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Two Royal Worcester 'Painted Fruit' plates by Brian Leaman and David Scyner, circa 1975Of circular form with gold rims, painted with an arrangement of fruit including pears, grapes and a strawberry, on leafy mossy grounds, signed 'B Leaman' and 'D J Scyner', 27cm diam, printed black marks (2)For further information on this lot please visit Bonhams.com
A Chamberlains Worcester plate from the Duke of Cumberland service, circa 1806-07The central panel decorated with the full arms of the Duke of Cumberland including the Order of the Garter, lion and unicorn supporters and the motto 'Suscipere et Finire', the border elaborately decorated with the 'Rich Queens' pattern including panels of Japan-style chrysanthemums and wheatsheaves, 21.8cm diam, marked Chamberlains Worcester in purple scriptFootnotes:The patronage of the royal family was vital to the fortunes of the Chamberlain factory. In 1806 Ernest Augustus, Duke of Cumberland visited Worcester and toured the Chamberlain manufactory, placing an important order for an armorial service. This lavish set took more than a year to produce, for it was noticed by the Prince of Wales who visited Chamberlains in September 1807. See R W Binns, A Century of Potting in the City of Worcester (1865), p.153. With the agreement of their distinguished royal patrons, from 1808 Chamberlains proudly marked their best porcelain with 'manufacturers to their Royal Highnesses the Prince of Wales and Duke of Cumberland'. A specimen plate created by Chamberlains as part of the preparations for this set was in the Charles Wentworth Wass Collection, sold by Phillips on 6 December 1995, lot 299. This specimen differed from the present lot in the use of a shaded background to the arms and the absence of a motto. A single cup from the Duke of Cumberland set was sold by Bonhams on 7 June 2006, lot 224. Prior to this, a large part of the service was sold by the Hanoverian descendants of the Duke of Cumberland, later King of Hanover (1771-1851), in Sotheby's sale of Works of Art from the House of Hanover, 1-15th October, 2005, lot 2311.An elaborate jug painted with a view of Worcester and the arms of the Duke of Cumberland was sold by Bonhams on 10 December 2003, lot 189. It is possible this jug was intended to be presented to the Duke during his 1806 visit.For further information on this lot please visit Bonhams.com
A Barr, Flight and Barr Worcester teacup and saucer, circa 1805Octagonal panels finely painted with a variety of feathers, the white ground with a striking gilt geometric 'zig-zag' borders, 14cm diam, incised B marks, script mark for F&B and BFB with Coventry Street address and Royal patronage (2)Footnotes:ProvenanceCharles Dawson CollectionMany of the feathers are identifiable as those of gamebirds, which would have been recognisable to the early 19th century viewer. Like the painting of shells at the factory, it is likely that the artists had access to paint these from life.For further information on this lot please visit Bonhams.com
A Barr, Flight and Barr Worcester vase, circa 1810Of classical form, applied with gilt birds' head and foliate handles, painted with a large panel with a titled Welsh view of 'Pont Yr Eden, over the River Mowddrdeh near Dolgelly, Merionethshire', probably by Samuel Smith, the salmon ground with elaborate neoclassical gilt borders, 25cm high, title and script mark with Coventry Street address and Royal patronageFootnotes:ProvenanceCharles Dawson CollectionAfter a painting by Thomas Walmsley, the source for the panel was engraved and published by Francis Jukes in 1799. The combination of this attractive salmon and gold ground and topographical painting appears to have been a popular one, favoured by Samuel Smith.For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' pot pourri vase and covers by John Freeman, circa 1950-70Of globular form, the lower section moulded with basketweave picked out in gold, the pierced outer cover with a pointed finial, the inner cover with a button finial, painted all around with autumn fruits on a mossy ground, signed 'Freeman', 19.5cm high, shape number 1286, printed black mark (3)For further information on this lot please visit Bonhams.com
A pair of Royal Worcester reticulated vases by George Owen, dated 1917Of globular form, the middle sections pierced with a wide band of ornament flanked by delicate bands of gilt scrollwork, the rims and footrims also picked out in gold, 7.8cm high, shape number 2491, printed puce mark, incised signature 'G Owen' (2)For further information on this lot please visit Bonhams.com
An engraved 'Friendly Hunt' firing glass of Jacobite interest, circa 1750The drawn trumpet bowl inscribed 'THE FRIENDLY HUNT' flanking a floral sprig, on a short plain stem and heavy conical foot, 8.9cm highFootnotes:The Friendly Hunt was a Worcestershire meet probably connected with a Jacobite society in Worcester known as The Friendly Association. Founded in 1747, the Association met annually in rotation in the neighbouring towns of Droitwich, Bromsgrove, Kidderminster and Stourbridge. A similar firing glass from The Ron and Mary Thomas Collection was sold by Bonhams on 4 June 2008, lot 39, which is illustrated by both Geoffrey B Seddon, The Jacobites and their Drinking Glasses (1995), p.120, pl.86 and by Arthur Churchill, History in Glass (1937), pl.20, no.92. Two further examples were sold by Bonhams on 29 September 2020, lot 47 and 15 December 2020, lot 6. Together with the present lot only a handful of other examples exist including one in the Victoria and Albert Museum (inv. no.C.257-1925) and one in the Harding Collection, Christ Church College, Oxford. For further details see Peter Lole, A Digest of the Jacobite Clubs, Royal Stuart Society Paper LV (1999).For further information on this lot please visit Bonhams.com
An impressive Flight, Barr and Barr Worcester Royal armorial platter from The George III Service, circa 1815Of large, oval form, richly painted and gilded with the full arms of King George III within the garter circlet, flanked by lion and unicorn supporters, above the motto 'DIEU ET MON DROIT', the wide dark blue border enriched in gold with the Royal cipher 'GR' beneath a crown and symbols of the union, a rose, thistle and shamrock within chaplets of fruiting oak, flanked by leafy fronds tied with ribbons, 42.8cm wide, impressed crowned FBB markFootnotes:ProvenanceCharles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight & Barr (2023), p.171, fig.17.4. King George III originally commissioned this service in 1805 and continued to add additional pieces throughout the Flight, Barr and Barr period of the Worcester factory. A jug from the service is illustrated and discussed by John Sandon, The Ewers-Tyne Collection of Worcester Porcelain at Cheekwood (2008), p.112-113. The majority of pieces remain in the Royal Collection, including a smaller platter (inv. no.RCIN 58459). A breakfast cup from the Charles Dawson Collection was sold by Bonhams on 12 June 2023, lot 471.For further information on this lot please visit Bonhams.com
A Royal Worcester vase and cover by Harry Davis, dated 1912Of slender form, painted with a landscape in the style of Corot, a figure resting against a tree beside a lake, mountains and a castle visible in the distance, within a fine raised gold scrollwork border, a large gilt flower spray to the reverse, 24.2cm high, shape number 2422, printed puce mark (2)For further information on this lot please visit Bonhams.com
Seven Royal Worcester 'Painted Fruit' tea plates, circa 1975The shaped gadrooned rims picked out in gold, fully painted with autumnal fruits and blossom on leafy mossy grounds, signed by H Henry (Henryk Hryncewicz), Richard Lewis, John Smith, and Stephen Weston, 15cm diam, printed black marks (7)For further information on this lot please visit Bonhams.com
A Royal Worcester Exhibition vase and cover by Edward Salter, dated 1892Of flattened ovoid form, the shoulder with lambrequin moulding below a pierced neck flanked by gilt scrolled handles, painted with a titled view of 'Mumbles' in Wales, the reverse with a vignette depicting waves crashing against rocks, 35.2cm high, impressed factory mark, puce printed mark, shape number 931 and 'C' mark, title in puce script (2)Footnotes:The printed mark of a large letter C on this vase indicates that it was intended to be shown at the Chicago Exhibition in 1893. Royal Worcester's display in Chicago was remarkably comprehensive, covering almost every aspect of its ornamental production. At the time, very few Worcester craftsmen were permitted to sign their work and only two senior painters, Charley Baldwyn and Edward Salter were occasionally allowed to sign their names on their vases.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A rare Worcester eyebath, circa 1775Of plain oval shape on a spreading circular foot, painted in blue with the 'Rose' pattern of simple sprigs, a cellular border around the rim and the foot, 5.3cm highFootnotes:An identical Worcester eyebath, marked with a crescent, was sold from the Old Rectory, Banningham, Bonhams, 24 March 2004, lot 1998. A slightly later example is in the Museum of Royal Worcester. The border pattern was subsequently copied on eyebaths at Caughley using transfer printing. See also lot 389 in this sale for the pattern on a Worcester inkwell.For further information on this lot please visit Bonhams.com
A large Royal Worcester 'Painted Fruit' pot pourri vase and covers, by John Freeman, circa 1950-70Of globular form, the lower section moulded with basketweave picked out in gold, the pierced outer cover with a pointed finial, the inner cover with a button finial, painted all around with ripe fruits on a mossy, leafy ground, signed 'Freeman', 26cm high shape number 1286, printed black mark (3)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' Pot pourri vase and covers by John Freeman, circa 1960The pierced outer cover and inner cover both picked out in gold, the ovoid body painted all around with autumn fruits including grapes and peaches on a mossy ground, signed 'Freeman', 24cm high, shape number 2048, printed black mark (3)For further information on this lot please visit Bonhams.com
Three Royal Worcester 'Painted Fruit' vases and a dish, circa 1960-80Painted with ripe fruit on mossy grounds and gold rims, comprising a large thistle-shaped vase by John Cook, painted all around, 15.5cm high, two smaller spherical vases signed by H Henry (Henryk Hryncewicz), and a rectangular dish with gilt gadrooned rim and handles by Christopher Bowen, 17.8cm wide, printed black marks, shape numbers 2228, 2491 and G161 (4)For further information on this lot please visit Bonhams.com
A very large Royal Worcester vase and cover by Harry Davis, dated 1899The elaborate modelling in the neo-Renaissance manner including masks, swags and grotesques, the front panel painted with a landscape view, perhaps Matlock High Tor, signed H Davis, reserved on a deep blue ground with raised paste gilding as a floral frame, 49.5cm high, factory mark in grey with date code for 1899, shape number 1398 (2)Footnotes:Harry Davis would have been aged just fourteen or fifteen when he painted this vase in 1899. At this time Harry was still serving his apprenticeship under the supervision of Edward Salter. That the young Harry was permitted to sign this vase shows the great respect that the Royal Worcester factory felt for their young painter's abilities. The raised gilding around the painted panel may possibly be the work of Harry's grandfather, Josiah Davis.For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' 'Bow' vase and cover by John Freeman, circa 1960Of large size, the pierced neck hung with swags, two elaborate scrolled handles picked out in gold, painted with a continuous frieze of ripe fruits on a mossy woodland ground, signed 'Freeman', 35.5cm high, printed black marks (2)For further information on this lot please visit Bonhams.com
A pair of Royal Worcester vases by Harry Davis, dated 1911Of cylindrical form, raised on four gilt leaf scrolled feet, the pierced rims picked out in green and gold, painted with a pair of highland sheep and a lamb standing in misty mountain landscapes dotted with purple heather, with a further vignette of a rocky landscape to the reverse, signed 'H Davis', 22.2cm high, shape number G42, green marks (2)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' ginger jar by John Cook, circa 1950Of ovoid form, fully painted all around with a variety of autumnal fruits including peaches and grapes, on a leafy, mossy ground, with gold rims, the domed cover similarly decorated, signed 'J Cook', 17.5cm high, shape number 2826, printed black mark (2)For further information on this lot please visit Bonhams.com
A Worcester 'Scratch Cross' cider jug, circa 1754-55The plain baluster jug of generous size and with a remarkable leaf-moulded cornucopia spout, painted in blue with the 'Zig-Zag Fence' pattern, the additional space on the reverse filled with two flying cormorant-like birds, 18.5cm high, two scratched or incised lines on the base, workman's mark of a letter C or crescent in blueFootnotes:ProvenanceSimon SperoPinewood Collection, Bonhams, 31 October 2001, lot 44Billy Buck, Steppes Hill Farm AntiquesPauline and David Tate CollectionThe painting of these birds should be compared with a finger bowl in the Museum of Royal Worcester, illustrated by Branyan, French and Sandon, pattern I.C.16. Only a small number of large cider jugs were embellished with this distinctive leaf-moulded spout.For further information on this lot please visit Bonhams.com
A large Royal Worcester 'Painted Fruit' pot pourri vase and cover by John Freeman, circa 1950-70Of globular form, the lower section moulded with basketweave picked out in gold, the pierced outer cover with a pointed finial, the inner cover with a button finial, painted all around with autumn fruit including plums and gooseberries on a mossy ground, signed 'Freeman', 26cm high, shape number 1286, printed black mark (3)For further information on this lot please visit Bonhams.com
A fine Flight Worcester plate from the Duke of Clarence service, circa 1789The elaborate border of entwined bands in blue and green ribbon fitted within the scalloped edge and enclosing Orders of the Garter, St Andrew and the Thistle, with sprigs of roses and thistles in between, the central royal arms of the Duke of Clarence flanked by laurel and oak leaves and hung with the Order of St Andrew, 24.2cm diam, marked 'Flight' with a crown and crescent in underglaze blueFootnotes:This was the first of two important royal orders that Prince William Henry placed with Flight's factory in Worcester. His parents, King George III and Queen Charlotte, had visited Flight's on a much-publicised visit in 1788 and possibly it was the King who encouraged his son to order a special dessert service to commemorate his having been awarded the Order of the Thistle along with the title 'Duke of Clarence and St Andrews'. The year 1789 also saw the Duke retire from active service as a Rear Admiral. This perhaps inspired the design of the service, which was said to be controversial at the time in view of the dramatic colours that were used. The central victory wreath around the royal arms features oak leaves, a reference to the British Navy. The Duke of Clarence must have been pleased with the completed service, for the following year he chose Flight's factory to make for him a larger and even more splendid dinner service, now known as the 'Hope' service. A plate from this set, Worcester's first royal armorial service, is in the Ewers-Tyne Collection of Worcester porcelain at Cheekwood and is illustrated and discussed in John Sandon's catalogue (2008), p.98, no.60. See also Charles Dawson, Worcester Flight and Barr Porcelain (2023), pp.45-46.For further information on this lot please visit Bonhams.com
A Barr, Flight and Barr Worcester teacup and saucer, circa 1810Painted with rustic figures after W H Pyne, a lady carrying a basket and a bundle of firewood, the saucer with a mother and child, a ruined castle in the distance, the wide gilt border of neoclassical ovals alternating with a dendritic design, saucer 13.8cm diam, impressed crowned BFB marks, oval printed mark referring to Royal patronage (2)Footnotes:ProvenanceBonhams, 8 June 2005, lot 325Charles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.104, fig.10.12.For further information on this lot please visit Bonhams.com
A Barr, Flight and Barr Worcester mug, circa 1805Printed and carefully hand-coloured with a large panel depicting a detailed view of Worcester, showing the smoke billowing from the porcelain factory on the banks of the Severn, on a pink ground, the scrolled handle with a thumbrest and picked out in gold, 9.2cm highFootnotes:ProvenanceCharles Dawson CollectionAlthough unmarked, mugs of this form usually date to the late Flight, or Flight and Barr periods. This mug must have been made not long after the new partnership dictated new signage above the factory, shown in the print as 'BARR FLIGHT & BARR ROYAL CHINA MANUFACTORY'. For comparison, see the sepia painted version of this view on a mug made a few years earlier, before the second Mr Barr joined, sold by Bonhams on 1 December 2021, lot 451.For further information on this lot please visit Bonhams.com
An important Barr, Flight and Barr Worcester teacup and saucer by William Billingsley, circa 1808-10With a gilt ring handle, painted in a characteristic style by William Billingsley, with circular panels of garden flowers set against a sky blue background, the pale peach-coloured ground gilt with vermicelli and anthemions, saucer 13.5cm diam, impressed crown and BFB marks, printed mark referring to Royal patronage and Coventry Street address (2)Footnotes:ProvenanceBonhams, 3 October 2012, lot 199Charles Dawson CollectionIllustrated by Charles Dawson, Worcester Flight & Barr Porcelain (2023), p.100, fig.10.7. Dawson discusses the work of William Billingsley on pp.197-204. Billingsley's time at Worcester is also discussed by John Sandon, The Dictionary of Worcester Porcelain (1993), pp.66-67. Sandon illustrates a similar teacup and saucer and also a related slop bowl. Significantly, these pieces are very much in the Derby tradition of flower painting where some special cabinet pieces were painted with flowers against a sky-coloured background, a technique previously unknown at Worcester. Barr, Flight and Barr must have known that Billingsley was fleeing from his creditors and managed to engage him as a painter for little more than the wages of a common hand. Following his arrival in 1808, Billingsley probably painted flowers for the next two years, before he turned his attention to the improvement of the kilns and developing a new porcelain body. During this time, he appears to have been a prolific painter of table services but was allowed very little freedom to work on cabinet pieces such as this luxurious cup and saucer.For further information on this lot please visit Bonhams.com
A Royal Worcester miniature 'Painted Fruit' tea and coffee service, circa 1950Comprising a coffee pot and cover, teapot and cover, milk jug, sugar bowl, two cups and saucers and two cake plates, painted with autumn fruits on mossy grounds, handles, spouts and rims all fully gilt, signed by various artist including William (Bill) Roberts, John Freeman and Leighton Maybury, coffee pot 12.5cm high, printed black marks (12)For further information on this lot please visit Bonhams.com
Two Royal Worcester 'Painted Fruit' vases and covers by John Reed and Bernard Schwarz, circa 1965-75Of slender ovoid form, the feet, covers and high scrolled handles picked out in gold, painted with ripe fruit on mossy grounds, the reverse with sprigs of berries on a cream ground, signed 'J Reed' and 'B A Schwarz', 32.3cm high, printed black marks, shape number 2710 (4)For further information on this lot please visit Bonhams.com
Two Royal Worcester 'Painted Fruit' vases and covers by Brian Leaman, circa 1970The larger quatrelobed pot pourri vase with a pierced cover, the second ovoid vase with gilt handles, both painted with autumn fruits on a mossy ground, signed 'Leaman', 19cm high and 17.5cm high, shape numbers H169B and 2701/2, printed black marks (4)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' teapot and cover by John Smith, circa 1970Of generous size, fully painted with autumn fruits on a mossy ground, between a gold gadrooned rim and foot, the handle and spout similarly gilt, the cover with a stylised flower finial, signed 'J Smith', 15.5cm high, printed black marks (2)For further information on this lot please visit Bonhams.com
A pair of Royal Worcester vases by Harry Davis, dated 1913Of globular from, the nozzle-shaped necks picked out in bronze, green and gold, painted with highland sheep standing amongst the heather in misty, mountainous landscapes, each reverse with a vignette of a rocky outcrop, signed 'H Davis', 15.5cm high, shape number F123/H, puce marks (2)For further information on this lot please visit Bonhams.com
A Barr, Flight and Barr Worcester coffee can and saucer, circa 1805Painted with octagonal gilt-edged panels of naturalistic colourful feather, on a 'Barr's Orange' ground highlighted with an unusual geometric gold border including leopards' heads and Greek key design, saucer 13cm diam, incised B marks, script marks referring to Coventry Street address and Royal Patronage (2)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com
A large Royal Worcester 'Painted Fruit' dish by Jason Bowman, late 20th centuryOf shallow form, the gold gadrooned rim incorporating scrollwork handles, fully painted with autumnal fruits including cherries and a ripe peach on a mossy ground, signed 'J Bowman', 36.8cm wide, printed black markFor further information on this lot please visit Bonhams.com
A pair of Royal Worcester 'Painted Fruit' pot pourri vases and covers by Brian Leaman, circa 1970Of globular form, the lower sections moulded with basketweave picked out in gold, the pierced outer covers with pointed finials, the shallow inner covers with button finials, painted all around with autumn fruits set against mossy grounds, signed 'Leaman', 19.5cm high, shape number 1286, printed black marks (6)For further information on this lot please visit Bonhams.com
A fine Royal Worcester reticulated vase by George Owen, dated 1918Of Persian shape, the tapering body intricately pierced with bands of honeycomb and geometric design, picked out with raised gilt dots, the slender neck with pierced panels above a band of white 'pearls' and delicate gilding, the rim, 'wishbone' handles and circular foot also elaborately pierced and gilded, 15cm high, printed mark in gold, incised signature 'G Owen', gilder's number 61Footnotes:The intricacy of George Owen's piercing on porcelain is astonishing and the aesthetic appeal is matched by the joy in handling something so feather-light. Owen had a special arrangement with the Royal Worcester factory in which his pieces were sold to them individually, before they were gilded and then sold on often many years later, see John Sandon, Investigating George Owen: The Lydia Starr Collection, Ars Ceramica, No.24 (2008), pp.14-5. A vase of identical shape by Owen dated 1919 was in the Starr Collection.For further information on this lot please visit Bonhams.com
Nine Royal Worcester 'Painted Fruit' plates, circa 1950-70Of large size, the shaped gadrooned rims picked out in gold, fully painted with a variety of ripe autumn fruits including berries, pears and apples on leafy mossy grounds, by various artists, signed by Harry (Tim) Ayrton, John Freeman, Peter Love, John Smith and Alan Telford, 27cm diam, printed black marks (9)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' vase and cover by William Ricketts, dated 1911Of globular form, the twin handles with mask terminals, the round foot raised on a square plinth, painted with autumn fruits including pears and grapes on a mossy ground, the reverse with an apple blossom sprig, within moulded and richly gilded borders, signed 'Ricketts', 20.2cm high, puce printed mark, shape number 2363 (2)For further information on this lot please visit Bonhams.com
A pair of Royal Worcester vases and covers by Harry Davis, dated 1931 and 1932Of ovoid shape with satyr mask handles, modelled drapery and scrollwork in ivory and gold below the pierced neck, printed in outline and hand-coloured with titled views of 'Oystermouth Castle' and 'Barnard Castle', the reverses painted with rocky outcrops, signed 'H Davis', 44cm high, shape number 1407, printed puce and 'H S' mark, titles in brown script (4)For further information on this lot please visit Bonhams.com
A pair of Royal Worcester 'Painted Fruit' vases by William Roberts, circa 1960Of cylindrical form with pierced gallery rims and four scroll feet picked out in gold, painted all around with fruit including peaches and cherries on mossy grounds, signed 'Roberts', 14.3cm high, printed black marks, shape number G42 (2)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' vase by John Freeman, circa 1970Of elegant classical form, the neck, foot and scrolled handles picked out in gold and bronze, painted with peaches and grapes on a mossy ground, the reverse with a spray of cherries on a cream ground, signed 'Freeman', 31cm high, printed black mark, shape number 1969For further information on this lot please visit Bonhams.com
A Flight Worcester dessert dish from the Duke of Clarence service, circa 1789 Of oval, scalloped form, painted and gilt with the royal arms of the Duke of Clarence between oak and laurel sprigs hung with the Order of St Andrew, the elaborate border of entwined blue and green ribbon enclosing the Orders of the Garter, St Andrew and the Thistle and St George slaying the dragon, interspersed with sprigs of roses and thistles, 28.6cm wide, marked 'Flight' with crown and crescent in underglaze blue Footnotes: Provenance Bonhams, 2 December 2009, lot 206 Charles Dawson Collection For a discussion of this Royal service, see the footnote to lot 432 in this sale. For further information on this lot please visit Bonhams.com
Three Royal Worcester 'Painted Fruit' vases and covers by Brian Leaman and Bernard Schwarz, circa 1965-70Of ovoid form, the covers, handles and feet all fully gilt, the central vase painted all around with autumn fruits on a mossy ground, the pair with a vignette of berries or grapes on a cream ground to the reverse, signed 'Leaman' and 'B J Schwarz', 20.5cm high, shape number 2701/1, printed black marks (6)For further information on this lot please visit Bonhams.com
A Barr, Flight and Barr Worcester teacup and a saucer circa 1805Painted with octagonal gilt-edged panels of shells, coral and seaweed against a shaded background, reserved on a ground simulating veined grey marble, saucer 13.4cm diam, incised B marks, saucer also with script mark for BFB and F&B referring to Coventry Street address and Royal patronage (2)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com
A pair of Royal Worcester 'Painted Fruit' comports or cake stands by John Freeman, circa 1960The wavy gadrooned rims and moulded feet picked out in gold, painted with autumnal fruits and leaves on mossy grounds, a classical gilt border at the top of each stem, signed 'Freeman', 22.4cm diam, 12.5cm high, printed black marks (2)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' milk jug and sugar bowl by Robert Price and Brian Leaman, circa 1975-80Painted with autumn fruits and berries on a mossy ground, the gadrooned rims and handle fully gilt, with gold interiors, signed 'R Price' and 'Leaman', bowl 11.5cm diam, printed black marks (2)For further information on this lot please visit Bonhams.com
A Barr, Flight and Barr Worcester teacup and saucer, circa 1805Painted with still-life panels of shells, coral and seaweed on shaded grey backgrounds, the gilt-edged scenes reserved on a handsome black marbled ground, saucer 14cm diam, incised B marks, saucer also with script mark for BFB and F&B referring to Coventry Street address and Royal patronage (2)Footnotes:ProvenanceCharles Dawson CollectionAn inkwell with the same ground and a very closely related shell panel from the Lord and Lady Flight Collection was sold by Bonhams on 22 November 2022, lot 432.For further information on this lot please visit Bonhams.com
Seven Royal Worcester 'Painted Fruit' cups and saucers, late 20th centuryRichly painted with autumn fruits against mossy grounds, the gadrooned rims picked out in gold, the wells of the saucers, handles and interiors of the cups also fully gilt, the paintings signed by John Reed, Nigel Creed, John Cook, Richard Lewis, Robert Price and Brian Leaman, saucers 15.5cm diam, printed black marks (14)For further information on this lot please visit Bonhams.com

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129938 item(s)/page