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Lot 1286
A Royal Worcester vase, 1909, signed by Jas Stinton, of cylindrical form with a pierced neck and supported on four scrolling feet, decorated with a pheasant amongst naturalistic surroundings, printed green mark, date code for 1909, shape G42, 14.5cm. Visit www.sworder.co.uk for larger image and condition reports.
Lot 817
A Royal Worcester terracotta earthenware dinner and tea service designed by Scottie Wilson printed in black with a tree of life, fish and bird motif, comprising; three various graduated trays, a tureen and cover, two covered twin- handled pots, a jug, two saucers, six dinner, entree and side plates, a coffee pot and cover, milk jug and covered sugar basin, six cans and saucers printed mark, facsimile signature, chip to base rim of sugar basin, coffee pot 8 inches (20cm) high. Provenance: Decorative Arts, Christie's King Street 20th February 1991 lots 239 and 240
Lot 262
A Worcester cup, saucer and plate, and a matching Coalport plate, all decorated with the Royal Lily pattern, two Worcester blue and white teabowls, and a milk jug and cover, all printed with Oriental landscapes and flowers, c.1775 and later, damage to some, the milk jug cover perhaps associated, 22.8cm max. (8)
Lot 847
David Bates (1840-1921). "The Brook, Lledr Valley". Signed and dated 1913, inscribed on a plaque attached to the frame and a further inscription and signature verso in the artist's own hand, oil on canvas, 46cm by 36cm. Provenance: Mandell's Gallery, Elm Hill, Norwich, ref no 4080. A Midlands' artist who worked in Worcester, Birmingham and the Malvern Hills. He exhibited at the Royal Academy, Suffolk Street and the Grosvenor Gallery. See illustration
Lot 29
A Coalport Fruit Painted Cabinet Plate, Frederick Chivers, circa 1920-30, shaped circular, painted with a bunch of purple grapes, a peach and blackcurrants on a mossy and ivy clad bank, signed, within a broad midnight blue border enriched with gilt scrolls, dentil rim, blue printed crown mark, gilder's number 5351/R and impressed 18A23, 27cm diameter. Frederick Chivers (1881-1965) fruit and flower painter, who worked for the Royal Worcester Porcelain Company, but by 1906 worked at the Coalport Pottery specialising in fruit studies. The background on his work was achieved by working the ceramic colour with a matchstick, giving a stippled effect. For further details about this artist see Wilkinson (Vega) A Dictionary of Ceramic Artists, Landmark Publishing, p.44.
Lot 30
A Royal Worcester Porcelain Fruit Painted Jar and Cover, Horace Price, circa 1938, the domed cover painted with brambles and ivy leaves, the main body with apples, pears, cherries, raspberries, peaches, purple grapes and redcurrants against a mossy bank, with "milled" gilt rim bands, signed, puce printed crown and wheel mark, year mark, shape 2826, 16.5cm See illustration
Lot 31
A Royal Worcester Porcelain Fruit Painted Vase, William Albert Ricketts, circa 1926, of spherical shape, the cupped neck moulded with pointed leaf tips and richly gilded, painted with two peaches, black grapes and blossoms against a mossy bank, signed, the reverse with three red cherries, puce printed crown and wheel mark, year mark and shape F126, 13.5cm high (restored); and A Fruit Painted Small Bowl, W J Bagnall, circa 1930, circular, with waved and gilded rim, painted with two apples and brambles against a mossy bank, signed, the exterior solid gilded, printed mark and year mark, 10.5cm diameter, 5.5cm high (2)
Lot 32
A Royal Worcester Porcelain Fruit Painted Vase, E Townsend, 1931, the trumpet neck moulded with pointed leaf tips and gilded, painted with two peaches, black cherries and a sprig of apple blossom on a mossy bank, signed, two red cherries to the reverse, puce printed crown and wheel mark, year mark and shape F110, 10cm high
Lot 33
A Royal Worcester Porcelain Fruit Painted Vase, William Albert Ricketts, 1923, of wrythen fluted spherical form, gilded rim, painted with three apples, three cherries and blossom against a mossy bank, signed, the reverse with three damsons, green printed crown and wheel mark, year mark and shape G161, 6.8cm high; and A Milk Jug, painted by Ricketts, conical, solid gilded C shape handle, painted with a peach, a plum, grapes, a cherry and gooseberries on a mossy bank, signed, printed mark and year mark, and W9535, 8.5cm high (2)
Lot 34
A Pair of Royal Worcester Porcelain Fruit Painted Octagonal Pin Dishes, Henry Ayrton and C Creese, 1938, one painted with two peaches and purple grapes, the other with two peaches and gooseberries, against mossy banks, both signed, puce printed crown and wheel mark, and year mark, 11.7cm wide
Lot 35
A Pair of Royal Worcester Porcelain Castle Topographical Dessert Bowls, J Stinton, 1926, each of fluted circular shape, the central scroll edged reserves painted with views of Dudley and Black-Rock Castle, each signed, named on the reverse in puce script, against a powder blue ground with gilt sprigs, gilt line rims, puce printed crown and wheel mark, year mark, impressed 15 W, 21.4cm diameter See illustration
Lot 36
A Royal Worcester Porcelain Highland Cattle Pot-Pourri Vase and Cover, Harry Stinton, Shape No.291, circa 1917, of squat quatrelobed form, scroll pierced shallow domed cover, pointed finial, the shoulders with raised scroll brackets, frontally painted with two highland cattle in a misty glen, signed, with rock and heather vignette to the reverse, gilt line rim to the shallow circular foot, puce printed crown and wheel mark, year mark and "291H", 15.8cm high
Lot 37
A Royal Worcester Porcelain Blush Ivory Sweetmeat Bowl, 1912, of two-handled boat shape, printed and painted with flower sprays on a shaded apricot ground, moulded stem and circular foot, green printed mark, shape H280, 20.2cm high; A "Coral" Handled Jug, circa 1893, similarly decorated, puce printed mark and shape 1507, 19cm high; and A Small Barrel Form Milk Jug, 1893, of "coopered" construction, printed with flowers, 6.4cm high (3). Sweetmeat bowl provenance: Summer Hill, Macclesfield, Cheshire, Sotheby's, 10 May 1995, lot 487 (part lot)
Lot 38
A Pair of Royal Worcester Porcelain Two-Handled Pedestal Vases, Harry Davis, circa 1907, with octagonal trumpet short necks on ovoid bodies, each painted with a ram, sheep and lamb by the edge of a loch, misty mountains beyond, signed, against a moulded and shaded apricot ground enriched in gilt throughout, puce printed crown and wheel mark, year mark, shape 2256, 25.8cm high (both restored) See illustration
Lot 39
A Royal Worcester Porcelain Cylinder Vase, William Powell, circa 1907, the plain body painted with a continuous frieze of two flamingos at the side of a lake flanked by grasses and tall mountains, signed, on a gilded scroll pierced spreading foot, puce printed crown and wheel mark, year mark and shape 6/161 and 74 in green, 16.4cm high (restored) See illustration
Lot 40
A Royal Worcester Porcelain Sheep Painted Vase, Harry Davis, circa 1908, of classical pedestal baluster shape, frontally painted with three sheep on a cloudy moorland, the reverse with a boulder amongst tussocks, outscrolled shoulder handles picked out in gilt, moulded trumpet neck and leaf moulded foot, in blush ivory and apricot, puce printed crown and wheel mark, year mark and shape 1482, 16cm high See illustration. Provenance: Burrow Hall, Nether Burrow, Kirkby Lonsdale, Tennants sale on the premises, 14 May 1996, lot 77.
Lot 41
A Pair of Royal Worcester Porcelain Blush Ivory Neo-Classical Vases, circa 1894, of slender fluted baluster shape with trumpet necks, scrolled shoulder handles with solid gilded leafy lion head finials, with scant cascading flower decoration in gilt, puce printed crown and wheel mark, year mark, shape 1763, 26cm high
Lot 42
A Royal Worcester Porcelain Large Figure of a Tambourinist, 1899, modelled as a classical muse, leaning forward wearing diaphanous wind-swept robes, and with long hair, upholding her tambourine, flanked by a tree stump and on a rustic shaped circular base, puce printed crown and wheel mark and date mark, model number 1441, 72.5cm high (restored)
Lot 43
A Royal Worcester Blush Ivory Porcelain Vase, circa 1895, of Islamic inspiration, the flared conical neck moulded with repeat arched panels enclosing flowers, over a lappet shoulder collar with leaf "suspension" loops, the body printed with ferns in drab colours and gilt, on four outswept floret feet, puce printed crown and wheel mark (smudged), shape number 1237, 27cm high
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129936 item(s)/page