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Lot 452
A 'ROYAL VIENNA' ART NOUVEAU STYLE FIGURE OF A MAIDEN AND FOUR OTHER CERAMIC ITEMS, the Royal Vienna figure painted and impressed no.4327, cracked through the base and chips to ends of hair, printed, painted and impressed marks, height 42cm, together with a Royal Worcester Kingfisher, no.2666, height 15cm, a Beswick Stag lying, model no.954, with a glued repair to the base of one set of antlers and a pair of early 20th century Continental figures of a lady and gentleman, both damaged, height 16cm (5) (Condition report: damage is mentioned within the description)
Lot 458
A GROUP OF MASONS, AYNSLEY AND OTHER GIFTWARE, including a Masons table lamp with shade, a Spode Italian (pink) biscuit barrel and cover, a Masons Blue Mandalay dinner plate, an Aynsley 'Wild Tudor' baluster vase, height 25.5cm, a boxed Royal Worcester 'Fruit Basket' pattern cake platter and separately boxed server, five Royal Albert collectors plates, etc (Qty) (Condition report: majority of items are in good condition)
Lot 542
A GROUP OF CERAMICS AND A CANDLE HOLDER, to include a boxed Wedgwood Refractions triple candle holder height 25cm, a Royal Albert Flowers of the Month November: Chrysanthemum teacup and saucer, a Royal Worcester Mosaic teapot, a Portmeirion Heritage collection Parianware planter, a Sylvac Totem coffee pot 4202, a Wedgwood Aphrodite trio, mug and covered sugar bowl, a Royal Worcester Rosemary soup bowl and saucer, a pair of Fern Leaf pattern mugs and a gold lustre teapot, cream jug and sugar bowl, a Sylvac bunny and mushroom wall pocket, a boxed set of Royal Worcester Christmas place mats, etc (Condition report: pieces appear in good condition, sd) (Qty)
Lot 552
THIRTY EIGHT PIECES OF ROYAL WORCESTER EVESHAM OVEN TO TABLE WARES, comprising two oval tureens, a roasting dish, a meat plate, an hors oeuvres dish, two oval serving dishes largest approximately 41cm x 25cm, a rectangular serving dish, five napkins, two teapots, six mugs, a milk jug, five breakfast cups, seven assorted saucers, and four tea plates (Condition report: generally in good condition with some wear to gilding and signs of moderate use, requires cleaning) (38)
Lot 564
A TWENTY SEVEN PIECE ROYAL WORCESTER EVESHAM DINNER SERVICE, comprising two oval tureens, a scalloped serving dish, a meat plate, a small narrow serving dish, salt and pepper pots, two ramekins, six dinner plates, six side plates, and six dessert plates, backstamps vary (Condition: one dinner plate is chipped, generally good with signs of light use, a little wear to pattern and gilding on some pieces, require cleaning) (27)
Lot 642
A BOX AND LOOSE CERAMICS AND SUNDRY ITEMS, to include a Royal Worcester jug, shape no 1094, date cypher 1906, height 14cm (hairline crack), a Royal Worcester textured cream jug and sugar bowl shape no 340 (sd), a Royal Doulton Monday's Child figurine, a group of Nao ducklings, a Border Fine Arts Peter Rabbit money box (small chip), a Panasonic Lumix FZ38 with Leica lens (sd), vintage tobacco tins and medicine bottles, etc (sd) (1 BOX + LOOSE)
Lot 667
TWO BOXES OF CERAMICS AND GLASS ETC, to include eight vintage Poole pottery cups, saucers and side plates, Poole Dolphin ornament, Wedgwood trinket boxes and urn, Russian cat sculpture, modern chinese ginger jar lacking it's lid, Buckingham Palace 1995 mug, faux tortoise shell candlesticks, Royal Worcester Wild Harvest bowl, treacle glazed coaching tankard, vintage wall mirror etc
Lot 683
THREE BOXES AND LOOSE CERAMICS, CUE, PICTURES AND SUNDRY ITEMS, to include two Aynsley Little Sweetheart trinket pots in the forms of tortoises, a miniature mottoware Gemma porcelain part tea set, a Royal Worcester Astley pattern egg coddler, various trinket pots including Royal Adderley Floral, Villeroy & Boch Chintz and Royal Doulton Mystic Dawn, a Power Glide International Cue, a packaged Holkham Pottery Moo the Milk Saver, fourteen small framed pictures largest 50cm x 39.5cm, etc (sd) (3 BOXES)
Lot 692
A GROUP OF CERAMICS, to include seven Sadler teapots featuring Bonny Prince Charlie, Robin Hood, A Christmas Carol, Sir Lancelot, Henry VIII and his wives, the Duke of Wellington and soldiers of Waterloo and Elizabeth I, seven pieces of Palissy Game Series dinnerwares including a meat plate, two Crown Ducal teacups and saucers, seven Royal Worcester/Yorkshire Television The Darling Buds of May collectors plates, etc (Condition report: pieces appear in good condition) (31)
Lot 711
TWO ROYAL WORCESTER CABINET PLATES, printed and painted cottage scenes to the centres, borderd by cobalt blue rims overlaid with gilt, signed R. Rushton, dated 1919 with puce backstamps, approximate diameter 26.5cm, condition: no chips, cracks or restoration, one plate has a scratch to the back of the rim
Lot 792
A BOX AND LOOSE CERAMICS AND GLASSWARE, two small pieces of modern Royal Worcester fruit painted porcelain Royal Worcester comprising a circular pin dish and oval posy vase, both indistinctly signed but probably Roberts, height of vase 6.5cm, together with a Royal Stafford 'Roses to Remember' tea pot, a Wade tortoise box and cover, a Minton Marlow pattern circular shallow dish, two Harvey Knox cat figures, both with damage to ears, boxed Royal Doulton vase and bowl, a Stuart Crystal vesta holder on saucer base, etc (Qty) (Condition report: the two Worcester pieces are both in good condition, other pieces are in mixed condition, some specific damage is mentioned within the description for listed items)
Lot 240
ARTIST: William Oliver (French, English, 1823 - 1901)NAME: Mother and ChildMEDIUM: oil on canvasCONDITION: Minor craquelure. Few small scattered inpaitings mostly along left and bottom edge. Some damages to frame.SIGHT SIZE: 12 1/2 x 10 1/2 inches / 33 x 27 cmFRAME SIZE: 21 x 19 inches / 53 x 48 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120938US Shipping $60 + insurance.BIOGRAPHY:William Oliver Williams was an English figurative and genre artist based in London who specialised in paintings of young women. He used the professional name William Oliver. He has sometimes been mistakenly referred to as 'William Oliver the Younger' or 'William Oliver II'.Oliver was born in Worcester in 1823, the son of the surgeon William Williams and his wife Jane (maiden name Oliver).Oliver was enrolled (as William Oliver Williams) as a Probationer at the Royal Academy Schools of the Royal Academy of Arts on 18 July 1848 (recommended by Thomas Clark (sic) from Birmingham) and as a student on 16 December 1848. The Schools' register, and other sources, indicate that he also worked at the Government School of Design, Birmingham (see Birmingham School of Art), where he was the assistant master (1849-1851) and the headmaster was Thomas Clarke (1846-1851). Whilst a student at the Royal Academy, he won 1st prize for his drawing from the antique in 1851 in the annual Premiums.During the early part of Oliver's career he added his surname when signing his works. This was seen with his two works exhibited at the British Institution in 1851 and 1852. He also used the name William Oliver Williams when he exhibited six paintings between 1858 and 1863 at the Royal Academy of Arts. In 1858 the first of two paintings was titled Portrait of a gentleman while the second was Rev. B.H. Kennedy, President of the School of Art, Shrewsbury. At this time Oliver had a Shrewsbury address, possibly suggesting that he worked at the local school of art. The final painting in 1863 was titled Crossing the ford.In the early 1850s, Oliver received a commission from the Arundel Society to tour Northern Italy and make drawings and watercolours of the classical masterpieces in the churches and galleries. His full name was first mentioned (as 'a young artist from the Royal Academy Schools') in the Society's fourth annual report in 1853. His task was to make drawings of Giotto's fresco in the Arena Chapel in Padua (see Scrovegni Chapel). Engravings were then made from these drawings. He therefore played a key role in producing one of the Arundel Society's most important early publications. Copies of the book of the engravings are in both the collections of the Royal Academy and the Royal Collection Trust.Sixteen watercolours which Oliver is thought to have painted for the Arundel Society are recorded to have survived. In 1978, they were held in the Fine Art Department of the University of Leeds. More recently, three examples of these chiaroscuro watercolours have been reported to be held by the Victoria and Albert Museum Oliver also painted a number of additional watercolours derived from the Padua frescos, which he sold and which were owned privately in 1978. They have been described as 'highly finished and beautifully executed' and Oliver was described as 'a careful draughtsman and skilful water-colourist'. His watercolours were displayed by the Arundel Society at the Crystal Palace, Sydenham in 1855-6, and were praised by Dante Gabriel Rossetti.After recovering from bankruptcy in 1863, by the late 1860s he was based in London and had adopted his more well-known professional name which he used thereafter. He continued to exhibit at the Royal Academy of Arts and British Institution (Tryste) in 1867, and at the Society of British Artists (The First Letter) in 1868. Subsequently, he also exhibited at the Walker Art Gallery Liverpool, Manchester Art Gallery, Royal Birmingham Society of Artists and Royal Glasgow Institute of the Fine Arts. His favoured exhibition venue was the Royal Academy of Arts. He exhibited 15 more works there starting with A thing of beauty is a joy for ever and Forget me not in 1867, and finishing with Mrs Oliver Williams in 1897. It is recorded that at least one of his paintings had sold in one of the major auction galleries for more than ВЈ100 during the 1970-1975 period.His works mainly depicted figures of young women and pretty girls, or an attractive woman sometimes in Greek or Roman costume. Oliver's paintings were popular at the time and prints were made in response to demand. This popularity is reflected in the fact that 33 of his paintings are exhibited in public museums and galleries throughout the United Kingdom, as seen on the Art UK web site. There is one of Oliver's oil paintings in the Royal Collection. It is titled Jack's Letter and is signed and dated 1881. It was presented by Mr and Mrs E. Johnson as a wedding present to the Duke and Duchess of York, 6 July 1893.Oliver's paintings are still available from dealers and at auctions. Examples of high recent auction prices for his paintings are ВЈ4,320 for The letter at Bonhams on 21 June 2011 and ВЈ5000 for Reclining Beauty at Christie's on 11 March 2015.
Lot 172
An extensive Royal Worcester tea, coffee and dinner service, in the Royal Garden pattern, having printed red mark verso and dated 1969, the whole decorated with pink and white cabbage roses, to include dinner plates, meat plates, tureens etcMinor marks to gilding.no apparent breaks, chips or repairs. Appears very lightly used.
Lot 222
An early 20th century Royal Worcester leadless glaze vase of twin handled baluster form, the central reserve hand painted with flowers within turquoise and blue C-scrolling borders, all heightened in gilt having printed mark verso, registration No. 343445 shaped No. 2059, height 31cmVery light rubbing to gilding.Fine crazing to base and back.Grubby.Otherwise no apparent damage or restoration.
Lot 251
A Royal Worcester figure 'Friday's Child is Loving and Giving' numbered 3523 and printed black mark verso, height 15cm, together with two Coalport figurines 'Clare' and 'Caroline',a Hereford Fine China limited Woodlands Collection figure of 'Friday's Child', and one other continental porcelain figure (5)Worcester Friday’s Child – bird is missing tail.
Lot 122
Pair of Meissen onion pattern fruit dishes with pierced borders, 22 cm diam to/w six similar tea cups and an outsize tea cup, lot also includes three Victorian Royal Worcester blue-ground cabinet plates painted with Giles-type exotic birds and gilded, and a Pratt pottery mug printed with chinoiserie ladies (box)Pratt pottery mug has chips to base and losses to glazed decoration. One of the Worcester plates has a hairline crack, but otherwise ok. One of the Meissen cups has a hairline crack, but otherwise ok. The marks are ok
Lot 296
A Villeroy & Boch pottery dinner service in the Basket pattern, including tureen and cover, soup bowls, sauceboat dinner plates, side plates cups and saucers etc, together with a Royal Worcester Chelsea pattern part dinner service, cut crystal including Royal Brierly, Coalport, Royal Doulton Bramley Hedge etc (one shelf and 3 boxes)
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129940 item(s)/page