We found 129936 price guide item(s) matching your search
There are 129936 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
129936 item(s)/page
Lot 601
A parcel lot of ceramics to include a pair of Royal Worcester jugs, of tapering banded form, shape 1047, decorated with gilt and enamel floral sprays, the naturalistic handle with relief prunus blossom to tops, puce marks and date code for 1888, pair of Coalport lidded handled urns, with wreath and scroll handles, the deep blue ground with raised gilt decoration and landscape decoration, both A/F and a Mintons lustre and gilt trumpet vase, largest approx. 21cm high (5).
Lot 969
A parcel lot of Royal Worcester Evesham and Wild Harvest dinnerwares, to include lidded caseroles, salt and peper, gravy boat and stand, jugs, sugar bowl, serving dishes of various sizes, utensil jar, six ramekins, six mugs, six soup bowls and eight stands, eight coffee cups and seven saucers, four teacups and twelve saucers, two 26cm plates, six 21cm plates, five 24cm plates, seven 17cm plates, six cereal bowls, eight 17cm bowls, Wild Harvest; lidded casserole, two serving dishes, ramekin, four cereal bowls, eight cofee cups and saucers, ten 26cm plates, some gold rims some gold, some A/F.
Lot 977
A parcel lot of ceramics to include Royal Worcester painted fruit saucer signed W.H Austin, dish with pheasants signed R Budd, Worcester style figure of a seated boy with football, Crown Derby Imari saucer with matched cup, cups and saucers by Hilditch & son, the rest mostly Victorian and unmarked, Royal Worcester miniature jug A/F and others, blush ivory salt pot, Art Deco Beyer & Bock cups , maiolica cups and saucers, etc (38)
Lot 1000
A parcel lot of ceramics to include Hornsea Saffron by John Clappison to include coffee pot, six cups, saucers and plates, salt pot, Mason`s ironstone Chartreuse ginger jar , Wedwood green jasper bowl, Clio vase, Sarah heart box, Mirabelle bowl, countryware jug and vase, Coalport collectors plates, Still life fruit by M Harnett (4), Aynsley cottage garden jar and pillbox, orchard gold bowl and box, Royal Worcester Millenium box and dish, herbs jug and shell bowl, scalloped dish, etc (44).
Lot 1014
A parcel lot of ceramics to include three pieces of Doulton Lambeth harvestware to include jug and two beakers, one A/F all with silver rims hallmarked Sheffield, Shelley China bubble pattern coffee pot, lid A/F and four cups, lacking saucers, Royal Doulton Bunnykins family photograph figure, Spode miniature cup and saucer, Royal Worcester Holly ribbons boxed serving platter, Royal Winton toastrack, A/F, Royal Douton figure Top o` the hill A/F and Beswick Samuel Whiskers figure A/F (13)
Lot 1024
A parcel lot of ceramics to include Coalport snowman figure building the snowman, Royal Doulton pooh counts the honey figure, Royal Worcester Nicola figure by M Halson, Anne by R Moore, Lauren figure of the year 2001 by C Froud, Rosenthal Versace jungle side plate, Portmeirion studio Christmas story two snack plates, two trivets, Yule log platter and cheese plate and knife, all boxed, with loose mixed cups, saucers and side plates by Royal Worcester, Aynsley, Wedgwood etc (17).
Lot 11
A Royal Worcester part dinner service, printed in the 'Astley' pattern, comprising three circular lidded tureens, an oval lidded tureen, two graduated oval serving plates, a rectangular serving dish, a flan dish, a circular fluted dish, a sauce boat and liner, two pairs of condiment jars, lidded jam pot, twelve dinner, dessert, and side plates, eleven bowls, twelve two handled soup cups and saucers, twelve tea cups and saucers, a milk jug and sugar bowl. (113)
Lot 28
A quantity of Royal Worcester oven to tableware decorated in the 'Evesham' pattern, comprising oval tureen lid, flan dish, two individual flan dishes, four dinner and six side plates, small casserole dish, salt, pepper and mustard pot, eight tea cups and saucers, two cream jugs and two sugar bowls, teapot, preserve pot and two egg cups. (42)
Lot 71
A Royal Worcester porcelain, oven to table ware, part dinner and tea service decorated in the 'Evesham' pattern, comprising three graduated souffle dishes, two vegetable dishes, four dinner, dessert and side plates, four fruit bowls, four gratin dishes, two olive dishes, fourteen ramekins, teapot, coffee pot, milk and cream jugs, four sugar bowls, five egg cups, four tea cups, five coffee mugs, and eight assorted saucers. (70)
Lot 98
A late Victorian silver visiting card case, initialled, Birminham 1891, approx. 1.545 ozt, and a Royal Worcester silver mounted scent bottle, Birmingham 1893 (2) Condition report Report by MW The scent bottle has an internal cork stopper. There are no chips or cracks to the porcelain body, but internally it is stained. The silver collar has visible and readable hall marks
Lot 508
Five Royal Worcester limited edition figures, including Queen Elizabeth I, CW311, and three Coalport limited edition figures, including Lady Jane Grey, CW648, all with certificates (8) Condition report Report by NG Royal Worcester: Queen Elizabeth I, 2361/4500, CW311 - points of ruff rough, but as produced; The Princess of Tara, 5347/7500, CW516: The Rose of Camelot, 147/7500, CW646: Zoe, CW633: Francesca, 271/950, CW608 - some white showing on rose petals, but appears to be as produced. Very grubby. Coalport: Frances, CW672; Kate, 774/7500, CW615 - very grubby. Cane has been broken and glued, glue around base of arm as well. Lady Jane Grey, 101/4500, CW652. Overall, figures grubby but appear to be in reasonable condition.
Lot 562
A Royal Doulton figure, Red Red Rose, HN3994, three Royal Worcester figures, and three Coalport figures (7) Condition report Report by NG Royal Doulton Red Red Rose, 3081/12500, HN3994: Royal Worcester: Carmen, (Summer Romance figure): Natasha (Premier Figurine 1998): Sophie (Summer Romance) - detachable handbag present) Coalport: La Belle Epoque Sophie, 4846/1250 - parasol broken and glued. A Meeting at Ascot, 578/9500, SW329 - parasol appears to have been re-glued. Ladies of Fashion Bewitching figures - overall in reasonable condition unless stated otherwise.
Lot 133
**A COMPOSITE EUROPEAN CAP-A-PIE FIELD ARMOUR IN THE SO-CALLED `GOTHIC` FASHION, CIRCA 1490-1510 comprising modern sallet with rounded skull, short separate `tail`-plate, pivoted visor with a pair of flanged vision-slits, secured to the skull at the right by a spring-catch, Spanish bevor formed of a main plate shaped to the chin and flanged outwards at its lower edge to receive a V-shaped gorget-plate (the latter associated and both elements showing patched repairs), the main plate fitted with a modern lining and mail-covered neck-strap, German breastplate formed of a rounded main plate with angular outward turns at it neck and arm-openings, and an associated plackart rising to a decoratively-shaped cusp at its centre, overlapping the lower edge of the main plate to which it is attached by a single screw and flanged outwards its lower edge to receive an associated fauld of four lames (the first and last restored), and supporting on a pair of straps and buckles at each side a medially-ridged Flemish or Spanish tasset of five lames (the lowest four of the right and the second to fourth of the left restored ), a Spanish or Flemish backplate formed of a main plate and a pair of side-plates (each with patched repairs) rigidly riveted to one another and fitted at their lower edge with an associated waist-lame flanged outwards at its lower edge to receive an associated and much restored culet of four lames, the lowest of which descends to a slight central cusp, pair of German spaudlers each of seven lames (the lowest two in each case associated), the top one of the right struck with the mark of the Innsbruck armourer Hans Maystetter, both struck with a pair of dots, and the lowest connected by a turner to a fully articulated Italian vambrace of tubular form with a couter of three lames, the central one formed with a medially-puckered oval side-wing, pair of modern radially fluted besagues, pair of German gauntlets (the right entirely restored except for the main plate of its thumb-defence, and the left patched at several points) each formed of a short straight-ended cuff open at the inside of the wrist, five metacarpal-plates, a shaped knuckle-plate, a finger-plate, modern finger-defences of mail and a hinged thumb-defence (the left restored), modern left cuisse formed of a gutter-shaped main plate fitted within its concave upper edge with two extension-lames, at its outer edge with a hinged side-plate and at its lower edge with a poleyn of five lames, the third of which is formed with a pronounced medial ridge and a medially-puckered oval side-wing (right cuisse and poleyn missing), pair of modern tubular greaves extending downwards over the ankles, and pair of modern sabatons, each formed of a front and rear section connected by a hinge at the outside and fastened by a swivel-hook and stud beneath the cut-outs for the ankles, and the front section of nine lames projecting forward to a long pointed toe-cap (the whole lightly pitted overall) See note at front of catalogue for information concerning stands Provenance The Royal Armoury, Lisbon Dr Bashford Dean, Riverdale, New York No. 46, 5 September 1929 Clarence H. Mackay, Long Island, New York Jaques Seligmann & Co., New York, 9 November 1940 JWHA Inv. No. 2606 Literature Stephen V. Grancsay, Catalogue of Armor: The John Woodman Higgins Armory, Worcester, Massachusetts, 1961, p. 35, illustrated Exhibited Monmouth Museum, New Jersey, 27 February - 6 May 1978 Worcester Art Museum, Massachusetts, April 1940 - February 1941. Mrs. Mary Lou Wilding-White, 10 February 1966 - May 1972. Witte Museum, San Antonio, Texas, 1982-3, The mark on the right spaudler is that of the Innsbruck armourer Hans Maystetter, active 1510-33 (Thomas and Gamber 1954, pp. 72-3). The bevor and backplate have a character typical of pieces deriving from the armoury of the Knights of St John at Rhodes which fell to the forces of Suleiman the Magnificent in 1522 (Karcheski & Richardson 2000, pp. 32, 37, 45, 48, 66-9).
Lot 188
**A COMPOSITE SOUTH GERMAN BACKPLATE OF ANIME CONSTRUCTION, CIRCA 1560, WITH LATER ETCHED DECORATION formed of four lames articulated to one another by sliding-rivets, of which the first is cut at its upper edge with a broad shallow neck-opening, the first to third are cut at their outer ends with arm-openings and the fourth is formed at its lower end with a waist-flange with a slightly concave edge, the main edges of the piece formed with notched inward turns and its surface later etched in bands and borders on a stippled and blackened ground with interlace involving cartouches enclosing clasped hands, and enclosed to either side by narrower bands of foliate interlace 43 cm; 17 in high Provenance William Randolph Hearst, sold Parke-Bernet Galleries Inc., New York, 24 November 1939, lot 131 Exhibition Worcester Junior College, Worcester, Massachusetts, 30 January 1951 - 17 November 1954 `Romance in Steel: The Heritage of Armor`, J. W. Higgins Armory Museum, 2 January - 3 June 2001 JWHA Inv. No. 2557 Except that it is of anime construction, the backplate closely resembles in both form and decoration, one in the Royal Armouries Museum, Leeds, Inv. No. III.1338, which includes in its decoration badges associated with Rocco Guerrini, Count of Lynar (Dufty & Reid 1968, pl. CXVI). Both may have been etched in the mid-19th century by craftsmen in the employ of the London armour dealer Samuel Luke Pratt. The inspiration for their design appears to be an armour of Emanuel Filiberto of Savoy, in Armeria Reale, Turin, Inv. No. B 34 (Mazzini et. al 1982, Cat. No. 26-26a/b).
Lot 233
**AN ENGLISH ELECTROTYPE COPY, CIRCA 1880, OF A NORTH ITALIAN STEEL TARGET WITH EMBOSSED, PUNCHED AND GILT DECORATION, MILANESE, CIRCA 1560 of convex circular form with a turned edge accompanied by star-headed lining-rivets, fitted to the inside of them with various similar and plain rivets for the attachment of a pad for the arm and enarmes, and embossed overall in high relief, within a border of trophies of arms and oval cartouches enclosing nude classical subjects, with representations of Judith and Holofernes, David and Goliath, and the victory of Saul, all enhanced with fine punched detail and extensively gilt against a silvered ground, and fitted at the rear with the oval seal of the Elkington company bearing at its centre the royal cipher VR 57.5 cm; 22 3/4 in diameter Provenance Parke-Bernet Galleries Inc., New York, 15 November 1956, part of lot 166 JWHA Inv. No. 3389 Exhibited Oneida County Jr. Museum, Utica, New York, 11 September 1967 - 8 January 1968 Holy Cross College, Worcester, Massachusetts, 26-28 September 1968; 26-29 September 1975; 25-26 September 1981 Poughkeepsie Junior League, New York, 2 March - 3 May 1969 Children`s Museum, Hartford Connecticut, March - April 1976 Beaumont Art Museum, Texas, 5 December 1977 - 23 January 1978 Schnectady, New York, 4 June - 13 September 1979 The electrotype was made by Elkington and Co Ltd of Birmingham from an original shield that was at that time in the Imperial collections of the Tsarkoe Selo near St Peterburg and is now in the State Hermitage Museum, St Petersburg, Acc. No. 3. O.6161 (Gille & Rockstuhl 1835-53, pt, 21, pl. CXXII; and Godoy 2003, No. 22, pp. 134-5 & 428-30).
Lot 234
**AN ENGLISH ELECTROTYPE COPY, CIRCA 1880, OF A NORTH ITALIAN STEEL TARGET WITH EMBOSSED, GILT AND DAMASCENED DECORATION, BY THE MASTER `MP`, CIRCA 1560-5 of convex circular form with an elaborately decorated turn at its edge and embossed overall in high relief within a rectangular central frame with a representation of the Vestal Virgin Tuccia proving herself innocent of the charge of being unchaste by carrying water in a sieve, and bordered above and below the frame by scrolls involving in each case a grotesque mask and fruits, and at each side of it by a column bearing a male herm and a further grotesque mask, all partly gilt and enhanced by the chasing and gold-damascening of its fine detail, and fitted at the rear with the oval seal of the Elkington company bearing at its centre the royal cipher VR, and the copyright label of the Museum of Science and Art 54.5 cm; 21 1/4 in diameter Provenance Metropolitan Museum of Art, New York, sold Parke-Bernet Galleries Inc., New York, 15 November 1956, lot 166 JWHA Inv. No. 3134 Exhibited Forest Grove Junior High School, Worcester, Massachusetts, 13 April - 2 May 1964 Berkshire Museum, Pittsfield, Massachusetts, 6 January - 21 February 1966. Oneida County Junior Museum, New York, 11 September 1967 - 8 January 1968. Holy Cross College, Worcester, Massachusetts, 26-28 September 1968 Poughkeepsie Junior League, New York, 2 March - 3 May 1969 Rensselaer County Junior Museum, Troy, New York, October 1974 - 5 September 1975 Children`s Museum, Hartford Connecticut, March - April 1976 The electrotype was made by Elkington and Co Ltd of Birmingham. It is possibly the Elkington product referred to by the South Kensington Museum (now the Victoria and Albert Museum), London, in its `Inventory of Reproductions in Metal` of about 1901, p. 48, as Acc. No. 1884-59. The electrotype is taken from an original shield in the State Hermitage Museum, St Petersburg, Acc. No. 3. O.6145, see footnote to lot 228.
Lot 333
A tall Royal Worcester vase and associated cover, c.1920, of shape 2307, the globular body painted by William Ricketts with apples and blackberry sprays on the woodland floor, red cherries to the reverse, signed `Ricketts`, printed mark, date code obscured, raised on a tall tapering and faceted foot, 28.5cm. (2)
Loading...-
129936 item(s)/page