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The Big Birthday (1959) - Original Bound Annotated Draft Film Script, as used by producer, Alec. C. Snowden,1958, released as 'Broth of a Boy', 83pp. typescript with colour revision sheets, a 2pp. production unit list, a 2pp. cast lists with addresses, telephone numbers and Mr. Alec Snowden stamped in red ink on first page, a 2pp. location movement order with Mr. Snowden in blue ink manuscript to top left of first page, a 1pp. location sites and contacts list, a 7pp. shooting schedule and a loosely inserted 20pp. marketing brochure for Ardmore Studios, Bray, Co. Wicklow, Ireland and a cutting from the Radio Times showing the film featured as The British Film Comedy on BBC1, May 7, 1968, A4 and folio sheets bound within a spring-back folder, with a white printed Hatchford Films Ltd. label (writer, Julian McLaren Rosss company) to front pastedown, blue cloth, folio, 35. x 23.5cm. *** Alec Crawford Snowden (1901-1983) was British film producer and son of the novelist, J. Keighley Snowden. Broth of a Boy is an Irish comedy directed by George Pollock, starring Barry Fitzgerald, Harry Brogan and June Thornton. The screenplay written by Blanaid Irvine and Patrick Kirwan is an adaptation of the 1956 play, The Big Birthday, by Hugh Leonard.Julian McLaren Ross (1912-1964) was a British novelist, short-story writer, memoirist, screenwriter and literary critic. His writing breakthrough came in 1940 whenHorizon magazine agreed to publish his short story, A Bit of a Smash in Madras, however, shortly after its publication he was conscripted into the army, imprisoned for desertion in January 1943 and suffered a nervous breakdown. Throughout the 1940s McLaren Ross became a flamboyant presence in the pubs of Fitzrovia and Soho and worked as a scriptwriter on government propaganda documentaries alongside the poet Dylan Thomas. In 1958 McLaren Ross married Diana Bromley, Leonard Woolfs bohemian niece who gave birth to Alex Maclaren Ross, his only child. Julian McLaren Ross established himself as a respected literary critic and writer, notably of crime thrillers for film and television. He was considered to be one of the most gifted writers of his generation by Evelyn Waugh, Anthony Powell, Graeme Green and John Betjeman. Condition Report: staining to upper and lower covers top corners and red camera tape across top right hand corner, toning and light foxing to leaf edges, internally clean and showing signs of use on the production.

The Key Man (1957) - Original Bound Annotated First Draft Film Script, as used by producer, Alec. C. Snowden, Anglo-Guild Productions, Merton Park Studios, London, 1957, 52pp. typescript on white folio sheets, 5pp. typescript breakdown errata sheets on pink revision sheets with A.C. Snowdens name in blue ink top left, a 4pp. studio shooting schedule, a 3pp. unit list, a 2pp. revised lockdown shooting schedule, a 30pp. production breakdown at end, together with a bound in, manuscript synopsis for the original screenplay by J. McLaren Ross, copyright, December 16, 1956, 11pp., very neat closely written blue ink manuscript, 12mo, with a loosely inserted 1pp. typescript contract, undated, unsigned, the contract granted McLaren Ross, world film and television rights for a total payment of £500 on delivery and approval of the full- shooting script to a running time of sixty minutes in favour of his production company, Hatchford Films Limited of Sweetbriar, Cobham, Surrey, A4 and folio sheets bound within a spring-back folder, green cloth, titled and numbered Y. 608 on spine, folio, 35.5 x 24cm. *** Alec Crawford Snowden (1901-1983) was British film producer and son of the novelist, J. Keighley Snowden. The Key Man is a British crime thriller B movie, directed by Montgomery Tulley, starring Lionel Hume and Paula Byrne. The screenplay was adapted from Tulleys original story by Julian MacLaren Ross who had been persuaded by producer, Alec C. Snowden, to write a script in late 1956. McLaren Ross had doubts about the project but delivered a screenplay to Snowden in January 1957. The film was shot during a 3 week period the following month in response to an initiative by Anglo-Amalgamated to increase the number of British B movie releases. It released in the US. asLife at Stake.Julian McLaren Ross (1912-1964) was a British novelist, short-story writer, memoirist, screenwriter and literary critic. His writing breakthrough came in 1940 whenHorizon magazine agreed to publish his short story A Bit of a Smash in Madras, however, shortly after its publication he was conscripted into the army, imprisoned for desertion in January 1943 and suffered a nervous breakdown. Throughout the 1940s McLaren Ross became a flamboyant presence in the pubs of Fitzrovia and Soho and worked as a scriptwriter on government propaganda documentaries alongside the poet Dylan Thomas. In 1958 McLaren Ross married Diana Bromley, Leonard Woolfs bohemian niece who gave birth to Alex Maclaren Ross, his only child. Julian McLaren Ross established himself as a respected literary critic and writer, notably of crime thrillers for film and television. He was considered to be one of the most gifted writers of his generation by Evelyn Waugh, Anthony Powell, Graeme Green and John Betjeman. Condition Report: some marks to studios shooting schedule, light foxing to leaf edges with general signs of age and use on the production.

Puzzle for Fiends (1958) - Original Bound Annotated Third Draft Shooting Film Script, as used by producer, Alec. C. Snowden & Two Autograph Letters, Signed, by scriptwriter, Julian McLaren Ross, 1957. Puzzle for Fiends, working title for The Strange Awakening (1958) Anglo-Guild Productions, London, 1957, 92pp. typescript with coloured revision sheets, a 4pp. unit list, annotated in pencil to verso of the last page, an 8pp. location/shooting schedule, a black and white photograph of Hatchford Park, near Cobham, Surrey, 10 x 8 inches, 4 related magazine cuttings and a 9pp. production budget at end, also bound in are Two Autograph Letters. Signed by scriptwriter, Julian McLaren Ross, written to Alec C. Snowden, both letters very closely written in neat, blue ink manuscript, with McLaren Ross 39 Kensington Gardens Square, London address top right, the first letter, 1pp., 28 lines, a single leaf dated 13.6. 57, McLaren Ross updates the producer of various changes he has made to the revised script and advises him that any redundant dialogue the producer finds, he should leave these out, he adds Guy Madison by the way is making a new western, so we may not get him after all, (possibly the western film, Bullwhip (1958) directed by Harmon Jones); the second letter, 1pp., 36 lines, a single leaf dated 13.8.57, the agitated scriptwriter vents his frustrations over the additional workload, time and expenses he has incurred whilst working on the revised script. He reminds Snowden that as the script needed completely re-writing, he had been prepared to do this on condition he was given a sole screenplay credit, but due to the proposed wish of an American faction he now wished for his name to be removed from the films credits as he was not prepared to be blamed by the critics for the mistakes of others, especially from across the Atlantic, folio sheets bound within a spring-back folder, green cloth, folio, 35 x 23.5cm. *** Alec Crawford Snowden (1901-1983) was a British film producer and son of the novelist, J. Keighley Snowden. Puzzle for Fiends is a British crime thriller directed by Montgomery Tulley, starring Lex Barker and Carole Matthews. The film released in the US. as Female Fiends. Julian McLaren Ross (1912-1964) was a British novelist, short-story writer, memoirist, screenwriter and literary critic. His writing breakthrough came in 1940 whenHorizon magazine agreed to publish his short story, A Bit of a Smash in Madras, however, shortly after its publication he was conscripted into the army, imprisoned for desertion in January 1943 and suffered a nervous breakdown. Throughout the 1940s McLaren Ross became a flamboyant presence in the pubs of Fitzrovia and Soho and worked as a scriptwriter on government propaganda documentaries alongside the poet Dylan Thomas. In 1958 McLaren Ross married Diana Bromley, Leonard Woolfs bohemian niece who gave birth to Alex Maclaren Ross, his only child. Julian McLaren Ross established himself as a respected literary critic and writer, notably of crime thrillers for film and television. He was considered to be one of the most gifted writers of his generation by Evelyn Waugh, Anthony Powell, Graeme Green and John Betjeman. Condition Report: staining to upper and lower top corners of folder, foxing and toning to leaf edges of script, some further toning to the second letter dated 13.8.57.

Asien - China - - Novella, Josephus. Catalogus omnium civitatum in singulis Imperii Sinarum Provinciis existentium, cum orthographia, qua ipsarum nomina exprimere solent ... in commodum S. C. de Propaganda Fide digestus. Rom, Lithographia Danesi, 1854. IV, 153 S., vollständig lithographiert. 35,5 x 24,5 cm. Neuer Leinenband mit Rückenschild.Einzige Ausgabe. - Cordier, BS 190 - Löwendahl 1785 (Supplement). - Ortsverzeichnis des chinesischen Reiches nach Mitteilung von Missionaren. Giuseppe Novella (1805-72) war Franziskaner und wirkte 1844-51 selbst in China. Sein Katalog folgt der zeitgenössischen Einteilung des Reiches in 18 Provinzen (von Peking bis Canton), gegliedert in Orte ersten (Fu), zweiten (Chou) und dritten (Hien) Ranges. Jede Seite besteht aus sechs Spalten: Ortsnamen in chinesischen Zeichen, französische und spanisch-italienische Umschrift, italienische Aussprache sowie geographische Länge und Breite. - Unbeschnittenes Exemplar, die breiten Ränder angestaubt, zu Beginn und Ende stark.

Plakate - - Sammlung von Plakaten der NSDAP. Ca. 25 Blatt. Teils rein typographische, teils illustrierte. Unterschiedliche künstlerische Techniken, Formate und Papiere. Berlin u.a., um 1925 bis 1938. (Meist deutliche Altersspuren).Gelegentlich mit Archivstempel des Gaupropagandaamtes Berlin und handschriftlicher Signatur. Recht umfassender Querschnitt durch die Propaganda der Partei, gelegentlich mit Namen des Künstlers (etwa Mjölnir). - Doubletten. - Wegen des fragilen Zustandes ist ein Photographieren aller Motive nicht möglich, eine Vorbesichtigung kann nur eingeschränkt erfolgen. - Nur vereinzelt Überschneidungen mit dem anderen von uns angebotenen NSDAP-Lot. - Papierbedingt gebräunt, Knickspuren, Randläsuren, teils kleine Fehlstellen, gelegentlich hinterlegte Einrisse, insgesamt passabel erhalten.

Plakate - - Sammlung von Plakaten der KPD. Ca. 25 Blatt. Meist rein typographische, einige illustrierte. Unterschiedliche künstlerische Techniken, Formate und Papiere. Berlin u.a., um 1925 bis 1932. (Meist deutliche Altersspuren).Guter umfassender Querschnitt durch die Propaganda der Partei. - Doubletten. - Wegen des fragilen Zustandes ist ein Photographieren aller Motive nicht möglich, eine Vorbesichtigung kann nur eingeschränkt erfolgen. - Papierbedingt gebräunt, Knickspuren, Randläsuren, teils kleine Fehlstellen, gelegentlich hinterlegte Einrisse, insgesamt passabel erhalten.

Plakate - - Sammlung von Plakaten der NSDAP. Ca. 20 Blatt. Teils rein typographische, teils illustrierte. Unterschiedliche künstlerische Techniken, Formate und Papiere. Berlin u.a., um 1925 bis 1938. (Meist deutliche Altersspuren).Gelegentlich mit Archivstempel des Gaupropagandaamtes Berlin und handschriftlicher Signatur. Recht umfassender Querschnitt durch die Propaganda der Partei, gelegentlich mit Namen des Künstlers (etwa Felix Albrecht). - Doubletten. - Wegen des fragilen Zustandes ist ein Photographieren aller Motive nicht möglich, eine Vorbesichtigung kann nur eingeschränkt erfolgen. - Nur vereinzelt Überschneidungen mit dem anderen von uns angebotenen NSDAP-Lot. - Papierbedingt gebräunt, Knickspuren, Randläsuren, teils kleine Fehlstellen, gelegentlich hinterlegte Einrisse, insgesamt passabel erhalten.

Judaica - Antisemitismus - - Zwei französische Publikationen gegen den Einfluss britischer Propaganda im besetzten Frankreich. Enthalten: I. BBC: Bobards, Boniments, Corporation. Dictionnaire à l'usage des auditeurs des émissions francaises de Radio-Londres. (Je sème le mensonge à tout vent). Umschlaggestaltung und weitere Illustrationen (davon 2 ganzseitig) von M. Mars-Trick. Paris, G. Mazeyrie, ca. 1944. 16 S. (inkl. Umschlag). 13,5 x 10,5 cm. Illustrierte Original-Broschur. - II. Ragots, bobards et racontars. Illustriert von "ch. j-" (das ist: Jean Chaperon). Paris, G. Mazeyrie, 1941(?). 12 S. (Leporello). 11,5 x 9,5 cm. - Chaperon illustrierte eine ganze Reihe propagandistischer Publikationen, insbesondere für das Comité d'action antibolchevique. - Leicht gebräunt und minimal braunfleckig.

Plakate - - Sammlung von Plakaten der SPD. Ca. 20 Blatt. Teils rein typographische, teils illustrierte. Unterschiedliche künstlerische Techniken, Formate und Papiere. Berlin u.a., um 1925 bis 1932. (Meist deutliche Altersspuren).Guter umfassender Querschnitt durch die Propaganda der Partei. - Doubletten. - Wegen des fragilen Zustandes ist ein Photographieren aller Motive nicht möglich, eine Vorbesichtigung kann nur eingeschränkt erfolgen. - Papierbedingt gebräunt, Knickspuren, Randläsuren, teils kleine Fehlstellen, gelegentlich hinterlegte Einrisse, insgesamt passabel erhalten.

Plakate - - Sammlung von Plakaten rechter deutscher Parteien neben der NSDAP. Ca. 15 Blatt. Teils rein typographische, teils illustrierte. Unterschiedliche künstlerische Techniken, Formate und Papiere. Berlin u.a., um 1925 bis 1932 (meist deutliche Altersspuren).Guter umfassender Querschnitt durch die Propaganda der anderen rechten Parteien neben der NSDAP. Teils mit Namen des Entwerfers (Lehmann-Steglitz). - Doubletten. - Wegen des fragilen Zustandes ist ein Photographieren aller Motive nicht möglich, eine Vorbesichtigung kann nur eingeschränkt erfolgen. - Papierbedingt gebräunt, Knickspuren, Randläsuren, teils kleine Fehlstellen, hinterlegte Einrisse, insgesamt passabel erhalten.

RUSSIAN INTEREST; four prints of posters of Soviet and Russian propaganda military images, average size approx. 30 x 24cm, each framed and glazed (4).

CLASSIC PUNK/NEW WAVE/INDIE/SYNTH POP - LP COLLECTION. More wicked choices with these 40 x (predominantly) LPs. Artists/titles include Dead Kennedys - Plastic Surgery Disasters (STAT LP11, VIRUS 27, UK og - Ex+/Ex great copy complete with insert and booklet)Talk Talk - The Party's Over, Kate Bush - Hounds Of Love (KAB 1), The Damned, The Specials - S/T (EU pressing 51.1265), Talking Heads - True Stories, The Stranglers - La Folie, Generation X - Valley Of The Dolls, Ministry - Twitch, Siouxsie And The Banshees - Juju and A Kiss In The Dreamhouse, The Jam, The Exploited, Ian Dury, Kraftwerk, OMD, Scritti Politti, Tears For Fears, Icehouse, Soft Cell, Propaganda, Japan, Gary Numan, Fashion, The Dickies and Sex Pistols. Condition is often well kept VG+ to Ex+.

1904 Napier 15hp Four-Cylinder Rear-Entrance Tonneau Registration no. MC 143 Chassis no. 717 Engine no. 618•Offered from more than 66 years of family ownership•England's premier brand of its day•Advanced technical specification with four cylinders and four speeds Veteran Car Club Dated•Eligible for the London to Brighton RunFootnotes:In 2022, The London to Brighton Veteran Car Run will honour the magnificent achievement of S.F. Edge winning the Gordon Bennett Cup, from Paris to Innsbruck in Austria 120 years ago in a Napier car. It was a moment that drew great attention to British manufacturing of motorcars and British motorsport, but most of all it cemented Napier's place in the history of the automobile. This majestic Brighton Runner was built by that most coveted name of early British construction, being one of less than a dozen 1904 and earlier survivors of the marque. The remarkable 1902 win came just seven years after Montague Stanley Napier had taken charge of the Lambeth-based family engineering business in 1895 upon the death of his father. The youthful twenty five year old – once described as 'combining the philosophy and the modesty of the rustic cobbler with the best attributes of the unspeakable Scot' was a brilliant engineer keen to move the family business from its traditional fields of printing machinery manufacture into the new-fangled world of the horseless carriage. Fascinated by speed, he had earned repute as a racing cyclist of no mean ability and, mixing in those circles at the Bath Road Cycle Club, he came in contact with one Selwyn Francis Edge, London manager of The Dunlop Tyre Company. Napier's engineering flair and Edge's commercialism, combined with an at times uneasy flair for self-publicity, made for a powerful partnership that was soon to establish the name Napier at the forefront of the British motor industry as well as a force to be reckoned with in international motor racing.In 1900 Napier entered their customer Edward Kennard's 8hp car in The Thousand Miles Trial around Britain, (a blatant piece of propaganda for the motor car), and with Edge at the wheel achieved not only first in class but second overall in the whole Trial against a formidable line up of 84 cars. Appreciating the value of such publicity Edge and Napier set their sights on the great Continental motor races, in particular focusing on winning The Gordon Bennett Trophy – the ambition achieved in 1902 in a spectacularly uneventful drive from Paris to Innsbruck which left the French team in a state of disarray by the roadside.Alongside the epic drives and races Napier concentrated on building cars of high quality at the Lambeth works which they soon outgrew. A move to larger premises at Acton followed in 1902 and by 1906 1,000 men were employed at the Acton factory. Napier was the first to pioneer a reliable six-cylinder car, ahead even of Rolls and Royce and in doing so became the supreme luxury car of its day, but its light would shine more briefly in this form of engineering as the company focused on aero engines. The fact that this car survives at all is thanks to the sleuthing of Captain Ivan Forshaw just after the war. Determined to find a good quality veteran or Edwardian car, he was most interested in the heritage of the Napier company and set about it, as one did in those days, by putting 'feelers' out with a few calls here and there to see if such a car could be found. One did materialise at Elford's Engineering in Southbourne, but when Elford Senior proved impossible to deal with and the price a prohibitive £50, the search moved on. In 1956, a chance encounter at the Post Office in Parkstone with a pair of scrap dealing brothers, the Kents, would prove to be the solution. Diver Kent asked Forshaw if a small chain driven lorry might suffice for what he was looking for, as they'd seen one recently somewhere in Upton in a barn near the road. Off went Capt. Forshaw to peak through barn doors until he found success. As it turned out, the barn was partially collapsed and the owner a Mr. Palmer was very deaf. A form of dialogue was struck up and it emerged that the car was indeed a Napier, eureka! However, it could not be for sale, since removal of the car would mean that the barn would no longer have any support and it would fall down. Negotiations continued whenever Forshaw would pass Palmer's door, and eventually he found that he could have the barn shored up for £1.10s 0d, enabling the Napier to be purchased and removed. Mr. Palmer would volunteer that the Napier was in fact a car that as for many higher performance vehicles had been repurposed as a flatbed lorry, most likely during the war years. It still wore a tax disc from 1923, which confirmed the last time it had been on the road, wearing the registration 'MC143', this would have been its second registration as that series was only offered by Middlesex County Council from 1917-1920, Palmer said that it had been driven down from London to Dorset in about 1923. Immediately upon securing the car, Forshaw corresponded with D. Napier & Son Ltd., they quantified the car as a D45 model which had been built and delivered in 1904. The D45 model was marketed in England as the 15hp, the four-cylinder engine, cast in pairs, displacing 2,525cc and reputedly developing 21hp. This engine drove through a four-speed gearbox with final drive by side chains. In all it is understood that 182 examples were delivered between 1902 and 1904, the first ones with a serpentine radiator and then as fashion dictated a matrix radiator with shroud, as on this car. Ivan Forshaw found that the Napier was in very tired order and the ensuing years would be a labour of love to return it to the road. The mechanical aspect was one set of problems, but another was its lack of bodywork beyond a rudimentary seat. Originally, it was Forshaw's intention to build a new body, but another chance connection through the Veteran Car Club provided a clue to the whereabouts of a period touring body that had been found in the loft of a coachhouse in Snowdonia. Quite possibly the alternative to a winter or formal body, the coachwork comprised a rear entrance tonneau which must have been stored and never returned to its car. The coachhouse itself was due to be demolished, so this was also a remarkable find and it was believed had been fitted to a Daimler of this same era. A little after the acquisition, Mr. Palmer said that he had the car's side lamps which were still in London and sure enough those were retrieved by him and given to Captain Forshaw.As has always been the spirit in our hobby, the knowledge of an enthusiast wanting to restore his car provided a variety of leads, sources and helpers to his cause, including luminaries such as Derek Grossmark, the noted Napier historian. Forshaw whiled away many hours, days, months and years before eventually in 1982 the task was complete.Resplendent in bright red paintwork, the magnificent Napier returned to use and made a debut London to Brighton Run in 1982, and it was entered and completed almost every year from then until 1995. An application to the Veteran Car Club in this period confirmed its date of 1904, carrying certificate number 1658. Again, a period of inactivity has elapsed since the car was used with regularity, but it remains in a cleanly presented order, and as recently as 2015 the wheels were rebuilt by Douglas Andrews the respected wheelwright. It is the felt that it should respond well to recommissioning, so much work having been carried out in its original restoration. Surviving Veteran Napiers are incredibly scarce, a mere eight being listed with the VCC and a further two American built examples. Offered today from more than 66 years of private ownership, the Captain Forshaw Napier represents a generat... For further information on this lot please visit Bonhams.com

Soviet Propaganda,- Lenin Eternal, artwork by Mikhail Abromovich Gordon (Russian, 1918-2003) printed Moscow, 1957, rolled, 39.5 x 26.5 inches. Condition Report: marked and stained, some light creasing and foxing, chipped to edges with 2 clean edge tears to centre l.h. edge and top r.h. edge, both tears approx 1.5 inches.

Soviet Propaganda.- In the Fight for Soviet Homeland, artwork by Victor Semonovich Ivanov (Russian, 1909-1968) printed Moscow, 1957, rolled, 41 x 26 inches. Condition Report: light marks and creasing, centre fold, clean edge tear to centre r.h. edge, top corners torn (with loss).

Russian Propaganda.- Mup Hapogau!, 1960, printed Moscow, rolled, 39 x 22 inches. Condition Report: Marks, toning and foxing to margins, clean edge tear to centre of lower edge, creasing to lower corner and top l.h. corner, small clean edge tear to centre of top edge.

SOWJETISCHER PROPAGANDA-TELLER Sowjetunion, Wolchow, Komintern Porzellanmanufaktur, um 1930 Porzellan, polychromer Aufglasurdekor. D. 24,1 cm. Auf der Bodenunterseite aufglasurblauer Manufakturstempel sowie 'LAM'. Kratzer.

JOHN LENNON - John Lennon and Yoko Ono U.S. Flag PosterAn American flag style propaganda poster created by George Maciunas in collaboration with John Lennon and Yoko Ono to highlight the subject of U.S. genocides. A photo of Lennon and Ono standing in front of this design was used in promotional material for the 2006 documentary The U.S. vs. John Lennon. Skull and crossbones replace the stars, and percentages and statements about genocide within various countries form the red lines. An embossed stamp reading "Lennon-Ono / Original Gallery AO / Certified / 1970 / to / 1974" is present in the lower right corner, and the letters "HI" are handwritten on the stamp. The poster displays minor discolouration around the edges, creasing and a small tear in one corner. Dimensions: 54 cm x 88 cm (21 1/4" x 34 1/2") Estimate: £1,000 - 1,500 MThis lot will be auctioned on Friday, November 4th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Saturday, November 5th; or Sunday, November 6th.

STARSHIP TROOPERS (1997)/CRUSADE (T.V. SERIES, 1999) - Mobile Infantry HelmetA Mobile Infantry helmet from Paul Verhoeven's sci-fi satire Starship Troopers. Mobile Infantry troopers wore their standard-issue helmets throughout training, in propaganda videos, and during their planet-hopping campaign against the Arachnids.This foam-padded fibreglass helmet is painted green-grey with Mobile Infantry logos on the front and back, mounted with a resin sight, and affixed at the neck with a black foam chin strap. Also included is a clear plastic visor which has come loose from the helmet since production. Its current paint scheme and accessories were added for the production of J. Michael Straczynski's Babylon 5 spin-off series Crusade, in which members of the Earthforce armed forces wore standard-issue helmets. The helmet is hand-numbered "8" in two places on the interior and exhibits scratching, small fractures in the fibreglass, and flaking paint from production wear and age.Estimate: £600 - 800 Ω This lot will be auctioned on Sunday, November 6th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Friday, November 4th; or Saturday, November 5th.

A neon sign 'Prize Bingo' in red, within a clear Perspex box, 115 x 20.5 x 6cm (af), together with a lightbox sign 'Propaganda', with star and cloud motif in white on a black ground, within a metal box, 40.5 x 101 x 7cm (2). CONDITION REPORT: Sold electrically untested.

TEL [Raoul Cabrol] - '3e Emprunt de la Défense Nationale, La Souscription va être close le 16, Avez-Vous Souscrit?' (First World War Propaganda Poster), lithograph in colours, published by L'Agenda Financier, Paris circa 1917, 119cm x 78.5cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Propaganda Russland, Marke Nikolaus II, 1906, polychrom bemalt mit Motiv nach Zinaida Kobletskaya, verso bez., Malersignatur und datum 1921, Im Spiegel Hammer und Sichel for der aufgehenden Sonne, in der Fahne Inschrift 'er lebe die Macht der Sowjets', Goldrand, Ø 26,5 cm, Lit.: Sowjetisches Agitationsporzellan von Elvira Sametskaya, S. 209 und S. 406

Chinese Propaganda Posters, three the same dated 1982 76 x 106cm, four others similar size, five smaller hammer and sickle, five 'Zun Shou She Hui Zhixu Jang Jiu Wen Ming Cheng Che', 1981, six others.

Original WW2 propaganda cartoon poster featuring Hitler, Mussolini and Tojo and reading "Your loose tongue his big ears: Can destroy in a day what was built in years" 14" x 21"

Christopher Richard Wynne Nevinson ARA (1889-1946) Building Aircraft: Making the Engine, from the series The Great War: Britain's Efforts and Idealslithograph44.5 x 34.5cmThere was little cause for celebration on New Year’s Day of 1917. By this point, Britain had been at war for three years and had witnessed the appalling and unprecedented deaths of more than half a million of its men – many of whom were scarcely more than children. Not six months earlier, the British had suffered what would be their deadliest day of the First World War, losing 19,240 personnel during the Battle of the Somme and by the end of the day on Monday, January 1st, 1917, the public would learn of the loss of at least 125 more lives with the German sinking of British troopship, Ivernia. With no end in sight, national morale was in steep and rapid decline.Early in 1917, the print series, The Great War: Britain’s Efforts and Ideals, was commissioned by Wellington House, a covert propaganda arm of the government. Comprising sixty-six prints by eighteen artists, including Augustus John, George Clausen, Muirhead Bone and Frank Brangwyn, the series was divided into two sets of portfolios: Ideals and Efforts. Including twelve full-colour lithographs extolling moralistic maxims of freedom, democracy and justice, the Ideals portfolio aimed to mobilise patriotic sentiment and display the war in a positive light through allegory and symbolism. The Efforts, meanwhile, was concerned with the realities of the war, as permitted by governmental censorship. Presented in monochrome, and on a smaller scale than the Ideals, the Efforts comprised a set of fifty-four prints divided into smaller series of six. Each series was concerned with the industry of war and included topics such as Making Guns, Making Soldiers and Building Ships. War, according to the ‘Efforts’ portfolio, was a constructive and creative process.The present lot, Making the Engine was one of Nevinson’s six lithographic prints from his series, Building Aircraft. Having spent nine weeks in France tending to the wounds of French and British troops and a further year in London working as a private in the Royal Army Medical Corps, it was thought that Nevinson’s first-hand experiences of the war afforded his works a compelling and persuasive sense of authenticity. Although the futurist prints created by Nevinson for Efforts and Ideals were constructed to present the war in a generally positive light, they stand in stark contrast to many of his other works created during the war, such as La Patrie and A Taube, both of which depict, with disarming and devastating frankness, the horrors of war. The dissonance between the two representations demonstrates the critical role government censorship played in the production of the portfolio.

FOURTEEN PROPAGANDA POSTERS, MAINLY VIETNAMESE AND RUSSIAN.

WWI/WWII Selection of Imperial War Museum Photographs (17), mainly of well known participants in the conflicts, also a folder of 1930's Nazi Publications, East German propaganda cards and two Third Reich music/speeches compact discs.

Jubaland 1926 & Tripolitania 1926 Colonial Propaganda stamps in U/M blocks of 10. Between SG 30-34 Cat approx £200. (90)

World War II - a pair of Fielding's propaganda novelty miniature chamber pots, comprising 'Jerry' No 1 with image of Hitler to the inside of the bowl and 'Flip your Ashes on Old Nasty - the Violation of Poland' to the exterior, the other 'Jerry' No 2 with image of Goering to the inside of the bowl and 'Flip your Ashes on Old Piggy - the Violation of Poland' to the exterior, printed factory marks, each 3.3cm high, 6cm diameter (2)

Deutschland - Großer Posten mit Karten und Briefen enthält u.a. Bildpostkarten, davon sind viele original verpackt. Ganzsachen DR mit einigen Propagandakarten. Bitte besichtigen. | Germany - Big lot with cards and letters Contains i.a. illustrated postcards, many of them are original packed. Postal stationery German Reich with some propaganda cards. Please visit.

ARDATH, patriotic, inc. Industrial propaganda (15), Calendars (6), Christmas Greetings (9) & Kitchen Front, VG to EX, 31*

Charles Fouqueray (1869-1956) La Journee Serbe, 1916 lithographic print, propaganda poster published by Devambez, Paris, linen backed, and On Les Aura by Jules-Abel Faivre, and Exposition Crimes Allemands, 1917 by F Jonas, signed in the print, 113.5 x 79.5cm, (3)

Germany 1941-1942 German issued propaganda and safe conduct leaflet urging Soviet troops to run on their political officers and desert

Russia Air Airship Travel Propaganda SG664 m/m, SG662-663, 665-666 used

Russia 1917 Provisional Government Revolutionary overprints, unofficial Petrograd propaganda overprint on Romanov definitives. Type III 'Izvestya' inverted opt on 12x SG 130, u/m 7K definitives

Russia 1917 Provisional Government Revolutionary Petrograd propaganda overprint, Type I "Phrygian bonnet" inverted opt on u/m block of (4) SG 130 7K Romanov definitives

Russia 1917 Provisional Government unofficial propaganda overprints postally cancelled. Type I "Phrygpian bonnet" opt on block of (4) SG 168 and block of (4) SG 169 both cancelled 8/5/1917 Petrograd.

East Germany 1950 Elections SG E32 used & on env 15.10.1950 Leipzig c2 Unity list cachet; Peace Propaganda SG E33-E36 used set; 1951 Leipzig Spring Fair SG E39-E40 m/m pairs, env cancel on SG E10 &e39; Polish President visit Berlin SG E41-E42 m/m pairs, Env cancel on SG E42 & R46-R47

Germany 1945 Local Issue Strasberg Michel P893 II unused pre paid postcard opts obliterate Hitter's portrait & propaganda text

Russia 1944 propaganda postcard with a Russia Sniper illustration cancelled 24/1/1944 with a Field Post office cds of Field Post office No. 48978-R. Indistinct military censor cachet stamp cancelled, received 1/2/1944 Kharkov

Germany 1938 Occupation Sudetenland postcard cancel on SG484b; Env provisional cancel on SG500b; Env Kriegern cancel on SG506b; RP postcard Mahrisch Neustadt church cancel official handstamp Nazi party on SG497b; Env Hindenburg definitives cancel propaganda slogan; Env cancel on SG500b; Env cancel on SF673 each item displayed & described with full details of all censor & transit cancels

Property of a KAWS collector, Mark Jenkins, American b.1970- Hang on, 2014; c-print on Hahnemuhle photo rag, signed and numbered 2/5 in pencil, image 50 x 38cm (framed)Provenance: purchased from Positive Propaganda, Munich, with original invoice. Note: this lot is accompanied by a Certificate of Authenticity, published by Positive Propaganda Press.Please refer to department for condition report

REPRODUCTION CHARLIE CHAN FILM POSTER PLUS FURTHER POSTER CHINESE NO NO NO AND FURTHER REPRODUCTION CHINESE PROPAGANDA PHOTOGRAPH

3 Propaganda-Postkarten/ Ansichtskarten, Nachdrucke Ansichtskarte "Der ewige Jude" farbig, ungelaufen; 2x Postkarte, Künstler AK Hoffmann, Führer und Reichskanzler Adolf Hitler; AK Obersalzberg/ Berchtesgaden; beide ungelaufen

5 x Literatur, sog. 3.Reich, u.a. Propaganda-Literatur Die Wehrmacht 1940, Hrsg. Oberkommando der Wehrmacht, Vertag der Wehrmacht Berlin"; Ewiges Deutschland, Hrsg. Winterhilfswerk des Deutschen Volkes, Verlag Georg Westermann, 1939; J.Goebbels: Kampf um Berlin, Zentralverlag der NSDAP, Franz Eher Nachf., München; Richard Krüger: Amtliches Unterrichtsbuch über erste Hilfe, Hrsg. Deutsches Rotes Kreuz, Druck: Dietrich & Hermann, Duisburg 1939; Das Deutsche Hausbuch, Hrsg. in Verbindung mit dem Winterhilfswerk des Deutschen Volkes vom Hauptkulturamt in der Reichspropagandaleitung der NSDAP, Zentralverlag der NSDAP, Franz Eher Nachf. 1943, mit Widmung eines Oberleutnants und Batterieführers, Kriegsweihnachten 1943; insgesamt mit Alters-und Gebrauchsspuren

Konvolut Propaganda-Schriftstückeu.a. Heinz Franke, Gegen das System der ewigen Zwietracht, Verlag Frz. Eher Nachf. GmbH. / München, 1932, 12x16cm, 14 S., Broschüre der NSDAP zur Reichspräsidentenwahl vom 13.3.1932, unaufgeschnitten + ungeklammert - Druckerei-halbfertig; N.S.D.A.P. Ortsgruppe Bismarck, Mahnruf an die Parteigenossen; Wahlpropaganda; Dich ruft Deutschland - Wahlpropaganda Wahlkreis XVI Süd Hannover -Braunschweig, Zeitungsausschnitte bzw. -beilagen

Fieldings Jerry number 1 and Jerry number 2 propaganda ashtrays

Peter Ware / Amateur war cartoons / propaganda: An interesting collection of World War Two-themed (WW2) hand drawn cartoons mostly by Peter Ware depicting cartoons about Hitler, Churchill and general politics / war themes (11).

Music memorabilia:- tour programmes for Extreme, Marillion, Bon Jovi and Japan, with U2 'Propaganda Jubilee' 2000 magazine

Frederick Donald Blake RI, RSMA (Scottish, 1908-1997), Mountain Village, watercolour and pen & ink on clay coated paper, varnished, signed "F. Donal Blake" lower right, 17 ½ x 27in. (44.4 x 68.6cm.)* Provenance: The Furneaux Gallery, 23 Church Road, Wimbledon Village** Notes: The Scottish painter and designer Frederick Donald Blake was born in Greenock in 1908 but moved with his family to London when he was child and he lived in the South of England for the rest of his life. He trained at Camberwell School of Art and started work as an architectural draughtsman. Early in 1940 he was drafted into a small group of war artists producing propaganda work for the Ministry of Defence. During the war he also produced war maps and impressions of battles for the Daily Express and worked as an Air Raid Officer. It was at this time that he began to exhibit his paintings at the Royal Academy and elsewhere. After the war he worked as a freelance designer for the aircraft industry, the railways and on road safety campaigns but his passion was for painting. He perfected the use of a clay coated paper in combination with watercolour and finished the work with a coat of varnish to add depth. He also worked in oils. He was elected a member of the Royal Institute of Painters in Watercolours, the Royal Society of Marine Artists, the New English Art Club, the Chelsea Arts Club, the Wapping Group of Artists and the London Sketch Club.

Postcards, early 20th century. A collection of over 250 continental postcards, mainly Germany/Austria, some in French and Russian, including 1930s war themes, politics, and propaganda subjects, novelty cards, greetings cards, and others, in a folder and mostly loose

Postcards, early 20th century. A collection of around 300 postcards, including war and political themes, propaganda subjects, novelty and amusing cards, personality cards, animals, performers, and many others, some continental, all in a folder

A 1932 dated Palestine Police velvet wallhanging bearing name Constable A.L.W. Trivett No. 1099 B.S.P.P. A 1938 Empress of Britain World Cruise photo album covering world travels including India, Egypt, Fiji, Thailand, Greece, New Zealand etc. An Utrecht Liberated April 1945 booklet with comical propaganda printed sketches (3).

Two reproduction WWII propaganda posters “The Result of Uncensored Thoughtlessness” and “Tittle Tattle Lost the Battle”, framed and glazed

A Cold War era scarce original Russian propaganda poster, the words in Cyrillic ‘Strengthen Your Defence’ over Russian serviceman leading the defence of the USSR, people placing bricks into the wall, capitalist wearing a top hat with cannons aimed at defences, blue ground with multi coloured design, from the original work by P. Skala, various text to lower margin, 70.5cm x 52.5cm, framed and glazed.

Japan.: Map of Japan and adjacent regions. Tokyo, Kokusai Bunka Shinkokai 1937. Chromolithogr. Karte, in Segmenten auf Lwd. kasch. u. mehrf. gefalt. (ca. 200 x 170 cm), mit Textheft (22 S.) zus. in Olwd.-Kassette. (Lichtrandig). Zeigt Japan und Korea mit Teilen von China und Rußland. Hrsg. von der Gesellschaft für Internationale Kulturelle Beziehungen Tokyo. - ╔Dabei:╗ Propaganda-Schrift Japan (in jap. Sprache) ca. 1940. D

(Dodsley,R.).: Die Weisheit an die Menschen. Durch einen begeisterten Braminen. Aus einer alten Handschrift. (Aus dem Englischen übersetzt von Johann Joachim Christoph Bode). Leipzig, G. J. Göschen 1787. Kl.8°. 72 S. Ldr. d. Zt. mit floraler Rückenverg., Kantenverg. u. goldgepr. Deckelfiletten. (Gering berieb., etw. fl.). VD18 11932619. Vgl. Lowndes 657. - Dritte Auflage von Dodsleys "The oeconomy of human life. Translated from an Indian manuscript, written by an ancient Bramin" (London 1750). Die erste deutsche Ausgabe erschien 1759 in Hamburg. - Eine Sammlung moralischer Grundsätze, die Dodsley aus einer anonymen Handschrift antiker indischer und chinesischer Autoren zusammengestellt haben will. - "A memorial piece of great popularity" (Lowndes). - Der berühmte englische Buchhändler, Dramatiker, Schriftsteller und Verleger R. Dodsley (1703-1764) veröffentlichte auch unter dem Pseudonym "alter Brachmane" und "alter Brachmine". - Der Übersetzer J. J. C. Bode (1730-1793), zog 1757 nach Hamburg wo er als Komponist, Schriftsteller und Übersetzer arbeitete. Bode war "mit Alberti, Basedow, Klopstock, Gerstenberg und namentlich mit Lessing, mit dem er sogar den freilich bald scheiternden Versuch einer eigenen Buchhandlung und Buchdruckerei unternahm. Und unter diesen geistvollen Anregungen entstanden jene feinsinnigen Uebersetzungen der englischen Humoristen Sterne, Goldsmith, Smollet, deren Einfluß auf die deutsche Litteratur um so höher anzuschlagen ist, wenn wir bedenken, welche begeisterte Vorliebe ein Lessing und Goethe den Dichtungen Sterne's und Goldsmith's zuwendeten ... Er war ein begeisterter Apostel des Freimaurerthums in jenem idealen Sinn, in welchem selbst die Größten des Aufklärungszeitalters das Maurerthum als eine Propaganda reiner und liebekräftiger Humanität betrachteten, und wie er einer der eifrigsten Führer des Maurerthums war, wurde er auch später (unter den Namen Amelius) einer der mächtigsten Führer des von Weishaupt in Ingolstadt neugegründeten Illuminatenordens" (H. Hettner in ADB II, 795 f.). - Zeitgenöss. Besitzvermerk in schöner Kalligraphie, schönes dekorativ gebundenes Exemplar, selten.

BRITISH WWII 'TANKS VICTORY CLUB!' PROPAGANDA POSTER,"'Stamp' on the Blighter...", 76cm x 50.3cm, unframedThis is original and the condition is generally good, light wear and creases as per folding, though no tears.

Six: Attributed to Trooper J. Perry 5th Royal Tank Regiment India General Service 1908-35, 1 clasp, North West Frontier 1930-31 (7880597 Tpr. J. Perry 1 ACC RTC) re-named; 1939-45 Star; Africa Star, 1 clasp, 8th Army; Italy Star; France and Germany Star; War Medal 1939-45, the last five all privately engraved ‘7880597 Tpr. J. Perry 5 RTR’, the first polished, nearly very fine the others very fine Five: Attributed to Sergeant D. T. Tillson, 131/22 Heavy Anti Aircraft Regiment, Royal Artillery 1939-45 Star; Africa Star, 1 clasp, 8th Army; Italy Star; Defence and War Medals 1939-45, very fine (11) £70-£90 --- Joseph Perry is confirmed on the Medal roll for the 1st Armoured Car Company, Royal Tank Corps as having received the India General Service Medal with clasp for North West Frontier 1930-31. Sold with Army Council medal issue slip for five medals and one clasp, Royal Tank Regiment white metal cap badge with King’s Crown with two lugs and red leather backing, original distressed National Registration Identity Card named to Joseph Perry of Wrexham, named Royal British Legion membership cards and several named Royal British Legion membership subscription receipts, several press cuttings relating to El Alamein reunion meetings; and several topographic and regimental fancy dress photographs the majority apparently taken in India. Douglas Thomas Tillson was born on 15 November 1918. He enlisted for the Royal Artillery (Militia) at Southend on 15 July 1939 serving in North Africa and Italy, being released in 1946. His Army Books confirm the award of the five medals and 8th Army clasp. Sold with the recipient’s riband bar for the five medals, and a large quantity of original documentation including, two original Army ‘Brown’ Soldiers Service and Pay Books (Army Book 64) one in relic condition, Membership card for the Southend on Sea Royal Artillery Association, original Certificate of Transfer to Army Reserve, dated 9 May 1946, hospital discharge certificate noting his service with 131/32 H.A.A. Regiment, dated March 1944, original 8th Army propaganda notice in Italian, Allied Military currency Italian 10 Lire note, original Army Record of Service form showing service from 30 October 1939 to 8 May 1946, head and shoulders portrait photograph of the recipient in uniform, cloth overseas embroidered service chevrons, one with four red chevrons and another single, together with other original named documentation and several original unit photographs and photographs in action in North Africa.

ROBERT INDIANA (New Castle, Indiana, USA, 1938 - Vinalhaven, Maine, USA, 2018)."SWEDISH LOVE", 2006.Exclusive edition for Galerie-f.100% Indian wool.Copy 397.Label-certificate on the back with signature on plate and hand-written justification.Measurements: 40 x 40 cm.All "LOVE" carpets of unlimited edition are handmade in the city of Varasani. During the production process they practice respect for the environment and their workers, and do not use child labour. The manufacture of these rugs requires enormous craftsmanship, as each rug is made from start to finish by a single craftsman.Robert Indiana is one of the preeminent figures in the American art scene since the 1960s, leading the development of the assemblage technique, the Hard Edge movement, and American Pop Art. Indiana studied at the Art Institute of Chicago, the Skowhegan School of Painting and Sculpture, and also at the Edinburgh College of Art. As well as a painter, Robert Indiana has been a theatrical and costume set and costume designer, in productions such as Santa Fe Opera's The Mother of Us All, and acted in the film Eat directed by Andy Warhol.He proclaimed himself to be "the American sign painter" and throughout his long career he explored, and at the same time constructed, the American identity through diverse iconography.His particular visual language, which could be defined as 'lyricism', marked by slogans such as HUG, EAT and the famous "LOVE". It has become the emblem that continues to unite many artistic generations and is now part of the collective unconscious worldwide.The iconic LOVE series, recognised by LO and VE stacked one on top of the other and arranged in a square, and to which our piece belongs, was first used in a set of poems written in 1958. Then, in the summer of 1965, MoMA commissioned Indiana to design the Christmas cards, finally approving this red, blue and green design. Its true semantic translation is deeply linked to Christianity and the artist's childhood, brought up according to the Church of Christ, Scientist. In an epistolary with collector Larry Aldrich, Indiana shares that there was a phrase 'God is Love' written by the founder of this church, Mary Baker Eddy, which was an unofficial motto of scientific Christianity. From this was born the idea of higher love that Indiana eventually wanted to convey through all his work from the 1960s until his death. In 2008 Indiana created a very similar image for Barack Obama's presidential campaign, in which this symbol was used for various propaganda items.Robert Indiana had hundreds of solo and group exhibitions worldwide. Particularly in Spain he exhibited three times, in 1992 at the Galería 57, in 2009 at the Galería Barcelona, and finally in 2012 at the Museo de Pasión in Valladolid.