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Rowlandson (Thomas) An image seller offering plaster statuettes, brush and ink, watercolour, on laid paper with small partial watermark, sheet 107 x 138 mm (4 1/4 x 5 3/8 in), hinged into mount, minor spotting and light surface dirt, unframed, [circa 1800]; together with another by Rowlandson "A Village Wonder, or The Dead Horse", point of the brush, watercolour, sheet 180 x 275 mm (7 x 10 3/4 in), laid onto paper support, heavily browned and with spotting, unframed, [circa 1800] (2)Provenance:[An Image Seller] Abbott and Holder, London;Private collection, London
Boyd (Alexander Stuart) "Presentation to Sir Henry Irving on receiving his Title", an original illustration, brush and ink, watercolour and gouache, heightened with white, over pencil under-drawing, signed in the lower right corner, numerous pencil annotations with people identified in the lower margin, sheet 250 x 310 mm (9 3/4 x 12 1/4 in), minor nicks and surface dirt, unframed, 1895*** In 1895 Irving became the first actor to be awarded a knighthood.
Brangwyn (Frank) London Panorama, black chalk, brush and ink, watercolour, heightened with white, signed with initials in red chalk, on thin buff paper, image approx. 140 x 180 mm (5 1/2 x 7 1/8 in), handling creases, tipped into mount, unframed, early 20th centuryProvenance:Private collection, London
Brontë (Charlotte).- Brock (Charles Edmund) [Lucy Snowe and Paul Emanuel in the School Garden], an original illustration from Charlotte Brontë's ' Vilette', point of the brush, wash, black chalk, on artist's board, signed in the lower left corner, 220 x 155 mm (8 3/4 x 6 in), margins with some browning but well outside the image, unframed, early 20th century; together with four further illustrations by Henry Matthew Brock, 3 pen and black ink, one watercolour, the latter signed and dated '1901', the sheet 290 x 540 mm (11 1/2 x 21 1/4 in), the others smaller, all unframed, early 20th century (5)
Dust-jacket designs.- A group of c.35 original dust-jacket and proof illustration designs for various works, mostly original artworks in brush and ink with water-colouring, some heightened with white, images between 190 x 150mm(7½ x 6in) and 450 x 340mm (20 x 13½ in), some mounted, some with marginal nicks and tears, [c. mid-20th century]
Dulac (Edmund) Portrait of Michio Ito, the Japanese dancer, choreographer and teacher of modern dance, brush and ink, image 180 x 120 mm (7 x 4 3/4 in), under glass, [circa 1915]; together with Dulac's annotated fabric sample and colour notes for Marzaka's skirt, for the production ' Shadow of the East', 1929, cloth and inks, 250 x 300 mm (9 3/4 x 11 3/4 in), under glass, framed, circa 1929 (2)Provenance:Private collection, LondonExhibited:Sheffield City Art Galleries, Edmund Dulac, November 1982 to May 1983, nos. 82 and 60
Wyburd (Leonard Francis, British painter, head of Liberty's Furnishing and Decoration Studio) Interior design for bedroom, brush and ink, watercolour, pencil under-drawing, signed lower left, on wove paper, sheet 345 x 450 mm (13 1/2 x 17 3/4 in), minor spotting, unframed, [early 20th century]*** Wyburd was part of the Arts & Crafts movement, and the head of Liberty's Furnishing and Decoration Studio from its foundation in 1883 until he left in 1903.
Rackham (Arthur) ["Dick Whittington"], an original silhouette illustration for pp. 31 and 32 from "The Arthur Rackham Fairy Book...", brush and india ink, on cream wove paper, sheet 250 x 155 mm (9 3/4 x 6 1/8 in), numerous owners' inscriptions verso, unframed, [circa 1933]Provenance:Private collection, London
Promotional posters for concerts and shows seventeen posters, many produced by Johnny Mans Productions, 1950s-1980s, includes, Elvis Presley, Yuletide Jamboree, Presented by Galena Park Fire Department, a concert held at Cooks Hoedown Club, Houston, Texas, December 28 (1954) other acts included, Floyd Tillman, Link Davis, Laura Lee, Hub Sutter, Biff Collie and many others, rolled, 13 ¼ x 21 ¼ inches; Yesterday Once More, starring Jess Conrad, The Telstars, and Impressionist, Glen Ford, with his Tribute to Norman Wisdom, rolled, 16 ¼ x 23 ¼ inches; The Legendary Norman Wisdom, with special guests, Tony Fayne, The Simmons Brothers and Nikita Scott, rolled, 10 ¾ x 30 inches; Televisions Top Comedy Star Bob Monkhouse, rolled, 16 ½ x 23 ½ inches; The Legendary Norman Wisdom Live on Stage 95, with special guest Tony Faye, rolled, 19 ¾ x 28 inches; Those Were the Good Old Days, Jeremys Music Hall, starring Jeremy Spake, 16 ½ x 23 inches; An Evening in the Company of Bert Weedon, rolled, 16 ½ x 23 ¼ inches; The CrazyTime Show starring Norman Collier, rolled, 16 ¼ x 23 ¼ inches; The Basil Brush Show, Alexandra Theatre, Birmingham, rolled, 20 x 29 ½ inches; The Keith Harris Show with Orville and Cuddles, Pavilion Theatre, Bournemouth, rolled, 10 x 15 inches; Cliffs Pavilion 25th Anniversary Gala Performance, Cliffs Pavilion, Westcliff-On-Sea, artists appearing included, Danny La Rue, Barry McGuigan, Jimmy Tarbuck, Frankie Vaughan and others, rolled, 20 x 30 inches; Vince Hill, rolled, 16 ½ x 23 ½ inches; Val Doonican in Concert, rolled, 20 x 30 inches; The Paul Daniels Show, with Special Guests Debbie McGee and Martin Daniels, rolled, 16 ½ x 23 ¼ inches; Rolf Harris A Show for All the Family, rolled, 17 ½ x 24 inches; Joe Pasquale Road Joe Tour, rolled, 19 ¾ x 28 ¼ inches; Dads Army, rolled, 20 x 30 inches. (17) Provenance: Johnny Mans Production Company and Theatrical Agents. Johnny Mans theatrical family were based in Bristol, England. Johnny first worked with impresario and agent Billy Marsh before forming his own agency and production company representing a host of celebrities including Max Bygraves, Norman Wisdom, Danny La Rue, Des O Connor and many others. Johnny Mans cousin, Archie Leach, left Bristol for America, changed his name to Cary Grant and eventually took the movie world by storm.
A HOLLAND & HOLLAND LIMITED GUN CLEANING SET for a twelve bore shotgun, including a two-piece brass and nylon cleaning rod, oil bottle, cleaning patches, brush, jag, oil and polishing cloth, in a green leather-lined caseNote: The Buyer must be over the age of 18 to purchase this item. By bidding on this Lot you are declaring that you are 18 years of age or over.
* JOHN CUNNINGHAM RGI D LITT (SCOTTISH 1926 - 1998), EOLIGARRY SHORE, BARRA oil on canvas, signed framed and under glassimage size 56cm x 61cm, overall size 70.5cm x 75cm Note: The artist's long obituary in The Glasgow Herald in 1998 began "Dr John Cunningham's death at the age of 72 robs Glasgow of one of its most endearing, well-known and colourful art-world stalwarts". Born in Lanarkshire in 1926, Cunningham attended Glasgow School of Art (GSA) in 1953. From 1967 to 1985, he was a Senior Lecturer at GSA, thus having close contact with several generations of young painters for two decades. John lived in a magnificent and spacious studio flat in the centre of Glasgow which was designed by Sir John Burnett expressly for the use of an artist, and which had previously been owned by other artists including John McGhie and David Gauld. The vision of his paintings was an expression of the man. John Cunningham was a large, charismatic character who loved life abundantly and whose paintings reflected his joy and passion for vibrant colour and contrast, displaying bold, confident brush-strokes along with subtle sensitivity. This gives his work a wonderful freshness and vitality with the immediacy of the moment captured. In 1980 he was elected to the Royal Glasgow Institute of the Fine Arts (RGI) and in 1990 he was awarded an Honorary Doctorate from the University of Strathclyde. He received numerous prestigious awards during his long career. He exhibited throughout the UK also in New York and Hong Kong, and his work is in many public (including Glasgow Galleries & Museums and The Hunterian), corporate and private collections.
A mixed lot of silver to include two trumpet vases (weighted), miniature hand mirror, napkin rings, one white metal, the other engine turned design, brush and button hook, various makers and dates. Overall gross weight approx. 420 grams. Further details: tarnishing, wear to all, some dents etc.
***PLEASE NOTE THAT THE GREEN LEATHER-BOUND 1936 ROYAL ENGINEERS POCKET BOOK IS NO LONGER INCLUDED IN THIS LOT*** A collection of pens, pencils and other writing ephemera to include: a Conway Stewart 14ct gold nib fountain pen with marbleized design, a Chinese 1/10 12K cased pen (refillable), a possible copy Montblanc steel-cased click pen (no paperwork, box and not marked and has wear) a Parker pen also 1/10 12K cased, an Osmiroid fountain pen, a Pentel Japan pencil, a Faber-Castell Western German pencil, a gold-plated Sheaffer USA propelling pencil, other Parker pens, some boxed, boxed Papermate, boxed Cross pen, cased Staedtler pens, a cased pair of Caran D'Ache silver-plated engine turned designed pens, cased Royal Sovereign pencils, along with other boxed and unboxed pens/pencils, also included within the lot is a small book on Lettering for Brush & Pen by Stuart & Crisp, a black tin cased paint pallet, a green leather bound 1936 The Royal Engineers pocket book and an Ernest Holmes executive telephone index in box. (All in 1 box)
A cased set of Queen Elizabeth II engraved and engine turned silver dressing table items consisting of hand mirror, clothes brush, hand brush and comb (most teeth missing), hallmarked by Adie Bros Ltd, Birmingham, 1957, along with a cased pair of Queen Elizabeth II silver (filled) small clothes brushes, both having engine turned decoration, hallmarked by Broadway & Co, Birmingham, 1975. (2) Further details: cases have general wear and slightest damage to areas, silver is generally good - tarnished and general wear.
Sir Max Beerbohm, N.E.A.C., N.P.S. (1872 - 1956) Caricature of Rodin, 1914 Pencil with brush and wash Provenance: Mrs Eva Reichmann (the Artist's sister-in-law), thence by descent Literature: Rupert Hart-Davis, A Catalogue of the Caricatures of Max Beerbohm, Cambridge (1972), no. 1241 Study for a series entitled 'Simple lessons in the art of drawing M. Rodin', Merton College, Oxford. Dimensions: (Paper) 12.5 in. (H) x 8 in. (W) (Frame) 21 in. (H) x 15.5 in. (W)
19th/20th Century A mixed group of objets [a] Japanese, A carved bamboo brush pot, decorated with carved floral, anthropomorphic, and figural motifs [b] A painted metal Navy Cut lamp base [c] A carved wood lamp base, decorated with painted floral motifs [d] A miniature rickshaw [e] A small sand timer [f] A colourful blown frosted glass chalice [g] An Austro-German cold painted bronze West Highland white terrier [h] An Austrian cold painted bronze anthropomorphic spaniel inkwell Dimensions: [a] 7.25 in. (H) x 5 in. (D) [b] 10.5 in. (H) x 6 in. (W) [c] 7 in. (H) x 3.5 in. (D) [d] 6 in. (H) x 3.5 in. (W) x 5.5 in. (D) [e] 3.25 in. (H) x 1.75 in. (D) [f] 2.25 in. (H) x 3.5 in. (W) x 3 in. (D) [g] 2.5 in. (H) x 4 in. (L) x 1.5 in. (D) [h] 3.5 in. (H) x 6 in. (L) x 2.5 in. (D)
BRITISH SCHOOL (17TH CENTURY) PORTRAIT MINIATURE BELIEVED TO BE OF WILLIAM LAUD, ARCHBISHOP OF CANTERBURY Oil on card 8cm (3 in.) high In an oval frame with pierced spiral cresting William Laud was a significant religious and political advisor during the personal rule of King Charles I. During his time as the Archbishop of Canterbury, Laud attempted to impose order and unity on the Church of England through implementing a series of religious reforms that attacked the strict Protestant practices of English Puritans. Accused of popery, tyranny and treason, Laud was considered one of the key instigators of the conflict between the monarchy and Parliament, which ultimately paved the way for the English Civil War. Laud was beheaded on 10 January 1645. Condition Report: There is an area of surface damage to the upper left quadrant. This includes an area of scratching (approx. 2cm), and a small tear (approx. 4mm diameter), as well as one or two other areas of smaller surface scratching. There is some associated paint loss to these areas and around the framed edge. Some fine surface cracking to the darker pigment to the background around the sitter's head. One or two very fine spots of surface mould to the upper right edge, but this should be easily removed with a soft brush. Unexamined out of glazed frame.Condition Report Disclaimer
A George VI Art Deco silver and painted enamel five piece dressing table set Birmingham, 1937, Henry Clifford Davisthe translucent white guilloche enamel painted with sprays of blossom, comprising a hand mirror, pair of hair brushes and a pair of clothes brushes, (5)Hand mirror length 27.6cm. Condition: Two flake chips to handle of one hair brush. Otherwise good commensurate with age
A collection of silver to include a wine coaster and other itemsvarious dates makerscomprising a bottle coaster with turned wood base with presentation inscription, London, 1971, C J Vander ltd, a Sri Lankan silver pin dish in the shape of the island, two pierced bonbon dishes, a christening mug, an ashtray, a blue guilloche enamel clothes brush, a silver topped cut glass sugar caster, a silver topped scent bottle, dout silver topped jars etc, (qty)first diameter 14.5cm., weighable silver approx. 10.43ozt. Condition: Mostly fair condition. Both combs replacements
Hand decorated porcelain brush holder in the shape of a Victorian lady holding a hand fan. Her dress is decorated with small floral arrangements and has nice gilded touches throughout. Germany backstamp. Issued: c. 1920Dimensions: 4.75"L x 3.75"W x 8.75"HCountry of Origin: GermanyCondition: Age related wear.
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51326 item(s)/page