We found 7826 price guide item(s) matching your search

Hensky, Herbert -- The miner Adolf Hennecke in the former Soviet occupation zone of Germany. 1948. Vintage large-format gelatin silver print. 60 x 50 cm. Photographer's/estate stamp, numbers in red crayon and notations in felt-tip pen on the verso.On October 13, 1948, miner Adolf Hennecke performed four times the required work standard in an East German coal mine. Basically, it was a well-organized propaganda show to create role models and heroes and to raise work standards. The day before and after he had off. In addition, Hennecke received 1.5 kilograms of the then strictly rationed fat, three packs of cigarettes and a bottle of schnapps. The "Hennecke myth" lasted well into the 1970s in the GDR, and even longer among older people, before fading away completely. – Some handling creases, small loss in lower right corner, a few small tears in edges, otherwise in good condition.

China -- Photographer unknown. Official Chinese propaganda photographs. 1949-1970s/printed 1960s/70s. 9 ferrotyped gelatin silver prints and 1 chromogenic print. Each circa 28 x 23 cm. Some annotated or stamped on the verso.Some of the photos in this group document important turning points in 20th century Chinese history, such as Zhou Enlai with the Red Guards or the huge mourning rally on the occasion of Zhou's death in 1976 in Tiananmen Square, which was the cause of the so-called "Tiananmen Incident". Another picture shows the new party chairman Hua Guofeng during his 1977 tour of Europe in Romania or Yugoslavia, omitting the Soviet Union. Also included are two images of the modern Beijing Opera. – Some with stronger traces of use/ creases, edges curled, otherwise several in good condition. Errata: There are 10 photographs in this lot: 9 ferrotyped gelatin silver prints and 1 chromogenic print.

A Collection of Ephemera, including a Second World War propaganda poster "You never know who's listening - Careless Talk Costs Lives", a watercolour landscape by Eli Marsden, 1912, a small silver trophy cup, a design for an oak war memorial for St John's Church, Horton Lane, Bradford, military photographs etc in a glazed display caseFootnote:- Eli Marsden is believed to have painted Queen Mary's dolls house. He was a conscientious objector in the First World War and spent two years in Dartmoor

A Second World War Propaganda Poster - 'Joan of Arc Saved France', with a simple line drawing of Joan of Arc standing wearing body armour, holding a sword in her right raised hand, outlined in red on a blue field, over 'WOMEN OF BRITAIN SAVE YOUR COUNTRY BUY WAR SAVINGS CERTIFICATES', lithograph designed by Bert Thomas, printed by The Dangerfield Printing Co.Ltd., London, Poster No.75, 76cm by 51cm

A Second World War Propaganda 'Welcom' "Plonk" Dart Game, the square card dartboard printed in colours with Allied Leaders and soldiers, Hitler and his henchmen, the buff paper guard with printed instructions for three games - "Plonk", "Knocking the Nasties" and "Winning the War", 40.5cm square.Some dog earring to the corners and the guard has a piece missing from the lower left corner. Colours are bright, generally good. Darts are not included with this lot

Brodsky, Joseph, russisch-amerikanischer Dichter und Literatur-Nobelpreisträger (1940-1996). Masch. Brief m. U. 1 S. Fol. Mount Holyoke College, South Hadley, Massachusetts 7.2.1993.1940 wurde Joseph Brodsky als Sohn jüdischer Eltern in Leningrad geboren und bekam den Vornamen Stalins. 1987, sechs Jahre vor seiner Korrespondenz mit Ingrid von Kruse war Brodsky mit dem Nobelpreis für Literatur ausgezeichnet wurden, zu dieser Zeit weilte er in den USA. 1989 und in den Folgejahren beobachtete er mit Schmerz den Verfall der Sowjetunion, auf die er einige Gedichte verfasste, die seine vehement nationalistische Haltung offenbarten. So diskreditierte er beispielsweise schon damals die Ukraine als "Randgebiet Russlands", deren Unabhängigkeitsstreben er vehement ablehnte, in einem Schmähgedicht, was den gleichgeschalteten russischen Medien unter Putin immer wieder als Quelle der anti-ukrainischen Propaganda diente. Allerdings verfasste er auch harmlosere, poetischere Verse auf die Stadt Venedig, Er schreibt: "Dear Ms. von Kruse, I am terribly tempted by your invitation to produce text to accompany your wonderful photographs. I like them very much, but I can't really succumb: I have too many other writing commitments at the moment, and I feel I have written so much on Venice already. If you would like to use text from my book Watermark or my poems about Venice I would be glad to signal my approval to my publisher ...". 1996 wurde Brodsky auf der Friedhofsinsel San Michele in der Lagune von Venedig begraben. - Die Tintenunterschrift mit leichem Feuchtfleck, gelocht.

German Second World War Cuff Titles. Waffen SS Ostturkischer, green and silver Bevo weave, full length, unused. Army Propaganda Company Bevo weave in silver on black, full length, unused. Reichskriegerbund cuff title (Old Comrades) for District Nordost, Bevo silver weave on blue, as removed from a tunic, good condition (3) £300-£400

Inscribed Presentation Copy Dolmen Press: Colum (Padraic) Ten Poems, 8vo D. 1957. Lim. Edn. No. 210 of 500 Copies, orig. cloth backed cream boards. V. good. (1) * Ex. Rare Presentation Copy, inscribed 'For Eileen Mac Carvill - Padraic Colum Jan. 5th 1958' Mac Carvill was a revolutionary, who became Director of Publicity & Propaganda for Cumann na mBan, etc. Miller 27.

Incl. a.o.: The Stars and Stripes (12 issues, 1944-1945); Mededeelingen van den Nederlandschen Orde-Dienst (2 issues, 1944); Nachrichten für die Truppe (3 issues, 1944-1945); De Vliegende Hollander (9 issues, 1944-1945); de Wervelwind (8 issues, 1942-1943); issues of Het Parool; Völkischer Beobachter; Limburgs Dagblad; De Volkskrant; De Waarheid; De Vrije Pers; De Tijd and Trouw; German and anti-German propaganda flyers (incl. "Feldpost"); some German ephemera (incl. a "Kundigungsscheine zum Postsparbuch gleicher Nummer"); and some press-photogr.(total approx. 100)

1939-1961, mostly comprised of printed official announcements of distributions, welfare-actions for Arnhem etc., several items concerning the Stichting Toezicht Politieke delinquenten (of which Gerard Witteveen was "toezichthouder", 22 German and anti-German propaganda picture postcards, a printed "Sonderausweis" and accompanying typescript "Bescheinigung" (Sept. 1944), "Stamkaarten", the orig. passport of Judith Jenni Heim (1941), a few identification cards for "Volksherstel Amsterdam" and "Hulp Corps Amsterdam", a board letterpress card advertising the need for help in Arnhem by Volksherstel/ H.A.R.K. Amst., 5 post-war photogr. (perhaps taken at Kamp Amersfoort) and a few later items concerning the "Bescherming Bevolking" campaign.

"Das Belagerungsspiel", patriotisches Propaganda-Spiel, Liliput, Nr.4143, II.WK 26 Spielfiguren aus Zinn (polychrom staffierte Flachfiguren); 24 Soldaten greifen an und 2 Soldaten in blau-roter Uniform verteidigen die Festung; Deckel mit Spielanleitung, Spielplan-HxB 46,4x30cm; unbespielt, alterenstpr. sehr guter Zustand

A Quantity of World War One Propaganda Drawings and Posters, by Charles Richardson, cartoonist for the Daily Call, comprising - three World War I Queen Alexandra's Field Force Fund posters depicting World War I troops and appealing for £500 per week, each signed by the artist, 29ins x 20ins each, five pen and ink cartoons by same, depicting "The Hun",and a watercolour cartoon and two other watercolours by same artist, non war-related

"Der Untermensch" - SS-Hauptamt, seltene Propaganda Zeitschriftvon 1942-1943. Nordland Verlag GmbH Berlin. Herausgeber: Der Reichsführer SS, Bearbeiter: SS-Hauptamt. Seltene Zeitschrift aus der Zeit des Nationalsozialismus für Propaganda Zwecke, voll illustriert, teilweise mit grausamen Fotos und Textbeiträgen. Vollständige Ausgabe mit 50 Seiten. "Die Schrift war angeblich sogar unter den Nationalsozialisten umstritten und wurde nach kurzer Zeit zurückgezogen"- (so Wikipedia). Großes Format 26 x 35cm. Guter Erhaltungszustand, mit Alters- und Gebrauchsspuren.Dieses Buch wird von uns ausschließlich zur staatsbürgerlichen Aufklärung und zur Abwehr verfassungswidriger Bestrebungen angeboten (§86 StGB)

3. Reich Propaganda Literatur: Mädchenerziehung - Dr. Marie TscherningMädchenerziehung in den Berufs-und Fachschulen des nationalsozialistischen Staates. Verlag der Burg-Bücherei in Esslingen a.N., 111 S. Guter Zustand, vollständig.

A First War German propaganda poster "Deutsches Hilfswerk fur Unserer Kriegsgefangenen" with two attached First War period photographic postcards depicting German soldiers, framed and glazed

Danny Wainwright (British b. 1975)SumsScreen print on woven paperSigned and numbered 3/50 in pencil41 x 31 cm (16 x 12 in)Bristol skater Danny Wainwright currently works as team manager at Vans, managing the company’s pro riders and planning tours. There’s no one better qualified for the role – Danny has been on the scene for over two decades, with video parts in Powell’s Magic in 1999 and Vans’ Pleased to Meet You in 2005, as well as ads for Powell and Bones Bearings. Danny is also a talented artist, having worked on graphic design projects for companies including Powell, Propaganda, Vans, Rufus skateshop, Eastpak, Jansport and Souljah griptape. He was born on 24th May 1975 in the Gloucestershire village of Brimscombe, but moved to nearby Bristol at a young age, and more recently to Barcelona. He started skateboarding in 1987, inspired by the first videos produced by Powell, H-Street and Santa Cruz, and was soon winning European contests and getting coverage in US magazines.

Archaic in form, with a circular mouth and tapering neck decorated with a fine band with floral motifs in iron red, the square body is well painted on each face with polychrome enamels with a character and with inscriptions in iron red; the low ring-shaped foot is decorated with a Greek also in iron red. The centre of the base bears an eleven-character mark in iron red that reads 'Respectfully Painted by the Art Porcelain Factory for the Revolutionary Committee' (???????????). Provenance: -Private collection, Europe. Catalogue notes: The word 'Cong' is an archaic term and refers to a rectangular jade ritual vase with a round mouth, this form is one of the most famous in Chinese culture and has been taken up by almost all dynasties up to the present day. This vase is noteworthy for its extraordinary pictorial quality on a porcelain from the People's Republic of China period; the characters depicted are taken from works extolling Chinese Communist Propaganda in the second half of the 20th century; each work taken up is part of the 'Eight Model Works' approved by the Communist Party, as well as the 'Red Classics': 1-"Ode to Longjiang" (Longjiangsong, ???), 2-"On the Quays" (Haigang, ??) 3-"Fighting on the Plain" (Pingyuanzuozhan ,?? ??)  4-"The Taking of Tiger Mountain" (Zhiqu Weihushan , ?? ???) Among the top ten porcelain factories in Jingdezhen, the Art Porcelain Factory is one of the best known names in the city, having operated in the market since 1958, the year of its foundation, exerting considerable influence until 1998, when it closed for renovation. As porcelain manufacture was managed by the state, official rules were established for the production of each company, each of which had its own role. The Art Porcelain Factory concentrated on exhibition porcelain and coloured handmade porcelain. It was commissioned various works by the Party and the Revolutionary Committee, an indication of the prestige it enjoyed in the second half of the 20th century.

Jersey WW2 German Occupation and Jersey Opera House interest, original manuscript of the play ‘At Mrs Beam’s’, performed by the Jersey Green Room Club at the Jersey Opera House 9th-14th February 1942, inscribed in ink ‘Submitted Alexander Coutanche, Bailiff 8/XII/41’ and inscribed in pencil ‘approved by the field Command. Az Pol 02-11 30 Dec 1941’; together with a scrap book containing seventy-five Jersey Occupation Opera House, Forum and Wests Cinema programmes; plus the propaganda news sheet dropped on Jersey by the British during the Occupation ‘Nachrichten fur die Troupper’, 21 September 1944. (3)

WW2 Channel Islands Occupation interest - a framed 'Proclamation', from the chief of the military administration department for the Nord-West of France 29th July 1940, pertaining to the possession and circulation of enemy propaganda in Jersey, 15½ x 11½in. (39.4 x 29.2cm.). Multiple folds and creases and time stained.

A rare engraved political commemorative facet stem wine glass, circa 1770The ovoid bowl decorated with Britannia seated beside a pedestal draped with a flag, holding a hat raised on a lance in her left hand, inscribed 'MAGNA CHARTA' on a banner to her right, the stem cut with hexagonal facets extending into the base of the bowl, over a conical foot, 13.8cm highFootnotes:It is likely that this glass has its roots in the radical politics of John Wilkes (1727-1797). Wilkes and his supporters invoked Magna Carta extensively as a symbol of the ancient rights and liberties that were under threat from the government. He used the symbols of English Liberty, including Magna Carta and the Hat of Liberty, as propaganda after he was tried and convicted for seditious libel in 1764. An identical glass is illustrated in Asprey's catalogue, 100 British Glasses (1985), p.61, no.96 and was offered by Bonhams as part of the James Hall Collection on 17 December 2008, lot 185.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Allied Anti-German World War 2 airdrop note, Operation Trondheim,  a forged 50 Reichspfennig the other side derogatory anti-German propaganda ( "50 Pfennig heiss' ich---Dass Hitler ihm was schenkt") together with 50 Third Reich Reichsmark, 50 Reichspfennig notes and older examples Condition Report:Available upon request

Four volumes including Mein Kampf, two Third Reich propaganda books and an illustrated Grimms Fairy Tales.

WARHOL, ANDY1928 Pittsburgh, PA/USA - 1987 New YorkTitel: Mao. Datierung: 1972. Technik: Farbserigrafie auf leichtem Karton. Blattmaß: 91,5 x 91,5cm Bezeichnung: Signiert. Hier zudem mit dem Stempel PP versehen. Herausgeber: Castelli Graphics and Multiples, Inc., New York (Hrsg.). Exemplar: PP. Rahmen: Modellrahmen. Das Werk ist rückseitig mit dem Stempel COPYRIGHT ANDY WARHOL 1972 PRINTED AT STYRIA STUDIO INC. versehen.Bei diesem Werk handelt es sich um einen PP (Printers Proof), welcher außerhalb der Auflage von 250 Exemplaren (+ 50 AP) der zehnteiligen Mappe gleichen Namens erschienen ist.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Vgl. Feldman, Frayda/Schellmann, Jörg: Andy Warhol Prints - A Catalogue Raisonné 1962-1987, Mailand 2003 (4. Auflage), WVZ.-Nr. II.96- Technisch komplexer und interessanter Druck in einer der schönsten Farbvarianten - Wunderbares Farbspiel zwischen matten und stark glänzenden Tönen - Eines von nur sehr wenigen Printers Proof-Exemplaren als Vorgabe für die Serie Die Serigrafie "Mao" ist Andy Warhols erstes nicht amerikanisches und politisches Porträt. Er beginnt diese Serie als Reaktion auf den Besuch von US-Präsident Richard Nixon in China im Jahr 1972. Als Vorlage für das Motiv diente das offizielle Porträt des chinesischen Kommunistenführer Mao Zedong aus dem Jahr 1966. In seinem unverwechselbaren Stil parodiert Warhol das mächtige Propaganda-Porträt und verwandelt es in eine Pop-Ikone der 1970er Jahre. Er gehört neben der "Marilyn" und den "Flowers" zu Warhols bekanntesten Motiven. Die 10-teilige Serie markiert den Übergang von seiner frühen druckgrafischen Phase zu der späteren ab 1972. Die druckgrafische Edition entsteht gleichzeitig zu den Gemälden. Somit basiert diese nicht auf dem malerischen Werk, sondern ist absolut gleichberechtigt mit dieser zu sehen. Dies belegt sich auch in der deutlich aufwendigeren Produktion der "Mao" Serigrafien. Warhol wählt matte, aber auch fast lackartige, hochglänzende Siebdruckfarben. Gerade das Rot, der hier vorliegenden Arbeit, ist unglaublich intensiv und strahlend. Er hinterlegt den Hintergrund und das Gesicht mit einem zusätzlichen Sieb, dass grobe Pinselstriche zeigt. Durch die Überlagerung entsteht ein reliefartiger, fast malerischer Farbauftrag, welcher unvergleichlich zu anderen Drucken dieser Zeit steht.Erläuterungen zum Katalog

[HAILE SELASSIE I]: (1892-1975) Ethiopian Regent Plenipotentiary 1916-30 and Emperor 1930-74. A rare original printed 8vo propaganda sheet issued in the name of Haile Selassie and air-dropped over Ethiopia by the South African Air Force in 1941, printed in red and with the circular Imperial Seal featuring the Conquering Lion of the Tribe of Judah at the head, the Amharic text stating, in part, 'The Italians have been defeated at Metema. Using the British airplanes, tanks and artillery, we have taken over Galabat and we have burned down Metema and destroyed them [the Italians] there. We have caused him [the enemy] to lose troops of three battalions…..By standing at the Ethiopian gate, I will be banging [the Italians] by hands which are as strong as steel. And now, because the Italians have totally lost hope, they are gathering and are about to send whatever troops they could get from Gojam and Gondar. Therefore, now is your chance to trap these drunken fishes [disillusioned soldiers]. Ethiopia stretches its hands unto God. Thanks be to God who has made this victory possible for us'. Lightly affixed with tape at the left edge to the inside of a paper folder annotated in an unidentified hand to the front and bearing the printed coat of arms of the University of Edinburgh to the verso. Light staining to the left edge, caused by the tape, otherwise VG Italian dictator Benito Mussolini had long held a desire for a new Italian Empire, promising his people a 'place in the sun' to match the extensive colonial empires of Great Britain and France. In early October 1935 the Italians began invading Ethiopia as the Second Italo-Ethiopian War commenced. In the following year the Emperor went into exile in England, where he was to stay until 1941. Haile Selassie spent this time focussing on countering Italian propaganda as to the state of Ethiopian resistance and the legality of the occupation. During the first half of World War II British forces, which consisted primarily of Ethiopian-backed African and South African colonial troops led by Colonel Orde Wingate, coordinated the military effort to liberate Ethiopia. The Emperor himself issued several imperial proclamations in this period, demonstrating that, while authority was not divided up in any formal way, British military might and the emperor's populist appeal could be joined in the concerted effort to liberate Ethiopia. On 18th January 1941, during the East African Campaign, Haile Selassie crossed the border between Sudan and Ethiopia and the standard of the Lion of Judah was raised again. Italy was defeated by a force of the United Kingdom, the Commonwealth of Nations, Free France, Free Belgium and Ethiopian patriots and on 5th May 1941 Haile Selassie entered Addis Ababa and personally addressed the Ethiopian people.  

[MUSSOLINI BENITO]: (1883-1945) Italian Fascist Dictator of World War II. CARELL GHITTA (1899-1972) Hungarian-born Italian photographer of Jewish heritage, a favoured photographer among the aristocracy who helped build the imagery used in Fascist propaganda. A fine original vintage 9 x 11.5 portrait photograph by Carell, the soft-focus image depicting Benito Mussolini in a semi-profile head and shoulders pose wearing a light suit with two lapel pins and a dark tie. With the copyright blind stamp of Carell to the lower left corner, dated 20th January 1934, and also signed ('Ghitta Carell') by her in dark fountain pen ink to the lower right corner, adding the place, Rome, and words 'Reprod. violata' in her hand. Some very light, extremely minor traces of former mounting to the verso and a couple of small, minor corner creases, VG 

HITLER ADOLF: (1889-1945) Fuhrer of the Third Reich 1933-45. An historically important Autograph Manuscript, unsigned, two pages, 4to, n.p. (Munich?) n.d. (February 1925), in German. The holograph notes were prepared by Hitler in advance of a speech (the first following his release from prison) he delivered in Munich's Burgerbraukeller on 27th February 1925. In the upper left corner Hitler has penned the year 1918 followed by the questions 'What had happened?' and 'Just what went wrong', continuing with a diagram separating the political parties 'on the Left "Proletariat"….Marxism….finished for good due to criminality' and 'on the Right "Bourgeoisie"……bourgeois parties….broke down due to cowardice' and also including the 'Volunteer Corps - Nationalist Organisations, Citizens Defending Themselves', the manuscript continuing with other relevant points he intended to deliver within the speech, 'Stick to the facts. Parties reject violence (cowardly). Associations are non-political (stupid. They keep pulling their chestnuts out of the fire). During all this the nation is destroyed, plundered domestically and internationally. Could anything still help? Founding of the NSDAP [National Socialist German Workers' Party, more commonly known as the Nazi Party] Goal. Programme', and to the second page Hitler writes further notes, 'Development. 1919-20-21-22-23. 8th November Result: Inflation. 1924 Parliament. Struggle within the movement. Did anyone care about us? No. My release. December 1924, February 27th 1925. Buttmann. The division is impending. I and Held. I and Rohm. I and Ludendorff. Lies. The old movement……The movement? In a different Germany. Here.' Autograph material of Adolf Hitler is extremely rare in any form, and the present notes are of particular significance in Hitler's rise to power, this particular speech representing a landmark moment in the re-establishing of the Nazi Party and Hitler cementing his position as 'der Fuhrer'. A couple of extremely minor, very small holes at the intersection of a couple of folds, VG'If anyone comes and tries to make conditions to me then I say to him: friend, wait and see what conditions I have to make to you. I am not wooing the masses. After a year you shall judge, my party comrades; if I have not acted correctly, then I shall place my office in your hands again. But until that moment this is the rule: I lead the movement alone, and no one shall set me conditions so long as I personally bear the responsibility. And I once more bear entire responsibility for everything that happens in the movement' (extract from Adolf Hitler's two-hour speech delivered at the Burgerbraukeller, Munich, 27th February 1925)Hitler joined the tiny German workers party in 1919, He quickly became its leader. On 9 November 1923, at the height of the great German inflation (on 20 November, one U.S. dollar was equal to four trillion German marks), Hitler risked a coup. He led his followers through the streets of Munich to the Feldherrnhalle, a war memorial, where waiting police opened fire. Sixteen of Hitler's followers were killed; Hitler himself was arrested, and after a trial that he turned into a political platform, he was sentenced to four years in prison. The party was banned, and its remnants degenerated into squabbling factions. Hitler stood outside the fray, using his time in prison to write Mein Kampf. He was released in December 1924 after serving only nine months of his term, and set about rebuilding the party. The authorities lifted the ban on the Nazi Party on 16 February 1925. Hitler now arranged one of his rhetorical masterpieces: a mass meeting on 27 February to re-establish the party. He chose the same beer hall from which he had launched his abortive revolution fifteen months earlier. Three thousand people packed the hall, and several thousand more were turned away. He entered to the passionate applause of the audience, and gave [a] two hour speech….Its first three-quarters offered nothing that most in the audience had not already heard, and would hear again in Hitler's future speeches. He reviewed Germany's history, claiming that past conservative parties had no contact with the masses, and that leftist parties pretended to address the problems faced by ordinary Germans, but actually served the interests of the Jews who controlled them. He also outlined his views on propaganda. In the last quarter of the speech, he moved to re-establish his control of the party. He claimed absolute authority. Anyone unwilling to obey could go his own way. Hitler 'forgave' those who had made mistakes in his absence, and demanded that there be no criticism of him or the party for a year. The audience responded with enthusiasm. After the speech, Hitler had arranged…..'a piece of pure theatre'. The Nazi leaders who had fought for supremacy while Hitler was in prison all 'mounted the platform and, among emotional scenes, with many standing on chairs and tables and the crowd pressing forward from the back of the hall, shook hands, forgave each other, and swore undying loyalty to the leader'……The speech succeeded. Hitler once again was absolute leader of the party' (from Landmark Speeches of National Socialism, edited by Randall L. Bytwerk, Texas A&M University Press, 2008)

MAGRITTE RENÉ: (1898-1967) Belgian Surrealist Painter. An interesting and philosophical letter written by Magritte A.L.S., `René Magritte´, two pages, 8vo, Brussels, 25th September 1961, in French. A very good content letter where Magritte refers first to the priests´ propaganda and later to the Nothingness concept, stating in part `A la suite d´une discussion à propos de mon texte “La Voix du Mystère”, il faut craindre que le mystère don't je parle soit confondu avec celui don't les curés font leur propaganda: il m´a été dit qu´ils sauraient me convaincre que je suis “un croyant” comme ils l´entendent. Pour éviter cette erreur, cette horreur, il faudrait ajouter à mon texte: - qui ne correspond à aucune doctrine- dès le début. Nous aurons donc comme première phrase: Le mystère - qui ne correspond à aucune doctrine - n´est pas une possibilité…´ (Translation: “Following a discussion about my text “La Voix du Mystère”, it is to be feared that the mystery of which I am speaking is confused with that of which the priests make their propaganda: I have been told that they would know how to convince me that I am “a believer” as they understand it. To avoid this error, this horror, it would be necessary to add to my text: - which does not correspond to any doctrine - from the beginning. We will therefore have as a first sentence: The mystery - which does not correspond to any doctrine - is not a possibility…”) Further and referring to Nothingness, Magritte states `Je souhaite que vous écriviez ce que vous pensez du Néant. Vous devez pouvoir en dire ce que l´on ne sait pas encore. Comment le comprenez vous et comment le comprenez vous “par rapport” au mystère? Il s´agira peut-être de distinguer le Néant de celui qui sert à la propagande des curés de l´Orient? (Le Nirvana). Mais cette question est difficile, en “distingant” le Néant, on le determine déjà, on lui donne une forme qu´il ne saurait avoir étant le Néant? Je crois que ce que l´on ne sait pas encore du Néant nous est nécessaire´ (Translation: “I want you to write what you think of the Nothingness. You must be able to say what we do not yet know. How do you understand it and how do you understand it “in relation” to the mystery? It will perhaps be a question of distinguishing the Nothingness from that which is used for the propaganda of the priests of the East? (Nirvana). But this question is difficult, by “distinguishing” the Nothingness, we already determine it, we give it a form that it could not have, being the Nothingness? I believe that what we do not yet know of Nothingness is necessary for us”) VG

KGVI SG462-467 ½d-3d propaganda forgeries VFU all marginal examples.

NME Magazines / New Musical Express, approximately ninety copies of NME from 1985, generally very good condition with covers featuring REM, Morrissey / Smiths, New Order, James, Elvis Costello, Robert Wyatt, Tom Waits, Madness, Propaganda, Paul Weller, Run DMC, The Triffids, Sting and many others, some duplicates

Punk / Indie Picture Discs, five Shaped Picture Disc Singles of mainly Punk and Indie comprising Frank Sidebottom - Sci-Fi EP, Cramps - Bikini Girls With Machine Guns, The Adicts - Bad Boy, The Pogues - Sally Maclennane and Propaganda - Duel - all in Excellent condition

Postcard, Military, WW2, Nazi Germany, scarce propaganda card, U-Boats 1940, Feldpost 29th December 1939, continental size, c/m on album page with copy of reverse shown (2 pu, o/w vg) (1)

Postcards etc, Military, WW2, Nazi Germany, scarce annotated collection relating to U-boats, inc. commanders, propaganda, post stationery, stamps with cachets, RP, Fritz Frauenheim, Vaddi Schultze, Reinhard Suhren, Woolf Willrich Gunter Prien, U23, U boats at Neustadt 1941, U10 being sunk, Helmut Witte, modern commemorative covers (6), Luxembourg overprints cancelled with U-boat cachet 1941 (9) (gd/vg) (approx. 40 items in 26 sleeves)

Ephemera, Nazi Germany, large format RP cigarette cards most with Hitler (24); Wolf Willrich German woman, Kunstlerhaus, propaganda cards, Nurnberg 1936, Ein Volk 1938; Postal Stationery cards & cachet envelopes (24), various sizes (gd/vg) (58)

A German monochrome 1914-18 propaganda print, frame 60cm wide, an assortment of World War Two maps and two leather satchels

Oak framed vintage Chinese propaganda poster entitled ' Brigade Chicken Farm '

PAIR OF MID-20TH CENTURY CHINESE PROPAGANDA SILK EMBROIDERIES,both with quotes of Chairman Mao relating the the role of the people in world history and the benefits of enthusiastic and orderly work, both framed and behind glass, 53 x 32.5cm (2)Both glass panes cracked

Schallplatte. Propaganda. P: Machinery. Single - Schallplatte. 107 606 - 100. Spanien, Island Records, ca. 1985. Durchmesser 17,5 cm. In originaler illustrierter Schutzhülle. (66)* Die Vorderseite zeigt die Schachfigur eines schwarzen Bauern. Zustand: Mit geringen Gebrauchsspuren, Hülle gebräunt. Die technische Funktionsfähigkeit wurde nicht geprüft.

Vázquez, Andrés Clemente. La odisea de Pablo Morphy en La Habana. (1862 – 1864). Havanna, La Propaganda Literaria, 1893. 8°. Mit 1 ganzseitigen Textabbildung und 2 Diagrammen. 55 Seiten, 2 Bll. Brauner Halblederband mit goldgeprägtem Titeldruck auf Rücken. (81)* Doublette aus der Schachbuchsammlung Lothar Schmid. Biblioteca de ajedrez de „El Figaro“. Seltene Darstellung über die Zeit des amerikanischen Schachmeisters Paul Morphy in Havanna während der Jahre 1862 - 1864. Auch in Havanna sorgte er für Aufsehen und Furore. Die vorliegende Ausgabe erinnert an die verschiedenen dortigen Partien. Morphy spielte gegen Felix Sicre, P. Dominguez, Celso Golmayo. Enthalten sind auch kuriose Anekdoten aus den lokalen Zeitungen und von Schriftstellern. Morphy’s Zeit in Havanna ist jedoch nicht gut dokumentiert, so dass die vorliegende Ausgabe ein seltener Beitrag über diese Phase seines Lebens ist. Andres Clemente Vazquez (1844 - 1901) war mexikanischer Schachmeister, Schachfunktionär und Problemkomponist. Daneben galt er als eine in Mexiko und Kuba hochangesehene Persönlichkeit und trat auch als Schachschriftsteller hervor. Zustand: Etikett auf Innendeckel. Innen gebräunt, vereinzelt fleckig und mit senkrechter Knickspur. Einband bestoßen.

Sammelbilderalben und Propaganda Karten 3. Reich"Auf Deutscher Scholle", Hans von der Nordmark Verlag Kiel, 79 Seiten, 254 Bilder; "Der Staat der Arbeit und des Friedens", Zigarettenbilderdienst Altona-Bahrenfeld, 99 Seiten, 310 Bilder; "Schutz und Wehr für Friede und Ehr", Zigarettenfabrik Kosmos Dresden, 55 Seiten, 132 Bilder, alle drei Bücher im altersgemäßen Zustand und komplett besammelt, dazu 10 Propagandakarten, darunter Reichsparteitage, A.H., 13. März 1938..., teilweise mit schönen Sonderstempeln, guter Zustand.

Konvolut Postkarten 1. und 2. Weltkriegca. 100 Postkarten 1. und 2. Weltkrieg, darunter Portraitaufnahmen, Gruppenbilder, Gefangenenlager, Bunker, Propaganda, Kanonen, Lokomotiven, Persönlichkeiten, Ruinen, Kriegsschiffe..., wenige davon farbig lithographiert, guter Zustand, im Album der Zeit, dieses mit Erhaltungsmängeln, Maße 13 x 20 cm.

Postkartenalbum Kitschvor 1945, ca. 300 Postkarten Kitsch, darunter Glückwunschkarten, Kinder, Blumen, Landschaften, Pfingst-, Oster-, Weihnachts- und Neujahrsgrüße, etwas Propaganda und Militär, Erotik, Theater, Liederkarten..., altersgemäßer Zustand, im Album der Zeit,Maße 24 x 31 cm.

Ansichtskartenalbum und Feldpost 1. Weltkriegca. 200 Ansichtskarten und Feldpost 1. Weltkrieg, darunter Portraitbilder, Gruppenfotos, Lazarettaufnahmen, Marine, Infanterie, etwas Kitsch, Kriegsschauplätze, Stellungen, Propaganda..., altersgemäßer Zustand, im patriotischen Album, dieses mit Erhaltungsmängeln, Maße 26 x 41 cm.

Postkartenalbum 1. Weltkriegca. 220 Post- und Ansichtskarten 1. Weltkrieg, darunter Propaganda, Feldpost, Kriegsschauplätze, Könige, Feldherren, Schiffe und Städte wie Pillon, Liege, Ivoiry, St. Mihiel, Bamberg, Hof, Bingen, Saarbrücken, Königsberg i. Pr., Würzburg, Wannbach, Dresden, guter Zustand, im patriotischen Album mit Eisernem Kreuz und Eichenlaub als Prägedruck im Einband, Maße 25 x 39 cm.

Konvolut Bedarfspost Deutsches Reichca. 450 Belege, Briefe und Postkarten von Kaiserreich, Inflation, Weimarer Republik bis Drittes Reich, darunter Feldpost, Amtsschreiben, etwas Propaganda sowie private Korrespondenz, altersgemäßer Zustand.

* Aviation Ephemera. A mixed collection, including Oxygen Sense, A.M. Pamphlet 165, 1st Edition January 1941, 20 pages, slim 4to, Avro The 'Lancaster' Avro Type '683' Mk I & II instructional course handbook November 1941, a propaganda leaflet found in a Lancaster pilots seat, Supplementary Diagrams for Lancaster Mark II May 1943, Operators' Handbook for Avro 'Lancastrian' Aircraft November 1945, Pilots Notes Merlin Engines August 1941, set of Gallaher Ltd cigarette cards 'Victoria Cross Heroes' number 1-200 and other itemsQTY: (a carton)

* Leonard (Major Terence James, 1890-1972) Intelligence Corps. An archive of documents, letters, pamphlets, photographs, watercolours, medals and ephemera relating to Major T.J. Leonard, WWI and WWII, including Total Intelligence or Studying Form. Essay on the German Character, by T.J. Leonard, several confidential reports bound together, 1943-44 (3 copies), a passport to enable travel to Russia, 1912 discharge certificate from the 28th London Regiment (Artists' Rifles) Territorial Army, 1915, commission as 2nd Lieutenant in the Army Service Corps, 1915, and Lieutenant Army Officer Reserve, 1922 (with stamped signatures of George V), Intelligence Corps typescript Examination sheet, 2nd June 1917, several leaves in English and German manuscript, one detailing what information is required during night raids on enemy trenches, translations of captured letters, documents and letters relating to the Inter-Allied Administrative and Plebiscite Commission, Upper Silesia, 1922, medals comprising 1914-15 Star (3186. Pte. T.J. Leonard, 28-Lond & R,', British War and Victory medals (Lieut. T.J. Leonard), a small collection of regimental cap badges including Intelligence Corps and two Artists' Rifles (brass and white metal), plus other booklets, propaganda publications and related, together with a collection of 15 WWII watercolour and gouache paintings identifying various German uniforms, 1942-43, including Senior Sgt Major (staff) and Junior H Cpl, Infantry Private and SS Feldwebel (Sergeant), Private Tanks and S/M Artillery, Sgt Major Inf S.S, SS Unterscharführer - Corporal, Panzer division, German Air Force Pilot, Lieutenant Tank Regiment (peacetime), Trooper Tank Regiment, and others, all but one signed and dated by various artists comprising: G Higginson; J Thompson and G.H.H, all roughly 76.5 x 56 cm (30 1/8 x 22 ins)QTY: (archive)NOTE:Interesting archive of material from Major T.J. Leonard, Intelligence Corps in both World Wars. Terence Leonard spent three years working in Russia before the First World War, initially joining the Artists' Rifles before joining the Army Service Corps in Salonika and in 1917 the Intelligence Corps, where his chief work was as an examiner of German prisoners.After the war he became an Officer Interpreter for the Inter-Allied Plebiscite Commission in Upper Silesia, Germany from 1920-22, and afterwards lived in Paris until the outbreak of the Second World War, when he returned to England and joined the Intelligence Corps again, with the rank of Captain. He gave talks and produced pamphlets on the German character and enemy identification as well as the watercolours of German soldiers in uniform, which he used to illustrate in his talks. During an interrogation he acquired some fake buttons and a ring with a German cross from German prisoners trying to escape (items included in the archive). In 1944 he was transferred to the newly formed Education Branch of the Control Commission for Germany, analysing German textbooks, and from 1945-50 he wrote a number of articles for the British Zone Review.

A Second World War German Army 'Infantry Assault badge', single piece pressed construction with vertical pin, 62 x 48mm, a wound badge, third class, numbered '65' to the reverse, and a small collection of other propaganda badges and coins. 8 items. *CR: All showing signs of age and wear. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

A group of six comprising Second World War Deference and War Medals, George VI General Service Medal 1918-62 with Palestine 45-48 Clasp named to 11060308 S.Q.M.S. M.H.J. Moy R.E. (Duplicate), Korea Medal named to 21004481 SGT W.H.J. Moy R.E. (Duplicate), UN Korea Medal and Queen Elizabeth II Long Service and Good Conduct Medal on Regular Army suspension named to 21004481 WO Cl 2. M.H.J. Moy R.E. (Duplicate). Court Mounted as worn, with accompanying miniatures. With unofficial medals and miniatures: British Forces Germany Medal, National Service Medal, unnamed as issued and a General Service Cross named to Captain M.H.J. Moy R.E. A Royal Engineers Bicentenary Medal in Spink case of issue, a small collection of cloth badges and cap badges, spurs, ephemera to include Jewish Agency propaganda, guides, banknotes and other items. The General Service Medal was awarded to Moy when Staff Quarter Master Sergeant with the 3 Engineer Base workshops, Royal Engineers between December 1944 and April 14946. He was promoted to Warrant Officer 2nd Class on the 2nd June 1960. With two photograph albums containing numerous annotated photographs, ephemera, an extensive and thorough history of service recording service in Iraq, Middle East, Korea, Gibraltar and BOAR. Pay books, orders, certificate of service and numerous other documents. For Captain Moy's Fathers Medals see lot 366. *CR: Medals with tarnish, otherwise good condition throughout. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

A Royal and Ancient Order of Buffaloes jewel on a multicoloured ribbon with top and bottom bars and central City of London Coat of Arms, the reverse engraved 'This Propaganda Jewel was presented to Primo H.Bird by the Duke of Fife Lodge, May 18th 1898', hallmarked for London 1897. In E. Hipwell case of issue. *CR: Case with broken hinges. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

WORLD WAR II INTEREST: A 1940s Jacqmar "INTO BATTLE" propaganda scarf, decorated with regimental badges against a pink star-shaped ground within blue borders, approximately 90cm x 90cm

Full title: Issachar Ryback (1897-1935): The dance, lithograph in colours, ed. E.A.Description:Work: ca. 56 x 42 cm Frame: 79 x 63,2 cm The Ukrainian born Jewish artist Issachar Ryback (Elisabethgrad, 1897 - Paris, 1935) is part of the Ukrainian school and one of the famous students of the School of Paris: "Ryback was born into a Hassidic family and left his parents' home at a young age. He took drawing classes in his hometown and studied at the Academy of Kiev between 1911 and 1916. When the revolution broke out in 1917, the central committee for Jewish culture in Kiev ordered propaganda posters and street decorations from him. At that time, he met El Lissitzky. Together with the latter, he participated in an expedition to Ukrainian villages, financed by the Jewish Society of Ethnography and History, whose purpose was to produce a series of paintings on Jewish cemeteries and synagogues. In 1918, he lived in Moscow where he taught painting. In 1921, he left for Berlin. In collaboration with the Yiddish poet Leib Kvitko, he published stories for children (USSR state editions) and an album of thirty lithographs entitled Shtetl (1923). In 1924, he published the Jewish Types of Ukraine, an album reminiscent of Cubism and Expressionism that recounts the threatening atmosphere of a pogrom. In Berlin, he became a member of the Novembergruppe and exhibited his work at the Secession. At that time, he produced supremacist engravings for the Yiddish avant-garde journal Albatros. In 1925, he was invited to return to Russia by the Jewish Theater in Moscow, and designed sets and costumes for I.L. Peretz's play In Folisch Oyf Der Keit. The same year, he spent time in the Jewish agricultural colonies in Ukraine, where he produced drawings representing everyday life. These drawing were published when he arrived in Paris in 1926. Between 1928 and 1934, Ryback exhibited his work in Paris, The Hague, Amsterdam, Brussels, Rotterdam, Antwerp, and Philadelphia. His last exhibition took place at the Wildenstein gallery in Paris. His works are a.o. in the Issachar Ryback museum in Bat Yam, Israel." (link) This lithograph in colours is part of the 16-part series 'Mon village'. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

WWII German Propaganda.- Surrender leaflet dropped from the air at Dunkirk, illustration and printed text in French and English showing the "true situation" of allied troops, pencil note to verso "Dunkirk 1940. german leaflet dropped on us" initialled A.E.S., folds, [1940] § Vintage photograph of two ships with army personnel, pencil note "Dunkirk 1940" and ink stamp "suitable for transmission through the post. not for publication", stamp faded in places, [1940], some light toning and dust-soiling, leaflet 210 x 145mm, photograph 140 x 88mm (2)

WWI British propaganda iron cross medal. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

A collection of WWII propaganda pamphlets: including 'News from England' No.1 & No.2 dated September 1940, several copies of 'Hitler- Mathematik' , together with French and Italian pamphlets. (qty)

Four posters: Tubes promo poster (2 x copies of, 29.5 x 30"), Sparks - Propaganda Island Records poster (approx 27.5 x 27.5"), a David Bowie poster as published by the Sun, an Iggy Pop poster.

ROCK & POP - LP & 12" COLLECTION. Rockin' collection of around 25 x (almost entirely) LPs / 12". Artists / Titles include Marine Girls - Beach Party, The Raincoats - The Raincoats, Led Zeppelin - The Song Remains the Same (Soundtrack), Queen - A Day at The Races, Queen - Sheer Heart Attack, Queen - A Night at the Opera, Pink Floyd - Animals (Thick Spine, A2/B2), David Bowie - Christiane F. Wir Kinder Vom Bahnhof Zoo - Original Soundtrack, Sparks - Indiscreet, Sparks - Kimono My House, Sparks - Propaganda, Roxy Music - Greatest Hits, Be Bop Deluxe - Live! In the Air Age and Be Bop Deluxe (Sunburst Finish). The condition is generally Ex to Ex+.

ROCK AND POP SINGLES COLLECTION.Approx 300 assorted rock and pop 7" singles - good artists and titles mostly c 1980s. Artists and titles to include: U2, David Bowie, Rolling Stones, The Tubes, Mungo Jerry, Bruce Springsteen, Dr. Feelgood, Tom Robinson, The Alarm, Captain Sensibles, Riffs, Blondie, Boomtown Rats, Strawberry Switchblade, Phil Collins, Genesis, Prince and the Revolution, Ultravox, Gary Numan, Talking Heads, Madonna, Propaganda, Eurythmics, Sparks, Alison Moyet,The Jam, Devo, Happy Mondays, The Creatures, Skids, The Stranglers, Dire Straits, Tubeway Army, Sham 69, Madness, Tracy Chapman.Condition will vary but a sample shows many in VG+ to Ex+ condition.

Collection of WWII German Badges including Landwacht and Der Weg Nach Tunis Propaganda Leaflet

Dandy 145 (1940). Propaganda war issue with back cover of Hitler, Goebbels and Goering capturing Bamboo Town, Wildfire the War Horse and Addie and Hermy the Nasty Nazis [fn-]

Dandy (Nov 1940) 153, 154, 155. Propaganda war issues with Addie and Hermy the Nasty Nazis, Wildfire the War Horse, Korky ploughs the land to Help Win the War [vg+/vg+/fn] (3)