Two Coalport limited edition figures, comprising Princess Alexandra, No. 602 of 7500, and Lille Langtry, No. 8346 of 12,500, each with certificate, four other Coalport figures, two Royal Worcester figures, comprising limited edition The Milkmaid and The Queen dressed in Robes of the Order of the British Empire, limited edition Royal Doulton figure Barbara, HN3441, with certificate, six other Royal Doulton figures, comprising Water Maiden, HN3155, Daydreams, HN1731, Diana Princess of Wales, HN5061, Catherine, HN3044, Thinking of You, HN3124, and Huckleberry Finn, HN2927, and a Goebel figure Promenade at Nice.
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Four Royal Worcester limited edition figures from The Four Seasons Collection, comprising Spring, Summer, Autumn and Winter, each from an edition of 7,500, together with four Royal Worcester Old Country Ways limited edition figures, comprising The Milkmaid, The Shepherdess, A Farmer's Wife and Rosie Picking Apples, each from an edition of 9500, and seven Royal Doulton figures, comprising Hilary, HN2335, Top o'the Hill, HN1849, Top o'the Hill, HN1834, Lydia, HN1908, Clarissa, HN2345, Winsome, HN2220, and Autumn Breezes, HN1911.
Five pieces of blush ivory floral decorated Royal Worcester, early 20th century, comprising a pair of two-handled vases with pierced necks, height 11.5cm, a potpourri pot with pierced cover, a two-handled vase and a vase with extended trumpet neck, height 19cm, various puce printed marks to bases.
An Empire shape Coalport porcelain trio, circa 1820, pattern No. 900, painted in iron red and gilding with foliate scrollwork, together with a group of pottery and porcelain, including six Royal Worcester cups and saucers in the Royal Lily pattern and a delft vase painted in blue with birds amidst flowers, height 36cm (faults).
A mixed group of English and Continental porcelain, 18th, 19th and 20th century, including a Lowestoft leaf shaped butter boat painted in underglaze blue, length 7cm, a Samson Meissen style white glazed model of recumbent dog, length 13cm, a Worcester floral painted teabowl and saucer, a Kakiemon style Chelsea cup and saucer with raised anchor mark, a Meissen cabinet cup painted with a man hunting boar, a Royal Worcester saucer painted with a pheasant and a Locke & Co Worcester vase painted by Lewis, signed, with a peacock, height 8.3cm, together with a pottery shell and two small glass beakers (faults and restoration throughout).
Two Royal Crown Derby Imari animal paperweights in the form of a snail and a penguin, together with three Halcyon Days animal models, comprising a mother and baby badger, goat and Derbyshire Gritstone Sheep, and a Royal Worcester figure Sleepy Boy, modelled by Margaret Cane, circa 1932, height 7.5cm.
A Royal Worcester reticulated cup and saucer, circa 1875, of double-walled construction, in the style of George Owen, pierced with a honeycomb design heightened with gilt dots at each intersection, glazed in pale pink reserved with red enamelled panels, the rims detailed with a gilt pattern heightened with red enamel and turquoise 'jewels', with bamboo-form handle, impressed mark to base of saucer, diameter of saucer 15.8cm.
A Coalport porcelain two-handled vase and cover, early 20th century, painted with fruiting vine within vertical green glazed stripes beneath orange 'jewelled' gilt borders, flanked by gilt scroll handles, the similarly 'jewelled' cover with gilt knop, green printed and painted marks to base, height 16cm, together with a Royal Worcester coffee pot, dated 1931, painted by Shuck, signed, with still life fruit studies (lacking cover, restored), and a pair of Caughley blue printed coffee cups.
A pair of Meissen style white glazed porcelain centrepieces, late 19th/early 20th century, both modelled with two putti with floral garlands on naturalistic floral encrusted bases before foliate columns supporting pierced oval baskets, cancelled underglaze blue crossed swords marks to bases, height 28cm (restored), together with a pair of Royal Worcester ivory glazed and bisque celadon porcelain posy vases modelled as a putto with a goat or a dog, impressed marks to bases, height 12.5cm (restored), a Mintons turquoise glazed aesthetic plate with pierced rim, enamelled with a central bird and a border of butterflies and blossom, diameter 24cm (restored), and a Continental porcelain gilt overlaid green ground floral painted part service, including twelve coffee cups and saucers and three teacups and saucers.
A pair of Royal Crown Derby Japan No. 2451 pattern teacups and saucers, dated 1937, and a matching side plate, dated 1928, diameter 15.6cm, together with a Halcyon Days limited edition Rudyard Kipling box, boxed with certificate, a Halcyon Days Winnie The Pooh travel alarm clock, boxed, and a Royal Worcester Country Life Series model of a Frog.
Y JAMES EARL OF MASSACHUSETTS (AMERICAN 1761 - 1796) PORTRAIT OF MR JANNER Oil on canvas Signed, inscribed and dated 'Mr Janner Aged 41 by J. Earl 1793 No 5A Newham Street Oxford Street ' (verso) 35 x 30.5cm (13.75 x 12 in.) Another oil portrait by James Earl is in the Royal Ontario Museum, Canada, of William Jarvis with his son Samuel Peter Jarvis (Inv. no. 981.79.1) James Earl was an American portrait painter to the American royalists who spent the greater part of his career working in England as many of his sitters were former American colonists who had fled to London during and immediately following the end of the American Revolution. His ancestors were Quakers who emigrated from Exeter to Rhode Island in about 1634. At the beginning of the 18th century his grandfather settled in Worcester Country Massachusetts and James Earl was born in a village called Paxton in 1761. Ralph Earl (1726 - 1808), the father of James and his elder brother Ralph, was a farmer who joined the local militia during the Revolution in which he achieved the rank of Captain. However his son Ralph (1751 - 1801) became a loyalist and because of his activities in this cause left America and established himself as a painter in England from 1778 to 1785. It is thought that he taught his younger brother James and as he was also a loyalist, encouraged him to go to London. In April 1787 James exhibited two portraits at the Royal Academy and was resident at 6 Sweetings Alley, Royal Exchange. In 1789 he married Georgiana Caroline Pilkington (1759 - 1838) the widow of Joseph Brewer Palmer Smyth, an American loyalist from New Jersey. Both James Earl and the Smyths lived at 42 Great Peter Street, Westminster. In 1787 Smyth returned to North America to substantiate claims for his lost property. In a letter he wrote in August 1788 from Niagara to his wife he said 'I hope Mr Earl is well in health and Desire my Best Respects to Him'. Smyth died shortly before returning to England and Caroline was left with two children, Elizabeth Ann and William Henry. Earl enrolled in the Academy schools March 24th 1789 and is thought to have been a pupil of Benjamin West. He was an accomplished and popular painter and thirty four of his portraits painted during his seven years in England have been recorded so far. Many of his pictures have been misattributed to better known artists such as Sir William Beechey, George Romney, Mather Brown, Joshua Reynolds or to his brother Ralph Earl. Indeed four of his portraits of the Beauclerk family were attributed to Beechey, and those of Lord Aubrey and his wife to George Romney when they were sold by Sotheby's in 1949. Another portrait of Lady Massereene in the collections of the Virginia Museum of Fine Arts in Richmond USA was until recently attributed to Sir Joshua Reynolds. His portraits are not as stylised as those by his brother, and his subjects are portrayed with an almost photographic individuality. His portraits of men are direct and without flattery, and he had a particular interest in portraying the eyes of his subjects with an almost jewel-like quality. In 1794 he travelled to Charleston Carolina an expanding, affluent town, leaving his family in London. His obituary states that he had 'resided for nearly two years in this city'. He died of yellow fever and had made a will two days before his death. James Earl had a remarkable ability to capture a likeness, and his pictures are important additions to the body of 18th century American portrait painting. He was also the father of Augustus Earle (1793 - 1838) who lived a life of exploration as a draughtsman on board ship, and who famously was the artist on board the Beagle with Charles Darwin when he sailed to the Galapagos. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning.Set in a 19th century rosewood frame with gilt slip measuring 45 by 40cm, canvas size 36 by 30.5cm The picture has had light sensitive professional clean within the last 5 years. Former old tear to right of his head has been sensitively repaired, under UV scattered small areas of retouching notably to margins and corners of the images, background, small spots to forehead, right cheek and running under his chin and down into cravat. Craquelure throughout and surface dust and fibres Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Υ CITES REGULATIONS Please note that lots marked with the symbol (Υ) in the printed catalogue and the online catalogue may be subject to CITES Regulations when exported. Relevant CITES Regulations information may be found here. The refusal of any CITES licence or permit and any delay in obtaining such licences or permits shall not give rise to the rescission or cancellation of any sale, nor allow any delay in making full payment for the Lot. Condition Report Disclaimer
* ENZO PLAZZOTTA (ITALIAN 1921 - 1981), SPIRIT OF FREEDOM bronze sculpture with rich brown patina, stamped with the Plazzotta seal and numbered 34 inscribed title to plaque, on marble base 33cm high Provenance: Enzo Plazzotta Catalogue Raisonne No 329 illustrated page 171.Note: Enzo Plazzotta was born in Mestre, near Venice, in 1921 and spent his student days in Milan studying sculptural drawing and modelling under Giocomo Manzu at the Academia di Brera, and architecture at the Politecnicao. He decided to specialise in sculpture, but his studies were interrupted by World War ll. Plazzotta became a member of the Italian Resistance Movement and fought in the Ossola region as a partisan. He was captured as a result of a secret political meeting held in Milan and spent nearly a year in solitary confinement. While being transferred to a German prisoner of war camp, however, he managed to escape and rejoin the partisans. Plazzotta was engaged in guerrilla activities and in conjunction with the British Special Forces was on the organising end of a clandestine escape route for Jews and escaped Allied prisoners of war en route from Italy to Switzerland. Through these contacts with British Intelligence he was involved in the repatriation of Ferruccio Parri, the leader of the Italian Resistance, from Switzerland to Italy. Parri later became Italy's first prime minister after the war ended. Plazzotta's wartime record won him the Silver Medal for Military Valour. After the war, Plazzotta resumed his studies in Milan, and in 1947 received his first commission, appropriately enough from the Italian Committee of Liberation. This was to be their tribute to their successful wartime collaboration with the British Special Forces. The bronze sculpture was entitled Spirit of Rebellion and depicted the boy David with the head of Goliath. Plazzotta himself was chosen to make the presentation to the Special Forces Club headquarters in London, and the bronze still has a place of honour there today. This first visit to London played a major part in shaping Plazzotta's career, for he quickly decided to make London his permanent place of residence. From his first studio in London he received several portrait commissions and, in 1949, held his first exhibition at the former Brook Street Gallery, to be followed by many others. "Spirit of Freedom" was also commissioned by The Special Forces Club (London) as confirmed in the Catalogue Raisonne. One of his first public commissions was a monument to commemorate the 700th anniversary of the Battle of Lewes, and after this time he began to explore the themes for which he has become well known, specialising in studies of dance, the horse and the female form – all of which exude vitality and movement. His style, based on the classical lines of the Renaissance, reflects perfectly his own admiration for such great masters as Michelangelo and Rodin. He lived in Chelsea and worked from the studio formerly owned by the late Sir Charles Wheeler. Major public sculptures by Enzo Plazzotta include: Camargue Horses, on the Waterside Terrace at The Barbican Centre, London; The Cruxifixion, in the College Gardens of Westminster Abbey; Homage to Leonardo. Belgrave Square, London; Jeté, on the corner of 46 -57 Millbank, Westminster, London; The Hand of Christ, Dinand Library at the College of the Holy Cross, Worcester, Massachusetts, USA; The Helmet, Lewes Priory; Two Brothers, Boys Town, Nebraska, USA; Young Dancer, Royal Opera House, Broad Street, London. The estate of Enzo Plazzotta is handled by Chris Beetles Gallery (London) and their website at the time of writing shows "Spirit of Freedom" priced at £2750.
The Waterloo medal awarded to Corporal William Emmott, Royal Horse Guards, appointed Quartermaster in the Regiment in 1828, and subsequently Captain and Adjutant of the Worcestershire Yeomanry Cavalry with whom he was actively engaged during the Bristol Riots of 1831 and against the Chartists in 1842, when he himself captured a leading Chartist Arthur O’Niel at a riot near Dudley Waterloo 1815 (Corpl. William Emmott, Royal Horse Guards.) fitted with contemporary replacement silver clip and bar suspension, latter part of rank erased, edge bruising and contact marks, fine and better £3,600-£4,400 --- William Emmott was born in the Parish of Trawdon, near Colne, Lancaster, and enlisted into the Royal Horse Guards on 12 March 1811, aged 20. He served with the Blues in the Peninsula at the battles of Vittoria and Toulouse, and as a Corporal at Waterloo. He was commissioned as Quartermaster in the Royal Horse Guards on 25 September 1828, and retired on half-pay on 31 December 1831. He was afterwards drill Sergeant to Lord Villiers’ Bicester Troop of the Oxford Yeomanry Cavalry before being appointed Captain and Adjutant of the Worcester Yeomanry Cavalry by Lord Plymouth, serving in that capacity until his death on 14 April 1865, During this period the WYC was very actively engaged with the frequent riots and protests of the times, including the Bristol, Worcester and Staffordshire riots of 1831 and the Chartist riots of 1842, much of which is described in a letter of petition from Emmett in February 1859 (copy sold with the lot). Captain Emmott was buried at Tardebigge, the funeral being attended by Lord Lyttelton, the Lord Lieutenant, the Bromsgrove and Redditch Companies of Rifle Volunteers, and 450 of the Worcester Yeomanry Cavalry with the Band, under command of Lord Dudley. Sold with research including a copy of his original Commission as Quartermaster and a typed copy of a 6-page letter written by Emmott describing the events following the battle of Vittoria [dated 27 October 1813], these both being held by the Household Cavalry Museum. Emmot’s two-clasp M.G.S. medal is held by the National Army Museum, Chelsea, London. A fine portrait of Captain Emmott mounted on his favourite charger by Sir Francis Grant can be found in the history of the Worcester Yeomanry Cavalry.
James Hadley for Royal Worcester, an Aesthetic Movement vase, circa 1865, quatrelobed footed baluster form, decorated to simulate Japanese Vermillion Lacquer with mixed metal and raised tooled gilt floral motifs and cranes, between prunus and cracked ice gilt panels, impressed and printed marks, 26.5cm high
A collection of Royal Worcester and Grainger & Co Worcester miniatures including blush ivory, comprising three openwork leaf-shaped stands, two gilt and one plain, after the Chinese shape, 8cm high; a pin dish painted with back to back roses by M Hunt, 6.8cm diameter; a twin-handled vase, painted with robins in flight, 7.5cm high; three miniature pots and covers with birds and flowers, a miniature teapot, painted with leaves and red berries, and a small mug, with roses, 4cm high (14 pcs including covers)
An English porcelain plaque painted by Robert F. Perling, possibly Royal Worcester or Kerr & Binns porcelain, circa 1870-75, decorated with ‘Fox Hounds Gone to Earth’ after Thomas Woodward (1801-1852), framed, signed 'Perling' to the lower right hand side, overall dimensions 42cm x 32cmCondition:Unexamined outside of the frame, which has an enclosed back, but seemingly in good condition. Upon close inspection there is some very fine crazing to the glaze.
A set of three Royal Worcester miniature pin dishes painted with still lives of fruit, peaches and grapes, comprising one dated 1938, painted by Roberts, and a pair, dated 1950, indistinctly signed, printed marks, 7cm diameter (3)Condition:Very faint X-shaped hairline visible to the underside of the piece by Roberts, the dish still rings when tapped. No other damages or repairs. Gilding good.
A group of models of ladies, comprising a set of six Compton and Woodhouse Royal Worcester Debutantes figures, limited editions of 15,000, comprising Lady Sophie, Lady Sarah, Lady Louisa, Lady Henrietta, Lady Cicely and Lady Caroline, further Royal Worcester models of 'Queen of Hearts', limited edition of 12,500; Anniversary Figurine of the Year 2000 and 'Moments - Happy Anniversary'; Royal Doulton models comprising 'Gemstones Collection' April, Kerry HN3036, Buttercup HN3908, Almost Grown HN3435, Andrea HN3058, Forget-Me-Not HN3388; Coalport models comprising a set of six 'Victorian Ballgown Collection' figures; Lady Eleanor, Lady Henrietta, Lady Emily, Lady Rebecca, Lady Hannah and Lady Charlotte; with Valerie from the Ladies of Fashion, First Love and Jean, both from the Age of Romance, The Garden Party, Debutante of the Year 1997 Poppy Ball, Silhouettes 'Carole' and one other SBL model, sold complete with certificates where appropriate (group) (28 figures)Condition:Coalport 'Valerie' is a factory secondCondition is otherwise good with no damages or repairs noted.
Six Royal Worcester limited edition models of ladies comprising Fruit Picking 2,700/5000; Royal Debut 7148/12,500; Royal Anniversary 11014/12,500; Summer’s Lease – Time of Roses (Seasons of Romance) 630/2950; Dazzling Celebration 1302/12,500 and Song of Spring Follow the Sun (Seasons of Romance) 628/2950 (6)Condition:Good condition with no cracks, chips, damages or repairs
Royal Worcester models comprising 'Over the Sticks' modelled by Doris Lindner, model number 3166 (tail re-attached); three Freda Doughty Months of the Year figures, 'January', 'June' and 'November'; sold together with a Beswick palomino stallion (5)Condition:Over the Sticks figure with hairlines to rump of horse and restored break to tail. UPDATE: One front leg of the horse with jockey figure has been broken off. It is a clean break and should repair nicely.
A collection of collectable models of ladies, comprising Coalport: a set of Royal Brides; 'Sophie, Countess of Wessex' 929/7,500; 'Queen Victoria' 4718/7,500; 'Princess Alexandra' 3022/7,500; 'Her Royal Highness, Princess Margaret', 1358/7,500; 'The Queen' 3456/7,500; 'Queen Elizabeth, The Queen Mother' 3373/7,500 and 'Queen Mary' 2827/7,500; 'Beau Monde - Kate', Ladies of Fashion 'Amanda' and 'Henrietta', Royal Worcester models of 'Queen Victoria' 114/4,500' and 'A Tribute to her Gracious Majesty Queen Elizabeth, the Queen Mother' 182/7,500; a Renaissance 'Bridesmaid', a Lenox Legendary Princesses 'Cinderella'; and Franklin Porcelain 'Marie Antoinette' sold with five associated circular plinth stands, booklet for the original set of 5 Royal brides and various certificates (group)Condition:Ladies of Fashion 'Amanda' - head badly crackedCondition otherwise good with no other damages or repairs
A collection of figures comprising Royal Worcester - 'Delphine', modelled by Sybil V. Williams and Jessamine S. Bray', shape 2906, a set of four Royal Doulton - Queens of the Realm, 'Queen Elizabeth I' HN3099, limited edition 2953/5000; 'Mary Queen of Scots' HN3142, limited edition number 1050/5000; 'Queen Anne' HN3141, limited edition number 1668/5000 and 'Queen Victoria' HN3125, limited edition number 2264/5000; with Royal Doulton 'Anniversary' HN3625 and 'Classics - Moonlight Serenade' HN4530; and a pair of small Dresden Flower Vendors and a further Continental porcelain group of a couple and a younger man peeking under the woman's dress, impressed marks, 19.5cm high and a pair of other Continental figures (group)Condition:Royal Worcester Delphine - Some minor glaze crazing to the underside of the basePair of flower vendors - chip to one leaf on the basket of female, male with further small chips to leavesRoyal Doulton Anniversary - small brown blemish to one hand on the female
A collection of figures comprising a pair of Royal Crown Derby Shepherdess (factory second) and Shepherd, Royal Worcester - Les Petites 'Annabel'; 'True Love - Age of Romance', limited edition 388/500; 'Millie' (Collectors Club limited issue); 'Royal Enclosure - High Society' and a Connoisseur Collection Cockerel; a pair of Dresden figures of flower sellers; German group of shepherd and shepherdess with lamb and bird cage; Coalport - 'Oranges and Lemons' from the 'Cries of London Collection', limited edition 1147/9,500; and 'Queen Victoria' limited edition 5461/7,500 (11)Condition:Dresden pair - damages and losses to flowers and leavesWear to gilt on stick of High Society figureNo other damages or repairs.Royal Crown Derby shepherd pair - Shepherdess factory second, Shepherd badly cracked across legs
KITTY BLAKE FOR ROYAL WORCESTER; a hand painted vase, decorated with fruit and leaves, with similar example signed 'M Blakes', height 27cm, also a hand painted jar and cover, height 15cm (3). Condition Report: Wear to the gilding on each, one vase with hairline? to the interior of the rim, the lidded vase with scratch to the decoration, otherwise good.
ROYAL WORCESTER; a large and impressive limited edition 'Hancock' vase and cover, produced for the 200th anniversary collection, height 38cm, numbered 112, with framed certificate and box.Condition Report: Light surface wear and scratches throughout, rubbing the the gilding, otherwise good.
WILLIAM HAWKINS FOR ROYAL WORCESTER; a large hand-painted pedestal urn vase and cover, with moulded lion mask handles supporting loops, painted with central cartouche of still life, and gilt detail to the reverse, height 37cm. Condition Report: Restoration to cover, light crazing to the body, wear to the gilded rim, minor scratches to decoration, pitting it gilding in parts, otherwise good.

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129934 item(s)/page