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Propaganda Poster: Your King and Country Needs You, Enlist Now, published by The Parliamentary Recruiting Committee, London Card No. 105, 22cm by 39cm, framed; together with ''Cobb'' ''The Faithful Durhams'', signed, watercolour and bodycolour, 35.5cm by 26cm; A Dunlop Tyres Embossed Advertising Card, 29cm by 23cm; After AM Hughes Grog, Sunday Rounds and Defaulters, black and white prints, published by Gieves Ltd, Portsmouth, 9.5cm by 70cm (a set of three) (6). Propaganda poster: General oxidisation to the surface and foxing throughout. Three black and white rectangular prints are all in good condition. The faithful Durhams: Watercolour painting on card, card backing is split to the left hand side 7cm length, edges and corners are dented and bent with some losses, unframed bicycle picture in good condition

Leni Riefenstahl signed 7x5 black and white photo. Helene Bertha Amalie "Leni" Riefenstahl (22 August 1902 - 8 September 2003) was a German film director, photographer, and actress, known for her seminal role in producing Nazi propaganda. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Leni Riefenstahl signed 7x5 black and white photo. Helene Bertha Amalie "Leni" Riefenstahl (22 August 1902 - 8 September 2003) was a German film director, photographer, and actress, known for her seminal role in producing Nazi propaganda. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

LEONORA CARRINGTON (1917-2011)Operation Wednesday signed and dated 'Leonora Carrington March 1969' (lower left) and extensively inscribed (to the foreground); signed, inscribed and dated 'Operation Wednesday, Dr. Fernando Ortiz Monasterio., Leonora Carrington, March 1969.' (on the reverse)oil and tempera on board61.1 x 45.1cm (24 1/16 x 17 3/4in).Painted in March 1969Footnotes:The authenticity of this work has kindly been confirmed by Dr. Salomon Grimberg. This work will be included in the forthcoming Leonora Carrington catalogue raisonné of paintings, currently being prepared by Dr. Grimberg.Please note that this work has been requested for an upcoming Leonora Carrington exhibition at the Arken Museum of Modern Art, Copenhagen, 17 September 2022 – 15 January 2023, later travelling to the Fundación MAPFRE, Madrid, 8 February – 14 May 2023.ProvenanceDr. Fernando Ortiz Monasterio Collection, Mexico City (acquired directly from the artist).Thence by descent from the above; their sale, Sotheby's, New York, 28 May 2013, lot 29.Private collection, US (acquired at the above sale).ExhibitedDublin, Irish Museum of Modern Art, Leonora Carrington, The Celtic Surrealist, 18 September 2013 – 26 January 2014 (later travelled to San Francisco).Liverpool, Tate, Leonora Carrington, Transgressing Discipline, 6 March – 31 May 2015.San Francisco, Gallery Wendi Norris, Threads of Memory, One Thousand Ways of Saying Goodbye, 21 October – 15 November 2017.Mexico City, Museo de Arte Moderno, Leonora Carrington Magical Tales, 21 April – 23 September 2018, no. 68 (later travelled to Monterrey).New York, Gallery Wendi Norris, Leonora Carrington, The Story of the Last Egg, 23 May - 29 June 2019.The painting Operation Wednesday (1969) by Surrealist artist and writer Leonora Carrington (1917-2011), is a work that presents a wonderful fusion of Christian, Mayan, and esoteric symbolism. It also marks a critical decade in Carrington's career when her art increasingly took on a socio-political message, demonstrating a firm allegiance to her adopted homeland, Mexico, where she had lived since 1943. The title is deceptively simple and its caption, written on the work in Spanish, reveals more: 'no olvides Tlatelolco.. les tres culturas,,, no tenernos tumba... campo military número 1' (Don't forget Tlatelolco... the three cultures...we don't fear the grave... military camp number 1).' These words make clear that Carrington's painting pays homage to the student movement or Movimiento Estudiantil, led by the students and staff of the Universidad Nacional Autonoma de Mexico (UNAM), which began on July 22, 1968. She commemorates those killed and injured in the massacre in Plaza de las Tres Culturas (Plaza of the Three Cultures) in Mexico City on Wednesday October 2, 1968, and those rounded up, detained and tortured in Military Camp One. On October 2, 1968, ten thousand students gathered in the Plaza in Tlatelolco to begin a peaceful protest march through the city only to find themselves surrounded by Federal troops, many in tanks, who opened fire as night fell. They were protesting against the nation's one party government under Gustavo Díaz Ordaz and the lack of political freedom; he in turn was determined to quash months of student protests, especially in the lead up to the opening of the Olympic Games, scheduled for 12 October. Some 200-400 protestors, innocent bystanders, children (the precise number has never been firmly established) were killed, an estimated two thousand students rounded up, imprisoned, beaten and tortured. In her book documenting this massacre, Elena Poniatowska writes of October 2, 1968: 'There are many. They come down Melchor Ocampo, the Reforma, Juárez, Cinco de Mayo, laughing, students walking arm in arm in the demonstration [...] carefree boys and girls who do not know that tomorrow and the day after, their dead bodies will be lying swollen in the rain.'1Carrington's own sons, Gabriel and Pablo, were involved in the student protests and had been printing anti-government propaganda leaflets and posters on the mimeograph belonging to their father, the Hungarian photographer Emerico 'Chiki' Weisz (1911-2007), in their family home. Carrington asked Gabriel to introduce her to his student circle in the aftermath of the massacre and together they planned a silent protest by marching through the city centre, all dressed in black. However, soon she and her family were in danger of arrest too: one morning they received a phone call warning them that the writer Elena Garro had denounced Carrington and Gabriel to the police; they quickly arranged to leave the country, flying to New Orleans, where they stayed until Chiki advised them it was safe to return.2In addition to commemorating the student protestors, Carrington's painting pays homage to those who supported and saved some of the wounded students, notably Dr Fernando Ortiz Monasterio (1923-2012), to whom the painting is dedicated. Monasterio's 'operation' was radically different to Díaz Ordaz's oppressive regime, of course. He is presented as a medical and humanitarian shaman. He dominates the composition in his tall slender form as the healer at a time of military terror, or an intermediary between a violent moment in history and a better future. Fernando Ortiz Monasterio was a surgeon and teacher who specialized in cranio-facial surgery, assisting many children born with facial abnormalities or suffering tumours. He worked for the Ministry of Health in Mexico and was affiliated with the Graduate Division of UNAM as well as the Hospital General Gea Gonzalez, in the Tlalpan district. Monasterio was known for his interest in music, literature, anthropology and sociology, and for his determination to understanding how and why so many Mexican children were born with cranial deformations.3Carrington's choice of medium for this work also pays homage to the humanism and skill of the doctor. She uses egg tempera, a technique which involves an emulsion of pigment and a water soluble binder – here the binder is egg yolk. Whilst a difficult process, prone to dry flaking, tempera had great symbolic significance in bringing art and science, the feminine (symbolised by the egg) and the masculine (the technical skill), together. Tempera and temperament share a common Latin root - temperare, to mix - and both involve the binding of things whether humors and tempers or pigments. In being associated with the feminine, her choice of tempera technique also serves as a striking counterpoint to the mechanical violence of the massacre. Tempera speaks to an old, life-giving process through the alchemical symbolism of the egg and by extension may be read as a means to challenge an emphatically modern, masculinist, political regime. Tempera was a popular medium in Surrealist circles, especially for women painters, and once Carrington moved to Mexico in 1943 it became a staple technique in her studio there. One friend described her studio as a 'narrow little room in old Mexico, the most dream-saturated place I know here'.4Carrington's recourse to diverse cultural symbols ensures the viewer is intrigued by her use of dramatic colour and detail alike and searches out the stories behind them. We find English and Spanish text in the foreground, some of it in mirror writing; a palette dominated by bands of white and black - the doctor and his assistant are in white which symbolises light, and the androgynous patient they assist is dressed in a black cloak, the colo... This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Hamilton (Alexander) Madison (James) and John Jay. The Federalist; a Collection of Essays written in favour of the new Constitution, as agreed upon by the Federal Convention, September 17, 1787, 2 vol., first edition, printed on thick paper, vol.1 with two small old ink smudges on title, 36 blank leaves added after the text at the end, title and first leaf washed with slight fading to later ink ownership stamp of W. B. Crosby, next leaf slightly soiled, vol.2 title also with ink ownership stamp of W.B. Crosby also slightly faded, front endpapers with ink signature of William Bedlow, that in vol.2 dated 1787 and in vol.1 1788, other ownership inscriptions by later family members, contents leaves of both vol. with identification of author (name or initials) in ink, presumably in William Bedlow's hand, armorial bookplate of William Bedlow, contemporary tree calf with gilt-stamped Greek key design borders, flat spines fully gilt with contrasting green and red labels, each volume showing minor signs of restoration, especially to joints and spine ends, bumping and wear to corners, but overall near fine copies now preserved in a double-backed quarter calf drop-back box, gilt extra, by Trevor Lloyd, [Sabin 23979; Howes H114; PMM 234; Church 1230; Grolier, American 100, 19], 8vo (165 x 93mm.), New York, Printed and sold by J. and A. McLean, 1788.⁂ An excellent copy with superb provenance of one of the most important works of Americana. The Bedlow-Crosby-Rutgers-Vanneck copy with family ownership dating back to the year of publication.The Federalist Papers is a collection of 85 articles and essays written by Alexander Hamilton, James Madison, and John Jay under the collective pseudonym 'Publius' to promote the ratification of the United States Constitution. Originally published in various New York state newspapers including The Independent Journal, New York Packet and the Daily Advertiser between October 27, 1787, and August 1788, they were finally published in book form in 1788, though the dated inscription in volume one would suggest that this volume at least appeared at the very end of 1787."When Alexander Hamilton invited his fellow New Yorker John Jay and James Madison, a Virginian, to join him in writing the series of essays published as The Federalist, it was to meet the immediate need of convincing the reluctant New York State electorate of the necessity of ratifying the newly proposed Constitution of the United States. The 85 essays, under the pseudonym 'Publius,' were designed as political propaganda, not as a treatise of political philosophy. In spite of this, The Federalist survives as one of the new nation's most important contributions to the theory of government" (PMM, 234). The Federalist "exerted a powerful influence in procuring the adoption of the Federal Constitution, not only in New York but in the other states. There is probably no work in so small a compass that contains so much valuable political information. The true principles of a republican form of government are here unfolded with great clearness and simplicity" (Church 1230). "A generation passed before it was recognized that these essays by the principal author of the Constitution and its brilliant advocate were the most authoritative interpretation of the Constitution as drafted by the Convention of 1787. As a commentary and exposition of the Constitution, the influence of the Federalist has been profound" (Grolier American 100, 56)."Provenance: William Bedlow, (1722-1798), with his armorial bookplate on front pastedown in each volume and with his ownership signature dated 1788 in vol.I and dated 1787 [sic] in vol.II. He married Catharine Rutgers who was the mother of Catharine Bedlow who was the niece and heir of Colonel Henry Rutgers.William Bedlow Crosby (1786-1865) with his signature on the flyleaf of each volume and the signature "W.B. Crosby" on each title.Thereafter by marriage and descent to the present owners.This copy of The Federalist evidently remained in the ownership of William Bedlow and a succession of prominent and related New York families, during the whole of the 19th and 20th centuries, during which time there is no evidence that it was ever actually offered for sale. The original 18th century owner of this copy was William Bedlow (1722-1798), a New York resident who had been a sea captain and merchant, and who during the latter part of his life had evidently been engaged in public duties connected with the American war effort. He was chosen, on June 8, 1775, to be a member of the Committee of Secrecy and Inspection, whose duty it was to supervise the enforcement of the decrees of the Provincial Congress. An example of the work of the Committee is illustrated in Appendix A, being a report on the violation of the import rules being flouted by a ship landing illegal goods from Greenock in Scotland. The letter is dated New York, July 5, 1775. Bedlow was thus committed to the revolutionary cause from the outset. He was also on a committee of 48 tasked with conducting the election of officers for the military companies organised in New York [City]. In that same year (1775) Bedlow was appointed a "Commissioner for the Erection of Fortifications in the Highlands on the Hudson River" from 1775-1777, a theatre of war of the utmost importance for the defence of New York itself. A Dutch engineer, Bernard Romans, was appointed to supervise construction work, but this soon resulted in a complete breakdown between Romans and the three Commissioners (including Bedlow). Very little of military use was achieved and eventually Romans was dismissed in February 1776 [see Journal of the New York Provincial Congress, passim, and the Journal of the American Revolution, passim].William Bedlow appears again in the historical records in the shape of a letter dated September 5, 1780, written by Bedlow from Clinton House to Richard Varick (1753-1831), the noted Revolutionary soldier who in 1780 had been deputy commissary-general of musters and, in 1780 aide to General Benedict Arnold at West Point. Bedlow asks for help to secure forage for his three horses, the forage master having died in post. [See George Washington Papers, Series 4, General Correspondence]. It is worth noting that Bedlow adds an interesting footnote to his letter in which he gives the news that "Mrs Bedlow and Mrs Rutgers" have gone on a journey together and that "Miss Rutgers & Miss Bedlow present their best respects to you".Bedlow's final public appointment seems to have been as Post-Master of New York City. Although the precise date of his appointment seems to be unknown, he submitted financial accounts for the Post Office from April 5, 1784 through October 1789.There is another extant letter to George Washington from William Bedlow, dated 27 September 1789, in which Bedlow clearly and bitterly complains about his unfair sacking from his role as Post Master of New York by Samuel Osgood (1747-1813), the …

A President Mobutu propaganda cloth, printed for the 1984 election, mounted on a wood frame, 175cm x 111cm, a propaganda printed cloth for the Conseil National de la Revolution (CNR)170cm x 108cm, a vintage109cm x 81cm French flag, a Rajasthani printed and embroidered mirror cloth wall hanging, on wood frame, 168cm x 113.5cm, a small Rajasthani mirror work embroidered panel, mounted under glass and framed, 43cm x 38cm and a large modern Tibetan bannerQty: 6

* WWII. Propaganda headscarf 'Salvage Your Rubber', London: Jacqmar, 1940s, screen printed rayon scarf, with decorative pink panel on a pale blue ground depicting domestic objects such as a tricycle, pram, sewing machine, tailor's dummy, etc., with black lettering around margins `Bedsteads into Bullets, Rubber into Aircraft, Paper into shells, bones into bombs, metal into tanks, Trot out your Whatnots and save shipping', with slogan printed in black in centre 'Salvage your RUBBER', hand-rolled hem (a little frayed at corners), approximately 84 x 84cm (33 x 33ins)Qty: (1)NOTESIn very good condition.

* WWII. Propaganda headscarf 'Into Battle', London: Jacqmar, 1940s, screen printed rayon scarf with large star design of regimental badges on a blue ground, e.g. The Royal Hussars, The Lancashire Fusiliers, 25th Dragoons, etc., bordered with repeated slogan 'Into Battle' printed in black, and maker's name 'Jacqmar' to each edge, rolled hem, some fox spots, mainly to one edge, very small stain to one corner, 94 x 84cm (37 x 33ins), together with: Propaganda headscarf 'We Shall Never Surrender', London: Jacqmar, 1940s, screen printed silk acetate scarf, with portrait of Winston Churchill in centre, surrounded by slogans e.g. 'We shall fight in the fields and street', 'Never ... was so much owed by so many to so few', etc., and various images, e.g. Houses of Parliament, machine guns, aircraft, etc., some fraying and edge-holes, 89 x 84cm (35 x 33ins)Qty: (2)NOTESDuring the Second World War Jacqmar's of Mayfair produced a number of different scarf designs with themes reflecting the state of the country at war; these are now all highly collectable, and examples are held by the Imperial War Museum and the V&A. Such scarves were morale boosters, and made for the export as well as home market. They were often bought as gifts for sweethearts, and a scarf could transform an outfit or add some glamour at a much lower cost than say a new dress, although Jacqmar was an upmarket label. Their most sought after and famous scarves of the war years were designed by Arnold Lever, and he continued his work for the company even after being called up and joining the RAF. After the war he established his own design studio, where he did work for Liberty, amongst others.

Russisches Propagandaplakat des 2. Weltkrieges, orig. Farblithographie von 1941, Soldat der roten Armee eine Granate schleudernd mit der kyrillischen Inschrift "Vernichten wir die faschistischen Eindringlinge", am u. Rand kyrill. Druckvermerk, geglättete Knickspuren, auf leichten Karton gezogen, Gebrauchsspuren, 88 x 60 cm Russian propaganda poster of the 2nd world war, orig. Color lithograph from 1941, soldier of the red army hurling a grenade with the Cyrillic inscription ''Let's destroy the fascist invaders''. Border cyrillic. Imprint, smoothed creases, drawn on light cardboard, signs of wear, 88 x 60 cm

Russisches Propagandaplakat des 2. Weltkrieges, orig. Farblithographie von 1941, mit Lenin und Stalin auf einer roten Fahne und der Inschrift "Es lebe die Kommunistische Partei (Bolschewiki), die Avantgarde der Werktätigen der Sowjetunion", am u. Rand kyrill. Druckvermerk, geglättete Knickspuren, auf leichten Karton gezogen, geschlossener Riss, Erhaltungsmängel, 87 x 59 cm Russian propaganda poster of the 2nd world war, orig. Color lithograph from 1941, with Lenin and Stalin on a red flag and the inscription ''We strike the enemy wherever he shows'', on the u. Border cyrillic. Stamp, smoothed creases, drawn on light cardboard, closed tear, lack of conservation, 87 x 59 cm

A crepe paper propaganda programme and souvenir, The Great Demonstration Against the Licensing Bill, 1908.

[STEINBECK, John]. The Moon Is Down. A New Play By Steinbeck. Original poster design, in pencil and gouache, on thick paper. Matted and framed (unexamined out of frame). The Moon is Down was Steinbeck's second attempt at writing a novel in play form, written while he was on assignment for the Foreign Information Service, a division of the Office of Strategic Services tasked with combating Nazi propaganda. Though the work was originally set in a small American town, Steinbeck revised the work, setting it instead in an unnamed Scandinavian town, and published it with Viking in 1942.  The dramatic rights were acquired by Herman Shumlin, and The Moon is Down premiered on Broadway in April 1942. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

ANONYMMECKLENBURGS OSTSEEBÄDER Farblithographie. Propaganda Loesch Hamburg. Ernst Steiniger Druck- und Verlagsanstalt Berlin. 119,5 x 84 cm. Knickfalte. Kleine Randdefekte.

Postkarten 30er Jahre, III. Reich, 2 Propaganda-Postkarten, Hoffmann-Karten, ungelaufen mit Stempel ''Festungshaftanstalt Landsberg a.L.''. 3 x Zeppelin LZ 127, davon 2 x ungelaufen.

A COLLECTION OF GERMAN THIRD REICH PROPAGANDA BLACK AND WHITE PHOTOGRAPHIC CIGARETTE AND TRADE CARDS, together with a quantity of British items

A scarce original WWI First World War French recruitment / propaganda poster -  Ils Combattent: Souscrivons! (They Are Fighting- Let’s Help!) A large poster by Victor Prouvé (1858-1943). Published 1918. On paper. Full colour. A bold image of soldiers who hold the flags of the allied nations, advancing towards an unseen enemy, with tanks and planes in the background. Text below in French is an appeal for subscriptions to support the war effort. Has been folded. Size 78cm by 60cm

A large collection of assorted original WWII Second World War Third Reich Nazi German official press and propaganda photographs to include uniformed soldiers from the Luftwaffe, Wehrmacht and Kriegsmarine, many ariel bomb photographs, damaged aircraft and tanks, wounded soldiers, images from the Nazi book burning campaign, rally marches and parades, burning of the Reichstag, Aircraft Schematic diagrams and many more. An interesting collection.

A group of tokens and medals to include a Lusitania British propaganda medal, bronze medal commemorating the Charter of Devonport, circa 1824, Battle of Rossbach medal 1757, George V Queen Mary coronation silver medal and othersLocation: PORT

Victory House (Publishers). Cartoon map of North Africa, Tehran, 1943, colour photolithographic map showing the allied forces trapping a defeated Hitler and Mussolini on Tunisia, printed in Farsi, slight marginal creasing, occasional repaired marginal closed tears, backed with archival tissue, 385 x 580 mm, together with North Africa. Propaganda map, 1943, colour photolithographic map showing the allied advances since El Alamein and the recent Sicily landings, old folds, two repaired marginal holes, backed with archival tissue, 420 x 645 mmQty: (2)NOTESRare survivors from World War II, these two Middle Eastern propaganda maps were part of a campaign conducted by the British from central Tehran in the wake of the Anglo-Russian invasion of Iran on 25th August 1941. It is interesting to note that despite the Anglo-Russian invasion, Iran would remain neutral for the ensuing two years, only declaring war on Germany in September 1943; therefore the battle for Iranian 'hearts and minds' remained crucial to the Allied cause throughout this period. Not long after these posters were published, Tehran would become the meeting place for the Allied leader, Roosevelt, Churchill and Stalin, where the trio discussed arrangements for the European Second Front and for the proposed post-war independence of Iran. In a country where literacy levels were so low (about 10 - 15% of the populace), yet which had a sophisticated and vibrant culture of story-telling, these pictorial propaganda posters demonstrate how this was harnessed by the British New Centre in Tehran's Victory House during the wartime period.

Whistler (Rex). Flying Visit of Truth to Berlin in the form of an R. A. F. leaflet raid here fancifully depicted - but not forgetting a great many hard facts, The Illustrated Magazine, December 9th, 1939, black and white satirical map of an aerial view of Berlin, very slight staining, margins strengthened on verso with tape, with descriptive text "What the R. A. F. sees over Berlin" on the verso, 325 x 485 mmQty: (1)NOTESThe map commemorates the first British "nickel" (propaganda leaflet raid) over Berlin during World war II. It took place in early October 1939 and was carried out by planes of RAF10 Squadron. The raid was promoted as a sign of Germany's weak air defences and its vulnerability to attack. The R. A. F. is represented by numerous putti wearing flying helmets and goggles and being led by a warlike Britannia. In the lower right corner are caricatures of Hitler, Goebbels and Goering, shaking impotent fists at the sky whilst Von Ribbentrop cowers beneath a table. They support a 'skull and crossbones' flag with the skull wearing an SS cap. Rex Whistler joined the army in 1939 but was killed in action in 1944 in Normandy at the age of 39.

* Russo-Japanese War. V Osadnom Polozhenii [Under Siege]. Lit. Tov I. D. Sytin v Moskva [Lithographic partnership J. I. D. Sytin, Moscow], 1904, chromolithographic 'lubok' propaganda broadsheet, 'rayeshnik-style' verse below image, 575 x 390 mmQty: (1)NOTESA satirical propaganda broadsheet produced with a jingoistic Russian perspective of the Russo-Japanese war. It shows a giant obese John Bull sitting on a large bag of money, but he is bound up and tied down - almost like Gulliver - whilst Lilliputian Japanese soldiers swarm up his torso and extract a large wallet from his inside jacket pocket. The implication is that Britain's support for Japan - which came in the form of a substantial loan - is subject to so many caveats and conditions (the scroll in the foreground labelled "Uslovie", translates as conditions) as to be more of a hindrance than a help. The Japanese armed forces are depicted as little more than miniature toys and in the distance, 'Uncle Sam' (also with an outstanding loan bill peeping out from his coat-tails) turns his back on the whole affair and appears to be ignoring a Japanese general who stands before him. A scarce and early piece of Russian propaganda which attempts to imply that Japan would be unable to wage war against Russia without the financial help of its 'Western friends' in the form of Uncle Sam and John Bull.

Two Fieldings WWII propaganda novelty miniature chamber pots, comprising 'Jerry' No 1 with image of Hitler to the inside of the bowl and 'Flip your Ashes on Old Nasty - the Violation of Poland' to the reverse, the other 'Jerry' No 2 with image of Goering to the inside of the bowl and 'Flip your Ashes on Old Piggy - the Violation of Poland' to the reverse, printed factory marks, each 6 by 5 by 3.5cm high. (2)

6 ITALIENISCHE PROPAGANDA ANSICHTSKARTEN, nach Künstlerzeichnung v. Boccasile, Soldat d. Dt. Afrikakorps u. Italiener m. gefangenem Engländer bei Bengasi, Fliegeroffizier, stürmende Infanterie m. Tropenhelmen, Kampfflugzeuge (3 St.), 4 Karten m. Knickspur, alle v. e. Dt. Soldaten beschrieben 1942

Not Found in Carty"Bunreacht." For Private Circulation. A 16 pp pamphlet, by 'TEACHTA' ['Deputy'], headed 'For Private Circulation', offering a tentative outline of 'not an organisation for achieving independence, but a State organisation for an independent Ireland'. No printer, no date, circa 1918-19. This copy inscribed on title page, 'Miss O'Rahilly / Labhras MagFionnghail' [Laurence Ginnell, probably his signature]. *A thoughtful essay, possibly by Ginnell, an Irish Party MP who joined Sinn Fein after 1916. He became Treasurer of Sinn Fein, and Dail Minister for Propaganda. Not found in Carty, very scarce; with Is The Irish Party Nationalist? Our Policy on the Parliamentary Question. New Ireland Publishing Company, Dublin n.d., wrs, 12 pp. This copy signed 'Áine Uí Rathghaille, 28/12/18'. Áine Uí Rathghaille was the widow of Michael ('The') O'Rahilly, who died during the 1916 Rising.

Deltiology. German Third Reich propaganda postcards, topographical postcards, cards showing Checkpoint Charlie and The Scaling of the Berlin Wall., English WWI postcards, etc. (a quantity)

German Third Reich propaganda booklet Warum und Wofür Kämpfen wir, cover split down seam. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

WWII British Propaganda ivory model of a Bulldog tearing up the German flag, mounted on ebony base, L10cm x H6cm - Condition Report

Collection of cap badges and militaria, to include a WWI era Iron cross, bearing dates 1813 - 1914, a British propaganda replica of the German Lusitania medal complete with original box, also ten various cap badges, contained within an Ontiment Anti-Gas tin, a Gift from the Colonies chocolate tin and a Gold Flake tin.

Konvolut NS-Propaganda-Postkarten ca. 50 Stück, meist Portraitpostkarten führender NS-Größen, normale Altersspuren, teilweise unbeschrieben.

The Soviet Magazine - A huge selection from the 1950's to the 1980's, translated to English there is a large selection of Stalinist propaganda 1945-1950 Anniversary of Victory in Europe and information on the Space Race and War in Vietnam. Also some Rumania Today and other CCCP in Construction magazines etc. (30+)

The British Road to Socialism Communist Party Programme, third edition published 1968 with original Communist Propaganda insert opposing the Common Market.

The Anglo-Soviet Journal Volume 49 No.1 & 2 Summer and Autumn 1989, interesting Soviet propaganda pamphlets issued just years before the fall of the regime. Contains a leaflet of The English National Opera and the Byelorussian Ballet

LUSITANIA GERMAN MEDAL AND ACCOMPANYING PROPAGANDA WRITE UP WWI

Large collection of glass photographic plates including Russian Tsar imperial pre-1917, including images of executions, Russian noble family? and imperial propaganda magazines, some boxed, approx 100 slides

2 NSDAP-Propaganda-Anstecker, 1933, Hitlerporträt "Ein Volk-ein Reich-ein Führer" und "Ja", 12.11.1933; Altersspuren2 NSDAP propaganda badges, 1933, Hitler portrait "Ein Volk-ein Reich-ein Führer" and "Ja", 12.11.1933; signs of age

8 Propaganda- Postkarten, ungelaufen, WK II, 7* KdF Sammlergruppen, Axster Heudtlaß, "Mit unseren Fahnen ist der Sieg"; 1* Einmarsch Sudetenland 1938 - Original Postkarte zum 1. Mai Grossdeutschland; sehr guter bis guter Zustand8 propaganda postcards, unused, WW II, 7* KdF collectors groups, Axster Heudtlaß, "Mit unseren Fahnen ist der Sieg" (With our flags is victory); 1* Einmarsch Sudetenland 1938 - original postcard for the 1st of May Grossdeutschland; very good to good condition

2x Interesting Sets of WW1 German Propaganda Full Colour Postcards, the first sold for the Red Cross being 5 excellent quality illustrations of various sections of the German Army in field grey uniforms. 2nd a sentimental series of 6 different cards showing 2 German soldiers in field grey uniforms thinking of their families at home, pictured in top right corner. Very good condition.

British Royal Navy HMS Royal Oak 14th October 1939 Killed in Action Medal Group, consisting of 1939-45 star, Atlantic star and 1939-45 War medal, all un-named as issued. Accompanied by named Admiralty condolence slip “William John Ford” and hallmarked silver masonic / society medal engraved to the reverse “BRO. W. FORD 1931”. CWGC only lists one casualty of the Royal Navy with this full name in WW2, this is P/JX 144165 Able Seaman William John Ford, he was serving on HMS Royal Oak when she was sunk off Scapa Flow by torpedoes from German U-Boat U-47 on 14th October 1939. The sinking of HMS Royal Oak was of great propaganda importance to the Third Reich, the U-Boat commander, Gunther Prien, became a instant celebrity in Nazi Germany, being awarded the Knights Cross of the Iron Cross for the action. The sinking of the Royal Oak, came as a shock to the Royal Navy and the British public as it was the first battleship to be sunk in the war and also was docked at the Scapa Flow naval base, which the British authorities believed to be impregnable to German U-Boat attack. Here crew were 1,234 men and boys, of this number 835 were killed on the night of the attack or died of wounds later. The wreck of the Royal Oak is a designated War Grave, Every year Royal Navy divers lay a white naval ensign on her stern to commemorate her loss. One of the most iconic naval casualties in the history of the Royal Navy.

Scarce WW2 German Waffen-SS Propaganda Photograph Book “Germanische Gemeinschaft”, published in 1942, 64 Page recruiting photo book for Germanic Volunteers, super quality photos of Waffen-SS in combat, etc. Slight wear to covers, otherwise good condition.

Third Reich 1933 Election Propaganda Poster, interesting printed propaganda poster / flybill with cartoon images of three targets of the NSDAP’s grievence.

* Summers (Robert, after). The Doings of Drink, or the Publican versus the People, after the original oil by Mr. Robert Summers of Darlington. Dedicated to Sir Wilfred Lawson Bart, M.P. and to all the Friends of Temperance, Grumby & Clarke, Hull, 1894, chromolithograph, slight damp staining and spotting, trimmed to the image on three margins, 465 x 735 mm, framedQty: (1)NOTESA naive propaganda piece showing the evils of drink on the general populace. The foreground is full of men and women in rags; the implication being that they have been made destitute by drink. People beg, fight, are arrested, beat their wives, drop their babies in the gutter, hang themselves in cellars and pawn their belongings. The sprawling imagery is very much in the style of William Hogarth's 'Gin Lane' and equally lacking in nuance or subtlety in its depiction of the 'demon drink'.

7" Singles, approximately ninety 7" singles of various genres with artists including Discharge, The Cure, Flying Lizards, The Complaints, Killing Joke, Flesh For Lulu, Propaganda, Run DMC, Commodores, Spotnicks, Lonnie Donegan, Duane Eddy and more - various years and conditions

A propaganda printed cloth panel, inscribed 'The Reformers Attack on the old rotten tree - or the foul nests of the cormorants in danger', in mahogany frame, 80 x 71cms overall.

German Third Reich type SA propaganda poster from the series The Fight of the SA, 44 x 31 cm. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Gulf War psyop propaganda leaflets published and dropped by the allies. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Original vintage propaganda poster issued in Germany occupied Poland by the Polski Komitet Wyborczy - Polish Election Committee, and Rodacy! Pod haslem budowy neipodleglego panstwa Polskiego organizujemy Wybory for Rady Miejskiej. - Countrymen! Under the banner of building the independent Polish State we are organising Elections to the Local Goernment. at the top, urging citizens to vote in elections. The text is in bold red with the Polish crest with an eagle at the top left. Poor conditionn, paper losses, tears, creasing, folds, discolouration, printing error. Country of issue: Poland, designer: Unknown, size (cm): 99x70, year of printing: 1916

Original vintage propaganda poster Mobilisation 1914 - Soldiers Charging - Great artwork by Jules Courvoisier (1884-1936) features soldiers charging into battle. Edited by Peter Cailler Kohler Chocolats Suisse SA for the benefit of the Works sponsored by the Swiss Military Department / Edite par Peter Cailler Kohler Chocolats Suisse SA au profit des Oeuvres patronnees par le Department Militaire Suisse. Good condition, tears, pinholes, paper loss at top left corner, small restored paper loss at bottom left corner. Country of issue: Switzerland, designer: Jules Courvoisier , size (cm): 40x100, year of printing: 1916

Original vintage propaganda poster Mobilisation 1914 - Canons - Great artwork by Jules Courvoisier (1884-1936) features soldiers in blue uniform firing a canon. Edited by Peter Cailler Kohler Chocolats Suisse SA for the benefit of the Works sponsored by the Swiss Military Department / Edite par Peter Cailler Kohler Chocolats Suisse SA au profit des Oeuvres patronnees par le Department Militaire Suisse. Good condition, tears, pinholes. Country of issue: Switzerland, designer: Jules Courvoisier , size (cm): 40x100, year of printing: 1916

Original vintage propaganda poster Mobilisation 1914 - Cavalry Horse Charging - Great artwork by Jules Courvoisier (1884-1936) features soldiers charging into battle on horseback. Edited by Peter Cailler Kohler Chocolats Suisse SA for the benefit of the Works sponsored by the Swiss Military Department / Edite par Peter Cailler Kohler Chocolats Suisse SA au profit des Oeuvres patronnees par le Department Militaire Suisse. Good condition, tears, pinholes, minor foxing. Country of issue: Switzerland, designer: Jules Courvoisier , size (cm): 40x100, year of printing: 1916

Original vintage propaganda poster Mobilisation 1914 - Hiking - Great artwork by Jules Courvoisier (1884-1936) features soldiers in blue uniform hiking up a rocky mountain with one looking over the edge of the hill with binoculars. Edited by Peter Cailler Kohler Chocolats Suisse SA for the benefit of the Works sponsored by the Swiss Military Department / Edite par Peter Cailler Kohler Chocolats Suisse SA au profit des Oeuvres patronnees par le Department Militaire Suisse. Good condition, pinholes, tears, minor staining. Country of issue: Switzerland, designer: Jules Courvoisier , size (cm): 40x100, year of printing: 1916

Original vintage propaganda poster Mobilisation 1914 - Map Reading - Great artwork by Jules Courvoisier (1884-1936) features soldiers in blue uniform standing in a group some analysing a map , one looking through binoculars and another with a bike passing a note. Soldiers on horesback in the background. Edited by Peter Cailler Kohler Swiss Chocolates SA for the benefit of the Works sponsored by the Swiss Military Department / Edite par Peter Cailler Kohler Chocolats Suisse SA au profit des Oeuvres patronnees par le Department Militaire Suisse. Good condition, tears, small paper loss at top left, restored paper loss at bottom left, pinholes, staining. Country of issue: Switzerland, designer: Jules Courvoisier , size (cm): 40x100, year of printing: 1916

Original vintage propaganda election poster issued by the German National People’s Party (DNVP) "Wahlt Deutschnational" - "Elect German National!, with an artwork featuring the Reichsadler (German Imperial Eagle) spreading its wings above a red dragon breathing fire. Printed in Dusseldorf, Germany. Poor condition, folds, staining, tears, restored paper losses, creasing. Country of issue: Germany, designer: Unknown, size (cm): 109x83, year of printing: 1924

Original rare vintage propaganda poster titled "Remember me? I was at Bataan. Buy war bonds.", with an artwork by Alexander Brook (1898-1980), an American artist, teacher, and art critic best known for his paintings. The painting features an American infantry soldier standing solemnly with arms crossed and a helmet in hand, against a dark, moody background. The Battle of Bataan is famous in history as one of the last stands of American and Filipino soldiers before they were overwhelmed by the Japanese forces in World War II. Bataan featured prominently during World War II. Prior to the 1941 Japanese invasion, Bataan was a military reservation for the purpose of defending the fortress island of Corregidor. US Army stored nearly 1,000,000 US gallons (3,800 m3) of gasoline there, along with various munitions. At the southern tip of the peninsula the U.S. Navy had established a small base at the port of Mariveles. The majority of the American and Filipino forces surrendered on April 9 and were forced to march more than 100 kilometers (62 mi) from Bataan to Capas, Tarlac, which became known as the Bataan Death March. Good condition, folds, tears, creasing, small paper losses at right margin. Country of issue: USA, designer: A. Brook, size (cm): 101x72, year of printing: 1932

Original vintage Nazi Germany propaganda poster issued by the Bund der Saarvereine ahead of the referendum on adjoining Saarland to Germany. The Saar is German Forever! / Deutsch Die Saar Immerdar! Striking artwork features a giant hand pointing two fingers into the sky from behind a tower above industrial factories. Quote by Paul Warnche above a Nazi Swastika reads - Vow and speak: right remains right. True remains true: German die Sarr! / Schwort und Sprecht: Recht bleibt Recht. Wahr bleibt wahr: Deutsch die Saar! Issued by the Bund der Saarvereine - a private propaganda association for the purpose of advocating the return of the separated Saar area to Germany. It received financial and organizational support from the Third Reich government. Acceptable condition, large tear, small paper losses, folds. Country of issue: Germany, designer: Unknown, size (cm): 72x49, year of printing: 1935

Original vintage Nazi Germany propaganda poster promoting the achievements of Third Reich under Adolf Hitler. The text reads: In the past: unemployment, hopelessness, neglect, strike, lockout. - Today: work, joy, discipline, fellowship among the people. Hence give your vote to the Fuhrer! / Fruher: Arbeitslosigkeit-Hoffnungslosigkeit-Verwahrlosung-Streik-Aussperrung. Heute: Arbeit-Freude-Zucht-Volkskameradschaft. Darum Deine Stimme dem Fuhrer! Artwork features a photomontage with a Nazi soldier holding a spade in the front and working people on strike with signs in the red background. Issued by Nationalsozialistische Deutsche Arbeiter-Partei (NSDAP), printed by Verantwortlich Hugo Filcher Munchen. Good condition, folds, tears, small paper losses, pinholes. Country of issue: Germany, designer: Unknown, size (cm): 119x84, year of printing: 1936

Original vintage Nazi propaganda poster titled in German Reichstreffen! Berlin 1.Aug. 1937 - Olympia Stadion - Reich Meeting! Berlin. 1. Aug. 1937 - Olympic Stadium. The artwork features the swastika emblem, with a large draped swastika flag on the right, a Nazi general looking towards the sky, and a small illustration of the Brandenburg Gate in the background, with text in bold red lettering. Printed in Leipzig. Issued by Nationalsozialistische Deutsche Arbeiter-Partei - NSDAP. Good condition, staining, restored paper losses, restored tears, backed on paper. Country of issue: Austria, designer: Unknown, size (cm): 84x59, year of printing: 1937

Original vintage propaganda poster issued in Poland by Piotrowicka Fabryka Maszyn in Piotrowice. The message reads W twoim reku czystosc miasta! - The cleanliness of town is in your hands! Minimalistic image of a hand dropping a piece of paper into a waste basket would be very relevant today as well. Good condition, tears, folds, creasing, paper losses. Country of issue: Poland, designer: Unknown, size (cm): 30x21, year of printing: 1930s

Original vintage Nazi propaganda poster featuring a black and white photograph of Adolf Hitler giving a Nazi salute against a bright red background, with text below in German reading Ich bitte jetzt das deutsche Volk, mich in meinem Glauben zu starken ... and so on - I now ask the German people to strengthen me in my faith .... Printed in Munich, Germany. Good condition, restored folds, tears, minor staining, small restored paper losses. Country of issue: Germany, designer: Unknown, size (cm): 84x59, year of printing: 1930s

Original vintage Nazi propaganda poster titled in German Wie lang noch ohne kolonien? - For how much longer without colonies?. The artwork features a crack in the wall in the shape of the African continent, with a faint illustration of a thatched straw house and palm tree embedded within. Published by the Reichskolonialbund (Reich Colonial League), a collective body that absorbed all German colonial organisations during the time of the Third Reich. Printed in Berlin. Good condition, restored tears, restored creasing, restored paper loss on left margin, backed on linen. Country of issue: Germany, designer: Unknown, size (cm): 81x56.5, year of printing: 1930s

Original vintage Dutch propaganda poster titled in Dutch Eens met bloed en zweet verworven voor ons volk, nu verraden en verkswanseld - Geen waarachtig nederlander zal deze schanddaad aanvaarden... - Once acquired with blood and sweat for our people, now betrayed and squandered - No true Dutch person will accept this disgrace ..., with an artwork of a green hand tearing a Netherlands flag and revealing the map of Curacao and Suriname. Poster was issued by the Nationalist Socialist Party in teh Netherlands. The National Socialist Movement in the Netherlands - NSB was a Dutch fascist and later Nazi political party that called itself a “movement”. As a parliamentary party participating in legislative elections, the NSB had some success during the 1930s. Under German occupation, it remained the only legal party in the Netherlands during most of the Second World War. Good condition, folds, minor creasing, minor staining, repaired tears. Country of issue: Netherlands, designer: Unknown, size (cm): 82x60, year of printing: 1941