A Chamberlain Worcester chocolate cup, cover and stand, circa 1810Of tapering cylindrical form, with twin ring handles, the cover with a loop finial, finely painted with all manner of colourful feathers between borders of gold beads, with gilt rims, stand 13.3cm diam, script Chamberlains Worcester marks with Royal patronages (3)Footnotes:In the Chamberlain factory archives, '1 chocolate complete, feathers, gold bead £2 12s. 6d' was entered in July 1811. See Geoffrey Godden, Chamberlain-Worcester Porcelain (1982), p.234.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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A Royal Worcester vase and cover by Charley Baldwyn, dated 1900Of urn shape, the elaborate scroll handles with mask terminals, painted with four swans in flight on a sky-blue ground, the reverse with a swallow heightened with gilding, moulded detail picked out in orange, green, bronze and gold, signed 'BALDWYN', 27cm high, green printed mark, shape number 1572 (2)Footnotes:This shape was issued in two sizes, the present lot being the larger of the two. A smaller vase also painted with swans by Baldwyn was sold by Bonhams Sydney on 18 November 2012, lot 261.For further information on this lot please visit Bonhams.com
A pair of Royal Worcester ewer vases by Edward Salter, dated 1899 and 1900With ovoid bodies in a rich claret ground and delicately moulded necks and feet shaded in celadon-green and gold, decorated in raised paste gilding heightened in enamel with Australasian birds, one ewer with parakeets, the other with birds of paradise, the flowering vegetation repeated on the reverse, 30.5cm high, factory marks in black with date codes, shape no.2055 (2)Footnotes:Edward (or Edwin) Salter is best known as a painter at Royal Worcester, but he was also an accomplished gilder. He specialised in landscapes but also excelled at fish and bird subjects. As a gilder, Salter mastered the difficult technique of raised paste decoration, using a thick enamel underlay to give his gilding a three-dimensional texture. In addition, he applied delicate enamelling on top of the textured gold. A vase signed by E Salter with bird decoration in tooled gold, made in 1898 and closely related to the present ewers, was sold by Bonhams in Edinburgh 7/8 July 2010, lot 587. The same technique was used on a masterpiece by George Owen and Edward Salter sold by Bonhams on 12 November 2014, lot 138.For further information on this lot please visit Bonhams.com
Two Royal Worcester 'Painted Fruit' plates by Richard Sebright, circa 1934Their centres finely painted with ripe fruit and blossom on a mossy ground, the smaller example dated 1934, with a shaped rim, the green border heightened with gilding, 22.4cm diam, puce printed mark, inscribed 'specially painted for Mr J Bolton May 1935', the larger with a black border heighted with elaborate gilding, signed 'R SEBRIGHT', 26.5cm diam, gold printed mark (2)For further information on this lot please visit Bonhams.com
A Royal Worcester plate by Harry Davis, dated 1935 and two plates by James Stinton, dated 1903 and 1911Fully painted with a titled view of 'Rock Garden, Sandringham', irises growing by a pond under the shade of nearby trees, signed 'H DAVIS', 27.5cm diam, the two smaller plates painted with pheasants, signed 'Jas Stinton', with a gilt border 23.2cm diam, and a moulded deep blue border, heightened with gold, 21.8cm diam, puce and green printed marks (3)For further information on this lot please visit Bonhams.com
Four Royal Worcester vases, dated 1906-38Painted with sprays of Hadley-style pink and yellow roses and richly gilded, one with a pierced neck and cover with pointed finial, another of boat shape with high twin-handles, signed by Reginald Austin, and two slender beaker vases, one with roses by Milicent Hunt, the other with blackberries by Kitty Blake, both signed, the tallest 19cm high, green and puce printed marks (5)For further information on this lot please visit Bonhams.com
Five Royal Worcester 'Painted Fruit' plates, circa 1929-60Fully painted with autumnal fruits upon mossy grounds, two large plates with gilt gadrooned rims, by John Freeman and John Smith, 27.2cm diam, three smaller plates by J Cook, John Freeman and Hilda Everett, all signed, 15.4cm-20.2cm diam, puce and black printed marks (5)Footnotes:For most of the twentieth century Royal Worcester regarded fruit painting as senior work, and therefore pieces awaiting decoration were only handed to the men painters. Hilda Everett was only called upon to paint fruit when the department was overrun with orders, and even then, she was supposed to sign with a pseudonym. This plate, signed with her own name, shows how she was just as capable as any of her male counterparts.For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' coffee pot and cover by Paul Stanley, circa 1975Of tall baluster form, fully painted with autumn fruits on a mossy ground, between a gilt gadrooned rim and foot, the handle and spout similarly gilt, the cover with a stylised flower finial, signed 'P. Stanley', 19.7cm high, black printed mark (2)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' milk jug and sugar bowl by Terry Nutt and James Skerrett, circa 1975Painted with autumn fruits and berries on a mossy ground, the gadrooned rims and handle fully gilt, with solid gilt interiors, signed 'T Nutt' and 'J Skerrett', bowl 11.5cm diam, black printed marks (2)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' dish by Horace Price, dated 1935 and a bowl by Harry Ayrton, circa 1960Fully painted with ripe fruit and berries against a leafy, mossy ground, the lozenge-shaped dish with gilt gadrooned rim and shell handles, signed 'H H Price', 31.2cm wide, puce printed mark, the large fruit bowl raised on a gilt foot and wavy rim, signed 'H Ayrton', 33.3cm diam, black printed mark (2)For further information on this lot please visit Bonhams.com
Six Royal Worcester 'Painted Fruit' small plates, circa 1975Painted with autumn fruits and berries amongst leaves on mossy grounds, the lobed gadrooned rims picked out in gold, signed by James Skerrett, Michael Morris and Terry Nutt, 15cm diam, black printed marks (6)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' part dessert service by Richard Sebright, dated 1918, one plate dated 1931Comprising six plates and two dishes, finely painted with circular panels of ripe fruit and blossom, the borders with panels of pale pink reserved on a deep blue ground, enriched with raised gilding, the shaped rims also gilt, signed 'R SEBRIGHT', the plates 22.2cm diam, puce printed marks (8)For further information on this lot please visit Bonhams.com
A Royal Worcester 'Painted Fruit' ginger jar and cover by Derek Shinnie, circa 1970Of ovoid form, fully painted all around with a variety of autumnal fruits including peaches, gooseberries and blackberries, on a leafy, mossy ground, with gold rims, the domed cover similarly decorated, signed 'D Shinnie', 17.5cm high, black printed marks, shape number 2826 (2)For further information on this lot please visit Bonhams.com
The Friendly Hunt: a rare engraved firing glass of possible Jacobite interest, circa 1750The ovoid bowl inscribed 'FRIENDLY HUNT' beneath a fruiting vine border to the rim, on a short plain stem and solid circular 'firing' foot, 11cm highFootnotes:ProvenanceChris Crabtree CollectionThe Friendly Hunt was a Worcestershire meet probably connected with a Jacobite society in Worcester known as The Friendly Association. Founded in 1747, the Association met annually in rotation in the neighbouring towns of Droitwich, Bromsgrove, Kidderminster and Stourbridge. No others of this form would be recorded, but a number with drawn trumpet bowls exist. One from The Ron and Mary Thomas Collection was sold by Bonhams on 4 June 2008 and is illustrated by Geoffrey Seddon, The Jacobites and their Drinking Glasses (1995), p.120, pl.86 and by Arthur Churchill, History in Glass (1937), pl.20, no.92. Another was sold by Bonhams on 29 September 2020, lot 47. For further details see Peter Lole, A Digest of the Jacobite Clubs, Royal Stuart Society Paper LV (1999).For further information on this lot please visit Bonhams.com
Bernard Winskill for Royal Worcester porcelain limited edition 'Marlborough' figure, equestrian figure from 'The Famous Military Commanders on Horseback' series, limited edition 140/350, printed mark, raised on rectangular inset wooden plinth with brass plaque, 18 ½in. (47cm.) long, 18 ¾in. (47.7cm.) high, right hand damaged, with framed certificate of Authenticity and large original cardboard shipping box.. * Right hand is damaged - the fingers are missing. No other faults.
A Royal Worcester Aesthetic Movement bottle vase, decorated in gilt with blossoming leafy branches on a cream ground, date code for 1884, 15cm high; a Royal Worcester leaf shaped dish, decorated with flowers, picked out in gilt, number 1208, date code for 1892, 24cm wide; another, number 1414, date code for 1892, 19.5cm wide (3)
A Royal Doulton twin handled lidded vase No'd RA5625 to base, the blue ground with rose decoration and applied gilt foliate sprays and scrolling decoration 26 cm high together with a Royal Worcester blushware dish with plated lid No'd 232518 and 1739 to base 15 cm x 13.5 cm together with a Coalport hand painted plate with a blue and gilt border surrounding a central panel depicting a landscape inscribed "Hawthornden" to back 23 cm diameter and another similar inscribed "Lilswater" to back
Stella Crofts (1898-1964) Cat Eating a Royal Worcester figure, model no.2897, glazed in colours printed factory mark, painted Cat Eating modelled by Stella R Crofts 16cm.wide Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 27th February 2013, lot 460 (part lot). Private collection.
Stella Crofts (1898-1964) Calf, 2896 Royal Worcester figure, glazed in colours, 'Young Spotted Deer' designed by Doris Lindner, 'Sheep' by Bargass, two Royal Worcester figures, a pair of Royal Worcester toothpick holders modelled as hares and a Royal Worcester model of a cherub with a goat, printed and painted marks, Crofts restored, 8cm. wide. (Calf), (6) Literature Paul Hughes, Stella's Ark, Stella Crofts, page 118 for a comparable example illustrated.
Stella Crofts (1898-1964) Greyhounds and Hare two Royal Worcester greyhound figure groups, model no.2891/1 and 2891/2, and a hare no. 2892, glazed in colours printed factory mark, painted modelled by Stella R Crofts and titles 15.5cm.wide (greyhounds) Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 27th February 2013, lot 460 (part lot). Private collection. Literature Paul Hughes, Stella's Ark, Stella Crofts, page 118 for a comparable example illustrated..
'In the Ring' no.3180 a Royal Worcester figure group designed by Doris Lindner, glazed in colours printed factory mark, 27cm. high Catalogue notes This figures depicts the Bertram Mills Circus which performed in 1935 at Olympia. Milly Yelding performed the Courier of St Petersburg act with nine stallions in the 1934-35 Olympia act.
JAMES STINTON. A PAIR OF ROYAL WORCESTER GILT EDGED FLARED CYLINDRICAL CABINET VASES painted with unusual wooded and waterfall scenes with pairs of pheasants to the foreground - each signed. Printed green marks and shape No. G923 dated code for 192419.25cm highIn very good undamaged and unrestored condition.
JOHN STINTON. A ROYAL WORCESTER FRAMED OVAL PORCELAIN PLAQUE OF LARGE SIZE finely painted with Highland Cattle watering in a tree lined misty mountainous landscape setting. Signed, circa 1920's - mark obscured by backing. Mounted and in pierced swept gilt frame with fabric slip.23cm across 14.5cm high
AN ORNATE ROYAL WORCESTER GILT AND IVORY GROUND SCROLLED TWO-HANDLED CABINET VASE AND COVER of bulbous footed form with pierced neckband and panelled cover topped by a scrolled openwork finial, the body painted in raised enamel colours with trailing flower sprays - shape No. 1285 printed puce mark together with A PAIR OF ROYAL WORCESTER BLUSHED IVORY AND GILT TWO HANDLED TAPERING OVOID PEDESTAL VASES AND COVERS decorated extensive sprays of summer flowers - shape No.1481 printed puce marks and date code for 1897 (3) - faults39cm and 29.25cm highOne of the smaller vases has had the lid fully restores and one of the handles, the lid to the large vase has been brocken and re-glued, there is a hairline crack to the neck and loss of paint to the side handles
JAMES STINTON. A ROYAL WORCESTER FRAMED RECTANGULAR PORCELAIN PLAQUE painted with a pair of pheasants on the edge of a misty wooded glade with a further pair in flight - mounted and in glazed gilt frame. Printed puce mark and date code for circa 1920's.13cm high 20.75wide frame 32.5cm by 39cm
A Royal Worcester ivory porcelain oil lamp, model no. 1576, with Hinks's duplex no. 2 burner, with clear fluted glass font, frosted shade and glass chimney, overall height 71cmOil lamp is in good overall condition. The frilled edge of the shade has a few small surface chips. glass font has some surface scratches but the 2 winding keys are stuck and need freeing up. The Worcester ceramic base has a pre drilled hole in the bottom of the vase section. The platform base has been restored on 2 corners which is clearly visible. One of the feet has also been restored.

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129934 item(s)/page