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A 19th Century Flight Barr and Barr Royal Porcelain Works, Worcester pedestal vase and cover, the vase decorated with two panels of hand painted sea shells against a pink and gilt pattern ground with ram's head handles, the slightly domed cover with a sphinx finial and pierced decoration, painted London House, N1 Coventry Street mark, height 16cm, S/D.
A 19th Century Chamberlain Worcester campana urn decorated with a gilt framed cartouche panel with hand painted flowers against a salmon pink ground with a gilt pattern, unmarked, height 25cm, together with a 19th Century Barr Flight and Barr Royal Porcelain Works urn vase decorated with a cartouche panel of flowers against a burgundy and gilt ground, painted London House N1 Coventry Street mark, height 13cm, both restored. (2)
A 19th Century Chamberlain Worcester inkwell, the domed bowl decorated with hand painted shells raised by three mermaid creatures, the shape base and bowl inner in peach with a gilt seaweed pattern, painted Manufacturers to their Royal Highnesses the Prince of Wales and Duke of Cumberland mark, height 11cm.
A 19th Century Flight Barr and Barr Royal Porcelain Works Worcester twin handled vase decorated with hand painted shells against a milk white ground with gilt seaweed, the handles formed as entwined branches terminating in leaves, painted London House 1 Coventry Street mark, height 17cm, S/D.
A 19th Century Flight Barr and Barr Royal Porcelain Works Worcester pedestal vase affixed to a square plinth, the vase decorated with a cartouche panel hand painted with sprays of flowers against a mint green ground with entwined snake handles, painted mark London House, Coventry Street, height 27cm, restored.
Two 19th Century Flight Barr and Barr Royal Porcelain Works Worcester vases of varying form, the first raised to three paw feet and decorated with two cartouche panels, one with a man holding a scythe, the reverse with a lady and child harvesting crops, height 8.5cm, the second with a scene of a Spaniard stood against a rocky landscape, with gilt vermicelli and twin snake handles, painted mark alongside indistinct title in Spanish, height 11cm, both with painted London House, 1 Coventry Street, S/D and restored. (2)
A 19th Century Flight Barr and Barr Royal Porcelain Works Worcester twin handled vase decorated with a cartouche portrait of a monk, titled to the base The Monk from Sterne - rubbing his horn box upon the sleeve of his tunick [sic] with a floral cartouche panel to the reverse, all to a blue ground with gilt overlay pattern, printed mark, height 8.5cm, together with a Derby twin handled vase, height 9.5cm, and a Flight Barr and Barr vase raised to three lion feet, height 9cm, all restored or S/D. (3)
Two 19th Century Barr Flight and Barr Chinoiserie oval dishes, the first decorated with four stylised dragons against a burnt red and gilt ground, impressed mark, the second with a bird in flight over a stylised flowering tree, printed Proprietors of the Royal Porcelain Works Worcester backstamp mark A/F, both length 28cm. (2)
Three 19th Century Chamberlain Worcester plates comprising two decorated with a dragon in a garden with a turquoise border, diameter 26.5cm, and one in the Dragons in Compartments pattern, diameter 20.5cm, together with a later 20th Century Collectors Series Royal Worcester 'The Kylin Pattern' limited edition plate, diameter 27cm, S/D and restoration. (4)
A pair of later 19th Century Royal Worcester figures of musicians modelled by James Hadley, the first a lady playing the mandolin, shape H143, the second a gentleman playing the flute, shape H126, both decorated with matt gold and enamels, puce and green marks with date codes for 1911 and 1914, restored.
Scottie Wilson (1891-1972),'The Garden of Nature' oval pink ground plate, circa 1960, Enamel on earthenware,Signed 'SCOTTIE' within the printed design front right, label verso with inscription: 'With all my best / wishes / From / Scottie Wilson', 40cm x 33.5cm.Footnote:A similar example is held at the Victoria & Albert Museum with the following Object History: 'Scottie Wilson was born in Glasgow but moved to Canada where he was inspired by American and Canadian Indian art such as totem poles. He also provided designs for Royal Worcester in the early 1960s.'Please refer to department for condition report
A Royal Worcester porcelain English Garden pattern part dinner and tea service, comprising casserole dish and cover, pair of vegetable tureens and covers, further dish and cover, sauce boat on stand, meat platter, six dinner, dessert and soup plates, salad bowl, oval dish, basket, cake slice, cream jug, sugar bowl, six teacups, sauces and tea plates, and six fruit bowls.
A pair of Royal Worcester pin dishes decorated with still lives of fruit by P. Robertsdated 1959, artist signed, black printed factory mark11cm diameter (2)No damages or repairs. The dish with the green grapes has a couple of scratches through the paintwork on the foremost apple and another small spots/scratches to the apple and one leaf in the background. Its companion piece has one medium size and two further small scratches to the foremost apple. See additional images.
A pair of Royal Worcester vases painted by Harry Davisdated 1911of flared form, decorated with sheep grazing in a grassy landscape with pink blossom trees, signed 'H. Davis', shape G706, printed factory mark in puce, 16cm high (2)Very small chip to one upper rim. Otherwise good, no further damages or repairs
A pair of Royal Worcester blush ivory figures of Joy and Sorrowdate marks rubbed, with gilt details to the their robes, printed factory marks in green, impressed numerals, 25cm high (2)Both figures are in a good condition with no damages or repairs. There is just some slight gilding wear to the bird's wings in Sorrow's outstretched hand.
A large Royal Worcester pedestal vase and coverdated 1906painted by William A Hawkins with a panel of a gentleman serenading two ladies, artist signed, printed '520' and factory mark to the base,41cm high (crack to pedestal)Cover - some wear to gilding in the balls on the finial. Underside titled 'Music Lesson, after Lancet' Vase - gilding to rim worn and scratched. Small edge knock to interior rim. Crack running through pedestal base. Some wear to gilding on pedestal base.No further damages or any repairs.Heavy accumulations of old dust and grime, in need of a good clean.
A near pair of Royal Worcester vases painted by James Stinton with pheasantsdated 1907 and 1908of globular form with flared neck, artist signed Jas Stinton, shape G/799, printed factory marks in green, 13cm highOne vase has a very small chip/flake to the gilding around the interior of the rim, with an approx 0.3mm long associated hairline visible to the interior (but not the exterior). Otherwise good, no further damages or repairs.
A Royal Worcester vase painted with Highland Cattle by Harry Stintondate mark rubbed but probably circa 1910of pedestal ovoid form, shape G962, artist signed 'H. Stinton', printed factory mark in puce,22cm highSeveral small patches of gilding wear to interior rim.Condition is otherwise good with no cracks, chips, damages or repairs.
A Royal Worcester cased cabinet service painted with pheasants by James Stintondated 1920comprising six coffee cups painted to the interior and with full gilt exteriors, and six saucers, with six London silver gilt teaspoons by Josiah Williams & Co (David Landsborough Fullerton), hallmarked for 1923, housed within a Mappin and Webb Oxford Street, London retailers case.One teacup- small gilded over foot rim chip, probably on manufacturer. A second teacup has a small patch of wear to the gilding around the inner rim, approximately 0.5cm wide. A third teacup has a few crazing lines to the base. One saucer has a small scratch to the paintwork, at approx 3 o clock Condition is otherwise good, no signs of other damages or any repairs. Gilding is in good order.
A ROYAL WORCESTER CHINA PLATE, late 20th century, of shaped circular form with gilded gadroon moulded rim, painted in polychrome enamels by J. Reed with a still life of two applies and blackberries on a mossy bank, signed, black mark, 7 3/4" diameter (Est. plus 21% premium inc. VAT)No chips, cracks or restoration, some scratches beside blackberries, impressed 118
A ROYAL WORCESTER CHINA TEA PLATE, 1925, painted in polychrome enamels by A G Moseley with a still life of two peaches and blackberries on a mossy bank, signed, puce mark, 6" diameter, together with a Coalport china jar and cover similarly painted by Joseph Mottram with two apples and cherries, signed, blue mark, 4 1/4" high (2) (Est. plus 21% premium inc. VAT)no chips, cracks or restoration, cover not signed
A ROYAL WORCESTER CHINA LOW PEDESTAL DISH, 1930, of lobed oval form with two escallop shell lug handles, painted in polychrome enamels by T. Lockyer with a still life of three apples and black grapes on a mossy bank, signed, puce mark, 12 1/4" wide (Est. plus 21% premium inc. VAT)No chips, cracks or scratches. The base (underneath) is half crazed and half with restoration spray - unknown what it is covering up
A ROYAL WORCESTER CHINA BOWL, 1933, of everted circular form with shaped rim, internally and externally painted in typical palette by Kitty Blake with a still life of autumnal leaves and blackberries, signed, puce mark, 9" diameter (Est. plus 21% premium inc. VAT)No chips, cracks or restoration
A ROYAL WORCESTER CHINA SMALL VASE, 1954, of baluster form, painted in colours by Maybury with a still life of two apples and plums on a mossy bank, signed, black mark, 4 1/2" high (Est. plus 21% premium inc. VAT)No chips, cracks or restoration. Sold but unpaid for in 14th Sept sale, hence re-entry

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129934 item(s)/page