cover lacking box; comb handle lacking comb. Good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 489
§ § Henry Moore OM CH FBA (1898-1986) 'Standing and reclining figures'lithograph on plastocowell in three colourssigned in pencil and dated '5032 x 25cmOverall in honest untouched condition, colours remain strong, possibly very slight even discolouration of the unprinted border and a little light insect dirt lower right that looks like it will brush off, some slight undulation of the paper showing it not to be laid down, signed and dated lower right, plain paper mount and slim frame with Chelsea framer's label verso along with the School Prints Ltd label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 32 x 25cmMoore OM CH FBA (1898-1986), Henry
Lot 114
A BOX OF SILVER TEASPOONS AND ASSORTED TABLEWARE, a silver fiddle pattern teaspoon engraved with the letter M, hallmarked 'Jonathan Hayne' London 1831, a cased set of six silver teaspoons, hallmarked 'Angora Silver Plate Co Ltd' Birmingham 1971, a silver lidded cut glass bottle, lid hallmarked London 1904, approximate gross weight 84.6 grams, 2.72 ozt, together with assorted boxed cutlery, enamelled brush and mirror set, and a tea set (condition report: general moderate wear, silver lid is worn in areas, hallmark part worn)
Lot 590
THREE BOXES AND LOOSE CERAMICS, GLASS AND SUNDRY ITEMS, to include six Poole twintone cups and saucers in sepia and mushroom, a Goebel 'Goebel Crafts of North America' Swan figure, a near pair of pink pressed glass comports with figural stems, a box of boxed Tetley's Bitter pint glasses, a bracelet made from foreign coins from the first half of the twentieth century, a copper crumb tray and brush, four modern desk lamps, a small collection of lighters including Ronson, Sarome, and Paxton Supreme, etc (sd) (3 BOXES + LOOSE)
Lot 1471
A Chinese famille rose fencai brush pot, Qianlong seal mark but 19th century, of quatrelobed form on four shaped feet, painted with a sage and a boy in a landscape, the reverse with a river landscape scene, within underglaze blue and iron red flower and foliate borders, the underside with iron red ‘Qianlong Nianzhi’ mark on a turquoise ground, 8.1 cm high, wear to gilding
Lot 19
AN INCISED CELADON BRUSH POT Decorated with flowers and scrolling foliage within below a geometric border 13cm high, 17.5cm diameter Condition: Several small burst glaze bubbles and some scratching to the rim, some further minor glaze imperfections but generally in good condition Provenance: The collection of Frank and Pamela Hickley OBE
Lot 8
A GROUP OF SMALL SONG STYLE CERAMICS Comprising: a twin handled censer, baluster shape on shirt foot; a Ru style oval brush washer, with indistinct decoration of fish tom the centre; and a triform Ge style brush washer with crackled glaze The oval washer 13cm wide Condition: Possibly some hairline cracks to the triform washer, some general wear to all pieces
Lot 97
AUCTION CATALOGUES - ASIAN ART PUBLICATIONS AND CATALOGUES To include: A Tale of Three Cities, Canton, Shanghai & Hong Kon, David S. Howard, Sotheby's; Xubaizhai Collection of Chinese Paintings and Calligraphy, two collection catalogues; Important Chinese Paintings from the Robert Chang Collection; Freedom of Clay and Brush through seven Centuries in Northern China, Yutaka Mino, Cleveland Museum of Art, 1981; and various Chinese ceramics auction catalogues from Bonhams and Hanhai Beijing (13) Condition: Some general minor wear and use
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