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Click here to subscribeGerman Third Reich propaganda, to include three Hoffman miniature books, a Wir Vom I. Korps photo book bearing numerous signatures in the back mainly under the title Meine Kameraden (my comrades) 1936-38, also three postcards, six printed leaflets (one British) and a Reichskolonialbund book dated 1942.
Militärische Urkunden 1. und 2. Weltkrieg, Abzeichen und Flugblätter Urkunden Soldat "Wilhelm Roth, Leopold Föse" und Urkunde Musketier Edelhoff mit 1 1/2 Erkennungsmarken. Gesamt 13 Dokumente. Anbei ca. 55 Kleinabzeichen Deutschland 1. Hälfte 20. Jhdt., dabei Kriegerbund, Sänger- und Turnbund, "Volksbund der Deutschen in Ungarn" uvm. Dazu einige Flugblätter (Alliierte Anti-Nazi-Propaganda WW2). In unterschiedlicher Erhaltung, Vorbesichtigung empfohlen. Zustand: II A collection of military documents from WWI and WWII, badges and leaflets Urkunden Soldat "Wilhelm Roth, Leopold Föse" und Urkunde Musketier Edelhoff mit 1 1/2 Erkennungsmarken. Gesamt 13 Dokumente. Anbei ca. 55 Kleinabzeichen Deutschland 1. Hälfte 20. Jhdt., dabei Kriegerbund, Sänger- und Turnbund, "Volksbund der Deutschen in Ungarn" uvm. Dazu einige Flugblätter (Alliierte Anti-Nazi-Propaganda WW2). In unterschiedlicher Erhaltung, Vorbesichtigung empfohlen. Condition: II
Two British Liberal Party satirical/propaganda posters, chromolithographic designs printed by Nathaniel Lloyd & Co., London, on the subject of Protectionism versus Free Trade, each measuring approx. 76cm by 49cm, some creasing/wear. Together with a smaller election poster for Walker King, printed by Hammett & Co., Taunton (3)
SammlungSammlung von 7 Bl. Plakaten zu den Themen Propaganda u. Zweiter Weltkrieg. Farb Sammlung Sammlung von 7 Bl. Plakaten zu den Themen Propaganda u. Zweiter Weltkrieg. Farboffsets, meist verkleinerte Reproduktionen, 20. Jh. Zw. 35 x 24,5 u. 48 x 32 cm. 1 Bl. dat. 22.07.85. Bitte Liste anfordern. - Tls. randrissig, Ecken knickf., 1 Bl. mit unterl. längeren Randeinriss. V 7390
"Wade through Fields of Blood of the Saxon Tyrants"Manuscript: [Anon] 'Sinn Fein Oath' A bloodcurdling document, m/ss, 2pp., on lined paper, 'taken from captured documents in various parts of the country, & is the general oath taken by the I.R.A.' Includes a promise to 'wade through fields of blood of the Saxon tyrants, & murders for the glorious cause of nationality,' etc. Undoubtedly spurious, and of interest only insofar as it shows how little the British black-propaganda people understood about Sinn Fein and the I.R.A. (1)
Franz Wilhelm SeiwertDrei Arbeiterköpfe Öl und Leinwand auf dickem Malkarton 68,9 x 52 cm Gerahmt. Am Oberrand rechts der Mitte monogrammiert und datiert 'FWS 26' (in die feuchte Farbe geritzt). - Rückseitig handschriftlich in Blau bezeichnet "Jean Loosen" (Kölner Steinmetz und Freund von Seiwert). - Teils mit Craquelé und altersbedingten kleinen Randmängeln.Bohnen 59 (dort "Um 1924/25")Wir danken Uli Bohnen, Eschweiler, für freundliche Hinweise; mit seiner Expertise vom 30. Oktober 2020ProvenienzJean Loosen (wahrscheinlicher Erstbesitzer); Galerie Brockstedt, Hamburg; Sammlung Prof. Dr. Stanislaw Karol Kubicki, Berlin; seitdem in FamilienbesitzAusstellungenKöln 1978 (Kölnischer Kunstverein), Franz W. Seiwert 1894-1933, Kat. Nr. 59 mit ganzseitiger Abb. S. 95 (rückseitig mit zwei Ausstellungsetiketten); Recklinghausen 1980 (Ruhrfestspiele), Aus Schacht und Hütte. Ein Jahrhundert Industriearbeit im Bild 1830-1930, Kat. Nr. 162 mit Abb. (auf dem Rahmen mit einem Transport-Etikett)LiteraturReinhard Schilf (Hg.), Experiment Kalltalgemeinschaft- Die Kölner Progressiven in Simonskall 1919-1921, Weilerswist 2008, vgl. Angelikas Erbe, S. 44/45; vgl. Lynette Roth, Handwerk oder "Das Werk der Hand", in: 1920-33, köln progressiv, seiwert-hoerle-arntz, Katalogbuch, Museum Ludwig, Köln 2008, S. 70 f.Nach der neben dem Monogramm befindlichen Datierung nähern sich die vormals im Oeuvre etwas früher eingeordneten „Drei Arbeiterköpfe“ von Franz Wilhelm Seiwert einem bedeutenden Werk von 1927, dem „Freitagabend“, einem ehemals im Wallraf-Richartz-Museum 1933 beschlagnahmten und im Bombenangriff zerstörten Gemälde (s. Vergleichsabb.). Es ist nicht nur der Profil-Typus des Mannes mit „Schnäuzer“ dort wiederzufinden. Seiwert erarbeitete sich in den 1920er Jahren ein gewisses Repertoire an Motivformeln und konstruktiven Figurationen, die er fast wie Schablonen abzuwandeln und zu kombinieren verstand. Dazu gehörten bei betonter Flächigkeit des Bildes vereinfachte und kontrastvoll eingesetzte Kürzel wie zirkulare Rundformen, eine betonte Vertikale, Horizontale und gestaffelte Diagonalen. Diese Elemente geometrischer Abstraktion wie auch die konsequent vereinfachten Umrisse und Einzeichnungen bei den Köpfen und Figuren, ihr dichter Wechsel in Frontal- und Seitenansicht, sind Stilmittel, die ursprünglich aus Seiwerts graphischer Arbeit und aus seiner künstlerischen wie politischen Propaganda herrühren. Hatte man sich schon seit 1919 bemüht, die „Bausteine für eine neue visuelle Sprache zu schaffen“, etwa Angelika Hoerle mit ihren Linolschnitten für ein „a b c Bilderbuch“ (vgl. „Angelikas Erbe“, in: Experiment Kalltalgemeinschaft, op. cit. S. 44), so blieb die Frage nach der Tragweite und der Akzeptanz der revolutionären Kunst der „Kölner Progressiven“ in der Gesellschaft ein Dauerthema, das sich auch in den Artikeln der Zeitschrift „a-z“ (1929-1933) niederschlug. Im Medium des Ölbildes experimentierte Seiwert seit Mitte des Jahrzehnts wie auch in „Drei Arbeiterköpfe“ von 1926 nicht nur mit den gewonnenen Elementen einer neuen Bildsprache, sondern auch mit Maltechnik und Bildgrund. Seiwerts Betonung von Materialitäten, von Farben und taktilen Oberflächen, zeichnet ihn aus und stellt sein Werk mitten in den Kontext der internationalen künstlerischen Avantgarde dieser Jahre.Siehe weitere Werke von F.W. Seiwert in unserer Auktion 1163 am 9. Dezember 2020, Lose 493-499. Franz Wilhelm SeiwertDrei Arbeiterköpfe Oil and canvas on thick artist's board 68.9 x 52 cm Framed. Monogrammed and dated 'FWS 26' (scratched into wet paint) upper margin to right of centre. - Verso inscribed "Jean Loosen" (Cologne stonemason and Seiwert's friend) in blue handwriting. - Partially with craquelure and smaller marginal age-related defects.Bohnen 59 (there "Um 1924/25")We would like to thank Uli Bohnen, Eschweiler, for kind advice; with his certificate dated 30 October 2020ProvenanceJean Loosen (probable first owner); Galerie Brockstedt, Hamburg; Collection Stanislaw Karol Kubicki, Berlin; since then in family possessionExhibitionsCologne 1978 (Kölnischer Kunstverein), Franz W. Seiwert 1894-1933, cat. no. 59 with full-page illus. p. 95 (two exhibition labels verso); Recklinghausen 1980 (Ruhrfestspiele), Aus Schacht und Hütte. Ein Jahrhundert Industriearbeit im Bild 1830-1930, cat. no. 162 with illus. (transport label on frame)LiteratureReinhard Schilf (ed.), Experiment Kalltalgemeinschaft- Die Kölner Progressiven in Simonskall 1919-1921, Weilerswist 2008, cf. Angelikas Erbe, p. 44/45; cf. Lynette Roth, Handwerk oder "Das Werk der Hand", in: 1920-33, köln progressiv, seiwert-hoerle-arntz, Katalogbuch, Museum Ludwig, Cologne 2008, p. 70 f.According to the date located next to the monogram, the “Drei Arbeiterköpfe” by Franz Wilhelm Seiwert, which were previously placed somewhat earlier in his oeuvre, have moved closer to an important work of 1927, “Freitagabend”, a painting which was formerly housed in the Wallraf-Richartz-Museum, was confiscated in 1933 and destroyed during a bombing raid (see comparative illus.). It is not just the profile type of the man with a moustache that can be found there. In the 1920s Seiwert developed a certain repertoire of formulaic motifs and constructive figurations which he knew how to modify and combine almost in the manner of stencils. Coupled with an emphatic two-dimensionality of the picture, these included the use of simplified and abbreviated forms employed to produce strong contrasts: circular curved forms, emphatic vertical and horizontal lines and staggered diagonals. These elements of geometric abstraction, the rigorously simplified contours, the elements drawn on to the heads and figures and their densely packed alternation in frontal and profile views are stylistic devices which originally derived from Seiwert's graphic work and his artistic and political propaganda. While efforts had already been made since 1919 to “create building blocks for a new visual language” - for example, Angelika Hoerle's linocuts for an “a b c Bilderbuch” (cf. “Angelikas Erbe”, in: Experiment Kalltalgemeinschaft, op. cit., p. 44) - the question of the reach and acceptance of the revolutionary art of the “Kölner Progressive” within society remained a constant theme that also left its mark in the form of articles in the journal “a-z” (1929-1933). In the medium of oil painting, Seiwert had been experimenting not just with the attained elements of a new pictorial idiom but also with painting techniques and supports since the middle of the decade as well as in the “Drei Arbeiterköpfe” of 1926. Seiwert's emphasis on materialities, on colours and tactile surfaces distinguishes him and situates his work in the midst of the international artistic avant-garde context of those years.See further works by F.W. Seiwert in our Auction 1163 on 9 December 2020, lots 493-499.
Propagandateller "Lang lebe die rote Armee" Russland, 2. Hälfte des 20. Jh. - nach einem Entwurf von M. Adamowitsch, 1923 Porzellan. Runder Standring. Polychrome Aufglasurbemalung eines Roten Armee Soldaten, der unterschiedliche Länderflaggen zerstört. Bodenunterseite mit aufglasurgrüner Marke Nikolaus II, Hammer, Sichel, Teil eines Zahnrads 1923 Aufglasur, "po M. Adamowitsch", Initialien "MA" und Nr. "105/16). Fehlstellen. D. 23 cm - Vgl. N. Lobanov-Rostovsky, Revolutionary Ceramics, Nr. 4; Ausst. Katalog Museum für Angewandte Kunst Frankfurt, Die Tafel der Zaren und das Porzellan der Revolutionäre, Nr. 408. - A propaganda porcelain plate "Long Live the Red Army". Russia, 2nd half of the 20th century, after a design by M. Adamowitsch, 1923. Polychrome overglaze painting. Back with green overglaze mark of Nicholas II, blue mark of hammer, sickle and cog, grey overglaze "po Agamovitch", initial "MA" and no "105/16". Losses. Diam. 23 cm. Propagandateller ''Lang lebe die rote Armee''. Russland, 2. Hälfte des 20. Jh. - nach einem Entwurf von M. Adamowitsch, 1923. Unterseite Marken. Fehlstellen. D. 23 cm
Riefenstahl, Leni: Film stills from "Triumpf des Willens" Selected film stills from "Triumph des Willens". 1935. 18 vintage ferrotyped gelatin silver prints. Each circa 23 x 29 cm. Each with number in lower right, some with film text in lower edge in the negative. Some with number notations on the verso. A rare group of film stills from the 1935 National Socialist propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. It chronicles the 1934 NSDAP Congress in Nuremberg, which was attended by more than 700,000 participants. Riefenstahl's techniques such as moving cameras, aerial photography, the use of long focus lenses to create a distorted perspective, and the revolutionary approach to music and cinematography have earned "Triumph of the Will" recognition as one of the greatest propaganda films in history. Riefenstahl helped to stage the scenes, directing and rehearsing some of them up to fifty times. Riefenstahl won several awards, not only in Germany but also in the United States, France, Sweden and other countries. The scenes show many soldiers and other participants such as children and young people, Hitler giving his speech, other high ranking N.S. officials and various aerial views. – Some with minimal edge wear, otherwise in very good condition. Riefenstahl, Leni: Film stills from "Triumpf des Willens" Selected film stills from "Triumph des Willens". 1935. 18 vintage ferrotyped gelatin silver prints. Each circa 23 x 29 cm. Each with number in lower right, some with film text in lower edge in the negative. Some with number notations on the verso. A rare group of film stills from the 1935 National Socialist propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. It chronicles the 1934 NSDAP Congress in Nuremberg, which was attended by more than 700,000 participants. Riefenstahl's techniques such as moving cameras, aerial photography, the use of long focus lenses to create a distorted perspective, and the revolutionary approach to music and cinematography have earned "Triumph of the Will" recognition as one of the greatest propaganda films in history. Riefenstahl helped to stage the scenes, directing and rehearsing some of them up to fifty times. Riefenstahl won several awards, not only in Germany but also in the United States, France, Sweden and other countries. The scenes show many soldiers and other participants such as children and young people, Hitler giving his speech, other high ranking N.S. officials and various aerial views. – Some with minimal edge wear, otherwise in very good condition.
Postcards, a good Military collection of approx. 95 cards with RP's of Mechanical Transport Bulford Camp, Interior of refreshment bar Miss Perks home Bulford Camp, Group photos (ASC, Signallers RA, 9th DCO Middlesex, RASC Royal Signals etc), Durrington Camp Main Rd, Guard Depot Caterham, anti-aircraft etc Also comic propaganda (Aesop's fables), and other comic, coloured regimental, prisoners at Frith Hill Frimley, a few portraits & transport (mainly gd)
Postcards, a good collection of 29 WW2 period cards inc. comic, Women in the War, continental size, mechanical (Glorious Stalingrad), WAAF balloon operators, Churchill, ATS (RP), National Milk Council advert, propaganda comic, Barribal Glamour, Victory quotes, Ladies Home Guard (RP) etc (mainly gd)
A set of three ILM propaganda posters from the production of George Lucas' Star Wars: The Phantom Menace. Posters made in homage to the propaganda posters used by the United States during World War II were placed around sets and production offices to discourage crew members from accidentally leaking information about the film.Designed by Industrial Light & Magic (ILM) artist Mark Malabuyo, these three posters are colour-printed on semi-gloss poster paper with three distinctive designs: "SHHHH! The Empire is Listening!" with images of Darth Vader (David Prowse) and Snow Troopers; "Loose Lips Sink Starships!" with an image of the Millenium Falcon; and "The Empire is Watching!" with an image of the Emperor (Ian McDiarmid) and one of his personal guards. The posters are in excellent overall condition with minimal wear from use and age. Dimensions (each): 49 cm x 38.25 cm x 2.5 (19 1/4" x 15 1/2" x 1")Sold without copyright; see notice in the Buyer's Guide.Estimate: £1,000 - 1,500 Ω
Russischer Propaganda-Teller Verbilki, Manufaktur Dmitrovsky, um 1920. Porzellan. Im Spiegel die Symbole Hammer, Sichel und Zange. Burgunderrote Fahne mit Goldspitzenkante. Manufakturmarke (schwarz). Kl. Best. am Rand. Dm. 24 cm. - A Russian Propaganda Plate Verbilki, Dimitrovsky manufactory, around 1920. Porcelain. With the symbols of hammer, sickle and pliers, burgundy border with gold tip. Manufactory mark (black overglaze). Small chips to the border. Diam. 24 cm. -
IRWIN: "IKONA: CROSS 'AROUND NECK'" "IKONA: CROSS 'AROUND NECK'" Assemblage aus Krawatte und Schraubdeckel aus Aluminium, alles farbig mit Acryl gefasst, montiert in verglasten Objektkasten. 2006. 72 x 22 x 5,9 cm. Verso mit dem Kollektivetikett, dem Stempel in Rot "irwin" sowie dem Kollektivstempel in Schwarz "NSK", zusätzlich mit Kugelschreiber in Blau bzw. mit Kreide in Grün doppelt signiert "Roman URANJEK" sowie datiert und betitelt. Die Werke des slowenischen Künstlerkollektivs IRWIN (bestehend aus Dusan Mandic, Miran Mohar, Andrej Savski, Roman Uranjek und Borut Vogelnik) sind explizit mit politisch und kunsthistorisch konnotierten Symbolen totalitärer Systeme aufgeladen. Das Kollektiv selbst bezeichnet diesen Stil als "Retro-Avantgarde". Durch die bewusste "Überidentifizierung" mit autoritären Systemen zielt IRWIN darauf ab, politische Traumata und Konflikte in ihren Werken zu visualisieren, um beim Betrachter die Absurdität des politischen Totalitarismus hervorzurufen. 1984 gründete IRWIN das interdisziplinäre Künstlerkollektiv "NSK" (Neue Slowenische Kunst) mit, das zu Beginn der 1990er Jahre in einen fiktiven Staat ("NSK- State in Time") umgewandelt wurde und bis heute existiert. Provokativ repräsentiert die Assemblage durch die Krawatte Anpassung, das Kreuz auf dem Schraubdeckel politische Zugehörigkeit und der Stempel verso die Kontrolle des Staates über die Kunst. Durch die ironische Aneignung einzelner Motive stellt IRWIN in der Assemblage politische Systeme und Propaganda in Frage. Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
A rare Soviet porcelain chess set 'The Reds against The Whites'State Porcelain Factory, Leningrad, USSR, 1933-1934, after design by Natalia Danko (1892-1942)On the White side: the King is designed as Death draped in black ermine-lined cloak and holding a sword and long bone; the Queen as Fortuna with a cornucopia spilling gold coins: the Knights as White Army officers dressed in gold and black uniforms; the Bishops as armoured horses surmounted with double-headed eagles, the Rooks as sail boats with crowed masts and sails decorated with pole axe within chain garland; and the Pawns as chained serfs; on the Red side: the King is designed as a blacksmith leaning on a large hammer, the Queen as a peasant maiden holding stalk of wheat and field flowers in one arm and a sickle in the other; the Knights as soldiers dressed in uniform of the Red Army and standing next to the hammer and sickle on the star-shaped pedestal; the Bishops as horses rising from overlapping red stars; the Rooks as sail boats of two slightly varying designs with masts supporting sails in shape of pink stars; and the Pawns as young male peasants holding golden stalks of wheat and silver sickles, all marked underside with blue factory mark height of the White King: 11cm (4 1/4in) and smaller (32)Footnotes:ProvenanceAcquired by American Pulitzer-Prize winning journalist and writer Edgar Ansel Mowrer in Russia, 1936Thence by descentEdgar Ansel Mowrer (1892-1977), a renown foreign correspondent, write and lecturer, was often referred to as 'the most distinguished of all reporters on world affairs' of his generation. He began his illustrious career as a foreign correspondent for Chicago Daily News and was dispatched to Paris in 1914. There he reported on events throughout the First World War, often sending riveting reports from the front-lines. By spring 1915 Mowrer was sent to cover events in Italy. He made personal acquaintance with Benito Mussolini and reported on devastating events at the battle at Caporetto. As a journalist Mowrer often sounded alarms about growing threats of rising fascism in Italy.In January 1924 Mowrer moved to Berlin where he worked with a distinguished group of correspondents, such as Herbert Knickerbocker, Dorothy Thompson, Walter Durranty and Eugene Lyons - who elected him president of the Foreign Press Association. He later remembered that: 'Berlin in the nineteen twenties was a kind of stopping off place not only for Russians heading West, but for the Americans entering or leaving the Soviet Union, including those who lived there and needed occasionally to come up for air.' No doubt that cosmopolitan group of friends with ties to the Soviet Union to some degree triggered Mowrer's fascination with socialist state which a decade later culminated in a long trip to Moscow and Leningrad. In Berlin Mowrer watched with growing concerns the growth of fascism in Germany as well as a consolidation of political power under Stalin in the Soviet Union. His unapologetic opposition to fascism expressed in articles and a book won him the highly acclaimed Pulitzer Prize in 1933 and essentially made him 'persona non grata' with regime in Germany after Hitler took office. In 1936 driven by his journalistic curiosity and sensing the inevitable escalation of the tensions in Europe, Mowrer and his wife embarked on a month-long trip to Moscow and Leningrad. It is believed that the present porcelain chess set was acquired during that trip. Given Mowrer's distrust of all totalitarian regimes and his critique of the Soviet system, he must have found this chess set to be a curious and rare examples of unapologetic socialist propaganda and a precious travel souvenir to cherish later on.Upon his return to the USA Mowrer continued his journalistic career both as columnist and later as a TV commentator and magazines editor, as well as the author of several critically claimed books on foreign affairs, future of diplomacy and global political balance.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
German Imperial WWII type Kulture Cross. A British First World War anti-German propaganda medal exploiting the German Army's excesses, committed in Belgian and French towns and cities on or near the Western Front, between August and October 1914. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)
CLASSIC ROCK/ POP - LP COLLECTION. A superb collection of around 73 LPs. Artist/ titles include Sparks inc Kimono My House, Propaganda. Blondie inc Plastic Letters, Parallel Lines, The Hunter. Status Quo inc Dog Of The Head, Piledriver, Quo+Live!. Todd Rundgren inc Runt, Back To The Bars, Hermit Of Mink Hollow. Mott The Hoople inc S/T, Live. Rory Gallagher inc Irish Tour '74, Live In Europe, Junk. Bonzo Dog Band inc I'm The Urban Spaceman, Let's Make Up And Be Friendly. America inc Silent Letter, Hearts. Family inc Anyway, Old Songs New Songs, Bandstand. Be-Bop Deluxe, The Allman Brothers Band, Focus, Jan Akkerman, Neil Lancaster. Condition is generally VG to Ex.
PUNK/ INDIE/ ALT/ WAVE - JAPANESE PRESS LPs. A quality collection of around 67 LPs, all Japanese pressings. Artist/ titles include The Clash - Sandinista! (4939-253-5), Joe Strummer - Love Kills, Cocteau Twins - Head Over Heels (SP25-5083), Yellow Magic Orchestra, Madonna - You Can Dance, Julian Cope - Saint Julian (R28D-2064), The Police - Reggatta de Blanc, A Flock Of Seagulls (25AP 2475), Propaganda, Adam Ant, New Order - Low Life (YX 7352-AX), Japan, Aztec Camera, David Sylvian, Style Council, Albania, The Blow Monkeys, Tom Petty and the Heartbreakers (175R-7). Condition is generally Ex to Ex+.
CLASSIC ROCK/ GLAM/ ART ROCK LP COLLECTION. A quality selection of around 24 LPs. Artist/ titles includes Iggy Pop (x2) inc And The Stooges - Raw Power (CBS 32083) & The Idiot (INTS 5172), The Velvet Underground (x3) inc Live with Lou Reed (6641 900), Live At Max's Kansas City (K30022) & A Collection of Previously Unreleased Recordings (POLD 5167). Lou Reed (x4) inc Sally Can't Dance (APL1-0611), Self-Titled (SF 8281), Rock n Roll Heart & New Sensations. T. Rex & Marc Bolan (x10) inc Unicorn/ A Beard Of Stars (TOOFA9), Prophets, Seers & Sages, The Angels Of The Ages / My People Were Fair And Had Sky In Their Hair... But Now They're Content To Wear Stars On Their Brows (TOOFA 3/4), Electric Warrior, Self-Titled (HIFLY2), Tank, The Slider, Tanx & Marc Bolan & T. Rex (R60 00505) Lightning Strikes Twice (Vols 1 & 2, 10"). Roxy Music Roxy Music (x4) inc Self-Titled, Manifest, For Your Pleasure & Flesh + Blood. Bryan Ferry (x2) inc Boys and Girls & Let's Stick Together. Sparks - Propaganda. Condition is generally VG to Ex.
U2 AND RELATED - CD COLLECTION. A wonderful collection of around 47 CDs, mostly U2 related including some rarities, also include some various comps that feature U2 and promos. U2 titles include City Of Blinding Lights (2 CDs and DVD all individually cased), All That You Can't Leave Behind (promo), VERTigo (986 818-4), Melon Remixes For Propaganda, Sometimes You Can't Make It On Your Own (CD and DVD, individually cased), All Because Of You, Hold me Thrill Me, Kiss Me Kill Me (Promo), Various - Even better Than The Real Things: A Tribute to U2, Dave Fanning's Best Of Irish Rock, Radio Series 97 (promo), The Album Network Tune Up In-Store Play Edition, The Royal Philharmonic Orchestra performs the hits of U2, U2 The Unforgettable Tribute, A Tribute To The Greatest Hits Of U2. CDs look to be in excellent condition.
PUNK/ WAVE/ ALT/ INDIE/ AVANT - 12". A quality collection of around 120 mostly 12" singles, does include some 10". Artists include Intro - Lost Without Your Love, Mondo Rock ?- Primitive Love Rites, Levellers, Yello, The Mighty Lemon Drops, Embrace, Fad Gadget, The Creatures, The Sisters Of Mercy, Fats Comet, Eve's Plum, Iggy Pop, The Art Of Noise, Heaven 17, Pylon, Blues Explosion, Xymox, Monster Mouth, Skeletal Family, This Island Earth, The Prime Movers, Propaganda, Siouxsie And The banshees, Sugarcubes, The Violet Hour, Blaggers, Tom Robinson, Gun, Kissing The Pink. Condition is generally VG to Ex.
Dandy (1944) 257-282 Xmas. Complete year of propaganda war issues. First Black Bob by Allan Morley, The Amazing Mr X (The Mysterious Superman) first super-hero comic strip in British comics. Also 'Be Like Desperate Dan and collect all the paper you can' waste paper ad. Bright fresh covers, creamy white pages. Exceptional condition for wartime paper stock [fn/vfn] (26)
Rare WW2 Luftwaffe Ace Major Walter Nowotny (7th December 1920 KIA 8th November 1944), Knights Cross of the Iron Cross with Oak leaves, Swords and Diamonds. Nowotny is credited with 258 confirmed air victories achieved in 442 combat missions, 255 of his victories were on the Eastern Front with JG54 while 3 were achieved while flying the Messerschmitt Me 262 jet fighter during the Defence of the Reich in 1944. He scored most of his victories flying the Focke Wulf Fw190 and scored approximately 50 in the Messerschmitt Bf109. He was the first pilot to achieve 250 victories, awarded the Knights Cross of the Iron Cross with Oak leaves, Swords and Diamonds on 19th October 1943 and ordered to stoPOperational flying. He embarked on a propaganda tour but was reinstated to front line service in September 1944 to test and develop tactics for the new Me 262 jet fighter and was credited with 3 aerial victories in the Me 262 before being killed at Epe (1. 6 miles west of Hesepe) following combat with USAAF fighters on 8th November 1944. Nowotny was given a full state funeral and the first German operational jet fighter wing, Jagdgeschwader 7 Nowotny was named in his honour. A rare, signed Hoffman card approx 14 cm x 9cm bearing Nowotnys original wartime signature supplied with a Certificate of Authenticity. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Gu Wenda United Nations-Gengzi's Necklace, 2020 Pen on print on Paper Signed recto 10 x 15cm (3¾ x 5¾ in.) Gu moved to the U.S. in 1987. He currently lives and works in Shanghai and New York. The United Nations project (using human hair as material) the artist embarked in 1993, which has been included in various publications on world art history, addresses the notion of a single humanity. The postcards feature the most recent work of the project: Gengzi's necklace, completed in August 2020. The work was inspired by the recent global pandemic. Gu has developed a personal vocabulary of invented Chinese characters by misplacing various aspects of existing characters to create new and meaningless words. This tactic among others is the artist's means to subvert tradition while using its formal attributes. "I used characters without any meaning and political icons taken from propaganda and inserted them into my ink painting," he explained. "For me, this was a kind of double power: these ink works were both scholarly and socialist." Born in 1955 in Shanghai, China, Gu was encouraged in pursuing a creative career from a young age by his family. However, this interest in culture led his grandparents to be taken away for re-education by Mao Zedong's regime. He went on to study traditional Chinese landscape painting under Lu Yanshao at the China Academy of Arts in Hangzhou. In 1987, Wenda moved to the United States, where he began to employ materials related to human body. Intending to celebrate life and promote universal accord, Gu created his United Nations Project in 1993. Today, his works are held in the collections of the Metropolitan Museum of Art in New York, the National Museum of Art in Beijing, and the Asian Art Museum in San Francisco, among others.
Gu Wenda United Nations-Gengzi's Necklace, 2020 Pen on print on Paper Signed recto 10 x 15cm (3¾ x 5¾ in.) Gu moved to the U.S. in 1987. He currently lives and works in Shanghai and New York. The United Nations project (using human hair as material) the artist embarked in 1993, which has been included in various publications on world art history, addresses the notion of a single humanity. The postcards feature the most recent work of the project: Gengzi's necklace, completed in August 2020. The work was inspired by the recent global pandemic. Gu has developed a personal vocabulary of invented Chinese characters by misplacing various aspects of existing characters to create new and meaningless words. This tactic among others is the artist's means to subvert tradition while using its formal attributes. "I used characters without any meaning and political icons taken from propaganda and inserted them into my ink painting," he explained. "For me, this was a kind of double power: these ink works were both scholarly and socialist." Born in 1955 in Shanghai, China, Gu was encouraged in pursuing a creative career from a young age by his family. However, this interest in culture led his grandparents to be taken away for re-education by Mao Zedong's regime. He went on to study traditional Chinese landscape painting under Lu Yanshao at the China Academy of Arts in Hangzhou. In 1987, Wenda moved to the United States, where he began to employ materials related to human body. Intending to celebrate life and promote universal accord, Gu created his United Nations Project in 1993. Today, his works are held in the collections of the Metropolitan Museum of Art in New York, the National Museum of Art in Beijing, and the Asian Art Museum in San Francisco, among others.
Gu Wenda United Nations-Gengzi's Necklace, 2020 Pen on print on Paper Signed recto 15 x 10cm (5¾ x 3¾ in.) Gu moved to the U.S. in 1987. He currently lives and works in Shanghai and New York. The United Nations project (using human hair as material) the artist embarked in 1993, which has been included in various publications on world art history, addresses the notion of a single humanity. The postcards feature the most recent work of the project: Gengzi's necklace, completed in August 2020. The work was inspired by the recent global pandemic. Gu has developed a personal vocabulary of invented Chinese characters by misplacing various aspects of existing characters to create new and meaningless words. This tactic among others is the artist's means to subvert tradition while using its formal attributes. "I used characters without any meaning and political icons taken from propaganda and inserted them into my ink painting," he explained. "For me, this was a kind of double power: these ink works were both scholarly and socialist." Born in 1955 in Shanghai, China, Gu was encouraged in pursuing a creative career from a young age by his family. However, this interest in culture led his grandparents to be taken away for re-education by Mao Zedong's regime. He went on to study traditional Chinese landscape painting under Lu Yanshao at the China Academy of Arts in Hangzhou. In 1987, Wenda moved to the United States, where he began to employ materials related to human body. Intending to celebrate life and promote universal accord, Gu created his United Nations Project in 1993. Today, his works are held in the collections of the Metropolitan Museum of Art in New York, the National Museum of Art in Beijing, and the Asian Art Museum in San Francisco, among others.
Gu Wenda United Nations-Gengzi's Necklace, 2020 Pen on print on Paper Signed recto 15 x 10cm (5¾ x 3¾ in.) Gu moved to the U.S. in 1987. He currently lives and works in Shanghai and New York. The United Nations project (using human hair as material) the artist embarked in 1993, which has been included in various publications on world art history, addresses the notion of a single humanity. The postcards feature the most recent work of the project: Gengzi's necklace, completed in August 2020. The work was inspired by the recent global pandemic. Gu has developed a personal vocabulary of invented Chinese characters by misplacing various aspects of existing characters to create new and meaningless words. This tactic among others is the artist's means to subvert tradition while using its formal attributes. "I used characters without any meaning and political icons taken from propaganda and inserted them into my ink painting," he explained. "For me, this was a kind of double power: these ink works were both scholarly and socialist." Born in 1955 in Shanghai, China, Gu was encouraged in pursuing a creative career from a young age by his family. However, this interest in culture led his grandparents to be taken away for re-education by Mao Zedong's regime. He went on to study traditional Chinese landscape painting under Lu Yanshao at the China Academy of Arts in Hangzhou. In 1987, Wenda moved to the United States, where he began to employ materials related to human body. Intending to celebrate life and promote universal accord, Gu created his United Nations Project in 1993. Today, his works are held in the collections of the Metropolitan Museum of Art in New York, the National Museum of Art in Beijing, and the Asian Art Museum in San Francisco, among others.
Monmouth rebellion.- T. (S.) An Historical Account of the Heroick Life and Magnanimous Actions of . . . James Duke of Monmouth, first edition, engraved portrait frontispiece by F. H. Van Houe (fore-margin shaved), title within double-rule border, with final advertisement f., light foxing, closely shaved at head, bookplate, 19th century calf, extremities a little rubbed, [Wing T53], small 8vo, for Thomas Malthus, at the sign of the Sun in the Poultrey, 1683.⁂ Scarce biography of the Duke of Monmouth, we can trace no copy at auction since 1979. The effusive tone of the work indicates its purpose was largely as supportive propaganda as popular support for Monmouth grew in the build up to his ill-fated rebellion 2 years later.Provenance: M. H. Bloxam (bookplate).
Konvolut Propaganda NS-ZeitSwastika-Nadel mit 800er Silberpunze, 2 Bde. illustriertes Jungen-Jahrbuch "Der Gute Kamerad" Nr. 49 und 51, Ettighoffers "Verdun. Das große Gericht", Von der SdP zur NSDAP - Ein dokumentarischer Bildbericht (1939), Pflichtlieder der HJ, Alters- und Gebrauchsspuren.
Leni Riefenstahl Actress WW2 propaganda films signed 1988 Royal Visit to Korea cover. Rare autograph. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Original antique WWI propaganda poster published in 1918 in Chicago Illinois featuring three American presidents: the President at the time, Woodrow Wilson (1856-1924; 28th US President 1913-1921), with two past presidents who rank amongst the most important in US history - the Founding Father and first American President George Washington (1732-1799; in office 1789-1797), and the 16th President Abraham Lincoln (1809-1865; in office 1861-1865). The World War One era artwork also features iconic symbolism and images including the national bird an American bald eagle carrying the Liberty Bell (completed 1752), a navy sailor / naval midshipman and an army soldier saluting in front of the American flag and banners with flags over the official residence of the President of the United States the White House in Washington D.C., the banners reading Freedom Equality Justice / For All America First Forever and the Liberty Bell reading Proclaim Liberty Throughout all the Land unto all the Inhabitants Thereof. Poor condition, large tears, backed on paper. Country of issue: USA, designer: Charles Gustrine, size (cm): 50.5x40, year of printing: 1918
Original vintage medical propaganda poster in Art Deco style issued in France - La syphilis est curable - Le syphilitique bien soigné, guérit : il peut créer une famille, avoir des enfants sains, être un homme comme les autres car la syphilis est curable : ne vous exposez pas - Syphilis is curable - The well-treated syphilitic heals: he can create a family, have healthy children, be a man like the others because syphilis is curable: do not expose yourself. Poster of the Ministry of Public Health published by the General Propaganda Commission of the National Social Hygiene Office. Syphilis is a sexually transmitted infection caused by the bacterium Treponema pallidum subspecies pallidum. It is most commonly spread through sexual activity. It may also be transmitted from mother to baby during pregnancy or at birth, resulting in congenital syphilis. Other diseases caused by the Treponema bacteria include yaws (subspecies pertenue), pinta (subspecies carateum), and nonvenereal endemic syphilis (subspecies endemicum). These three diseases are not typically sexually transmitted. Diagnosis is usually made by using blood tests; the bacteria can also be detected using dark field microscopy. Very good condition, folds, minor tears at fold intersections. Country of issue: France, designer: Leo Fontan, size (cm): 84x63.5, year of printing: 1926
Original vintage propaganda poster titled 'It May Be Right, It May Be Wrong - Be sure you know before you decide', with an artwork of a man surveying with a theodolite on a tripod, accompanied by another man with a measuring staff. Printed in Chicago between 1923 and 1929, the Mather Work Incentive Posters were designed to improve worker productivity and curb turnover during a time of economic expansion and plentiful jobs. Many of Mather's artists were heavily influenced by the "Plakatstil," or Poster Style, made famous in Germany by Lucian Bernhard and Ludwig Hohlwein. The clean lines of the 1929 Mather posters in turn anticipated the streamlined and dynamic Art Deco designs that would dominate the next decade. Poor condition, loss on top right corner, puncholes on top of the poster, tears and folds on margins. Country of issue: USA, designer: Hal Depuy, size (cm): 111.5x91.5, year of printing: 1929
Original vintage propaganda poster issued in the Nazi Germany - Grabbe-Woche in Detmold vom 26.09. - 2.10.1936. Schirmherr Reichsminister Dr Goebbels - Grabbel - week in Detmold. Sponsor Reichsminister Dr Goebbels. he Hermannsschlacht is the title of a historical drama by Christian Dietrich Grabbe , which deals with the historical battle between the Cheruscan prince Arminius (Hermann) and the Roman army under Varus in the year 9 AD. Adopted for the stage, the production was shown on October 2, 1936 as a festival performance during a Grabbe Week organized by the Grabbe Society in Detmold. The National Socialist German Workers' Party (abbreviated in German as NSDAP), commonly referred to in English as the Nazi Party, was a far-right political party in Germany that was active between 1920 and 1945, that created and supported the ideology of National Socialism. Its precursor, the German Workers' Party (Deutsche Arbeiterpartei; DAP), existed from 1919 to 1920. The Nazi Party emerged from the German nationalist, racist and populist Freikorps paramilitary culture, which fought against the communist uprisings in post-World War I Germany. The party was created to draw workers away from communism and into völkisch nationalism. Initially, Nazi political strategy focused on anti-big business, anti-bourgeois, and anti-capitalist rhetoric, although this was later downplayed to gain the support of business leaders, and in the 1930s the party's main focus shifted to antisemitic and anti-Marxist themes. Paul Joseph Goebbels (29 October 1897 – 1 May 1945) was a German Nazi politician and Reich Minister of Propaganda of Nazi Germany from 1933 to 1945. He was one of Adolf Hitler's closest and most devoted associates, and was known for his skills in public speaking and his deeply virulent antisemitism, which was evident in his publicly voiced views. He advocated progressively harsher discrimination, including the extermination of the Jews in the Holocaust. Good condition, tears, fold, small repaired paper loss at bottom left corner, minor staining, pencil scratch mark at right side. Country of issue: Germany, designer: Unknown, size (cm): 88x60, year of printing: 1936
Original vintage propaganda poster issued in the Nazi Germany - NSDAP-Kreistreffen in Munster-Warendorf - 20- 22.05.1938 - NSDAP meeting in Munster-Warendorf. 20-22 May 1938. Image of a Nazi ealge holding a swastika. The National Socialist German Workers' Party (abbreviated in German as NSDAP), commonly referred to in English as the Nazi Party, was a far-right political party in Germany that was active between 1920 and 1945, that created and supported the ideology of National Socialism. Its precursor, the German Workers' Party (Deutsche Arbeiterpartei; DAP), existed from 1919 to 1920. The Nazi Party emerged from the German nationalist, racist and populist Freikorps paramilitary culture, which fought against the communist uprisings in post-World War I Germany. The party was created to draw workers away from communism and into völkisch nationalism. Initially, Nazi political strategy focused on anti-big business, anti-bourgeois, and anti-capitalist rhetoric, although this was later downplayed to gain the support of business leaders, and in the 1930s the party's main focus shifted to antisemitic and anti-Marxist themes. Good condition, small tears in margin, minor creasing, minor stains Country of issue: Germany, designer: Unknown, size (cm): 85x60, year of printing: 1938
Original vintage elections propaganda poster issued in Rome, Italy. Fun image of the a parrot wearing tails and a monocle chained to a bar and repeating: Non Voto - I don't vote. Acceptable condition, repaired tears, tape marks, folds, creasing, paper losses. Country of issue: Italy, designer: Unknown, size (cm): 100x70, year of printing: 1953
Original vintage propaganda poster issued after the Second World War in Italy to warn the population about the explosive armaments. Ordigni explosivi - non tocare - pericolo di morte - Explosive devices - do not touch - danger of death. The poster shows explosive devices that posed danger after the WWII - grenades, mines, bombs and shells. Published by the Ministry of Defence, printed in Rome. Acceptable condition, folds, paper losses on image, creasing, staining, pinholes, tears at edges and folds. Country of issue: Italy, designer: Unknown, size (cm): 70x100, year of printing: 1956
Vintage official Soviet Government re-issue propaganda poster October Protocol - Great artwork features a red ship shooting a mounted gun followed by three large red soldiers chasing off suited bureaucrat politicians and waving a flag that translates to 'Take All Power'. Good condition, tears, creasing, light browning. Country of issue: Russia, designer: V. Kyonnap, size (cm): 72x54, year of printing: 1967
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!["Wade through Fields of Blood of the Saxon Tyrants"Manuscript: [Anon] 'Sinn Fein Oath' A bloodcurdling document, m/ss, 2pp.,](https://cdn.globalauctionplatform.com/e2843c40-b03d-4015-b4ef-ac7c00a68a23/f74885fa-ceca-4952-ac1d-ac7d00bdef56/468x382.jpg)
