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AN ORIGINAL WW1 PROPAGANDA POSTER

AN ORIGINAL WW1 PROPAGANDA POSTER

A collection of World War Two Medals to include a cased set of 1939-1945 War Medal, two 1939-1945 Stars, The Pacific star, The Africa Star, The Italy Star, another group of 1939-1945 War Medal, Defence Medal,1939-1945 Star and The Burma Star,in box addressed to R.E.W. Yeomans Esq, written on issue list 1632350 ACI Thomson C, another Defence Medal, Special Constabulary Faithful Service Medal with three bars 1950/60/70. two Pakistan Medals- one dated 23rd March 1956, a Cross of Honour of the German Mother medal (Mothers Cross), dated and engraved to back "16th December 1938", WWI First World War period propaganda ' For Kultur ' iron cross medal.

RUSSIAN PROPAGANDA STAMP - SHIP

RUSSIAN PROPAGANDA STAMP

THREE 1937 USSR COMPLETE SHEETS OF PROPAGANDA STAMPS

A German Lusitania medal and a propaganda leaflet

A silk handkerchief printed with detail from wartime propaganda posters, in the "Careless Talk Costs Lives" series by Fougasse (Cyril Kenneth Bird CBE 1887-1965), a British cartoonish known for his work for Punch Magazine, the London Underground and WWII posters.

SHACKLETON ERNEST: (1874-1922) Anglo-Irish Antarctic Explorer. Vintage signed sepia postcard photograph of Shackleton standing outdoors in a three quarter length pose in the company of an unidentified gentleman who points towards the foreground. Photograph by Allam of Valparaiso, Chile, and bearing their small circular blindstamp to the lower border. Signed ('E H Shackleton') by Shackleton in bold, dark fountain pen ink with his name alone to the lower border. VG Following the destruction of Shackleton's ship Endurance during the Imperial Trans-Antarctic Expedition of 1914-17 the crew of 28 men were left stranded, eventually making their way to the inhospitable and uninhabited Elephant Island. Shackleton, with the assistance of the Chilean government's loan of the steam tug Yelcho, was able to mount a rescue party from Elephant Island without loss of life. The Yelcho returned the men via Valparaiso (where the present photograph was taken) where crowds gathered to warmly welcome the men back to civilisation.  In October 1917, during World War I, Shackleton once again found himself in South America, having been sent to Buenos Aires to boost British propaganda. Unqualified as a diplomat, Shackleton failed to persuade Argentina and Chile to enter the war on the Allied side and he returned home in April 1918.  

SHACKLETON ERNEST: (1874-1922) Anglo-Irish Antarctic Explorer. A fine A.L.S., Ernest Shackleton, three pages, 8vo, Pall Mall, London, 5th June 1918, to Sir Frederick Maurice, on the printed stationery of the Marlborough Club. Shackleton commences his letter stating 'I would be very grateful if you would allow me to run down and see you ten minutes this morning, if you are free' and continues 'I think that I could briefly explain my position so that with your good offices I would get employment actively in France', further remarking 'Yesterday it was hardly possible to formulate my proposals'. Some very light, extremely minor age toning to the edges, VG Frederick Maurice (1871-1951) British Major General. During World War I, in the month before receiving the present letter, Maurice had been forced to retire after writing a letter to The Times criticising Prime Minister David Lloyd George for making misleading statements about the strength of British Forces on the Western Front. Following the end of the Imperial Trans-Antarctic Expedition, considered the last major expedition of the Heroic Age of Antarctic Expedition, Shackleton returned to England in May 1917 whilst Europe was in the midst of World War I. The explorer was too old to be conscripted, drinking heavily and suffering from a heart condition, however this did not deter him from repeatedly requesting a posting to the Front in France, as the present letter illustrates. Shackleton was eventually sent to Buenos Aires in October 1917 to boost British propaganda in South America.

1914-18 BRITISH WAR MEDAL AND DEFENCE MEDAL M2-137346 A.SJT.W.E. WELCH A.S.C. 1940 BRITISH PROPAGANDA IRON CROSS TOGETHER WITH 2 TIN BADGES WORCESTER WARSHIP WEEK MARCH 1942

SCRAPBOOKSSIX ALBUMS, INCLUDING ORIGINAL DRAWINGS one album with original drawings, including 9 small pencil sketches of Charlie Chaplin, various copies of wartime cigarette adverts and various hand-drawn copies of First World War propaganda caricatures; the other albums comprising cut engravings, including some hand-coloured natural history, illustrations and drawings of architectural works, several scenic watercolours, various literary engravings from works by Robert Burns and others and one album containing the laid-down engravings and text by Stocks for Walter Scott's Lady of the Lake (6)

American/British WWII Propaganda Leaflet 'Passierschein' - Safe Conduct, as dropped by planes to allow German Soldiers who wanted to surrender safety from harm by giving this leaflet to an Allied soldier. A scarce wartime document.

Europe. Kisabor? Ohara. A Humorous Diplomatic Atlas of Europe and Asia, circa 1904, lithographic satirical 'Octopus map' with contemporary hand colouring, descriptive text in Japanese and English, some creasing and staining, torn with loss to upper margin (but not affecting printed image), laid on near contemporary hessian, 420 x 575 mm (Qty: 1)The map was created at the outbreak of the Russo-Japanese War (1904 - 1905), very much in the style of Fred Rose's Serio-Comic War Map, 1877. Rose's map established the conceit of depicting Russia's aggressive expansionism in the form of a Kraken-like 'Black Octopus.' Rose concentrated on Europe but Ohara has expanded the map to include Asia and the far east. The map is clearly intended for the British market as much as the Japanese, possibly as a warning to the British navy to stay out of the conflict. The Russians and Japanese were struggling for control of Port Arthur which would be surrendered to the Japanese who defeated the Russian Fleet in December of 1905, several months after this map was printed. Ohara sums up the situation in his English language descriptions of the map, printed in the upper left: "Black Octopus is a name newly given to Russia by a certain prominent Englishman. For the black octopus is so avaricious, that he stretches out his eight arms in all directions, and seizes up every thing that comes within his reach. But as it sometimes happens he gets wounded seriously even by a small fish, owing to his too much covetousness. Indeed, a Japanese proverb says: 'Great avarice is like unselfishness.' We Japanese need not to say much on the cause of the present war. Suffice it to say that the further existence of the Black Octopus will depend entirely upon how he comes out of this war. The Japanese fleet has already practically annihilated Russia's naval powers in the Orient. The Japanese army is about to win a signal victory over Russia in Corea and Manchuria. And when ... St. Petersburg? Wait & see! The ugly Black Octopus! Hurrah! Hurrah! for Japan." A highly jingoistic but visually very effective piece of Japanese propaganda, perhaps indicative of Japan's expansive territorial ambitions as much as the Russians. The map is rare, with OCLC locating only four institutional holdings

In Gaelic Script ThroughoutMolloy (Fr. Francis) Lucerna Fidelium, seu Fasciculus Deserptus ab Authoribus magis versatis qui tractarunt de Doctrina Christina: Sm. 8vo Rome (Typis Sacrae Congreg. de Propaganda Fide) 1676. First Edn., [4] 391, VIIIpp., 19th Century hf. calf, gilt tooled bands, mor. label. Extremely good copy. V. Rare. (1)

An interesting, unframed Chinese propaganda watercolour depicting a lively, colourful scene of workers participating in an industrial rally. Possible Cultural Revolution era, the red bunting may refer to the reconstruction of China, welcoming Government officials and President Hua Guofeng.Approx 76x109cm, some small tears

Propaganda Poster - 'The Dutch Fight on to Victory' together with 'Norway Resists on the Home Front', an advertising poster 'Waiting for You - Jonathans and Delicious from Washington State', maps and further posters (9)

A collection of works on Jerusalem, to include Historia - Stadt Jerusalem (6 loose leaves), An Accurate Map of the Holy Land by Thomas Bowen (late 18th century), two Zionist propaganda posters, a 20th century coloured decorative map of Palestine, a panoramic map of Jerusalem with notations of important sites from Sebastian Munster's book, Cosmography and others (qty)

TWO VINTAGE CHINESE PROPAGANDA POSTERS, depicting a gentleman in woodland watering a flower, surrounded by children, the top section reading RANG HUA ER DAI DAI SHENG KAI, with Chinese characters to the lower section, S/D (2)

Three Chinese Cultural Revolution propaganda posters, 1966-1976, "Wish Great Leader Chairman Mao a Long Life, a Long Life", the image of a young Mao, 1935 after The Long March, a further portrait of Chairman Mao wishing him a long life, his 1963 portrait published 1971, and "Chairman Mao, Lin Biao and comrade Zhou Enlai Welcoming Kenneth Kaunda of Zambia to Peking (Beijing). Two images 71 cm x 51.5 cm, one 53 cm x 76.5 cm.

Four Chinese Cultural Revolution and later propaganda posters, "Chairman Mao is The Red Sun in Our Hearts", 74.3 cm x 52 cm, "Greetings to The Revolutionary Committee", 71 cm x 51 cm, "The People United Under Chairman Mao", 77.5 cm x 52.8 cm and a poster of Chairman Mao with plum blossom above a parade, published 1962, 50.8 cm x 74.5 cm.

A collection of Second World War military and propaganda publications, comic books, etc., "Aircraft Recognition Test", "The Duties of Air Raid Wardens", "American Aircraft", "German & Italian Aircraft", "Bomber Command", "Ark Royal", etc.

Germany mainly used collection in 3 folders and a SB, all periods, inl States, Empire from early, various occupied zones, Hitler ÔskullÕ propaganda allies stamps, colonies well represented, all stamps listed with SG cat numbers, few bklts etc 1740 stamps, singles, pairs, blks. A good lot for ebay or counter books as is, nice pickings throughout, take a look.

A 1960s Yves St Laurent silk scarf with original packaging, 34ins square, a Jacqmar "L'epoque des armes a feu" silk scarf, 34ins square, a World War II propaganda handkerchief, and three other silk scarves

A German WW2 style party flag; together with a German Propaganda book; and an enamelled plaque

A large vintage Chinese propaganda Poster - Chairman Mao.

PROPAGANDA POUND NOTE DROPPED BY GERMANS OVER NORTH AFRICA IN 1942 ACCORDING TO TRANSLATION INCLUDED WITH THE NOTE THE REVERSE FEATURES ARABIC TEXT FORECASTING ENGLANDS COMPLETE FINANCIAL EXHAUSTION

A collection of items belonging to Albert Pierrepoint (30 March 1905 – 10 July 1992) Britain’s most famous hangman who executed approximately 600 people in a 25-year career that ended in 1956. The collection includes his notebook which lists the executions carried out with details to determine how to achieve the quickest death and his father Henry’s notebook, the plaster cast of Albert Pierrepoint’s face and hands, photographs and documents, watch chain and cigar holder.Henry Pierrepoint’s execution book (1 November 1901 – 14 July 1910), includes personal details of those hanged including the prisoner’s name, age, height, weight and drop, site of execution and remarks detailing the physical frame of the prisoners and calibre of their necks; “very heavy body, ordinary neck, wirey, very thin neck, little flabby”. 18cm x 11cmAlbert Pierrepoint’s leather-bound execution ledger, embossed with his name “A. Pierrepoint”, (29 December 1932 - 27 July 1955) includes personal details of those hanged with additional notes such as “the German, Dutch and Belgium spies, French Canadian, USA, IRA, British Soldier” etc. 15cm x 24cmAn amber and ivory cigar holder, with leather silver velvet lined case, 8cm long, belonged to Henry A. Pierrepoint. (Albert’s father and British hangman).A silver watch chain worn by Albert Pierrepoint, Henry Pierrepoint (his father) and Thomas Pierrepoint (his Uncle) at hundreds of executions between 1900 and 1956. 42cm long Documents and photographs including the “Memorandum of Conditions to which any person acting as Executioner is required to conform”, a letter of thanks from the War Office, written by Lieutenant-Colonel J.R.H. Robertson referring to the hanging of three men Hensmann, Smith and Golby in a secluded area of the Egyptian desert, photographs of the Pierrepoint men, Robert Fabian (Fabian of the Yard) and John Ellis (Hangman) and a Sunday Pictorial newspaper, May 13 1945 with an article about John Amery a pro-Nazi British fascist who Albert Pierrepoint went on to hang. _________________________________________________________________________________________________________ Albert Pierrepoint was a Yorkshireman influenced by his father and uncle, when asked at school to write about what job he would like when older, Pierrepoint said that "When I leave school I should like to be public executioner like my dad is, because it needs a steady man with good hands like my dad and my Uncle Tom and I shall be the same".In December 1932 Albert Pierrepoint undertook his first execution as assistant to his Uncle. They travelled to Mountjoy Prison in Dublin for the hanging of Patrick McDermott, a farmer who had murdered his brother. It was scheduled for 8:00am and took less than a minute to perform. Pierrepoint's job as assistant was to follow the prisoner onto the scaffold, bind the prisoner's legs together, then step back off the trapdoor before the lead executioner sprung the mechanism. In October 1941 Pierrepoint carried out his first execution as lead executioner when he hanged the gangland killer Antonio "Babe" Mancini. Arriving the day before the execution he was told the height and weight of the prisoner and viewed the condemned man through the "Judas hole" in the door to judge his build. Pierrepoint then went to the execution room to test the equipment using a sack that weighed about the same as the prisoner; calculated the length of the drop using the ‘Home Office Table of Drops’, making allowances for the man's physique, if necessary. He left the weighted sack hanging on the rope to ensure the rope was stretched and it would be re-adjusted in the morning if necessary. On the day of the execution, the practice was for Pierrepoint, his assistant and two prison officers to enter the condemned man's cell at 8:00am. Pierrepoint secured the man's arms behind his back with a leather strap, and all five walked through a second door, which led to the execution chamber. The prisoner was walked to a marked spot on the trapdoor whereupon Pierrepoint placed a white hood over the prisoner's head and a noose around his neck. The metal eye through which the rope was looped was placed under the left jawbone which, when the prisoner dropped, forced the head back and broke the spine. Pierrepoint pushed a lever, releasing the trapdoor. From entering the condemned man's cell to opening the trapdoor took him a maximum of 12 seconds. After the Second World War he was appointed an honorary Lieutenant-Colonel executing 200 war criminals between 1945 and 1949 in Hameln, Germany and Graz, Austria, often ten people per day. Among those executed were the camp commandant Josef Kramer (‘The Beast of Belsen’), Irma Grese (Hyena of Auschwitz) at 22 the youngest concentration camp guard to be executed for crimes at Bergen-Belsen and Auschwitz and Dr Bruno Tesch, co-inventor of the insecticide Zyklon B used in the Holocaust to kill over 6 million people. Executed for treason was William Joyce (Lord Haw-Haw) who had broadcast Nazi propaganda to Britain from Germany during the Second World War and John Amery a pro-Nazi British fascist.Albert Pierrepoint executed high-profile murderers including Gordon Cummins (the Blackout Ripper), John Haigh (the Acid Bath Murderer) and Ruth Ellis – the last woman to be executed in Britain. He also undertook several contentious executions, including Timothy Evans who was wrongfully executed for a crime committed by his neighbour John Christie (the Rillington Place Strangler) who was also hanged by Albert Pierrepoint and Derek Bentley who was hanged for the murder of a policeman. The murder was said at the time to have been committed by a friend and accomplice of Bentley's and led to a 45-year-long campaign to win Derek Bentley a posthumous pardon, which was granted in 1993, and then a further campaign for the quashing of his murder conviction, which occurred in 1998.Albert Pierrepoint resigned in 1956 and the Home Office acknowledged him as the most efficient executioner in British history and believed him to have hanged more criminals than anyone else in Britain.

An assorted collection of German World War I and II medals and badges comprising; 'Medal of merit' - 1914 Propaganda Iron Cross - 1914-1918 Cross of Honour - 1914-1918 Wound Badge (Golden class) and a 1914 Iron Cross (no pendant lug) and World War II Infantry Assault badge, 1939 War Merit Cross 1st Class with swords - a 'NSKOV cap badge, a D.A.F. cap badge - a 'NSDAP Eagle cap badge and a Luftwaffe cap badge (11)

A tube containing seven reproduction WWII propaganda posters

Hotspur (Jan-Jun 1934) 19-44. In half-year bound volume. With Hotspur (1944) 480-506 complete year in bound volume. Propaganda war issues. Bright covers, cream/light tan pages [vg/fn+] (52)

Beano 74 (1939). Propaganda Xmas Number. Wild Boy of the Woods steals Nazi Christmas dinner, Daddy Neptune makes a Hitler swordfish target! Tan pages [gd]. No Reserve

Beano 75 (1939) Second Xmas Comic. Propaganda war issues. Hooky's Magic Bowler Hat brings Hitler to life! Wild Boy of the Woods Steals Secret Nazi Super-tank [fn]

Beano (Jan-Jul 1941) 128-155. In two bound volumes. Propaganda war issues. Hitler sends a letter to Lord Snooty: 'Send us new helmets or ve'll bomb der Pals, Lord Snooty!' Beano No 150 top margin 'Take this comic to your shelter.' Dudley Watkins first work with Tom Thumb picture strip. Two small punch holes to spines, some pages with brittle edges and small tape repairs. A few issues [gd], balance [vg-/vg+] (28)

Beano 169 (1941). Xmas propaganda war issue. Beano characters comic strip 'We're doing our bit for Britain - are you?' [fn+]

Beano 221 (1943) Xmas propaganda war issue. The Beano sends a Christmas card to Hitler. Big Eggo eats D.C. Thomson's printing machines. Three sealed tears to cover [fn-]

Beano (July 1944-Dec 1945) 237-274. One and a half years complete (incl. both Xmas issues) in bound volume. First Strang the Terrible series (240-253) complete by Dudley Watkins. Propaganda war issues. Hitler hanged in waste paper ad 'Save waste paper lads to blow Berlin asunder, then we'll laugh at Hitler's plight, buried six feet under!' 237-241 and a few others [gd/gd+], balance [vg-/fn-] (38)

Adventure (Jan-June 1941) 1001-1026. Half-year of propaganda war issues with Strang The Terrible illustrated by Dudley Watkins with Adventure (1943) 1071-1096 complete year of propaganda war issues. 'We'll soon bring down the savage Hun if you save paper by the ton!' [fn/vfn] (52)

Wizard (Jan-Jun 1943) 1015-1027. Half-year of propaganda war issues. With Wizard (Mar-Oct 1947) 1127-1151. In bound volume. Starring Wilson - Seeker of Champions [vg/fn] (38)

Gazette Nationale Ou Le Moniteur Universal, French Napoleonic broadsheet newspaper collection, published in Paris by Charles-Joseph Panchoucke, the publisher ran from 1789 until 1868, this was the only official newspaper during the French Revolution, the offical journal of the French Government, and at times was a propaganda publication. This collection is stamped with the official stamps 'Rep. Fra. Dept de la Seine' to the top margins. From issue number 35 through to 97 weekly, a total of 39 copies, numbered and Dated in Napoleon's calendar, on woven paper printed by H Agasse of Paris. The starting issue has as its first entry, 'Moscow-the Emperor entered Moscow yesterday, 28th September, at the Petrowitz Palace, the Prince Gagarin left for Naples with his wife the Princess Lapuchin'. (1 portfolio)

An Early 20th Century Propaganda Figure, Titled "Blighty", 5" High

Ephemera, Boer War, French Propaganda magazine 'L'Assiette du Beurre', dated 28 September 1901, satirical anarchist political magazine containing various artist drawn propaganda images of prisoner camps in the Transvaal (taped edge & some paper loss around edges)

Book, 'Germany' WW2, Olympics in 1936. Large pictorial book covering the rise of Germany under Hitler c. 1934, the book appears to be a propaganda issue prepared prior to the 1936 Olympics. Extensively illustrated and previously in the collection of Mary Bilton, GB ladies team gymnastics coach 1936. English text throughout, compiled and arranged by Pay Christian Andersen, Hans Hitzer and Friedrich Richter (some wear, generally gd)

[RUSSIAN PROPAGANDA]: Unusual contemporary chocolate large wrapper with the printed text “Chocolate - `Life at War´ “ , and beneath a Russian Royal seal “1896 - The George Borman Company”. To the centre showing a large 4 x 2.5 image of Russian soldiers in action during World War I, with the printed text “Crossing by fording - Union-Petrograd”. VG £60-90

Sixty editions of Signal, the Wehrmacht propaganda magazine from 1941 to 1944. All English. 1941 x 13, 1942 x 24, 1943 x 19, 1944 x 4

Three First World War military propaganda posters, all framed and glazed, together with three framed and glazed sets of military cigarette cards (6)

An interesting, unframed Chinese propaganda watercolour depicting a lively, colourful scene of workers participating in an industrial rally.Possible Cultural Revolution era, the red bunting may refer to the reconstruction of China, welcoming Government officials and President Hua Guofeng.Approx 76x109cm, some small tears

German Lusitania propaganda coin

VLADIMIR OSIPOVICH ROSKIN (RUSSIAN 1896-1984) Still Life with a White Tablecloth and Pears, 1918 oil on canvas 97 x 79.5 cm (38 1/4 x 31 3/8 in.) signed and dated on verso EXPERTISEAccompanied by a letter of expertise from the Grabar Art Conservation Center by A. Kiselyova and Y. Rybakova, 2000 (available upon request) LOT NOTESVladimir Roskin was born in Moscow on May 17th, 1896. The future Soviet artist and master of propaganda posters studied at the Moscow State Stroganov Academy of Industrial and Applied Arts and the Moscow School of Painting, Sculpture and Architecture. Roskin was a student of Rerberg from 1913-1914, and studied with Mashkov from 1915-1917. After the Revolution (1917), he became an art instructor at the Department of the State Education and travelled throughout Russia giving lectures on Modern Art. He also picked Avant-garde works by Malevich, Chagall, Kandinsky, Rodchenko, Stepanova and others for new museums as a representation of the new ‘left’ movement.At the same time, Vladimir Mayakovsky invited Roskin to collaborate on the ROSTA Posters (also known as ROSTA Windows). Roskin took part in many exhibitions while also working as a decorator on theater plays by Vladimir Mayakovsky, Boris Pasternak, Yuri Olesha, and Alexey Tolstoy. In 1928, Vladimir Roskin and El Lissitzky participated in the International Print Exhibition in Koln. As an active member of international art community, Roskin worked at international art fairs in London (1930), Leipzig (1932), the Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life) in Paris (1937), where he won a Grand Prix, and the 1939–40 New York World's Fair, among others.During World War II, Roskin worked at exhibitions that praised Red Army and the freeing Soviet cities. He lost his son in this war. After the war Roskin became the Director of the Soviet Visual and Applied Arts Committee. However, in 1967, he publicly expressed his support for Oskar Rabin and was fired from the position. Vladimir Roskin died in Moscow in 1984.

A Rare Deutscher Kleinempfanger 'German People's Set' GW110, with swastika below speaker, components, with back, in dark brown mottled bakelite case Footnote: Made by several companies, this Siemens model was cheap to produce and was a propaganda tool, permanently tuned to receive Hitler's speeches. Many were brought back home by soldiers after April 1945 to the UK and US as souvenirs. This has the impressed swastika intact to the front - and most of the components inside were also stamped with it.

Rare original vintage Soviet propaganda poster - Leon Davidovych Trotsky, People's Comissar on Army and Navy Affairs, Chairman of the Revolutionary Military Committee of the Republic. Most of the posters with images of Trotsky were destroyed after he was declared an enemy of the USSR in the 1930s. Leon Trotsky, byname of Lev Davidovich Bronshtein, (born November 7 [October 26, Old Style], 1879, Yanovka, Ukraine, Russian Empire—died August 21, 1940, Coyoacán, Mexico), communist theorist and agitator, a leader in Russia’s October Revolution in 1917, and later commissar of foreign affairs and of war in the Soviet Union (1917–24). In the struggle for power following Vladimir Ilich Lenin’s death, however, Joseph Stalin emerged as victor, while Trotsky was removed from all positions of power and later exiled (1929). He remained the leader of an anti-Stalinist opposition abroad until his assassination by a Stalinist agent. Fair condition, creasing, folds, tears, staining, pinholes. County: Russia, year of printing:1919, designer: Unknown, size (cm): 55x43

Original vintage Soviet propaganda poster - To Lenin's Anniversary Our Victories in Space - featuring a dynamic illustration of an orange satellite marked in white text on the side reading Soyuz-5 and Soyuz-4 in space orbiting the earth against the deep blue background with a text box below listing the names of four cosmonauts: Vladimir Shatalov (b 1927), Boris Volynov (b 1934), Aleksei Yeliseyev (b 1934) and Yevgeny Khrunov (1933-2000). Launched on 14 January 1969, Soyuz 4 under the command of the cosmonaut Vladimir Shatalov was sent on a mission to dock with Soyuz 5 under the command of the cosmonaut Boris Volynov to transfer the two crew members (Aleksei Yeliseyev and Yevgeny Khrunov) then return to Earth; this mission marked the first successful time two manned spacecraft docked together before a connecting tunnel for the docking mechanism was developed, so the transferring cosmonauts had to spacewalk between the two spacecraft. Published by the Central Committee of the Communist Party of the Soviet Union. Horizontal.  Good condition, tears, creasing. County: Russia, year of printing:1969, designer: V. Viktorov, size (cm): 59x96

Original vintage propaganda poster featuring the logo of Popular Front for the Liberation of Palestine / PFLP. The Popular Front for the Liberation of Palestine (PFLP) is a secular Palestinian Marxist–Leninist and revolutionary socialist organization founded in 1967 by George Habash. It has consistently been the second-largest of the groups forming the Palestine Liberation Organization (the PLO, founded in 1964), the largest being Fatah (founded in 1959). As of 2015 the PFLP boycotts participation in the PLO Executive Committee and the Palestinian National Council. Good condition, creasing, tears. County: Lebanon, year of printing:1969, designer: Vladimir Tamari, size (cm): 45x45

Original vintage propaganda poster - Palestine Fateh - Life Will Emerge. Published by FATAH (Palestinian National Liberation Movement). Emerge Good condition, creasing staining, tears. County: Lebanon, year of printing:1970s, designer: Unknown, size (cm): 60x44

Original vintage propaganda poster - Fateh - Out of your crucified growth, out of your stolen smile, life will emerge. Published by FATAH (Palestinian National Liberation Movement). Excellent condition. County: Lebanon, year of printing:1970s, designer: Unknown, size (cm): 41x28

Original vintage Pro-Palestinian Propaganda poster published by Fateh Palestinian Are Your Eyes. This poster features a black and white artwork by the Palestinian artist Kamal Boullata, alongside the text 'Palestinian are your eyes, your tatoo, Palestinian is your name, Palestinian your thougth, your clothes, your feet, your form, Palestinian the words, Palestinian the voice, Palestinian you live, Palestinian you will die'. Published by FATAH (Palestinian National Liberation Movement). Good condition, faint cracks and tear in bottom in margins. County: Lebanon, year of printing:1970s, designer: Kamal Boullata, size (cm): 40x28

Original vintage Pro-Palestinian Propaganda poster published by the Popular Front for the Liberation of Palestine (PFLP) displaying the PFLP logo designed by artist Vladimir Tamari alongside Arabic scriptures which can be translated as - Our motto: The truth the whole truth to the masses - Our confidence: Is in our toiling Arab masses. Good condition, folds in top half of the poster. County: Lebanon, year of printing:1970s, designer: Vladimir Tamari, size (cm): 29.5x21

Original vintage Pro-Palestinian Propaganda poster published by the Popular Front for the Liberation of Palestine (PFLP) displaying the PFLP logo designed by artist Vladimir Tamari alongside Arabic scriptures which can be translated as - Our motto: The truth the whole truth to the masses - Our confidence: Is in our toiling Arab masses. Good condition, folds in top half of the poster. County: Lebanon, year of printing:1970s, designer: Vladimir Tamari, size (cm): 29.5x21

Original vintage Pro-Palestinian Propaganda poster published by the Popular Front for the Liberation of Palestine (PFLP) showing the stylised image of a horse and an automatic rifle set against a deep red sunset with Arabic scriptures which can be translated as: Advancing the revolution, Through weapons and thought, In pursuit of liberation and socialism. Good condition, folds. County: Lebanon, year of printing:1974, designer: Rafeik Sharaf, size (cm): 23.5x30 (Horizontal)

Original vintage Pro-Palestinian Propaganda poster published by Fateh Palestinian Are Your Eyes. This poster features a black and white artwork by the Palestinian artist Kamal Boullata, alongside the text 'Palestinian are your eyes, your tatoo, Palestinian is your name, Palestinian your thougth, your clothes, your feet, your form, Palestinian the words, Palestinian the voice, Palestinian you live, Palestinian you will die'. Published by FATAH (Palestinian National Liberation Movement). Fair condition,fold in top half, staining and tear in bottom right corner. County: Lebanon, year of printing:1970s, designer: Kamal Boullata, size (cm): 41x28