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Lot 69
A box containing various decorative items to include ceramic and other birds, a Royal Worcester candle snuffer "French Cook", a 19th Century porcelain inkstand, a 19th Century German pipe bowl hand decorated with a young woman, a Beswick white mat glazed model of sow and other decorative items.
Lot 62
A Composite Set of Thirteen Royal Worcester Porcelain Pheasant Painted Game Plates, James Stinton, 1912 and 1918, each circular plate painted with a cock and hen pheasant in diverse woodland, copse and meadow vignettes, the rims with relief gilded running eglantine bands, gilt rims, each with puce printed crown and wheel marks, and date marks (8x1912, 5x1918), 23cm diameter See illustration
Lot 63
A Royal Worcester Porcelain Fruit Painted Dessert Plate, Horace H Price, 1936, of bracketed circular "silver" form, with solid gilded gadrooned rim, painted with two apples, a plum and bunch of purple grapes against a mossy bank, with an ear of corn in the foreground, signed, blue printed crown and wheel mark, and date mark, 26.9cm diameter See illustration
Lot 67
A Royal Worcester Fruit Painted Porcelain Sugar Bowl, Albert Shuck, circa 1923, with undulating rim and flared foot, internally painted with two pears and brambles against a mossy bank, signed, solid gilded exterior, brown printed crown and wheel mark, and year mark, 10.2cm diameter, 5.1cm high See illustration
Lot 68
A Matched Pair of Royal Worcester Fruit Painted Porcelain Pin Dishes, George Moseley, 1936 and 1938, each of oval shape, painted with two peaches and brambles against a mossy bank, signed, solid gilded rims, each with puce printed crown and wheel marks and date marks, 10.4cm wide See illustration
Lot 73
A Matched Pair of Royal Worcester Porcelain Fruit Painted Vases, Edward Townsend and Harry Ayrton, 1926, of slender ovoid shape, the first painted with two peaches and four raspberries against a mossy bank, three raspberries to the reverse, the second with two apples and three black cherries, two cherries to the reverse, both signed, puce printed crown and wheel marks, year marks, indistinct shape number, probably 2431, 15cm high
Lot 74
A Royal Worcester Porcelain Floral Vase, 1900, with shell form cupped neck and coral shoulder handles, printed and painted with sprays of flowers on a quatrelobed body with blush ivory ground, green printed crown and wheel mark, year mark and shape 1663, 20.5cm high; Another, 1908, of semi-ovoid form, on bird foot claw stem, puce printed mark and shape 2314, 19.7cm high; and A Blush Ivory Bowl, 1891, of scroll edged semi-ovoid shape, pierced with trellis work and decorated with flowers, puce printed mark and shape 1471, 16cm diameter (3)
Lot 75
A Royal Worcester Porcelain Pheasant Painted Trumpet Vase, James Stinton, 1909, painted with a cock pheasant at the edge of a copse, a hen pheasant in flight, signed, with fern vignette, on blush ivory stepped and scroll edged spreading foot, puce printed crown and wheel mark, year mark and shape G706, 16cm high
Lot 78
A Royal Worcester Porcelain Highland Cattle Painted Small Pot Pourri Vase and Cover, Harry Stinton, 1919, of squat quatrelobed form, the lightly domed cover pierced with four foliate oval medallions to a pointed finial, with solid gilded arched shoulder brackets, painted with two highland cattle in a misty glen, signed, the reverse with heather clad rock loch promontory, puce printed crown and wheel mark, year mark and shaped H175, 11cm high See illustration
Lot 79
A Royal Worcester Porcelain Flower Painted Pedestal Vase, Richard Sebright, 1906, of ovoid form with leaf tip moulded everted rim, the tightly arched shoulder handles with maiden mask terminals, painted on one side with a sprays of michelmas daisy type flowers in red and blue, signed, on the reverse with a sprig with three blossoms, on a blush ivory short foot and square plinth, puce printed crown and wheel mark, year mark, shape 2363 and impressed D7, 16cm high See illustration
Lot 81
A Pair of Royal Worcester Porcelain Sheep Painted Vases, Harry Davis, 1925, each of slender baluster shape with solid gilded rim bands, each painted with two sheep at the edge of a wood in autumn by a river, both signed, puce printed crown and wheel mark, year mark and shape 2777, 21.2cm high See illustration
Lot 82
A Royal Worcester Porcelain Sheep Painted Spill Vase, Harry Davis, 1925, the cylindrical body with narrow gilded rim band, painted with two sheep grazing on the banks of a river in autumn, signed, with misted foliage vignette to the reverse, on a scroll pierced solid gilded foot, puce printed crown and wheel mark, year mark, and shape 6/161, 16cm high; and A Quatrelobed Small Pot Pourri Vase, Harry Davis, 1926, decorated with two sheep and a lamp in a woodland glade with a carpet of bluebells, signed, cover lacking, shape 175/H, 8.2cm high (2) See illustration
Lot 83
A Royal Worcester Porcelain Fruit Painted Pot Pourri Vase and Cover, Harry Ayrton, mid 20th century, of compressed ovoid form with parcel gilt basket-weave moulded base, the main frieze painted with two peaches and cherries against a mossy bank, signed, two cherries as a vignette to the reverse, with dished inner cover and upswept pierced lid with pointed bud finial, black printed crown and wheel mark, and shape 1286 S/S, 19.5cm high See illustration
Lot 84
A Royal Worcester Porcelain Fruit Painted Dessert Plate, John Freeman, mid 20th century, with gadroon moulded undulating rim punctuated by shell motifs, painted with three apples, a bunch of green grapes and three purple grapes against a mossy bank, signed, black printed crown and wheel mark, gilder`s mark C56, 22.5cm diameter. Freeman was born in 1911 and joined the Royal Worcester factory in 1925. He became the senior fruit painter at the factory, and indeed was known as "The Fruit Machine" due to the speed of his output.
Lot 85
A Royal Worcester Porcelain Fruit Painted Cabinet Plate, Harry Ayrton, mid 20th century, with gadroon moulded undulating rim punctuated by shells, painted with three purple plums, gooseberries and a small bunch of redcurrants against a mossy bank, signed, black printed crown and wheel mark, gilder`s mark C55, 22.6cm diameter See illustration
Lot 86
A Pair of Royal Worcester Porcelain Fruit Painted Tea Plates, John Smith, mid 20th century, each of gadroon edged shaped circular form, with gilded rims, one painted with two apples and black grapes against a mossy ground, the other with two peaches and black grapes, both signed, black printed crown and wheel marks, gilder`s mark C55, 15cm diameter
Lot 87
A Pair of Royal Worcester Porcelain Fruit Painted Cabinet or Dessert Plates, Albert Shuck, 1922, circular, each with broad powder blue borders with radiating gilt line detail dissolving into scrolls and shell motifs picked out in green enamels, enclosing central circular reserves, one painted with two apples and damsons, the other two plums and strawberries, both signed, puce printed crown and wheel mark, year mark, 22cm diameter
Lot 116
A Pair of Flight, Barr & Barr Worcester Porcelain Crested Dessert Plates, early 19th century, each centrally painted with a seated black cat crest beneath the legend on a ribbon A Cruce Salus, within an undulating border of vine leaves in puce en camaieau and gilt, red printed Royal armorial mark, also impressed crown and FBB, 24cm diameter
Lot 117
A Flight, Barr & Barr Worcester Porcelain Nineteen Piece Dessert Service, circa 1805-1810, each piece painted with a solitary chinoiserie figure by a pavilion flanked by rocks and trees, and with a song bird overhead, within bold Imari inspired borders in typical colours and gilt, comprising pairs of shell, square and oval shaped dessert dishes, a pedestal oval tazza (36cm wide), six dessert plates (20.5cm) and six bowls (15.6cm), each with brown printed mark Flight, Barr & Barr Proprietors of the Royal Porcelain Works Worcester Established 1751, Manufacturers to Their Majesties and the Prince Regent, London Warehouse Coventry Street, also impressed crown and FBB. Provenance: The Humphrey Cowtan Collection, July 19 2003
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129936 item(s)/page