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Click here to subscribeA Royal Worcester blush ivory vase and cover of twin-handled baluster form, decorated flowers, shape 1618, 20.5cm high, two Royal Crown Derby Royal Cats, Russian and Siamese, 21.5cm high and a Royal Crown Derby cat paperweight, 13cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Various 18th Century English and Chinese porcelain with the Queen Charlotte and Royal Lily patterns, comprising a Worcester Queen Charlotte teapot and cover, circa 1770, a Chinese teapot and cover, a Chinese tea bowl with a rare Meissen mark, two Flight Royal Lily plates, five early Chamberlain plates and four cups and saucers, together with a Chinese prototype plate (19)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Queen Charlotte pattern teapot and cover - with stained hairline crack curving across base and into body beside spout, firing crack to footrim and chipping to finial. The Chinese teapot and cover similar, with a replacement metal handle. The teabowl with a crossed swords and S. mark has a series of firing and hairline cracks to rim. The Chinese small side plate with a version of the Royal Lily pattern with minute chipping to rim. The remaining Royal Lily plates and saucer dishes are ok other than some minor wear. One of the saucers with small footrim chip,
A Minton tile and a set of four Chamberlain encaustic tiles, circa 1845, the Worcester tiles forming the royal arms of Queen Victoria within the garter, impressed marks; the Minton tile depicting a Medieval King, only the figure glazed in yellow/Note: The Minton tile was commissioned 1840-42 by L. N. Cottingham forTemple Church. The Chamberlain panel was commissioned by Anthony Salvin for the Church of the Holy Sepulchre in Cambridge prior to Queen Victoria's visit in 1844, the present example is illustrated by John Sandon, Dictionary of Worcester Porcelain/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order, with some minor chipping to edges and corners, one with slightly larger chip to underside of one corner, minor glaze scratching.
Three Worcester biscuit porcelain models of poodles, circa 1830, all 10cm long on cushion bases, one a rare model with Cupid on its back, stamped CHAMBERLAINS, another crouching poodle, incised 'Chamberlain Royal Porcelain Worcester', the third model impressed 'Grainger Lee & Co. Worcester/Provenance: the actress Doris Keane, thence from the Henry Sandon Study Collection CONDITION REPORT: One white biscuit porcelain poodle with restored tail, cracked and restuck through all four legs, the poodle with the putto on its back, putto partly lacking reins, the other poodle (with incised mark) is lacking tail, slight chipping to tasselled corners, minor staining to mane.
Four Royal Worcester Royal Service plates from the Guards Service made for the Royal Wedding, all dated 1947, decorated in acid gold with the badges of the Coldstream, Grenadier, Scots and Irish Guards Regiments, within formal acid gold rims, 18.5cm diameter, special gold mark/Note: the Royal Worcester Factory Pattern Room, The set was presented to Princess Elizabeth and the Duke of Edinburgh on their wedding/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: In good order overall.
A Royal Worcester plate by Harry Davis, 1885-1970, circa 1950, with a view of Stratford on Avon, his own etching painted over by Harry Davis and with the rare signature 'H Sivad' (pseudonym of Harry Davis), 27.5cm/Note: Harry Davis told Henry Sandon that he had painted himself as the artist sketching on the right of the plate/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. Minute glaze fault to gilt rim, very minor scratching to enamels at the well.
A Royal Worcester 'Sabrina Ware' bowl, dated 1925, painted by Walter Austin, 1891-1971, with two owls on a branch in moonlight, signed W. H. Austin, 28.5cm diameter, printed mark with date code/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: As described in the catalogue, there is a V-shaped firing fault to the rim which is around 1 cm in length, there is some very minor glaze scratching, there are some minor areas of misfiring to glaze at rim. Overall in good order.
Three Royal Worcester candle snuffers, comprising Confidence and Diffidence, modelled as Jenny Lind, the so-called Swedish Nightingale caricatured with the head of a bird, both fully coloured, dated 1910 and 1934, and Monsieur Reynard, dated 1959, modelled as a lawyer with the head of a fox, fully coloured with black robes, factory marks/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The Jenny Lind figure with green dress is restored to her sheet music, some very minor wear to enamels but otherwise ok
A Royal Worcester model of Bonzo, dated 1930, after the cartoons by George Studdy, 7cm; a Grafton China model of Bonzo, 'The Ball Boy' from Swain's Studdy series, 4.8cm, and a Royal Worcester blue-glazed mouse from the Netsuke Animals series, dated 1913, 3.7cm and a Crown Staffordshire model of a bulldog/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The Grafton China model with some slight scratching to enamels, minute chipping to footrim at edge of paws, The netsuke example with slight wear to blue glaze, otherwise ok
An important Royal Worcester plate from the Kellogg Service, by Harry Stinton, commissioned in 1928 by William Keith Kellogg, rich red border with raised gilding, the centre with a watermill in a snow scene, signed H Stinton, special gold mark for Ovington Bros, New York, 26.5cm diameter/Note: W.K. Kellogg ordered two sets, each of twenty-five plates, painted by Royal Worcester's two best artists. The costly red ground was chosen because it matched the colour of the famous Kellogg's logo. In 1985 Henry Sandon advised on the sale of the service as sets of twelve plates, and he was allowed to choose the one 'spare' plate of each design for himself/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order, there is some very minor wear to the gilt rim, the enamels and raised gilt border are in good order
A Further Royal Worcester plate from the Kellogg Service, this one by Harry Davis, made in 1928 for W.K. Kellogg of the American cornflake dynasty, lobed square shape with red ground border and raised paste gilding, the centre with a Corot scene, signed H Davis, 21cm, special gold footrim and mark for Ovington Bros, New York/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. Some very minor wear to gilt footrim
A fine pair of Royal Worcester plates, by Raymond Rushton (1886-1956) dated 1940 and 1941, with acid gold rims, fully painted with 'Bluebells Kew Gardens' and 'Ripply Wood', both signed R Rushton, 27cm diameter, factory marks in blue/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: In very good order overall.
A Royal Worcester cabinet plate, dated 1940, by Harry Davis (1885-1970), painted all over with a view of Derwent Water, the Lakeland scene in Autumn colouring, signed H Davis, with an acid gold border, 27cm, factory mark in blue/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: In very good order overall.
Another Royal Worcester cabinet plate, dated 1939, this one by Raymond Rushton (1886-1856), painted all over with a view of Lake Derwent, signed R Rushton, with an acid gold border, 27cm, factory mark in blue/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: In very good order overall.
Two Royal Worcester plates, dated 1921 and 1916, from the Australian Flowers series after Marion Ellis Rowan, both painted by Reginald Austin (1890-1955) and with 'Quaker Grey' borders, one with a botanical specimen Jacksonia Scoporia, 21.3cm, mark for Prouds Ltd., the other with Australian Xmas Bells, 22.5cm, mark for Flavelle Bros./Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The shaped square plate with some very light wear to gilt rims, the circular plate with a very small area of scratching to the grey border.
Three Royal Worcester plates with Australian subjects after Marion Ellis Rowan, the larger plate dated 1925, painted by Reginald Austin (1890-1955), with a Joseph's Coat moth, a Native of Australia, titled Agarista Agricola, 23cm, the two smaller plates painted with wattle by William Hart, and Xmas Bells unsigned, both with 'Flavel Bros. marks', 15cm, together with a teacup and saucer by William Hale with pink and white heather/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The teacup and saucer with some slight scratching to enamels, some rubbing to the gilt rims. The plate with the moth with a large area of rubbing to gilt rim and minor scratching to enamels, of the two small plates one has slightly more noticeable wear and rubbing to gilt lines, some minor scratching to enamels.
An important Royal Worcester vase by Harry Davis, (1885-1970) of plain, baluster shape with a small gilt neck, painted with a stag in a snow scene in experimental sunset colouring, signed H Davis, date code for 1921, 17cm high/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall this is in good order. There is a fingernail sized misfiring of misfiring beneath the stag where there is a small glaze fault and a white patch where the sunset colours have not fired correctly.
Three Royal Worcester plates by or attributed to Harry Davis (1885-1970), one painted with leaping salmon at Diglis Weir, dated 1898, 23cm, another with central landscape, dated 1900, 24cm, the third with Classical ruins and green border, dated 1910, signed H Davis, 22.5cm/Note: In 1898 Harry Davis was just thirteen and apprenticed to Edward Salter, Salter took young Harry fishing on the River Severn and they sketched what they caught/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: One with blue and gilt border with landscape to centre with some glaze crazing overall, some minute wear and very minor rubbing to gilding overall.
A Royal Worcester plate, by John Stinton (1854-1936), and two vases, the plate dated 1931, painted with Dovedale, signed J Stinton, 26.3cm, one vase painted by Harry Davis with Highland sheep, 14.5cm, the other with Highland cattle by Harry Stinton, 14.8cm (the neck restored) (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The plate with two very small footrim chips, the vase with sheep has been extensively cracked and restuck, into at least 5 sections with small associated losses, small chip to upper rim, some rubbing, the other vase with extensive restoration and overpainting and regilding to neck, with restored, overpainted and regilt chip to footrim, small scratch to glaze to lower body, with some wear to gilding.
A Royal Worcester pear shaped vase and cover, dated 1903, painted by Harry Davis (1885-1970), with a small landscape panel, flower festoons probably by Harry Chair, and underglaze blue handles and mounts, 30cm (cracked)/Note: Illustrated by Henry Sandon in his book Royal Worcester Porcelain (1973), pl 137/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The vase with a hairline crack running from the socle up into the body below one upper handle terminal, the finial restored, with some wear to gilding.
A Royal Worcester Exhibition plate by Charles Deakin, (died 1923), made for the Chicago World Fair, 1893, deep blue ground border with exceptional raised paste gilding, 26cm, special mark 'C' for Chicago and gilder's cipher/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: There is a glaze crack to the underside of the plate which is approx. 6-7 cm long, there is some pale brown discolouration to glazing overall, although this is more noticeable to the reverse of the plate, some very minor wear overall, some minor glaze crazing, some slight rubbing to the inner gilt lined rim.
A large Worcester charger by David Peplow, (born 1941), dated 1978, specially commissioned by Henry Sandon to demonstrate the complexity of a scale blue ground, with panels of fancy birds in the style of the Dr Wall period, signed D Peplow and presentation inscription to Henry Sandon, 35.2cm diameter, impressed Royal Worcester date mark although no factory mark/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order, some minute wear to enamels and gilding.
A Royal Worcester model of a Welsh Mountain Pony, 'Coed Coch Planed', modelled by Doris Lindner, (1896-1979), made in 1966 as a Limited Edition, 21cm high and with hardwood plinth and certificate no.167, together with two original pencil drawings by Doris Lindner of a Welsh Mountain Pony sketched from life (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Lacking half of the pony's metal reins, otherwise in good order. NB - PENCIL SKETCHES NOT SEEN/INSPECTED.
Doris Lindner (1896-1979): a remarkable collection of original pencil sketches and designs for many of Doris Lindner's best-known Royal Worcester models, including champion horses, prize bulls and equestrian subjects, about 30 sheets, some double-sided, mostly 28cm x 38cm, together with an album of anatomical drawings of the musculature of dogs/Note: found in her Cotswold cottage after she died, these sketches were gifted to Henry Sandon by Miss Lindner's family/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A very rare pair of Royal Worcester models by Doris Lindner, (1896-1979), of a blue tit and a chaffinch perched on stumps on oval bases, 10.3cm high, factory marks in puce dated 1941/Note: From the estate of the modeller, these Wartime prototypes never went into full production/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The chaffinch broken and restuck in two places across one branch across its left foot. The blue tit lacking one leaf and further associated chipping to another leaf, some very minor wear throughout.
A set of twelve Royal Worcester dessert plates, 1971-1983, designed by Dorothy Doughty (1892-1962) with different bird subjects in light relief, 23cm, special printed marks/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: In good order overall. Some minute wear to gilding and enamels.
Two Royal Worcester plaques and a pin tray, one with a pheasant by James Stinton, signed, dated 1929, the other oval plaque by W H Austin with a coaching scene, unsigned, 9.8cm, the pin tray in Sabrina Ware, painted fish, also by W H Austin, 8.3cm (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The oval plaque with a small chip to rim, approx. 7mm long, some crazing to glaze. The small circular plaque is in good order. The small Sabrina Ware pin tray with 3-4 very small areas of flaking and light chipping to gilt rim, small associated areas of retouching to gilding.
A Royal Worcester vase and a plate, both by Harry Davis (1855-1970), the vase dated 1921 painted with an owl in experimental colouring, signed H Davis, 22cm, the plate with a monochrome Venice view, 22.7cm, date code for 1909/Note: Harry Davis confirmed to Henry Sandon that he painted this plate, one of a small series of Venice/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The vase has been extensively broken and restuck into several pieces, with the break spanning across the base and up into the body across the owl, there are small associated glaze losses to the break, including a very small hole to the lower body. The plate with minute scratching to enamels, very minor glaze chip to footrim
A Royal Worcester earthenware plaque by Albert Binns (1862-1882), sgraffito decoration of the head of a St Bernard, printed mark with date letter S/Note: Albert was the young son of Worcester factory owner R. W. Binns. Albert died aged only twenty, having created just a small number of sgraffito plaques/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Flat chip to the edge of the rim which is approx. 1.3cm wide and a further much smaller chip to rim, otherwise there is some minor wear.
Two rare Royal Worcester models, comprising an 'Art Deco' model of Barbara, the Polar Bear, modelled by Ethelwyn Baker, 16cm, dated 1931, and a figure of Amanda modelled by Neal French (born 1933) and made in 1957, painted by the modeller himself as an unmarked prototype, 17cm and a figure of Worcester cricketers by Neal French as a freelance modeller, 32cm (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The polar bear with a flat chip to the front of base 1.3cm high, with a network of deep cracks around the base, mid-body, neck and reverse of body (the cracks across the neck and to reverse are deep and require restoration), some crazing to glaze. The model of cricketers with some glaze crazing overall. Minor wear throughout but otherwise ok.
A Royal Worcester reticulated cabinet cup and a miniature Spaniel, the cup by Samuel Ranford (1839-?), pierced in the manner of George Owen, jewelled and gilded with a flying crane, puce factory mark and gilder's mark SR, the rare model of a King Charles Spaniel on a 'shot silk' cushion, in natural colours, date code for 1907 (2)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Reticulated cup in good order. The model of a spaniel, with a small chip to the edge of cushion, the tassels with some rubbing to gilding, otherwise ok.
A Royal Worcester part tea service by Daisy Rea (1894-1984), circa 1972, hand-painted with different wildflowers, all signed by D Rea, comprising a coffee pot and cover, a teapot and cover, a sugar bowl, a cake plate and a jug, factory marks in black/Note: specially commissioned by Robert Steven, Managing Director of Royal Worcester and made for Henry and Barbara Sandon/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: In good order overall. Some minute wear and surface scratching to glaze.
A Royal Worcester soup cup from the Maharaja of Baroda Service and a plate from the Sultan of Oman service, the cup made in 1949 for Maharaja Pratap Singh Gaekwad, painted by Harry Davis with a lady pig-sticking, 15.5cm wide, gold factory mark; the plate circa 1973 from the service made for His Highness the Sultan of Oman, with richly gilt red border featuring the badge of Oman, special factory mark in gold (2)/Note: from the Royal Worcester Factory Pattern Room/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Minute flaking and scratching to green ground, minor rubbing and wear to gilding. The plate is in good order
Four Royal Worcester models from the Birds on Stumps Series by Frederick Gertner (1886-1960), all with gloss finish and gilding, comprising Canary, Budgerigar, Kingfisher and Chaffinch, date codes for 1941 and 1952-53 (4)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: All in good order, with some slight wear to gilt bases and to enamels.
A fine collection of Royal Worcester 'glazed' small bird models, dated 1939-1956, modelled by Eva Soper, all in the sought-after early glazed finish, comprising thirteen models from the Single British Birds series, including the large Jay (1939) and the Kingfisher (1940); together with four models from the Double British Birds series (all 1943-49), comprising Double Chaffinches, Double Yellowhammers, Double Pied Woodpeckers and Double Linnets (18)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. There is some minor wear to enamels overall, one overpainted chip to a beak, minute chipping overall.
A selection of Royal Worcester design prototypes, 1960s-70s, including three pieces with colourful feathers, a hand-painted dish by Pat Rigby with the blue Pinecone pattern, small vases with chinoiserie decoration, a covered box with hand-painted Kylin pattern and a blue glazed plate with acid gold view of Windsor Castle by Harry Davis/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order, some minute wear to enamels and gilding overall.
A Peggy Davis group of Rococo lovers, a white glazed prototype, 18.5cm high, together with a Peggy Davis group 'Family of Otters', 26cm, both groups inscribed to Henry and Barbara Sandon from Peggy Davis and a Royal Worcester prototype of Goldcrest on Larch by Dorothy Doughty, signed DD 1961, 21cm and 'Charlotte and Jane' by Ruth Van Ruyckevelt, (both with losses) (4)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The goldcrest on larch with some chipping to applied foliage. The white rococo lovers group with some slight chipping to the basket of flowers, ribbons and other extremities. The white biscuit group of Charlotte and Jane with some chipping and losses to 'wicker' sofa, one cushion is loose, sofa cracked to one upright, and to areas of back rest, some further chipping to flowers and extremities.
John Sandon (born 1959) A Royal Worcester punch bowl painted with lotus plants, painted in 2008, 23cm diameter, together with original design sketches in ink and wash; also a plate painted by John Sandon with a view of Worcester Cathedral, dated 1976, 27cm and a vase of the Root Pattern, painted by John Sandon for Geoffrey Godden, also 1976, 11.5cm (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The plate with Worcester Cathedral has a footrim chip which is approx. 1cm wide which occured at the time of manufacture, it is beneath the glaze. Otherwise these items are in good order ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
The New Royal Porcelain Works, Worcester, as Proposed July 1865, a coloured lithograph, 41cm x 26cm, framed/Note: This design is for a new 'Garden Factory' to be built in the Arboretum Pleasure Gardens in Worcester. Sadly, lack of funding meant this rare print is the only record of Mr Binns' dream/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Within a glazed frame/ Frame with two chips. Lithograph not removed from frame for condition report. Indications of printed type below the image. Several small marks but generally in good condition.
John William Wadsworth (1879-1955): three watercolours of the coast in Cornwall and Honfleur, Normandy, all signed J W Wadsworth, 34cm x 24cm and 36cm x 26cm, (one unframed) Provenance: from the estate of the artist's son, Philip Wadsworth, given to Henry Sandon by Zilla Wadsworth. John Wadsworth was a major ceramic designer at Mintons and Art Director at Royal Worcester (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Marian Ellis Rowan (Australian, 1848-1922) a fine botanical study, Lignum Vitae (Guaiacum sanctum), watercolour and gouache, signed Ellis Rowan, 54cm x 37.5cm, framed/Note: Born in Melbourne, Marian Ellis Rowan was an important Australian naturalist and explorer. Many of her botanical drawings were used by Royal Worcester. This painting, (which was published in Southern Wild Flowers and Trees (1901) by Alice Lounsberry), was given to Henry Sandon while lecturing in Sydney and Melbourne)/Provenance: from the Henry Sandon Study Collection/see illustration CONDITION REPORT: Water marked in places, signed within the foliage.
James Alder (1920-2007)/A High Tower of Birds/design for ceramic or aluminium, with quote by Dylan Thomas/signed James Alder/pencil sketch, 25cm x 23cm/Note: given to Henry Sandon by the artist while working for Royal Worcester, circa 1975/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Sandon (H) Royal Worcester Porcelain, seven others by the same, Sandon (J) Collecting Porcelain, three others by the same, Sandon (H & J) Graingers Worcester Porcelain, another and Robertson (M) Going for a Song (14)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Green (V) A Survey of the City of Worcester, J Butler & Gamidge, Worcester, 1764 (2 Copies); together with Anon, The History of the City of Worcester, J Butler, 1790; Lewis, S Worcestershire General and Commercial Directory, Heming, 1820; RG, A Brief History of Worcester, J Tymbs, 1806; Anon, A Guide through the Royal Porcelain Works, Worcester, Deighton & Son, 1875; Binns, RW, Catalogue of a Collection of Worcester Porcelain in the Museum at the Royal Porcelain Works, 1882 (7)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Valentine Green (smaller volume): Cover heavily rubbed with losses to corners. Leather spine previously detached and re-affixed. Spine worn and cracked, Names inscribed in ink to FEP and title page. Pages tanned and marked. Plates with some fold outs detached, Scattered foxing. Endpapers with pencil notations. Hinges cracked. 15 plates. Valentine Green (larger volume): Rebound with calf spine and printed boards, hinges cracked, pages marked and with scattered foxing. Cover and boards worn with losses to corners and edges, Endpapers repaired and browned in part. 16 plates.
A Royal Worcester covered pot-pourri vase, dated 1903, with pierced outer cover and plain inner cover, the balustered body applied with two gilded ornate handles, on blush ivory ground. Printed mark, 2211 and registration no. 384547 to base.Condition: Slight nibble to outer lid finial, and slight staining.Size: Approx. 18.5cm high.
A Royal Worcester globular pot-pourri with cover, painted with flowers on blush ivory ground, printed mark, 1039 and registration no. 14617 to base, dated 1906. Along with a pair of Royal Worcester small pedestal vases, printed mark, 1730 and registration no. 230700 to base, dated 1897.Condition: One pedestal vase chipped to rim, slight staining.Sizes: Pot-pourri approx. 12.5cm high and pedestal vases approx. 13cm high each.
Three Royal Worcester blush ivory jars to include; a lidded porcelain jar in lobed form with floral and gilt decoration, dated 1892, printed marks, 1313 and registration no. 112588 to base, approx. 15.5cm high, another lidded porcelain jar in lobed form with floral and gilt decoration, dated 1892, also marked to base with same marks and numbers, also approx. 15.5cm high, and another smaller jar with ornate foot and floral and gilt decoration (missing lid), dated 1908, printed marks, 1312 and registration no. 112589 to base, approx. 16cm high. (3)Condition: Some restoration to lids of jars, other missing lid, general wear, staining.
Three Royal Worcester blush ivory vases to include; A pedestal vase of lobed ovoid form, pierced work, on ornate circular platform base with plain ivory body, printed marks, 1639 and registration no. 206862, approx. 23cm high, along with a twin handled vase with floral decoration and face design to handles, square base with printed mark and 1716 to underneath, approx. 21.5cm high. And a circular bodied, thin stem two handled vase, gilt and floral decoration, pierced work to top rim and impressed and printed marks to base, approx. 26.5cm high. (3)Conditions: Slight staining, some loss to paint and gilding to parts.
A collection of blush ivory Royal Worcester to include; Six cups and saucers, all have printed marks, registration no. 190547, and either marked W5343 or W5171, six side plates, all except one have Worcester mark, all either W5343 or W5171 and registration no. 190547, with a blush ivory dinner plate, printed marks to base, W5343, registration no. 234574. (19 in total)Conditions: Some slight wear to paint/gilding, some staining, and slight nibbles to a couple of pieces.
A large Royal Worcester tureen and cover with ornate floral and gilt paint, elephant headed handles on blush ivory ground, leaf design throughout background, with Worcester printed mark and export retailers mark of Rd Allen Son and Co, Philadelphia to base and under the lid. (No ladle in lot). Approx. 20cm high x 35cm wide.Condition: Slight wear to gilding and paint, some staining, general wear.
A collection of Royal Worcester figurines to include; Queen Elizabeth II the Queen Mother 100 years large figure, along with various other Worcester child figures including Tuesdays child, Wednesday child, October, June, Fridays child and others. (16 in total) (1 box)Condition: General wear, some slight staining and scratching.
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