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Herbert Royle (1870-1958) "Lower Dene Farm, Nessfield"Signed, inscribed on stretcher verso, oil on canvas, 33.5cm by 44cm Glazed. In an overall good and original state of preservation. Some surface dirt and discoloured varnish. Odd brush hair within paint towards upper right hand corner.

A Chinese Porcelain Brush Pot, Qianlong reign mark, of cylindrical form, painted in famille rose enamels with a dignitary and attendant in a garden, the reverse with maidens in a garden, on a puce lattice ground, bears six-character reign mark in red12.5cm highSome slight glaze pitting. Very minor glaze and enamel wear. No chips, cracks or restoration.

Four Stratton compacts, one other, a cigarette case, a box containing shirt collars, a crumb tray and brush, etc.

A carved jade bird, cloisonne brush pot and a satsuma figure.

A Lawleys wash stand set in cream with orange and blue floral decoration, soap dish- cracked, tooth brush pot chipped to rim and wear to gold rims.

A quantity of miscellanea to include two hand mirrors, brush, crumb tray, three Epns sugar tongs and 'praying hands' carved in wood.

PorcelainChina, 1644-1949 late Qing dynasty to Republic period Dimensions: Height 12.5 cm, 13.4cm and 11.4 cmWeight: 394.3 g, 471 g and 964 gLot consisting of a small blue and white cachepot depicting mandarin ducks and anemones, a small cylindrical brush pot, covered in underglaze blue on crackled white-ochre glaze with two boys in a rift, and a creamy-white ge-type glazed ewer of globular shape with tiny handle.Provenance: - German private collection.Condition:- Good condition with hairlines, touch ups, and manufacturing irregularities.

Quantity of copper pans and teapots, dish and sieve with pierced heart decoration and brass handle, together with quantity of brassware to include brass Art Nouveau crumb tray and brush, repousse chargers, fire tool accessories, decorative canon, sword and guns etc

1920's silver mounted faux tortoiseshell dressing table set comprising of hairbrush, clothes brush and hand held mirror, hallmarked Daniel Manufacturing Company, Birmingham 1929, two silver rings and a collection of costume jewellery including twenty three brooches, two pendant and earring sets, etc

Early 20th century silver mounted dressing table brush, and matching clothes brush, hallmarked Goldsmiths & Silversmiths Co Ltd, London 1913 and 1915, five 1920's silver handled butter knives, and a mid 20th century silver handled bread knife, together with a group of silver plate, to include a pair of scissor action snuffers, three entree dishes and covers, large tray, mug with C handle, cased lobster pick set, various flatware, including a pair of Fiddle pattern table spoons, etc., in one box

A white metal three-piece guilloche enamelled dressing table set including hand mirror, slight damage to enamel towards handle, and matching clothes brush and hair brush with hedge rose and violet decoration, stamped Made in England

An Eastern brass and mother of pearl inlaid blotter, The Art of Dry Cleaning, including brush etc, an embosser and a treen concertina wool winder

A wall mounting mirror backed brush tidy together with a pair of painted clogs 

Chinese pottery brush washer, Gourd shape with applied decoration, 20cm long

Lot of silver dressing table items to include brush, hand mirror, button hooks and ebony hand mirror.

Three-piece silver and tortoise shell dressing table brushes and hand mirror, Two silver and blue enamel dressing table items and Chester Art Nouveau design brush.

A Chinese famille rose sleeve vase or brush pot, late 19th century, relief decorated on a textured ground, 11cm high.

A group of silver, comprising two early 20th Century candlesticks, a mid 20th Century silver-backed hair brush and a diminutive goblet

A cased early 20th Century ebony and silver dressing table set, compromising brush, comb and hand mirror

A Victorian wig powder brush in a lacquered mache pot, together with a pair of spats, Victorian shirt studs and a button hook, pot 6.5 cm

Worksplate BRUSH TRACTION ENGLAND No 424 1963 ex British Railways diesel Class 47 originally numbered D1530 then 47008 in 1974. Allocated new to 34G Finsbury Park and withdrawn from Tinsley Oct 1989. Has carried the unofficial names Peregrine and Hornet. Scrapped on site at Stratford depot by staff of Bird, Long Marston Mar 1994. Oval cast aluminium, face restored. Measures 9.625in x 5.75in.

Worksplate BRUSH TRACTION HAWKER SIDDELEY LOCOMOTIVE No 1001 1992 ex British Railways diesel Class 60 60099. Allocated new to Toton and named Ben More Assynt until 2010. Loco currently operated by DC Rail and under restoration at Leicester. Rectangular engraved aluminium in as removed condition.

Worksplate BRUSH TRACTION ENGLAND No 76 1958 ex British Railways diesel Class 31 Toffee apple originally numbered D5505 then 31005 in 1974. Allocated new to 30A Stratford and withdrawn from there Feb 1980. Cut up at Doncaster Works Mar 1980. Oval cast aluminium, face restored with 31005 stamped in the back. Measures 9.5in x 5.75in.

Worksplate BRUSH TRACTION ENGLAND No 370 1962 ex British Railways diesel Class 31 originally numbered D5834 then 31301 in 1974. Allocated new to 41A Tinsley, withdrawn September 1999 and scrapped. Oval cast aluminium, face restored. Measures 9.5in x 5.75in. (Note the Colin Marsden book is incorrect in attributing this plate to D5835/31302and there is photographic evidence that 31302 carried works number 371)

Nameplate and badge HYDRA ex Fragonset Diesel Class 31 31468 built in 1962 by Brush and originally numbered D5855, 31321 in 1974, 31468 in 1985, 31568 in 1990 and 31468 in 1993. Nameplate measures 29in x 7.5in and badge 12in diameter. Both are in as removed condition. Definitely one for the Captain America Marvel fans.

A set of three EWS Channel Tunnel Rings as fitted to British Railways Electric Class 92 92006 when they ran in Euro Tunnel grey livery. Circular cast aluminium in as removed condition, they measure 27.5in dia, 16.5in dia and 8.25in dia. Removed from the locomotive when refurbished at Brush for GBRF and auctioned by GBRF for charity. A GBRF letter of authenticity accopmanies the lot.

Worksplate BRITISH RAILWAYS CREWE BUILT 1964 POWER EQUIPMENT BY BRUSH ELECTRICAL ENGINEERING COMPANY LTD AND SULZER ex British Railways diesel Class 47 originally numbered D1575 then 47455 in 1974. Allocated new to 52A Gateshead and withdrawn from Crewe Diesel Mar 1990. Cut up on site at Crewe Works by staff of Gwent Demolition in Jun 1995. Rectangular cast aluminium measuring 13in x 6.5in, lightly face cleaned.

Nameplate BESCOT YARD ex British Railways class 47 47238. Built by Brush Traction as works number 677 in December 1965, named in October 1988 nameplates removed in June 1996. Locomotive withdrawn in 2001 and scrapped later the same year at EMC metals Kingsbury. Cast aluminium face repainted measures 51.75in x 10in.

Worksplate BRUSH SULZER No 504 1964 ex British Railways diesel Class 47 originally numbered D1733 then 47141 in 1974, 47614 in 1984 and 47853 in 1990. Allocated new to 86A Cardiff Canton. Named Rail Express between 2002 – 2006. This was the loco chosen to carry the XP64 livery in 1964. Loco still in service with Locomotive Services Limited running as 47614. Oval cast aluminium in as removed condition, measures 8.25in x 5.75in. It is believed that the four hole fixings were unique to this locomotive.

Nameplate WILLIAM CAXTON ex British Railways Diesel Class 60 numbered 60026 built by Brush in 1990 as works number 928. Named when built and nameplates removed in September 1996. Rectangular cast aluminium in as removed condition measuring 59in x 9.75in. Complete with original EWS authenticity certificate.

Worksplate BRUSH SULZER No 577 1965 ex British Railways Diesel Class 47 numbered D1815 and 47334 in 1974. Allocated new to D16 Nottingham Division, named P&O Nedlloyd from 10-1997 to withdrawal in July 2001 after which is was scrapped. Oval cast aluminium, in face restored condition with 47334 stamped in the back. Measures 9.25in x 5.75in.

Worksplate BRUSH SULZER No 662 1965 ex British Railways Diesel Class 47 originally numbered D1900 and 47381 in 1974. Allocated new to 40B Immingham and withdrawn in June 1992 and scrapped at M.C. metals. Oval cast aluminium face restored with pattern number 4004703-13 stamped in the back. Measures 9.25in x 5.75in.

Worksplate RE-ENGINEERED BY BRUSH TRACTION 1999 ex Class 57 diesel 57012, which was rebuilt from 47204 (previously 47388/D1854). Named Freightliner Envoy Feb 2000 until Apr 2007. Recently purchased by West Coast Railways and returned to service. Rectangular engraved aluminium in as removed condition. Measures 9.75in x 5.75in.

A Silver Backed Hair Brush, ivorine example shoe trees, etc:- One Tray.

A silver backed hand mirror and brush

Qianlong style gold base coral enamel pastel water grass carp brush holder from Qing DynastyDiameter：9.5cmH：12cm

Jade and red sandalwood brush gold inlaid treasure insert from Qing DynastyW：30.5cmH：60cm

1930's three piece silver mounted and green guilloche enamel dressing table set, comprising hand held mirror, hair brush, and clothes brush, hallmarked Henry Clifford Davis, Birmingham 1937, together with a similar 1930's silver and green guilloche enamel compact, hallmarked Mappin & Webb Ltd, Birmingham 1937, (4)Condition Report:General wear commensurate with age and use, including surface scratches, nicks, small indentations and knocks.Some damage and losses to enamel.Silver frame of mirror lifting beneath mirror plate.Mirror to interior of compact cracked, and opening mechanism damaged and not working.Bristles of brushes worn.Hallmarks with varying degrees of wear, to clothes brush heavily worn and indistinct.

Edwardian silver mounted dressing table brush, embossed in the Art Nouveau style with two herons amidst bulrushes and water lilies, hallmarked William Aitken, Birmingham 1906, together with a 1920's silver and tortoiseshell mounted hand held mirror, hallmarked W G Sothers Ltd, Birmingham 1929, an Edwardian silver mounted hand held mirror embossed with putti masks, further Edwardian silver mounted hand held mirror profusely embossed with foliate scrolls and masks, and a matching clothes brush, and a another 20th century silver mounted hand held mirror, (6)Condition Report:General wear commensurate with age and use, including surface scratches, nicks, small indentations and knocks, and some small splits to high points of embossed decoration.Hallmarks with varying degrees of wear.

American cut glass dressing table box with silver cover, probably late 19th century, of heart shape, the silver cover with engraved monogram and beaded surround, marked for Gorham and stamped Sterling, W10cm, together with a pair of Edwardian silver mounted candlesticks, hallmarked Charles Boyton & Son Ltd, London 1904, H11cm, and an early 20th century matched silver mounted hand held mirror and hair brush with vacant circular panel and vertical engine turned banding, (5)Condition Report:General wear commensurate with age and use, including surface scratches and nicks.Dressing table box with some nibbles and small losses to glass.Candlesticks with some knocks around edge of bases. Hair brush with a number of knocks and indentations.Hallmarks with varying degrees of wear, particularly makers marks to candlesticks.

Early 20th century silver mounted five piece dressing table set, comprising hand held mirror, two hair brushes, and two clothes brushes, each engraved with monogram, hallmarked William Devenport, Birmingham 1919, contained within a fitted case, together with two further early 20th century silver mounted clothes brushes, also bearing engraved monograms, hallmarked Levi & Salaman, Birmingham 1919Condition Report:General wear commensurate with age and use, including surface scratches, nicks, small indentations and knocks, including knocks around edge of one clothes brush and to back of hand held mirror.Some splits and lifting to sides of brushes, and silver top of one clothes brush detached.Hallmarks with some wear, but generally legible.Case with wear to exterior and interior.

Artillery cases and and fuses Eleven artillery shell cases, three fuses, a complete inert French 37mm Hotchkiss round, a wood practise bomb, also an artillery gun chamber cleaning brush.The brush measures 49cm long

* JOHN CUNNINGHAM RGI D Litt (SCOTTISH 1926 - 1998),IN THE DUNESoil on canvas, signedimage size 62cm x 75cm, overall size 78cm x 92cm Framed.Note: The artist's long obituary in The Glasgow Herald in 1998 began "Dr John Cunningham's death at the age of 72 robs Glasgow of one of its most endearing, well-known and colourful art-world stalwarts". Born in Lanarkshire in 1926, Cunningham attended Glasgow School of Art (GSA) in 1953. From 1967 to 1985, he was a Senior Lecturer at GSA, thus having close contact with several generations of young painters for two decades. John lived in a magnificent and spacious studio flat in the centre of Glasgow which was designed by Sir John Burnett expressly for the use of an artist, and which had previously been owned by other artists including John McGhie and David Gauld. The vision of his paintings was an expression of the man. John Cunningham was a large, charismatic character who loved life abundantly and whose paintings reflected his joy and passion for vibrant colour and contrast, displaying bold, confident brush-strokes along with subtle sensitivity. This gives his work a wonderful freshness and vitality with the immediacy of the moment captured. In 1980 he was elected to the Royal Glasgow Institute of the Fine Arts (RGI) and in 1990 he was awarded an Honorary Doctorate from the University of Strathclyde. He received numerous prestigious awards during his long career. He exhibited throughout the UK also in New York and Hong Kong, and his work is in many public (including Glasgow Galleries & Museums and The Hunterian), corporate and private collections.

ERNI UPTON FRSA,LAMLASH PIER & HOLY ISLAND, ARRANoil on canvas, signed, further signed, titled and dated 2016 verso image size 51.5cm x 62cm, overall size 77cm x 87cmFramed.Artist's label verso.Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery, Holyrood Gallery and Frames Gallery.

A Chinese quartz 'lingzhi fungus' finial, Qing Dynasty, 9.5cm high and a soapstone 'lingzhi fungus' censer finial, Qing Dynasty, 6.5cm high and a Chinese Lapis Lazuli brush rest, Qing Dynasty, in the form of a mountain, 6cm high (3)清 青金石雕灵芝一组共3件Condition Report: no obvious damageCondition Report Disclaimer

A set of five Chinese robin's egg glazed scholar's objects, 19th century, including a square-section brush pot, a water pot, a brush rest, an ink stick stand and a box and cover, 8.2cm max. (6)清19世纪 松石绿釉文房一组五件 Condition Report: overall in good conditionCondition Report Disclaimer

A Chinese famille rose hexagonal plate, Qianlong period, painted with immortals to the interior, 28.3cm diameter; a Chinese turquoise glazed brush pot, 19th century, pierced with floral foliage, 4.7x 9.7cm; a Chinese iron red 'Foo dog' teapot, Tongzhi (1862-1874), decorated with four iron red foo dog lions and inscription, with a Tongzhi mark on the base, 10.8x 7cm, and an underglaze red brush pot, decorated with red floral foliage, 15.5cm diameter (4)Provenance: By repute purchased by the current owner's father in the 1950s and hence by family descent 清乾隆 群仙贺寿图粉彩六方盘等四件拍品来源：英国私人收藏，现藏家父亲购自上世纪50年代Condition Report: the qianlong plate with few chips and nibbles to the rim, and extensive wear to the enamelteapot overall in good condition, except for one minute chip to the finialbowl with the glaze suffused with crazing   Condition Report Disclaimer

An unusual Chinese Export part tea and coffee service, late Yongzheng or Qianlong, painted with ladies holding paint brushes either side of a root wood table with a brush pot containing brushes and with garden seats and a chair, comprising: a large saucer dish, 20.3cm diameter a smaller saucer dish, 15.5cm diameter, a sugar bowl, 11.5cm diameter, a spoon tray, four tea bowls, five coffee cups and two saucers (15)Provenance: From the china store of a Somerset country house清雍正至乾隆 外销粉彩仕女图瓷器一组共15件拍品来源：英格兰萨默塞特郡乡村大宅Condition Report: the larger saucer dish with large section riveted back -see imagethe smaller saucer dish with rim chip approximately 5mm x 4mm and 4cm extended hair crack from chip the sugar bowl good the spoon tray with wear to enamels three tea bowls good other than minor wear and one with small chip to rimthe five coffee cups in good condition other than minor wear and typical firing blemishesthe two saucers good other than minor wear Condition Report Disclaimer

A Chinese famille rose square brush pot, with Qianlong mark, painted to the sides with mountainous scenes, the base inscribed with a four-character Qianlong mark in iron red, 8cm high ''乾隆年制'' 款 粉彩山水笔筒Condition Report: minor gilding wearCondition Report Disclaimer

A Chinese underglaze red and blue 'beehive' brush pot, Late Qing Dynasty, circa 1900, painted with a fisherman beneath a pine tree, the bird is unware of the approaching fisherman as it attempts to move a large clam, apocryphal Yongcheng six-character mark to base in underglaze blue, 7cm high x 10cm diameterProvenance: By repute formerly in the collection of Salusbury Langton Dennis (born 1906) and by family descent 晚清 青花釉里红太白尊拍品来源：Salusbury Langton Dennis (1906-)家族旧藏 Condition Report: in good condition other than minor firing blemishesCondition Report Disclaimer

A Hallmarked Silver Backed Brush, (damages), hallmarked silver and plated pepperettes, decorative rectangular purse, on chain suspension, an EPNS cigarette case, a modern small square shell inset pill box, etc. (7)

Sterling silver two piece backed vanity set, mirror and brush, Birmingham.

A silver mirror and hair brush

A silver brooch or pin brush with running Ibex, 17cm

MANUSCRIPT LIFE OF A SOLDIER. Major General John Soame Richardson, CB (1836-1896), for 25 years commander of the 12th Regiment of Foot in New South Wales.Small 4to, 1896. 41pp of Memoirs followed by 78pp of Letters from the Crimea. Written in a very neat hand by Gertrude Steele, probably the daughter of his guardian.The first part of the book, the Memoirs, is largely taken from newspaper articles. The second part, Letters from the Crimea, is a transcript of 23 letters home, some several pages long, written between June 25th 1855 and June 23rd 1856. The letters are detailed and personal and full of interest.Richardson was born in Norfolk but orphaned by the age of 11, after which he was brought up by his guardian and his wife, whom he called ‘Aunt.’ He served as an ensign in the Crimea in the 72nd Highlanders and was present at the fall of Sebastopol. He commanded the military forces of New South Wales from 1865 and led them in the Soudan campaign in 1885, and played a founding role in the establishment of the Australian military tradition, instigating many reforms despite government indifference. He was the first soldier in Australia to be promoted to the rank of major general.Some extracts from his letters from the Crimea:Camp before Sebastopol, August 11th 1855. The trenches are very bad for our health. One goes in about 8 o’clock in the evening, and has to endure the very heavy dews and perhaps rain, sitting in wet clothes by night, and in the day the sun is enough to kill a person, it makes me almost faint…I had just finished my supper consisting of bread and cheese under the parapet close to a wooden hut, and was just getting up to have a look over the parapet to see what was going on, when a round shot came and carried away some earth and a piece of the hut just above my head – a couple of seconds later and my unfortunate head would have gone too – The Russians have also a depraved passion for throwing what we call ‘bouquets’ and the men a ‘handful of devils,’ which consist of about fifteen or twenty hand grenades thrown from a mortar which burst about in all directions, they threw three or four of these bouquets right amongst my working party, and one grenade or devil came so near that I actually felt the scorch as it burst, but really these escapes begin to get so common that one thinks scarcely anything about them…letters are such a delight and make me feel so stout in heart when I think of everybody that I left behind and of England herself…you have no idea, dear Aunt, how they strengthen and uphold me.Camp before Sebastopol, August 22nd 1855. If you will be kind enough to send the following things with the bills etc as soon as convenient, I shall be much obliged. Soyer’s Shilling Cookery Book. A small Shakespeare. 6 pairs of woollen socks, 6 flannel shirts, 2 coarse blue woollen jerseys like sailors wear, 3 pairs of fur gloves, 1 fur cap with ears, 1 pair of thick blankets, 1 comforter, 6 yards of thick flannel for lining. Hair brush and comb, nail brush, 2 toothbrushes, a little soap, 2 lbs of green tea. Ditto coffee (ground), rug and clothing for horse with hood.Kamara, September 6th 1855. The bombardment is continuing, and an assault will be made tomorrow…I have not the slightest idea how we will get on, but I hope well. In case of accident, I have directed a few things of mine to be sent to my Guardian, as I thought and knew you would like to have something to remind you of the wayward boy (whom, bye the bye, I hope will be spared) to render back some of the love and kindness he has met with from his Aunt and Godfather. Though I have no fear of death, still as we are all liable to it, it may happen to me just as much as anyone else. I have had a thought my dear Aunt which I must tell you, because if it is wrong I know you can set me aright. It is a feeling that if I should be killed, I should go to heaven, and that by dying for my Queen and country I should in a measure expiate my many sins. I don’t know why but I often think of it.Kamara, September 10th 1855. Luckily for us some of the Russians deserted the place. The Russians blew up the magazines in the Redan from right to left. I was lying down at the time, and the ground seemed literally to heave, and volumes of fire, dust, smoke and stones were hurled some hundreds of feet into the air – mines continued to explode nearly all the morning, some too near to be pleasant. I am sure we have sustained a great loss. Every place was crowded with dead and dying – there were two dead men lying close to me all night – one had had his stomach torn out by a round shot – the other his head smashed by a piece of shell which I found I had been sitting on. When daylight came it was a shocking sight, the poor fellows lying in heaps and all along the glacis of the Redan just where they had fallen…The noise for eight hours was fearful – in fact a perfect hell, a Babel of large and small guns, musketry and groans. We had few casualties, somewhere about 10 men. Just after we got in and were watching the attack, standing together in little knots, a minié ball came and struck one of our officers, who was standing next to me, in the chin, then in the collar bone, and out again. He went down like a shot, poor fellow, and is not expected to live. It is a most curious noise when a person is hit by a ball, an indescribable crack like a small stone thrown against a stone wall.Richardson spent his last years in a mental institution. He was buried in Waverley cemetery with full military honours, and the huge attendance at his funeral was testimony to the respect and esteem in which he was held. He was one of Australia’s greatest soldiers.Half red morocco with photographic portrait frontis, another photograph of his tomb, the official announcement of his death and relevant newspaper cuttings.

Two Tri-ang "Oo" Gauge/4mm Boxed Diesel Locomotive, a Ref No. R751 Class 37 Co-Co BR green, R/No. D6830 (good - good box - U/T). Plus Ref No. R357 Class 31 Brush Diesel, BR green, R/No. D5572 (good - good box - U/T).

A pair of George V silver filled column candlesticks, together with a silver plated clothes brush, a pocket ashtray and a pair of presentation scissors in box

A pair of Victorian silver cauldron salts by EKR, together with a modern glass and silver sugar sifter, and a silver hand mirror and hair brush

A sterling silver mounted easel back photograph frame, together with a hallmarked silver mounted clothes brush, two Indian white metal preserve jars and a collection of assorted silver plated including a part tea service, a bowl with cast decoration, etc.

A German tinplate clockwork figure of Busy Lizzie, modelled with a floor brush, height 16cm, with a German tinplate clockwork figure of a man with a rotating umbrella, and an unmarked tinplate clockwork model of a butler in a blue coat (3).PROVENANCE: The Collection of Jack Tempest. Additional InformationThe butler lacking key but does wind and move, is possibly lacking a tray. General age wear marks and scuffs to the surface throughout. The figure in yellow does wind and operate however there are two slight splits to the metal at the top of the shoes, some bending to the shoes, fading to the colour and general age wear throughout. Busy Lizzie does wind and run with some coaxing. Sun fading to parts of the clothes, the hair section is in two different colours and general scuffs and scratches throughout.