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Lot 330
Selection of china together with a copy of 'Swansea Porcelain', W D John, china to include: 3 Gaudy Welsh Tulip pattern plates, hand painted florally decorated cup and saucer, 'Porcelaine Royale' oval florally decorated bowl, 4 Art Deco Shelley 'Apple Blossom' square tea plates and a Shelley 'Wild Flowers' sugar bowl, white Wedgwood espresso cup and saucer, 2 Royal Worcester 'Herbs' plates, white basalt figurine, Foley china 'Ming Rose' lidded marmalade jar, 2 Shelley Lucy Atwell cups etc. (3) (B.P. 21% + VAT)
Lot 346
Varied tray containing Royal Albert 'Old Country Roses' vase, 2 Portmeirion 'Botanic Garden' lidded jars, Mason's 'Mandalay Red' planter, Windsor china milk jug and sugar basin, Wedgwood 'Kutani Crane' pin dish and Royal Worcester 'Medici' plates and bowls with blue and gilt rims. (B.P. 21% + VAT)
Lot 1568
ROYAL WORCESTER & RONALD VAN RUYCKEVELT MALVERN STUDIO; a group of five gilt bronze and porcelain flower displays, the largest 43.5cm.Additional InformationOne is slightly loose to the base, one has a flower head detached but the flower head is present. Two have petals missing broken but the petals are present. There are a few small chips as you might imagine to the tips of the petals.
Lot 1569
ROYAL WORCESTER; a collection of twelve 'Month of the Year' figures by F. G. Doughty, January through to December, with a Royal Worcester figure of 'Monday's Child' and a Minton figure of 'Sea Breezes' (14).Additional InformationJuly with a slight firing crack to the underside of the base - this is only small and does not affect the upright parts of the figure. July and August are variations of the same figure, but one is marked for 'July' and one is marked for 'August'. The figure of November has a glue repaired break to one of the wings of the bird and the head of the figure has also been broken and glue repaired. February figure with a hairline crack to the base.
Lot 1571
ROYAL WORCESTER; a porcelain figures 'Tuesdays Child is full of Grace', black printed marks to base, no.3258, height 22.5cm (af), and a Grainger's Worcester ivory ground gilt floral and leaf applied squat vase, printed marks to base, height 10cm (2).Additional InformationThe figure has the tip of her right thumb missing, light surface wear throughout. The vase has a minute chip to the rim and some light rubbing to the gilding.
Lot 1598
ROYAL WORCESTER; a blush ivory shell shaped bowl, with floral decoration, numbered 1424 to the underside, diameter 21.5cm, together with a similar bud vase, height 17cm, and potpourri cover, height 6cm (3).Additional InformationThe shell shaped with an area of restoration to the rim, as stated it is just a potpourri cover, it is unmarked but is almost certainly Royal Worcester, it looks as though the finial has been broken off and regilded, wear to the gilding, light scratches and scuffs to each.
Lot 1632
ROYAL WORCESTER; a pair of vases decorated with roses, height 15cm, with a pair of 19th century figural candlesticks modelled as cherubs, a Davenport vase hand painted with a landscape, and five other items. Additional InformationThe pair of Worcester vases are broken and repaired/restored to the necks. The flat back jug is broken and repaired. The Davenport vase has a chip to the rim and has some restoration to the base. The blue Worcester vase with a chip to the rim, a hairline crack and losses to the horns of the handles, and losses to the other horns on the handles. Overall, items tired.
Lot 1637
ROYAL WORCESTER; a cased six setting coffee set comprising six coffee cans and six saucers, each with tinted printed decoration of exotic birds, black printed marks.Additional InformationOne of the saucers has identical decoration but is associated, it has a different mark and is very slightly smaller. This saucer is very slightly stained. The remainder are ok.
Lot 1639
ROYAL WORCESTER; a cased six setting coffee set with gilt heightening on a puce ground, printed to the reverse and sold with six hallmarked silver coffee spoons, Sheffield 1933.Additional InformationOne of the cups has a chip in it, all six cups are stained, three of which are very badly stained. Some light rubbing to the gilding, tarnishing and toning to the spoons.
Lot 1656
J SMITH FOR ROYAL WORCESTER; a hand painted potpourri and cover decorated with fruit, signed to rim, black mark to the underside, complete with internal cover, height 25cm.Additional InformationLight wear to the gilding. Very small scratch to the body, just above the left of one of the apples.
Lot 1657
ROYAL WORCESTER; two blush ivory jugs including a flatback example, each with floral decoration and puce factory marks to the underside, height of largest 15cm (2).Additional InformationThe example with the antler handle: the handle has been broken off and crudely glued, wear to the gilding. Light wear to the gilding.
Lot 1758
ROYAL WORCESTER; a limited edition candle snuffer modelled as Sir Winston Churchill, numbered 103/500, height 9cm, with a Goviers of Sidmouth bone china candle snuffer of Winston Churchill, numbered 42/100, a Halcyon Days limited edition enamel box for the centenary of Churchill, numbered 324/500, a Halcyon Days box and cover modelled as a bust of Churchill, numbered 128/150, with two white metal figures of Winston Churchill, and two other items. Additional InformationBoth of the busts are in good condition. The Halcyon Days items are OK, perhaps some minor rubbing to the gilding on the bust. The bust does not have a box, but the oval box does have an outer box which is scuffed and has some marks.
Lot 1201
A PAIR OF ROYAL WORCESTER VASES (2)Circa 1903Cylindrical with pierced rims, each painted by James Stinton, signed, with a pheasant on the ground and in flight, printed marks, shape 42/G, 15cm highOne vase with glued repairs to the pierced rim and three small chips to the rim. Each vase with some wear to the gilding
Lot 1249
AN UNUSUAL CARDBOARD RECTANGULAR SPECIMEN BOX AND COVERMid 19th centuryThe cover printed with a titled view, `The Royal Porcelain Works Worcester', the sides with floral prints, the interior with six compartments containing examples of materials used in the manufacture of porcelain and stone china at the Worcester factory, the inside of the lid with a printed explanation and naming `Kerr Binns & Co. Proprietors', 11.5cm wideSome losses around the edges. Base has been glued. The cover with some staining to the print and some wear to the gilding around the border
Lot 1252
A ROYAL WORCESTER FOX (2)Circa 1951Modelled by Doris Lindner, seated with alert expression, black printed mark, model 2993, 19cm high; and a Royal Worcester ewer, circa 1901, decorated with thistles and flower, green printed mark, shape 1260, 22cm highThe fox is in good condition with no crazing or hairline cracks to the glazing. The ewer with minor typical wear to the gilding.
Lot 276
A Lund's Bristol or early Worcester high-footed sauceboat, circa 1751-52Of generous size with a pronounced lip and undulating rim, the handle with a leaf-moulded thumbrest picked out in green, the body embossed with cornucopias of flowers and fruit forming festoons hung from ribbon bows, a shell motif and a curious fish, the relief moulding picked out in enamel colours, further drapery festoons embossed and painted around the pedestal foot, the interior painted with flowering plants around the border and within the base, the rim edged with a brown line, 22cm longFootnotes:Much has been written about an important group of sauceboats made both in Bristol and in Worcester during the first year or two of the factory's production. Some examples are marked 'Bristol' in relief and these correspond to the items described by Dr Pococke when he visited Lund's Bristol factory and noted 'beautiful white sauceboats adorned with reliefs of festoons' selling for 16 shillings a pair. Sauceboats moulded with bows and floral garlands occur with two very different handle forms. A few have remained 'in the white', although most have the moulded decoration picked out in enamel colours. It is difficult to determine where the enamelling was carried out. Some are believed to have been manufactured at Bristol with the enamelling added slightly later, perhaps at Worcester or in London. Others may have been made and decorated at Worcester using moulds brought up the River Severn from Bristol. Most recently Ray Jones has attempted a classification of different Lund's Bristol and early Worcester sauceboat types in his book, The Origins of Worcester Porcelain (2018), pp.376-8. He observes that none of the festooned boats with the present handle form are known with an embossed Bristol mark. An example very similar to the present lot was in the R David Butti Collection, sold by Bonhams on 10 May 2006, lot 1. This is illustrated by Nicholas Panes, British Porcelain Sauceboats (2009), fig.174 where the author suggests this is London decoration on Lund's Bristol porcelain. Another on loan to Bristol Museum and Art Gallery is illustrated by Simon Spero, The A J Smith Collection (2006), fig.44 with an attribution to very early Worcester. Other similar sauceboats are in the Klepser Collection, the H Rissik Marshall Collection and in the Museum of Royal Worcester.For further information on this lot please visit Bonhams.com
Lot 549
A group of Worcester porcelains, circa 1800-25Comprising a Flight, Barr and Barr rosewater sprinkler and stopper finely painted with feathers on a white ground, 10.5cm high, and a coffee bowl or zarf printed in outline and hand coloured with portraits of 'Fatteh Ali Shah, King of Persia' and 'Abbas Mirza, Prince Royal of Persia', reserved on a green ground, 6.5cm high, both with script marks, together with a Barr, Flight and Barr breakfast cup and saucer with gilded vermiculé grounds reserving a coronet and gilt monogram 'MJ', saucer 25.7cm diam, impressed marks (5)For further information on this lot please visit Bonhams.com
Lot 573
An impressive pair of Royal Worcester vases and covers by James Stinton, dated 1903Of ovoid shape, with twin high scrolled handles and raised on a plinth foot, the shoulders ornately modelled with masks and drapery picked out in 'blush ivory' and gold, the bodies fully painted with pheasants emerging from woodland, signed 'JAS STINTON', 50.5cm high, puce printed marks, shape number 1398 (4)Footnotes:Painted soon after his arrival from the Grainger factory, these are exceptional examples of James Stinton's painting on a scale rarely seen on Worcester vases. Even the reverse panels are fully painted in an Impressionistic manner.For further information on this lot please visit Bonhams.com
Lot 574
A Royal Worcester vase by John Stinton, dated 1907Of slender ovoid form, painted with two highland cattle standing on a grassy mountainside, the mist rolling down from the peaks in the distance, a rocky outcrop to the reverse, signed 'John Stinton', 21.2cm high, green printed mark, shape number 962For further information on this lot please visit Bonhams.com
Lot 575
A Royal Worcester vase by Harry Stinton, dated 1919The compressed ovoid body painted with two Highland cattle standing amongst long grass and heather, misty mountains behind, the reverse with a rocky outcrop, the flared rim and twin handles with foliate ornament picked out in green and gold, signed 'H Stinton', 23.2cm high, puce printed mark, shape number 2249For further information on this lot please visit Bonhams.com
Lot 576
A Royal Worcester pâte-sur-pâte vase by William Pointon, circa 1875-80Ovoid with gilded false-ring handles on the shoulders, decorated in white relief on a celadon green ground with a heron by a pool edged with aquatic plants, signed with initials 'WP', the reverse with bulrushes, 25.5cm high, embossed factory markFootnotes:Royal Worcester pâte-sur-pâte by William Pointon is discussed by Bernard Bumpus, Pâte-sur-Pâte (1992), p167. Pointon probably taught the technique to Charles Noke who later went to Doulton.For further information on this lot please visit Bonhams.com
Lot 578
A Royal Worcester reticulated vase by George Owen, dated 1910The ovoid body intricately pierced with bands of honeycomb and geometric design, further piercing to the slender neck just below the flared rim and to the handles, 16.2cm high, incised signature 'G Owen', printed factory mark and shape number 850 in goldFootnotes:ProvenanceSotheby's, 14 March 1991, lot 2644The intricacy of George Owen's piercing on porcelain is frankly astonishing and the aesthetic appeal is matched by the joy in handling something so feather-light.For further information on this lot please visit Bonhams.com
Lot 579
Six Royal Worcester 'Painted Fruit' teacups and saucers, circa 1975Painted with autumn fruits against a mossy ground, the cups with solid gilt interiors, handles and gadrooned rims and feet, the saucers also with gold centres and lobed gadrooned rims, signed 'N Bunegar', 'A Kendry', 'S Drysdale' and 'L K Till', saucers 15.3cm diam, black printed marks (12)For further information on this lot please visit Bonhams.com
Lot 580
A Royal Worcester 'Painted Fruit' teapot and cover by Terry Nutt, circa 1975Of generous size, fully painted with autumn fruits on a mossy ground, between a gilt gadrooned rim and foot, the handle and spout similarly gilt, the cover with a stylised flower finial, signed 'T Nutt', 15.2cm high, black printed marks (2)For further information on this lot please visit Bonhams.com
Lot 583
Six Royal Worcester 'Painted Fruit' coffee cups and saucers, circa 1975Painted with autumn fruits against mossy grounds, the cups with solid gilt interiors, handles and gadrooned rims, the saucers also with gold centres and lobed gadrooned rims, signed 'L K Till', 'J Skerrett', 'B Cox', 'A Kendry' and 'S Drysdale', saucers 11.4cm diam, black printed marks (12)For further information on this lot please visit Bonhams.com
Lot 585
A large Royal Worcester 'Painted Fruit' pot pourri vase and two covers by Harry Ayrton, circa 1960Of ovoid from, the moulded shoulder and circular foot richly gilded, the crown-shaped outer cover pierced and also picked out in gold, the body fully painted with autumn fruits including peaches, pears, grapes and berries amongst leaves on a mossy ground, signed 'H. Ayrton', 34cm high, black printed mark, shape number 2048 (3)For further information on this lot please visit Bonhams.com
Lot 587
A pair of Royal Worcester 'Painted Fruit' plates by John Freeman, circa 1960Fully painted with ripe fruits including peaches, plums and cherries against a leafy, mossy ground, the gadrooned rims richly gilt, signed 'Freeman', 23.8cm diam, black printed marks (2)For further information on this lot please visit Bonhams.com
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129934 item(s)/page