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Derek Fowlds signed 10x8 colour photo. Derek James Fowlds (2 September 1937 - 17 January 2020) was an English actor best known for his appearances as Mr Derek in The Basil Brush Show (1969-1973), Bernard Woolley in the sitcom Yes Minister (1980-1984) and its sequel Yes, Prime Minister (1986-1988), and as Oscar Blaketon in Heartbeat (1992-2010). Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
CHAGALL MARC: (1887-1985) French artist. A large, signed colour 9 x 13 plate, most likely removed from a book, being a reproduction illustration of Chagall's gouache, watercolour, brush and black ink work entitled La Queue des Sirenes (1945), signed ('Marc Chagall') in dark fountain pen ink to the lower mount and dated at Vence, 1950, in his hand. Some light creasing and a couple of minor stains to the mount, only very slightly affecting Chagall's signature, G La Queue des Sirenes was executed by Chagall in the last months of 1945, at the end of his American exile. One of a series of gouaches, described as being 'among the most marvellous works' that Chagall produced in America, they illustrate the classic of medieval Arabic literature, The 1001 Nights, and form the basis for the lithographs commissioned by the publisher Kurt Wolff, Chagall's first important book with original prints to be published since the 1920s.
Football, West Ham multi signed 10x8 colour photograph pictured during a team photo shoot celebrating with the 1980 FA Cup. Signatures include Phil Parkes, Billy Bonds, Alvin Martin, Paul Brush, David Cross, Stuart Pearson, Alan Devonshire, Paul Allan, Geoff Pike. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A mid-20th century crossbanded burr walnut veneered double dome topped cocktail cabinet, with ornate lock escutcheons, the upper section with pair of panelled doors enclosing a mirrored interior with single glass shelf, mirrored brush-in slide, above further pair of panelled doors, raised on squat cabriole legs to pad feet, 158.5 x 92 x 44cm (af). CONDITION REPORT There is a large loss to the veneer on the back of the right hand domed section. there is a further loss to the veneer on the right hand upper door, with further splits visible throughout the veneer on the rest of the cabinet. Further surface wear throughout, including scuffs, scrapes, etc, commensurate with use.
A collection of silver hallmarked items. The lot to include a silver collared match striker (hallmarked Chester), a Scandinavian silver and guilloche two pronged fork (marked 925S), a silver fronted photo frame (hallmarks rubbed), a matching silver covered mirror and clothes brush (hallmarked Birmingham 1956), and a silver lidded dressing table pot (hallmarked Birmingham 1918). Weight of spoon and lid 36.2g. Mirror measure 26.5cm, fork measures 11cm .
Assortment of mixed 20th century silver plated items. The lot to include a Neo Classical Wedgwood dark blue and white Jasperware biscuit jar with silver plated top rim, bucket handle and lid. The barrel to have white classical decoration on a blue background. It measures approx. 18cm height. Additionally, a silver plated Edwardian 1910 Harrison Bros & Howson carving set inclusive of a carving knife, fork and knife sharpener. The set comes with hallmarked decorated silver handles` tops. Sheffield hallmarked to the handle and sponsor marks for Harrison Brothers & Howson (George Howson). Finally, a dressing table set inclusive of two mid 20th century (1955) silver hallmarked hair and clothes brush. Both the items Birmingham hallmarked to the side of the brushes. Two more wooden handled clothes brushes to come with the set. Harrison Brothers & Howson (George Howson) Harrison Brothers & Howson (George Howson)
An early 20th Century Edwardian silver fronted photo frame, together with two silver backed brushes. The silver frame having floral borders (AF, hallmarked Birmingham 1907), together with a silver backed hair brush with raised floral garlands (hallmarked Birmingham 1918) and a silver backed clothes brush. Frame measures 25cm tall, hair brush measures 24cm.
*Peter Kinley (1926-1998)'Study for Reclining figure'signed 'Kinley' l.l., inscribed with title and dated Dec 57 on label verso, oil on paper20.5 x 28cmProvenance: With Gimpel Fils Gallery Ltd., London.Kinley was born in Vienna in 1926. He was Jewish and his family were forced to flee the country following the annexation of Austria by Nazi Germany in March 1938. Reaching France, where his parents were interned, Kinley was sent to England and fostered by a Catholic family. He served in the British Army from 1944-8, before pursuing an education in art first at Düsseldorf Academy and then at St Martins School of Art, 1949-53. Enjoying early success, Kinley held a one-man show at Gimpel Fils in 1954. Created a few years later, this early work is a dynamic example of the post-war abstraction of the figurative. Using both brush and palette knife, Kinley renders the reclining figure with flesh-pink tones and minimalistic shape, offset only by the rich background created from layers of blacks and greys.*Artist's Resale Right may apply to this lot.Condition report: Framed size: 44 x 51cmNot viewed out of glazed frame. Paper stuck down. Small tears and losses to three of the corners. Please contact the department for detailed images.
*Paul McPhail (b.1966)'Emollient'signed 'Paul McPhail' and dated '1998' verso, oil on canvas152.5 x 106.5cm, unframed Provenance: With Houldsworth Fine Art.Paul McPhail’s ‘Emollient’ explores flesh in a strangely captivating way. This is a study of the human head with its finished, perfect face stripped away to reveal the under layers of flesh, blood, muscular structure, gums, and bloodshot eyes. It encourages the viewer to look closer at the head’s violent surface through its execution of texturally-rich brushwork. Even the title connotes texture – emollient, an oily, moisturising layer added to the skin. McPhail’s use of paint is dynamic and bold, his brush moves across the canvas in broad swathes. He uses heavy contrasts of tones from reds to fleshy pinks, which in combination with the easily distinguished layers of paint, creates a feeling of jaggedness close-up that falls away into one of vibrant life when appreciating the whole composition.This painting is evocative of the work of Jenny Saville, who is now married to Paul McPhail, but at the time of its execution was a close friend of the artist. The two studied together at Glasgow School of Art and later shared a studio space in Palermo. In 1994, both artists visited a plastic surgeon’s operating theatre, witnessing procedures that exposed the fragility of skin. Saville’s paintings explore the body’s imperfections, often depicting overweight, pale, bruised thighs, arms, bosoms, stomachs, redefining beauty. The influence of McPhail’s work is undeniable when we look at examples of her work, such as her head study, ‘Red Stare IV’.*Artist's Resale Right may apply to this lot.Condition report: Some slight craquelure emerging to the top edge, but generally in good condition.
A MIXED LOT TO INCLUDE:- A George V Hors' d'oeuvre dish with pierced sides and feet and lift-out, glass liners, by H.C. Davis, Birmingham 1912, an Austro-Hungarian small octagonal sugar bowl, a beaker with a stepped tapering body, a small Indian bowl, a napkin ring, initialled, and a mounted clothes brush, the hors' d'oeuvre dish 15.25" (38.6 cms) long; 18.65 oz weighable silver (lot)
A GEORGE V 18 CT. GOLD-MOUNTED PART TOILET SET TO INCLUDE:- a pair of oval, military style hairbrushes, a clothes brush and a mounted glass globular toilet water bottle with glass stopper, each piece engraved with a shield coat of arms*, by Mappin & Webb, London 1919/1927; the bottle 4.5" (11.5 cms) high (4) *Arms of Haynault.
Voltaire, (F. M. A. de). Candide ou l'optimisme. Textband und Tafelband. Mit 48 (27 ganzseitigen und 1 doppelblattgr. auf dem OUmschlag) Orig.-Lithographien von Antoni Clavé. 34 x 26 cm. Lose Doppelbogen in illustr. OUmschlag bzw. lose Tafeln in OUmschlag in OHlwd-Decke (Rücken teils gelöst) und Schuber (dieser etwas gebräunt und lädiert). Paris, J. Porson, (1948).Strachan 328f. Rauch 190. Monod 11390. - Eines von 205 nummerierten Exemplaren (Gesamtauflage 245 Ex.). Druck der Lithographien bei L. Detruit. "The sense of matière is a fundamental to Clavé's graphic work as to his painting. Chalk, brush, razor-blade, finger-tip all are evident in his inspired lithographs for Candide (1948), a text that the artist had always wanted to illustrate. There is scarcely a facet of Voltaire's satire that Clavé has not illuminated, from the tender portrait of the ingenious Candide" (Strachan 110). Von Antoni Clavé auf dem Vortitel signiert. - Bis auf den etwas angestaubten Schuber gutes und sauberes Exemplar.
SIX SILVER ITEMS, to include an AF silver embossed vanity mirror, embossed floral and animal scene with a vacant cartouche, hallmarked 'James Deakin & Sons' Birmingham 1910 (glass free from frame) a silver embossed floral hair brush hallmarked 'W J Myatt & Co' Birmingham 1906, a plain polished silver vanity mirror hallmarked 'William Neale' Birmingham, a silver cigarette case decorated with vines and an engraved cartouche, fitted with a push button clasp, opens to reveal a gilt interior fitted with two grey elasticated straps, hallmarked 'G Loveridge & Co' Birmingham, approximate gross weight 66.0 grams, a glass and silver embossed lid vanity jar, damage to the lid, also including a silver cigarette box hallmarked 'Walker & Hall ' Chester 1934 (condition report: damage and wear to the hand mirrors and hair brush, tarnishing to the cigarette case, some dinks to the cigarette case)
A THREE PIECE SILVER VANITY SET AND OTHER WHITE METAL ITEMS, the vanity set comprising of a mirror, hair brush and clothes brush, each detailed with a white guilloche enamel and flowers, hallmarked 'Henry Clifford Davies' Birmingham 1956, together with a white metal hand held mirror, hair brush and comb, a white metal milk jug, a white metal gravy boat and a white metal ashtray
A SILVER VANITY MIRROR AND HAIR BRUSH WITH A SILVER SALT, the hand held mirror and matching hair brush with an engine turned design and vacant cartouche, each piece hallmarked 'Adie Brothers Ltd' Birmingham 1947, together with a silver salt of a plain polished design, wavy rim and scroll handle, raised on four cabriolet legs, hallmarked 'William Adams Ltd' Birmingham 1954, approximate gross weight 36.4 grams (condition report: the hair brush has damage to the silver on the reverse with splits and dents, the mirror and salt are in good condition)
Robert Driessen - Art Forger - Banksy - An ink on paper drawing / painting of Banksy's 'Flower Bomber' graffiti street art. Signed in pen to the lower edge 'Made By R. J. C. Driessen In The Style Of Banksy'. Unframed with slight staining to the paper. Artwork measures approx; 560mm x 380mm. Robert Driessen was born in Arnhem in the Netherlands. Like many artists he struggled to sell his own work, but found he could easily copy any other artists style. Over the last 20 years he became one of the most successful art forgers in the world. He has fooled museums, galleries and every major auction house. He came to specialise in the work of Alberto Giacometti. Robert emigrated to Thailand where he opened a small restaurant and moved away from the world of art. He has recently taken up the brush and sculptors tools once again, producing original reproductions, all of which are signed by Robert Driessen.
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51252 item(s)/page