Autograph Adolf Hitler autograph letter signed on the back of a postcard addressed to Heinrich Hoffman^ Hitlers favourite photographer. Rare. Hoffmans propaganda photographs of Hitler and the Nazis were considerable and made him a particularly close confidente of Hitler. Together with a small selection of stamps bearing Hitlers image
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Adventure (1939) 897-948 Near complete year missing 914 and 931. With 968 from 1940. Starring Solo Solomon and Strang The Terrible and Wandering Willie the Wily Explorer by Dudley Watkins. With propaganda war stories. Bright, fresh covers, cream pages. 918 top corner torn away [gd], a few [vg], balance [fn/vfn] (51) £180-220
Hotspur (1943-44) 454-506 Complete two years (issued fortnightly) in bound volume. Propaganda war issues. Starring Black Flash Commando, The Seven Bullets, Our School flies a Hurricane. Salvage paper ads: `Be a waste paper commando and waste Hitler!` Bright covers, cream pages, a few with margin foxing [vg+], balance [fn/vfn] (53) £200-250
Wizard (1940-49) 54 issues comprising (1940): 8 issues between 913-940, (1944): 12 issues between 1052-1066 Xmas, (1945): 4 issues between 1085-1090, (1948): 15 issues between 1158-1190 and (1949): 15 issues between 1211-1243. Propaganda war stories, Spadger`s Isle, The Further Truth About Wilson. 431 grubby covers, 940 [gd], balance [vg/fn+] (54) £90-130
G G Swan propaganda war titles (1940s-50s). Extra Fun 2, 3, 4, Fresh Fun 8, New Funnies 10, 13, Special Winter Number, Slick Fun 5, 9, Thrill Comics 2, 9, 11, Topical Funnies Special Winter Number, War Comics 8, 12 Yankee Weird Shorts 19 and Slipstream Vol 8 No 10, Victory Number (published by the RAF in Rhodesia), 3 issues [gd], balance [vg/fn-] (17) £60-80
A group of Great Britain stamps, including three 1948 Silver Wedding £1 unmounted mint, World War II Nazi propaganda forgery ½d, 1d pair, 1½d pair and 3d, Wildings in unmounted mint blocks, 1953 Coronation unmounted mint blocks, 1955 Watercow 2/6-£1 unmounted mint, 1959 2nd de la Rue 2/6-£1 unmounted mint, 1900 Manchester Philatelic Society Warfund 1d label in sheet of 12.
Oosthuizen (Pieter) BOER WAR MEMORABILIA. The Collectors` Guide. 8vo (255 x 180 mm) 239 pages, colour title page, illustrated throughout with colour and black & white photographs, brown cloth, the dust jacket has been covered with clear adhesive plastic. `The Boer War was responsible for the most amazing variety of ornaments, keepsakes and commemorative pieces ranging from umbrella stands to postage stamps, manufactured in a host of different countries. Apart from South Africa and Britain they mainly came from France, Germany, Holland, U.S.A., Australia, and Canada and included artefacts made by prisoners-of-war scattered as far and wide as Ceylon, Bermuda and St. Helena. Propaganda played a large part in design and it is usually not difficult to define where the sympathies of the country in which they were made lay. Containing 430 illustrations, including 165 in colour, this book is an invaluable guide to the very collectable subject.` Editor`s note. Good London The Alderman Press 1987 Click here to view further details and to bid
Italy1862-1997 mostly mint collection housed in four printed albums contained in a carton, many hundreds, including 1862 40c., 1865 20c. on 15c. (with dot), 1875 Official 2c. to 10L., 189-82 30c., 1891-97 5c. (value in letters), 5L., 1910 10L., 1924 Trade propaganda, 1924-25 Publicity 25c. Reinach and 50c. Reinach, unissued Express 60c. Perugina, 1926 St. Francis perf. 13½ 1L. 25, 1928 Filbert, 1930 Virgil postage and air, 1930 air 7L. 70, 1932 Dante postage and air, 1932 Garibaldi postage and air, 1933 Zeppelin set, 1933 Balbo, 1934 Football postage and air, 1934 "servizio di stato" 10L. slate, 1040 Art Exhibition, 1949 E.R.P., 1949 Republic 100L., 1950 Radio, 1950 Tobacco, 1950 Provincial Occupations, 1951 Gymnastic, 1951 Montecassino, a fine range of later issues, chiefly fine with many unmounted mint Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Original German 1930s Cigarette Card Albums : Die Nachkriegs Zeit 1918 - 1934 ( After the War Time ); Uniformen Der Marine und Schutstruppen ( Uniforms of Marines and Soldiers ); Deutschland Erwacht Werdeb, Kampf und Sieg der NSDAP ( Germany Awake : The Beginning of the Struggle and Victory of the NSDAP ( National Socialist Workers' Party ); Raubstraat England ( Robber State England ). C.1941 - Nazi propaganda, under the guise of a cigarette card album, which compares England to a 'Pirate Power'. Scarce collectors' items in very good condition and all complete.
Original German 1930s Cigarette Card Albums : Die Nachkriegs Zeit 1918 - 1934 ( After the War Time ); Uniformen Der Marine und Schutstruppen ( Uniforms of Marines and Soldiers ); Deutschland Erwacht Werdeb, Kampf und Sieg der NSDAP ( Germany Awake : The Beginning of the Struggle and Victory of the NSDAP ( National Socialist Workers' Party ); Raubstraat England ( Robber State England ). C.1941 - Nazi propaganda, under the guise of a cigarette card album, which compares England to a 'Pirate Power'. Scarce collectors' items in very good condition and all complete.
Captain Herbert Borne, Royal Northumberland Fusiliers a group of six WW2 medals awarded to Captain Borne, comprising the Defence Medal, the War Medal 1939-45, the 1939-1945 Star, the Africa Star, the Italy Star and the France and Germany Star, mounted as worn, together with a single France and Germany Star miniature, various Royal Northumberland Fusiliers badges and buttons including two cap badges and two officer`s shoulder title badges, a The Artists Rifles 28th London Regiment Cap Badge, a gilt `National Small Bore Rifle Association .22 Army Match 1947` medal and more; plus a quantity of related ephemera including Captain Borne`s British Forces Identification Card, three Despatches, a small quantity of photographs taken during his service, a German propaganda leaflet, `Aussies Surrender!`, his letter of release from commission dated 1948, a quantity of campaign maps etc. (qty) * Please see lot 163 for a related cartoon given to Captain Borne during WW2. See Illustration.
(x) Japanese Occupation of Marshall IslandsOverall these overprints are considered to have had more of a propaganda character, rather than postal. They are believed to have been initially produced for use on mail by the German population etc (Japanese proclamation in October 1914 specifically permitted sending of mail to anywhere in the world, free to Japan), but mail privilages were quickly withdrawn by order of higher authorities (December 1914). No postal usage is recorded as surviving, so either no mail was actually despatched in initial period, or more likely it was all seized in transit to Japan, or otherwise lost1914 red seal overprints of Paymaster K. Tamura (reisho style) on 3pf., 5pf., 10pf., 25pf., 30pf, 50pf. and 80pf., fresh and fine mint. Rare, only small numbers recorded. Holcombe Opinion (1992) and Ceremuga Certificate (2002). Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(x) Japanese Occupation of Marshall IslandsOverall these overprints are considered to have had more of a propaganda character, rather than postal. They are believed to have been initially produced for use on mail by the German population etc (Japanese proclamation in October 1914 specifically permitted sending of mail to anywhere in the world, free to Japan), but mail privilages were quickly withdrawn by order of higher authorities (December 1914). No postal usage is recorded as surviving, so either no mail was actually despatched in initial period, or more likely it was all seized in transit to Japan, or otherwise lost1914 red seal overprints of Naval Captain Lieutenant M. Hibido on 3pf., 5pf., 10pf., 20pf., 30pf., 50pf., 80pf., 1m. (marginal), 2m. (marginal) and 3m. (marginal), the 3pf with gum disturbed otherwise fresh and fine mint. Rare, only small numbers recorded. Holcombe Opinion (1992) and Ceremuga Certificate (2002). Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(x) Japanese Occupation of Marshall IslandsOverall these overprints are considered to have had more of a propaganda character, rather than postal. They are believed to have been initially produced for use on mail by the German population etc (Japanese proclamation in October 1914 specifically permitted sending of mail to anywhere in the world, free to Japan), but mail privilages were quickly withdrawn by order of higher authorities (December 1914). No postal usage is recorded as surviving, so either no mail was actually despatched in initial period, or more likely it was all seized in transit to Japan, or otherwise lost1914 red seal overprints of Kinsaburo Kano on 3pf., 5pf. and 25pf. (some perf faults at right), fresh and fine mint. Ceremuga Certificate (2002). Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
(x) Japanese Occupation of Marshall IslandsOverall these overprints are considered to have had more of a propaganda character, rather than postal. They are believed to have been initially produced for use on mail by the German population etc (Japanese proclamation in October 1914 specifically permitted sending of mail to anywhere in the world, free to Japan), but mail privilages were quickly withdrawn by order of higher authorities (December 1914). No postal usage is recorded as surviving, so either no mail was actually despatched in initial period, or more likely it was all seized in transit to Japan, or otherwise lost1914 red seal overprints of Sub-Lieutenant Kobayashi on 10pf., 20pf., 25pf., 30pf., 50pf. and 80pf., fresh and fine mint. Rare, only small numbers recorded. Ceremuga Certificate (2002). Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Various Suid-Afrikaanse Panorama (South African government illustrated monthly) 1957-1984 (unbound and incomplete) Several large folio and smaller formats (as shown in the composite image) Fourteen complete but unbound volumes of the Afrikaans edition during the period 1957-1984 + 27 numbers from the other years. Over its long period of publication (from 1956 to at least 1988) - originally in separate English and Afrikaans editions, and later in other European languages as well - this monthly achieved a wide circulation. This may have been because its successive civil service editors avoided typical `Department of Information` propaganda and instead concentrated on the country`s people, places and industrial and artistic achievements. Good Pretoria Department of Information from 1956
*§ KOMAR, VITALY and MELAMID, ALEXANDER (B.1943 and B. 1945) Lenin Hails a Cab in New York, from the Series "Monumental Propaganda/Lenin`s Tomb", signed, inscribed with the artists` names, titled and dated 1993 on the reverse. Oil and tempera on canvas, 102 by 76 cm. Provenance: Private collection, USA. Authenticity of the work has been confirmed by Vitaly Komar. Related literature: For the other version of the present lot, see The New Yorker, New York, 12 July 1993, reproduced on the cover. Exhibition catalogue, It’s the Real Thing: Soviet and Post-Soviet Sots Art and American Pop Art, Minneapolis, Frederick R. Weisman Art Museum, 1998, reproduced on the cover. Athanor XXIII, Tallahassee, Florida State University, Department of Art History, 2005, reproduced on the cover. Lenin Hails a Cab in New York is an iconic piece by Komar and Melamid painted in 1993, a period of political unrest and popularized destruction of the past in Russia. With the dissolution of the Soviet Union in 1991 and the October Putsch in 1993, Russia embarked on the path to its newest history, taking down and destroying Soviet monuments, symbols and signs. Together with Independent Curators, Komar and Melamid, by that time already living in New York, began the Monumental Propaganda project in an attempt to preserve the historical lessons of the Soviet past for future generations. More than 200 Russian and Western artists participated in the project, creating artwork on theme of the preservation of monuments, which received extensive press coverage and subsequent public resonance in Russia. The present lot is the first, original version of this composition. Despite its relatively small size, the canvas possesses monumental, almost mural-like qualities. The tall figure of Lenin, as if defying the streets of New York, is echoed by the Chrysler Building and the red flag of the fast-food eatery in the background – the new symbols of the capitalist world dressed in communist symbols: the red of the MacDonald’s flag and red Kremlin star on top of the Chrysler building. This juxtaposition is what creates a strong and powerful image of its time, so much so that another version of this canvas was published on the cover of the New Yorker Magazine in 1993. Addressing the issue of iconoclasm, the present work depicts Lenin in a pose familiar from multiple monuments across the major public spaces in Russia. Taking the iconic image out of its usual context and placing Lenin on the streets of New York transforms him from a leader of revolution to a regular passer-by engaged in the simple, humdrum act of hailing a cab. The narrative of the picture is developed though the collision of a real character with his utopian surroundings, addressing nostalgia and banality through mockery and humor. Through this unique interpretation, Komar and Melamid reveal all that stands behind Moscow Conceptualism of the 20th century. To quote Professor A. Leigh-Perlman of Montclair State University in Future Ruins: Time, Memory and History in the Work of Komar and Melamid: “Komar and Melamid’s art from the past three decades has been characterized by many important themes and has utilized a wide variety of media and subject matter. As vanguards of Moscow’s particular brand of Conceptualism, they have helped close this dramatic century with a temporal concern for the past as it colors our present and guides us into the future. The two-fold process of remembering and repeating acted out in much of their work serves to solidify the chance of recognizing oppression when it arises in the future. This process of nostalgic repetition may be uncomfortable, we may be confused as to whether we should laugh or cry, but we are left with the monumental sense that we must never forget. Embarking on the future, we need not fear how coming generations will interpret us, as long as we know that the memories of history have taught us the lessons of the past.”
* A SOVIET BROOCH "SUPREMATISM" AFTER A DESIGN BY NIKOLAI SUETIN, EXECUTED BY VARVARA RUKAVISHNIKOVA, DATED 1930 1.5 by 4.5 cm. Rectangular form, with black and red Suprematist composition, signed with artist’s monogram “VR” for Varvara Rukavishnikova and dated 1930, further inscribed “ris. Suetin N.M” in Cyrillic. After the Revolution, Soviet porcelain production became an important propaganda weapon and from the 1920s, the medium of porcelain attracted attention as never before.The arrival of the Suprematists to the Lomonosov Manufactory brought new trends to agitation porcelain: the Revolution was now presented by abstract and geometrical figures in bold primary colors. The new approach often proved incongruous when used with existing porcelain forms and the search for new, more suitable forms began. The present Suprematist brooch, painted by Varvara Rukovishnikova after a design by Nikolai Suetin, is a rare example of this quest, as well as a fine representation of Suetin’s sense of composition and the achievement of a balanced relationship between practicality and avant-garde.
WWII - anti Soviet Propaganda Si Les Soviets - rare Nazi anti Soviet Propaganda magazine aimed at the French with photo collages showing what would happen if the Red Army captured Paris^ including graves of Katyn dug in the streets of Paris^ Lenin`s monument under the Eiffel Tower and Soviet troops under the Arc de Triomphe. Also includes the usual anti-Semitic material. With contribution by Philippe Henriot^ French poet^ journalist and collaborator^ executed by the Resistance in 1944. Some very slight damage but generally good.
WWII - Nazi propaganda/ Anti-Semitic literaturePerfidny Albion (Perfidious Albion) leaflet^ 4pp^ text in Polish illustrated with 19th c French anti British caricatures representing Britain as the enemy who took little interest in the Warsaw uprising^ together with some typical anti-Semitic statements
WWII - Propaganda Poster - the Battle for Poland Nazi propaganda poster encouraging Poles to help the Germans in the fight against the approaching Red Army. Text in polish alludes to the stifled Warsaw Uprising and the establishment of the Polish Communist Government by the Soviets in Eastern Poland. Dating from late 1944.
[Propaganda Fide]. Catechismus pro barmanis eorum lingua primisque nunc litterarum typis excusus addita etiam latina interpretatione. Roma, Tipografia della Congregazione di Propaganda Fide, 1785 (1786).In 8° (190 x 125 mm); [4], 23; [4], 48, [2]; 76 pagine. Frontespizio e testo entro cornice xilografica decorata, emblema della Propaganda Fide ai frontespizi, testo in latino e burmese (qualche alone). Legatura del secolo XX in mezza pergamena con i piatti in cartonato marmorizzato, titolo in oro al dorso.Opera rara ed interessante. Va ricordato che Giambattista Bodoni riceve proprio in questi anni la sua formazione nella stamperia, ricca di numerose serie di caratteri, in particolare quelli orientali. Starting Price: €250
[Roma]. Giacchieri, Pietro. Commentario degli ordini equestri esistenti negli Stati di Santa Chiesa. Roma, Propaganda Fide, 1853.In 2° (320 x 220mm); XXIV, 228, [4] pagine. 24 tavole a piena pagina acquerellate da mano coeva raffiguranti gli abiti e le decorazioni dei cavalieri pontifici (qualche fioritura). Legatura coeva in mezza pelle blu, decorazioni dorate. Ex libris Costantino Ludolf.Esemplare stampato ad personam per il conte Costantino Ludolf. Nel lotto anche i Camerieri segreti e d’onore del Sommo Pontefice del 1884 con 8 tavole colorate a mano e un volume con una miscellanea di opere sugli ordini equestri pontifici stampati dalla Tipografia Vaticana nel 1905, anch’essa riccamente illustrata a colori.(3 volumi) Starting Price: €250
Football postcards Six postcards, five early comic style postcards, three with images by Tom Browne, one other in the style of Browne, plus a WW1 propaganda card showing image of German soldier miss-kicking football (censor stamp to back). Sold with a Belgian card in aid of injured Allied soldiers with artist drawn football beach scene (fair/gd) (6)
Autograph Guy Gibson, VC, DSO, DFC etc. Commander of the 617 Dambusters (aka Operation Chastise) Squadron, an original ink signature on lined paper, corner mounted on album page with newspaper portrait picture, his details recorded underneath. Sold with an RAF book, propaganda leaflet, German Uniform leaflet & enemy aircraft card (gd) (5)
A collection of political/election memorabilia, mainly on the subject of the 1910 Election, to include posters - "Shall the Lords tax our food or shall we tax their wealth !" and "Mr. Austen Chamerlain's Confession (at Hackney November 26th 1909) 'I am a food taxer' Are you ? If not vote for Burt", four framed ballads circa 1880, Election propaganda, an original cartoon by Kevin Kallaugher "Welcome to Hong Kong" depicting Geoffry Howe as a door mat and After Mendora "House of Commons" limited edition colour print with key, various other political items, etc. CONDITION REPORTS Posters are in quite deteriorated condition with quite a lot of browning, tears and losses, framed picture inscribed "Welcome to Hong Kong" has various altered areas (please see photos), glass to the posters has some damage, various pamphlets etc. all in used and worn condition with various staining, losses, etc., plate marks/ print marks/ impressions do not appear to be apparent/ do not appear to be present.
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7826 item(s)/page