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A Third Reich propaganda book 'Deutschland Ermacht' including photographs of Adolf Hitler

USSR, Soviet Era propaganda poster. 67 X 47 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 67 X 47 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 47 X 67 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 47 X 67 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 47 X 67 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 47 X 67 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 47 X 67 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 47 X 67 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 67 X 47 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

USSR, Soviet Era propaganda poster. 67 X 47 cm. (Condition: well used, with pin holes, remnants of Cellotape and tears to the edges).

Collection of mainly 70s records to include Yes Fragile, Sparks Propaganda, Fleetwood Mac Greatest Hits, XTC 3D, The Story of The Who, Rolling Stones, Pink Floyd, etc (14)

Three Fieldings porcelain German propaganda miniature chamber pots, together with another example

Four various WW2 War Savings propaganda posters, including an example for the Rutherglen Office of the Glasgow Savings Bank, together with WW2-era medical kit to include Shell Dressing manufactured by T.J. Smith & Nephew Ltd. Hull, contained in a webbing satchel and a 1939-dated baby's gas mask Condition Report:Available upon request

A WWI medal awarded to L-11870 Pte J.A. Helliwell, Ni-LRS, two Lusitania propaganda medals, and a small group of badges.

NORMAN ROCKWELL; four WWII American propaganda posters, 'Save Freedom of Speech', 'Save Freedom of Worship', 'Our Fight to Fight for Freedom from Want' and 'Buy War Bonds', each approx 70 x 50cm, framed and glazed (4).

A WWII period handkerchief with military cartoons by Bert Thomas together with a propaganda "Big Four" printed handkerchief (2)

Four WW2 propaganda posters. Shipping category B.

Entirely in Old Irish Molloy (Fr. Francis) Lucernia Fidelium... De Doctrina Christiana, 8vo Rome (Sacrae Congreg. de Propaganda Fide) 1676. First Edn., uncut, recent mor. backed cloth boards. Good. Emf. (1)

An Angry Priest Appeals to Rome Co. Antrim:  Copy letter dated 2 August 1905 from Ballycastle, Co Antrim, written by the curate, Rev. John Joseph McKinley, to Cardinal Gotti, Prefect of the Sacred Congregation of the Propaganda, Rome. 9 ff. A series of furious complaints against his bishop, Dr Henry (a zealous “political” bishop, founder of the Belfast Catholic Association), who has banned him from membership of the Ancient Order of Hibernians and threatened sanction against him, even though other bishops have approved of their clergy belonging to the order, and despite the good work done by Fr McKinley locally in uniting two rival factions of the order. As a m/ss., w.a.f. (1)

Archibald Elliot Haswell-Miller (British. 1887 - 1979). Oil painting on board. Probably a design for a propaganda poster. A kilted Scottish soldier is standing behind a Crusader Knight. Circa 1940. Provenance: From the collection of Sylvia Percival Prescott, daughter of Archibald and Josephine Haswell-Miller. H.36 W.27 cm.

£1 Peppiat, propaganda leaflet repaired and fragile, scarce

WW2 American Propaganda Printed Cotton Handkerchief. Approx. size 43cm square. Border with V for Victory and Morse code for V dot dot dot dash. Each Country is represented by a Animal, USA as an Eagle, Britain as a Bulldog, Russia as a Bear etc.

WW2 Rare British Animated Propaganda Card printed in French which opens out to show a figure of Hitler stealing food and wine. A rare card which only 1,200 were printed and only dropped once on the night of 30th Sept/Oct 1st 1941. Comes in a 1942 dated envelope addressed to a Mrs J Bush.

WW2 Third Reich "SPQR" German Propaganda leaflet in Italian urging Italians to fight the Anglo-Americans. Size 145mm x 90mm.

FRANK BRANGWYN (1867-1956)- PROPAGANDA POSTER. PRINT. PENCIL SIGNED TO LOWER MARGIN.49 X 70 cm.

Seltene "Anti-Nazi" Propaganda Schriften, 1944Miniaturausgabe vom amerikanischen Office of Strategic Services (OSS) als Flugblatt "Das Neue Deutschland" vom 15. September 1944. Um die Oppositionszeitschrift glaubhaft wirken zu lassen wurden sie bedruckt mit "Diese Deutsche Zeitung wurde von unseren Truppen im Gebiet von Aachen aufgefunden". 16,5 x 25cm. Sowjetisches Propaganda Heft, Front-Illustrierte. Für den deutschen Soldaten März 1944 "Hitlers neuestes Verbrechen", Thema Kessel von Korsun, Rückblatt illustriert mit dem gefallenen Kommandierenden General Wilhelm Stemmermann. Dickes Wachspapier, 21 x 27,5cm

NS-Propaganda Literatur: Dr. Robert Ley - Wir alle helfen dem Führer, 1937von Dr. Robert Ley, Reichsleiter der NSDAP. Wir alle helfen dem Führer - Deutschland braucht jeden Deutschen. Mit 13 Kunstdrucktafeln. Zentralverlag der NSDAP, Franz Eher Nachf. München. 1937. Ganzleinen Einband mit silbern geprägter Schrift. 230 Seiten. Vollständig. Guter Zustand, mit leichten Alters- und Gebrauchsspuren, Vorblatt etwas aus Bindung gelockert. 13 x 19cm.

Propaganda Heft 1933, von Dr. Karl Grunsky, gestempelt NSDAP UhingenTitel: "Luthers Bekenntnisse zur Judenfrage", von Dr. Karl Grunsky. Büchlein von 1933, 84 Seiten, guter Zustand. Keine Bilder. Verlag Erhard Walther, Stuttgart. Auf Seite 2 Dienstsiegel der NSDAP Ortsgruppe Uhingen bei Göppingen.

An American WW II lithograph propaganda poster "Be Smart Act Dumb! Loose Talk Can Cost Lives", designed by O.Soglow with text below Distributed in the interest of National Defense, and as a means of obtaining funds for Ambulances wherever needed. British and American Ambulances Corps, Inc., New York City, 50.5 x 35.5cm.

An American WW II lithograph propaganda poster "Don't Be A Dope And Spread The Inside Dope Loose Talk Can Cost Lives", circa 1942 with text below Distributed in the interest of National Defense, and as a means of obtaining funds for Ambulances wherever needed. British and American Ambulances Corps, Inc., New York City, 50.5 x 35.5cm.

KEEP THESE OFF THE U.S.A.WWI Poster (30" x 40")Fine+ on Linen; Artist John Norton Strobridge Litho Co., c.1917This notable WWI propaganda poster designed by John Norton features harrowing imagery of bloodstained cavalry boots, each bearing the tri-colored German armorial insignia of the Imperial Eagle against a stark black background.This poster has had restoration to previous issues, including chipping in all four corners, tiny edge tears, fold wear including separation, and chipping in the center fold cross point. Also four 2-inch tears, two in the lower and two in the left borders, and also a 5-inch tear in the left border. There has been sporadic airbrushing to the borders as well.World War I saw several firsts, but one of the most long-lasting was an extensive and well-planned propaganda campaign to entice American citizens to sign up for the conflict. To stir public support for war overseas, the Division of Pictorial Publicity was formed by the federal government in 1917, enlisting renowned illustrator Charles Dana Gibson (whose "Gibson girl" had defined a generation) to head the effort and recruit essential and well-known artists to the cause. These artists responded enthusiastically and created masterpieces of propaganda, using well-honed advertising industry techniques to develop catchy slogans paired with impactful graphics to inspire resolve, patriotism, and even fear in the minds of the general public. This lot will be auctioned on Friday, December 8th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 7th.

STARSHIP TROOPERSCollage Posters (3) (27" x 41")Very Fine- Rolled Tri-Star, 1997Two of these have a collage-style design with the third being more bug-centric with a single shot of the creature taking up the whole poster. All three together have a complete array of iconic images from the sci-fi flick that catch the eye. All the posters have clean and bright images but do have some slight sporadic edge wear, with the bug poster also having some additional creasing in the upper left corner.RoboCop Director Paul Verhoeven once again brought a satirical edge to sci-fi with this interplanetary war movie based on the novel by Robert A. Heinlein. While following the fortunes of a group of fresh-faced teens in a war against arachnid-like aliens, the film skewered fascism and pro-war propaganda - though its subtleties were sadly lost on many critics and audiences at the time of release.This lot will be auctioned on Friday, December 8th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 7th.

STARSHIP TROOPERSJapanese B0 & One-Sheet (57.5" x 40" & 27" x 40")Very Fine Rolled Buena Vista International/Tri-Star, 1997A terrific Japanese B0 featuring Michael Ironside's POV of the bug invasion, not to mention five very iconic image squares in the lower area, and it's matched here with the iconic one-sheet.Both posters are clean and bright and have only light general crimping. The Japanese B0 also has some sporadic edge wear, including creasing, crimping, and tiny tears.RoboCop Director Paul Verhoeven once again brought a satirical edge to sci-fi with this interplanetary war movie based on the novel by Robert A. Heinlein. While following the fortunes of a group of fresh-faced teens in a war against arachnid-like aliens, the film skewered fascism and pro-war propaganda - though its subtleties were sadly lost on many critics and audiences at the time of release.This lot will be auctioned on Friday, December 8th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 7th.

STARSHIP TROOPERSJapanese B1 & Program Booklet (8 Pages) (28.5" x 40.5" & 10.25" x 14.25")Very Fine+ Rolled Buena Vista International/Tri-Star, 1997This is the much more nuanced and stylistic Japanese poster for Starship Troopers featuring the trooper helmet being skewered by an arachnid stinger. Also included is a terrific Japanese program book that has a fold-out section in the center, as well as eleven extra loose paper Japanese ads of all sizes with some duplicates that serve as a cool accompaniment. The poster is clean but has scattered light crimping and sporadic edge wear on the left and right sides. The program and additional pages are all in mint unused condition. RoboCop Director Paul Verhoeven once again brought a satirical edge to sci-fi with this interplanetary war movie based on the novel by Robert A. Heinlein. While following the fortunes of a group of fresh-faced teens in a war against arachnid-like aliens, the film skewered fascism and pro-war propaganda - though its subtleties were sadly lost on many critics and audiences at the time of release.This lot will be auctioned on Friday, December 8th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 7th.

World War II era German Third Reich propaganda leaflet ‘A Last Appeal to Reason by Adolf Hitler’, dropped by the Luftwaffe over Bristol during flying missions, this copy found in the orchard at Gatcombe Court, August 1940, 44cm x 60.5cm (fully opened), now framed and glazed, together with a World War Two bomb fragment labelled “ Fragment of a 500 Kg bomb dropped at Gatcombe by a Junkers Ju 88 of the Luftwaffe Battle Squadron 77 on the night of 2-3 March, 1941”, (2)

Wirsing, Giselher (Ed.) - 'The War in Maps 1939/40', scarce first US edition, published in New York by the German Library of Information, a US Nazi propaganda organisation, in 1941

WORLD WAR II PROPAGANDA SCARF WITH CENTRAL PORTRAIT OF CHURCHILL BY FILMYRA FABRICS, approximately 84 x 84 cm

A SMALL COLLECTION OF MILITARIA, consisting of a WWI Princess Mary gift tin, a propaganda 'For Kultur' iron cross, a pair of uniform removed WWII Home Guard War 71 cloth insignia sets, a repro Home Guard 1941 manual and framed postcard

[*] Riefenstahl, Leni -- Self-portrait. Circa 1930. Vintage gelatin silver print (photo postcard). 11 x 8 cm (14 x 9,2 cm). Signed by the photographer in the negative in lower margin. This self-portrait captures Riefenstahl in a somber and dramatic style that mirrors the intense lighting seen in her later cinematic works. While her artistic talents were evident, her association with the Nazi regime and her role in propaganda filmmaking remain subjects of significant debate and criticism. – Corners slightly bumped, minimal mirroring along edges of print, otherwise in very good condition.

A porcelain tile China, 20th century Painted with a propaganda poster of the People's Republic of China. Signed.37x25,5 cmSPECIAL SALE NOTICERestricted BiddingTo register and bid at this auction you will need to provide proof of identity and of address and provide photographic ID. You may be asked to pay a deposit of €5.000. Fund must be cleared in VERITAS Art Auctioneers account no later than 11am on Monday, December 4th, 2023. If you are not the winning bidder, you will be refunded within seven working days. Online bidders may be required to pay a €5.000 deposit, which will allow the online bidder to bid up to a maximum of €50.000 in total. For higher bids, different deposits apply.Bank Transfers should be sent to: Beneficiary PERIHASTA Bank BPI Branch Saldanha IBAN PT 50 0010 0000 4626 3080 0018 2 SWIFT/BIC BBPIPTPLCondition of LotsPlease note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.

Two Facsimile Second World War Propaganda Posters, one with King's crown over KEEP CALM AND CARRY ON, in cream on a red field, the other similar with King's crown over YOUR COURAGE, CHEERFULNESS AND FORTITUDE WILL BRING US VICTORY, each framed and glazed; also, a framed colour print "The Battle of Waterloo - Cuirassiers Charging Highlanders in Square", and a printed linen Union Jack (4)

2nd-3rd century A.D. Wide bulbous body with flat base, tall narrow piriform neck, splayed rim with an in-folded lip. Cf. Filarska, B., Szkla Starozytne (Ancient Glass) II vol., Warszawa, 1972, II, cat.220, pl.XLIV,3, for similar vessel. 36 grams, 90 mm high (3 1/2 in.).Acquired 1980-2015. Ex Abelita family collection.During the early Roman period the glass-making techniques used by the Greeks were continued. Much of the glass was buried and as a result acquired an attractive lustrous patination. Roman glass became a medium for the promotion of the emperor and imperial propaganda, as well as having utilitarian purposes. Glass blowing, a new technique, meant that quantities of identical bottles could be produced.

3rd century A.D. Bulbous with flat base, tall stem neck, splayed rim with an in-folded lip. Cf. Filarska, B., Szkla Starozytne (Ancient Glass) II vol., Warszawa, 1972, II, cat.254, pl.XLVI,2, for similar vial. 46 grams, 12.7 cm high (5 in.).Acquired 1980-2015. Ex Abelita family collection.During the early Roman period the glass-making techniques used by the Greeks were continued. Much of the glass was buried and as a result acquired an attractive lustrous patination. Roman glass became a medium for the promotion of the emperor and imperial propaganda, as well as having utilitarian purposes. Glass blowing, a new technique, meant that quantities of identical bottles could be produced.

A Rare RSR Denarius Roman Imperial Coinage, Carausius (286-293), Denarius, London, 286, imp caravsivs p f avg, laureate, draped and cuirassed bust right, rev. altar inscribed mvl tis xx imp in three lines, rsr below, 3.24g (RIC 595; Shiel 98-100; RSC 114; S 669B). A few flan chips, otherwise about very fine, old collection tone £700-£900 --- The legend RSR seen on the reverse of this coin has been recognised by Guy de la BeÌdoyeÌ€re as the initials of an extract from Virgil’s Eclogues, Redeunt Saturnia Regna (’the kingdom of Saturn returns’). Similar extracts from Virgil are seen elsewhere on Carausius’ coinage, which - as Graham Barker has argued - formed part of a wider policy of imperial propaganda that through coin legends and iconography cast Carausius as a true successor to Augustus. The weights of Carausian Denarii have been subject to similar analysis. As Estiot has argued, Carausius appears to have struck his Denarii at an ideal weight of 3.90g, or 84 to the Roman pound. The usurper’s employment of the long abandoned ‘Augustan’ standard aligns well with prevailing interpretations of the iconography of Carausius’ coins. Given Carausius’ propensity for referencing distant Roman precedents in order to reinforce his and his empire’s legitimacy, it is intelligible that he consciously chose to resurrect a long defunct weight standard.

Extensive collection, illustrating the versatility of this Dutch artist. Incl. a.o.: (1) The Doodles of Doeve. Captions by G. Grigson. N.pl., privately printed for the friends of Rainbird, McLean Ltd at Christmas 1956, in 400 copies, (6) text p., w. 26 full-p. ills. and orig. boards by Doeve, 4to. W. signed dedication in pen on h-title: "Een verwarde getekende roman (...) van [signed] koning der kwakzalvers". (2) Mijlpaal 1950. Arnhem-Sonsbeek-Zeijpendaal 5 mei - 19 augustus. Poster, 49.5 x 30.5 cm. Rott., Kühn & Zoon. Folded, pinholes in corners. (3) Commissie voor de Propaganda van het Nederlandse Boek. Boekenweek 1951. 24 februari - 3 maart. Zoekplaat voor kinderen tot en met de leeftijd van 14 jaar (...). Plate, 27 x 20 cm. Amst., Clock en Moedigh N.V. Fold as publ., tiny tear. (4) Mei 1952. Amsterdam-Rijnkanaal, de levensader van Amsterdam. De Rijn in de R.A.I. Amsterdam van 21 mei - 15 juni 1952. Flyer publ. on occasion of the opening of the canal, 23 x 14.5 cm (folded), w. 2 col. ills. by Doeve. (5) R.S. Roarda. Mefrou en hjar Faem. Leeuw., T. van der Weij, n.d. (1939), 28,(4) p., ills. and orig. stapled wr. by Doeve. W. loosely inserted prospectus. (6) Eppo Doeve. Ter herinnering 1907-1981. Amst., Elsevier, 2013, 104 p., richly ill., orig. wr., 4to. (total approx. 70 in 2 boxes)

and some other items. All Dutch language, mostly 1930s but also incl. earlier publications. (1) In de duinpan. Tweede druk. Koog aan de Zaan, Noord-Hollandse Propaganda-Commissie van de Algemene Nederlandse Geheel-Onthouders Bond, n.d. (ca. 1935), 12 p., 4 ills., orig. stapled (sl. foxed/ browned) pictorial wr. Extremely rare sm. publication, w. amazing front wr. design. (2) Nederlanders in Spanje. Geronseld? Amst., Agentschap Amstel, n.d. (ca. 1937), 16 p., orig. wr. (w. folds). (3) Fascisme of socialisme. Wat eischt het gemeenschapsbelang? Feiten ter overdenking. N.pl., Ned. Vereeniging van Spoor- en Tramwegpersoneel, n.d. (ca. 1938), 16 p., orig. stapled woodcut wr., obl. 8vo. Final page: "Uw antwoord? N.V.V. (and) S.D.A.P. Geen fascisme maar Socialisme!" (4-5) Een heilige ontevredenheid. By T.T. de W. Van breken en bouwen. By S.H. v. G. Amst., Bond van den Soc. Dem. Vrouwenclubs, n.d. (ca. 1931-33), 2 vols., 16 and 8 p. (incl. wr.), orig. stapled wr. w. lithogr. ills. by A. Funke Küpper. Very rare. (6) Van een belangwekkend bedrijf. Hoe het werkt en groeit. Amst., De Arbeiderspers, 1932, (16) p., printed in black, blue and yellow, w. map and ills., orig. thread-bound wr. Very nicely designed publication on de Arbeiderspers. (7) Viruly, A. Ons land en het geweld. Amst., Contact, 1938, 30 p., orig. wr. printed in blue and orange des. by Brögel. (8) Kamerverkiezing 1933. Stemt op de S.D.A.P. Het wonder-biljet zorgt dat het zoo wordt: stemt rood! Movable board propaganda card, 9 x 8.3 cm, w. turnable circular disk behind a square, printed in red and black, in envelope w. the printed text "Op 't drukwerk in dit zakje staat voor U een hééle goede raad". Extremely rare. -and approx. 59 others. (total approx. 65)

Printed in Utrecht by Lumax for Diocesane Bond De Jonge Werkman in Tilburg, n.d. (1936), (24) p., richly ill. w. (full-p.) (photomontage) ills., orig. stapled wr., 4to. Spine splitting at foot. Very good copy of a splendidly designed propaganda booklet, w. amazing photomontages. (2) Naar de kampen! Aan onze jeugdige werkloozen. Printed by Lumax for Jeugd-werkloozen-dienst R.K. Werkliedenverbond, Utrecht, n.d. (ca. 1934), 35 p., photogr. ills., orig. stapled photomontage wr. (3) R.K. Verbond de Jonge Werkman, Utr. 5e Jaarverslag 1935. Printed by Lumax, (1936), 20 p., orig. stapled wr. -and 24 others, incl. 2 very finely des. fold. flyers issued by the Nationale R.K. Commissie voor Jeugdwerkloozenzorg (Den Bosch) and a few K.R.O. booklets. (total 27)

No. 57, 59, 64-67, 69-73, 75-78, 80-100, 102-112, 114-124, 126-132, 134-135 and 138-156. Amst., Bureau van Actie en Propaganda tegen Fascisme en Communisme, 1934-1936, 86 issues, all (12) p., richly ill. w. photogr., cartoons, etc., incl. (double-p.) photomontages and a few isotypes by J. Rot, and ills. by Skorpio, H. de Ru, A.P. Sudio, G. van Raemdonck, H. Kijser, G. Soutendijk a.o., in loose lvs as issued, folio. Occas. foxed, some other sm. defects, but a very good and rare large run. Impressively designed periodical, with splendid photomontages. A few central themes are "Het plan van de arbeid" (this text also printed over the series title in many issues) and the fight against the N.S.B. Added: 8 duplicates. (total 94)

Comprises: (1) Arbeidsfront uitgave Amsterdam. Strijdblad voor de Nationaal-Socialistische Beweging in Nederland. 5 issues, 1940-41. (2) Volk van Nederland. Veertiendaagse uitgave van de afdeeling propaganda der N.S.B. 3 issues, 1941. (3) 't Werkende Volk. Strijdblad voor de "Nationaal-Socialistische Beweging der Nederlanden". 11 issues, 1941-43. (4) Volk en Vaderland. Nationaal Socialistisch weekblad. 4 issues, 1941-43. -and odd issues of Orde!, De Gil, and Victorie! Also comprising 5 single-leaf "overdrukken" from Volk en Vaderland and 3 others. (total 34)

Ca. 1900-40, all in orig. (stapled) wr. and 8vo/ 4to. (1) Stuiveling, G. Een nieuwe jeugd, een nieuwe wereld! Baarn, by G. Bakker for "Jeugdbond voor Onthouding", "verkrijgbaar bij Tjeerd de Boorder" (Nieuwendam), 1928, 16 p., orig. stapled printed wr., w. striking typography. (2) Berstende knoppen. Wildervank, "Brochurendepot: Griet Knigge"/ Jongelieden Geheel-Onth. Bond (correspondence-address Rott.), n.d. (ca. 1925), typography and des. by Nieuw Leven (The Hague), orig. stapled wr. (3) Thomazon, G. and A.L. Baker. Waarom collaboreeren met een vijand? The Hague, Boekenhuis "Veritas", n.d. (ca. 1930), 36 p., orig. stapled wr. by "JDK". (4) Mierop, L. van. Alkoholisme en onzedelikheid [sic]. Rede uitgesproken in het Koninklijk Athenaeum te Antwerpen op 10 november 1912 voor de "Vaderlandsche Bond tegeb Alcoolism [sic]." Twede [sic] druk. Utrecht, by Prieda for Rein Leven Beweging, 1918, 22,(2) p., orig. stapled wr. (5) Wat onze vrouwen zeggen over onthouding. Zuid-Scharwoude, "verkrijgbaar bij het brochure-depôt, C. de Jong", published by A.N.G.O.B. (Algem. Ned. Geh.Onth. Bond), 1913, 31 p., orig. pict. wr. by W. Meyer. (6) Laverman, J. Houd hoog! Propaganda-versjes voor drankbestrijding. N.pl., A.N.G.O.B., n.d., 24 p., orig. pict wr. by W. Meyer. (7) Verkeersongevallen in Nederland 1930. N.pl., Vereeniging voor Alcoholbestrijding bij het Snelverkeer (V.A.S.), n.d. (ca. 1931), 12 p., orig. stapled wr. -and approx. 40 others, incl. 13 numbers of the Orgaan van den Interacademialen Geheelonthouders Bond (1927-32), 5 publications by the Nederlandsche Vereeniging tot Afschaffing van Alcoholhoudende Dranken and 4x Verslag van het Centraal Comité voor Drankbestrijding over het tijdvak van 1 sept. 1925 tot 1 jan. 1927/ over het jaar 1927, 1928, 1929. Some duplicates. (total approx. 45)

Mostly consisting of richly ill. periodicals in var. languages, but also incl. tourist guides, propaganda booklets, etc. Comprises a.o.: (1) U.S.S.R. im Bau/ In Construction, 11 numbers 1931-49 (incl. numbers 2-4, 5, and 7-10 of year 1949). (2) Sowjetunion. Nr. 3, 6 (52), 95, 99-102, 104, 105 and 11 (404), 10 numbers 1950-83. -and 3 numbers of the French edition. (3) 1961. De USSR. Propaganda booklet, n.pl., n.publ., n.d., 48 p., finely designed w. num. ills. incl. photomontages and isotypes. (4) Leningrad town views. State Fine Arts Publishing House, Moscow, 1963, no pagination, text in English and Russian, richly ill., orig. cloth-backed boards w. (sl. torn) dust wr., obl. large 8vo. (5) UdSSR. Abteinung der UdSSR auf der Weltausstellung in Brussel, 1958. Fold. flyer, unfolded measuring 57.5 x 44.5 cm, w. map and ills. Sl. imperfections. (total approx. 40)

(1) NS Scandinavian Amsterdam Kopenhagen Express. Utrecht, J. van Boekhoven, 1946. (2) Verzend per spoor. Propaganda NS, 1947. Both offset, both approx. 109 x 80 cm. Added: (1) Wilmink, M. (1894-1963). 150 jaar Van Gend & Loos 1796-1946. 97 x 64.5 cm. (2) Geesink, J. "Als iedere administratieve ambtenaar per dag één velletje verknoeit is dat per jaar een band van een meter breed van Utrecht naar Maastricht: 180 km lang!" Ca. 1946. 48.5 x 30 cm. -and 5 others about trains and trams. Some minor defects such as browning, worn edges and sm. tears, but overall in good condition. (total 9)

Col. lithogr., 40 x 52 cm. Amst., Senefelder, ca. 1914. This fascinating propaganda map was created by L. Raemaekers, a famous Dutch cartoonist, at the beginning of World War I. Early in the war Raemaekers crossed the border into Belgium to witness first-hand the brutality of the advancing Germans. The title of this map translates roughly as: "The Insane Asylum (Old Song, New Tune)" referring to Holland's perspective of the war waging around them. Although Holland is depicted sitting peacefully, smoking a pipe, he is holding a gun and keeps an ever-watchful eye on his neighbor. Folds as publ., sl. foxed, partly rep. tear along middle fold.

NORTH VIETNAM PROPAGANDA POSTER - TREN MIEN BAC VIETNAM APP SIZE 60cm x 80cm

Nazi Jungen propaganda postcards.

Various volumes Nazi Jungen including child propaganda, First Aid manuals and magazines.

Norbert Bisky (1970 Leipzig) (F)'mitgehangen, mitgefangen', Aquarell auf Bütten, 42 cm x 56 cm Blattmaß, signiert, 17.10.02 datiert, betitelt, montiert, Blattecken partiell minimal aufgeworfen, Provenienz: Galerie Michael Schultz (verso Galerieetikett)Norbert Bisky ist für seine eindrucksvollen und kontroversen Werke in der zeitgenössischen Kunstszene bekannt. Geboren am 4. August 1970 in Leipzig, Ostdeutschland, hat Bisky eine bemerkenswerte künstlerische Karriere aufgebaut, die seine persönlichen Erfahrungen sowie die sozialen Umwälzungen in Deutschland reflektiert.Aufgewachsen in der ehemaligen DDR erlebte Bisky die dramatischen Veränderungen mit, die mit dem Fall der Berliner Mauer und der Wiedervereinigung Deutschlands einhergingen. Er konnte nie Gefallen an den Systemen der ehemaligen DDR finden, weshalb er sich entschloss, zum Studium nach Berlin zu gehen. Diese prägenden Erfahrungen haben sein künstlerisches Schaffen maßgeblich beeinflusst. Seine Werke sind oft von einer Mischung aus politischer, sozialer und persönlicher Thematik geprägt.Biskys Bilder zeichnen sich durch eine lebhafte Farbpalette und eine helle, fast pastellfarbene Farbgebung aus. Für ihn war es notwendig, figurativ zu malen, obwohl viele Meinung sind, dass die Figuration tot sei. Ein wiederkehrendes Thema in Biskys Oeuvre sind homoerotische Motive sowie sozialer Realismus. Insbesondere die blonden, cherubenhaften jungen Männer sind zu seinem Markenzeichen geworden.Obwohl Norbert Bisky für seine künstlerischen Beiträge gefeiert wird, sind seine Werke auch Gegenstand leidenschaftlicher Diskussionen und Kontroversen. Dies zeigt seine Fähigkeit, die wichtigen sozialen und politischen Fragen der Zeit aufzugreifen und in seine Kunst zu integrieren, sodass sich der Betrachter nie sicher sein kann, ob es sich um eine alltägliche, spielerische Szene handelt oder ob er Kritik an verdeckter Propaganda betrachtet.Norbert Bisky (1970 Leipzig) (F)'mitgehangen, mitfangen', watercolor on handmade paper, 42 cm x 56 cm sheet dimensions, signed, dated 117.10.02, titled, mounted, leaf corners partially minimally raised, provenance: Galerie Michael Schultz (verso gallery label)Norbert Bisky is known for his impressive and controversial works in the contemporary art scene. Born on August 4, 1970, in Leipzig, East Germany, Bisky has built a remarkable artistic career that reflects his personal experiences and the social upheavals in Germany. Growing up in the former GDR, Bisky witnessed the dramatic changes that accompanied the fall of the Berlin Wall and the reunification of Germany. He never found affinity with the systems of the former GDR, which is why he decided to pursue his studies in Berlin as soon as he could. These formative experiences have significantly influenced his artistic output. His works are often characterized by a blend of political, social, and personal themes. Bisky's paintings are distinguished by a vibrant color palette and a bright, almost pastel-like color scheme. For him, it was necessary to paint figuratively, even though many believed that figuration was obsolete. A recurring theme in Bisky's oeuvre is homoerotic motifs and social realism. In particular, the blond, cherubic young men have become his trademark. Although Norbert Bisky is celebrated for his artistic contributions, his works are also the subject of passionate discussions and controversies. This demonstrates his ability to address important social and political issues of the time and incorporate them into his art, leaving the viewer uncertain whether they are looking at an everyday, playful scene or critiquing concealed propaganda.

Konvolut von Büchern und Heften (Drittes Reich), 1x Heft "Deutsche, Italienische,Englische Kriegsflugzeuge, 1941, 1x Luftfahrt Taschenkalender 1941, 1x Otto Luther "Hitler hinter Festungsmauern", 1x "Wir Mädel Singen" BDM 1940, 1x "Unsere Wehrmacht im Kriege" (Aufnahmen der Propaganda-Kompanien), 1x "Wir kämpfen auf der Krim" 1941/42 (Nur für Angehörige der Luftwaffe).

TROTSKY LEON: (1879-1940) Bolshevik Revolutionary, one of the leaders of the Russian October Revolution. T.L.S., L Trotsky, in Cyrillic, in bold blue indelible pencil, one page, small 4to, Moscow, 14th February 1919, in Cyrillic. Trotsky, in his capacity as Chairman of the Revolutionary Military Council of the Republic, issues an order, ‘Due to his assignment to the Latvia Government Commissariat, Uhlenbeck is hereby relieved of his position as a railway officer. Comrade Peterson is hereby ratified as the new officer’. Also bearing two countersignatures and various annotations in ink and indelible pencil. Some light creasing and minor age wear and with slight traces of former mounting to the right edge of the verso, otherwise VG The train was an important mode of transport for Trotsky; indeed, during the Russian Civil War (1917-23) the Revolutionary used an armoured train to travel between Red Army fronts and as a secure command and propaganda centre. Trotsky wrote on the subject, declaring ‘the train was not only a military and political administration: it was an instrument of combat’.