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Lot 538
A collection of contemporary Royal Worcester porcelain designed by Llewellyn-Bowen comprising coffee service and further mugs, also a collection of miscellaneous items including a boxed clock and matching barometer, a brass inkstand, three miniature cricket bats and wooden simulated cricket ball with clock insert, an ornament on wooden base depicting racehorses and jockeys, a white metal brooch with pearl decoration, a gold coloured chain, etc
Lot 77
A set of twelve 20th Century French porcelain fruit printed cabinet plates within gilt decorated borders, a set of seven Spode-Copeland's china cabinet plates, each with printed and tinted floral sprays to centre within conforming floral borders on a pink ground, eight Continental leaf shaped plates, transfer decorated with flowering branches within gilt borders, twelve 20th Century Bavarian porcelain cabinet plates, each printed with fish on a gilt and green ground, a collection of Royal Worcester gilt decorated ramekin dishes, eight French porcelain and gilt decorated twin-handled dishes and a Continental porcelain novelty storage jar modelled as a child seated in a high chair
Lot 93
Three Beswick pottery ornaments to include a Shetland foal, Robin and Foal, a collection of five green and blue Jasperware table ornaments, a Royal Crown Derby "Posy" pattern strainer and matching dish, two Royal Worcester "Evesham" pattern dishes and six matching ramekin dishes, a small collection of Royal Worcester/Royal Grafton and Continental floral decorated tablewares and two 20th Century Capo-di-monte bisque fired figurines
Lot 83
A collection of seven pieces of Royal Worcester, two handled vase with slim neck Model 2119 green mark circa 1900, height 6.5 ins, small pill box circa 1910, small blush vase Model 287 puce mark, height 4.75 ins, blush vase Model 285, height 4.25 ins, blush vase Model 799 green Royal China Works mark, height 5 ins, blush vase Model 991 puce mark, height 3.25 ins and blush vase Model 1907 puce mark, height 3 ins.
Lot 3
Antiques reference books: Desmond Eyles, Richard Dennis, Louise Irvine `Royal Doulton Figurines`, published Royal Doulton Limited 1987 (1st edition, signed by Michael Doulton); Mick Yewman `Lyle Price Guide to Doulton`; Harvey May `The Beswick Price Guide`; Diana & John Callow `The Charlton Standard Catalogue of Beswick Pottery (Millennium Edition); Anthony Cast & John Edwards `The Charlton Standard Catalogue of Royal Worcester Figurines (Millennium Edition); Irene & Gordon Hopwood `The Shorter Connection`; Leonard Griffin `Taking Tea with Clarice Cliff; Stella Ashbroook `Collecting Sylvac Pottery`; Donna S Baker `Wade Miniatures`.
Lot 148
A ROYAL WORCESTER FIGURAL CANDLE SNUFFERof The Feathered Hat modelled by James Hadley in the style of Kate Greenaway, decorated in flesh tints and gilt, 9cm h, green printed mark, 1881. A good example of this elusive subject and in fine condition with slight wear to the gilding on the bow and on the back of the hem of the dress, long in the present private ownership
Lot 152
A ROYAL WORCESTER VASEof sack shape with frilled rim, painted by K Blake, signed, with blackberries, blossom and autumnal foliage, the rims gilt, 11cm h, puce printed mark and 2492, 1932 and a Royal Worcester pin tray, painted with an all over still life of fruit, signed, black printed mark, c1960 (2)Both in fine condition
Lot 157
A ROYAL WORCESTER OVAL PLAQUE BY HARRY DAVISpainted with three sheep on a misty hillside, signed, 15.5 x 21.5cm, puce printed mark, 1913, framedIn fine condition, no damage or restoration, undisturbed in the home make gilt frame into which it was set by the present local private vendors father many years ago. A fine and early example of Harry Davis executed on a relatively large plaque
Lot 164
RICHARD SEBRIGHT (1870-1951)FIELD POPPIESsigned, watercolour, 46.5 x 28cm and a smaller study of Helebores by the same , signed with initials, watercolour (2)Provenance: By direct descent in the artist`s family to the present vendor.Exhibited: (Field Poppies) Royal Academy, 1911, No.976.Richard Sebright spent his entire career at the Royal Worcester Factory where he excelled at painting fruit and flowers. Such was his reputation that Sandon (Royal Worcester Porcelain, 1973) observed that he was "... the finest fruit painter even among the many fine exponents in his day and must rank as one of the finest fruit painters [on ceramics] of any period." In the 1930s he was paid only 6d (2.5p) per plate centre and at the end of his career his weekly wages were only about 45/- (£2.25p). Sandon, op cit, refers to his having exhibited several flower studies at the Royal Academy however Field Poppies is the only work listed in the RA Exhibition Catalogues. Both works in fine condition and not previously offered for sale.
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129936 item(s)/page