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Click here to subscribeDenby Green Wheat Part Dinner Service comprising 6 Dinner Plates, 4 Side Plates, 6 Tea Plates, 4 Saucers, Cup, 4 Jugs, Teapot, Cruet Stand, Salt and Pepper, Vinegar Bottle, Sauce Tureen, Butter Dish, Oval Vegetable Dish, Divided Vegetable Dish with Lid together with a Quantity of Poole Pottery Turquoise Coloured Tea and Dinner Ware
A group of three WWI George V medals, 1914-15 star, the British war medal 1914-18, and the Allied Victory medal, all awarded to 14468 Private W.G. Read of the Wiltshire regiment, together with a group of four Railway medals, including London & North Western Railway Ambulance for Wolverton Team 1914 silver medal, a London & South Western Railway Centre of the St John Ambulance bronze Long Service medal, a Southern Railway silver medal of 14 years service, and a 9ct gold Southern Railway Centre of St John Ambulance Association medal with clasps for 21, 40 and 45 years service, all awarded to the same recipient W.G. Read, the two groups of medals mounted and cased in fine oak frames handmade by the recipient Private William George Read enlisted at Cowley barracks Oxford in 1914 and transferred to the 9th Wiltshire Regiment, where he acted as servant to Brigadier General Poole 19th Brigade Infantry 26th Division in 1915
A mixed lot of decorative ceramics comprising a Moorcroft "Pansies" preserve jar with plated cover (af), a biscuit jar and cover by E Bough, two Foresters baluster vases, a Bursley ware "Seed Poppy" vase and a Poole Carter Stabler Adams footed bowl (damage throughout) (6). CONDITION REPORT: Tallest vase: there is a repaired section to the rim and a crack to the base. Poole bowl has restored cracks throughout. Moorcroft has been extensively restored throughout. Repaired chip to the rim of the Bough pot. Crazing throughout.
A Poole Pottery Atomic bowl in orange and green with Poole dolphin stamp to base, height 11cm, a Poole Aegean vase in green and brown, "Poole England" impressed mark to base, height 12cm, and a small Poole Aegean vase in brown and black with Poole dolphin mark to base, height 9.5cm (3). CONDITION REPORT: A little crazing to glaze in the two larger pieces, otherwise good condition with no sign of damage or restoration.
- Barker bodied and the only 20/25 of its type in existence - Commissioned in 1933 by the Greek government - Engine overhauled by Brunt's of Silverdale (Staffordshire) Further info: "The driver who has never handled a Rolls-Royce is likely to want to know wherein it differs from the general run of motor cars. That is a point it is impossible to deal with adequately in few words, but the principal impressions concern the extreme delicacy of control, the amazing flexibility on top gear, the silence and quality of the acceleration, and the fact that the engine is as quiet and smooth when the car is travelling at the maximum as it is at lower speeds." (Rolls-Royce 20/25hp Road Test by The Autocar, May 29th 1931). Introduced in 1929 as a stablemate to the larger Phantom II, the 20/25 was a natural development of its established 20hp model - Rolls-Royce's first 'owner driver' offering. Though very similar to its predecessor, the newcomer enjoyed a greater turn of acceleration and top speed, thanks to an increase in engine capacity from 3127 to 3669cc, which also brought the bonus of a reduction in fuel consumption. The OHV straight-six engine drove via a dry plate clutch to a four-speed manual gearbox equipped with traditional right-hand change (and from 1932 onwards, synchromesh on the top two ratios). The substantial ladder frame chassis was fitted with semi-elliptic leaf-sprung suspension all-round and servo-assisted four-wheel drum brakes. The 20/25hp remained in production until 1936, by which time some 3,827 examples had been sold, making it Rolls-Royce's best-selling model of the period. Chassis GHA 9 was commissioned in 1933 by the Greek government. The country had been without a monarch since the late 1920s, but with moves afoot to restore King George II (the first cousin of HRH, The Duke of Edinburgh) to the throne, it was felt a suitable motorcar should be set in train. Barker was the chosen coachbuilder and the elected body style that of Open-drive Laundaulette - which in the Barker parlance of the time translated to Sedancalette de Ville. The chassis cost of £849 9s 9d was duly paid and the frame delivered to Barker & Co on November 21, 1933. It appears from the paperwork supplied with the vehicle that it was delivered to the Greek Embassy in Brussels via Ostend on February 15, 1934 - a voyage the factory chassis log informs us was organised through the AA. From the other items of accompanying paperwork we learn that the Panorama Bay Motor Company of Poole in Dorset sold 'AXH 158' (the car's original and current registration number) in 1990. Four years later it was apparently treated to a degree of restoration, not least a £1,947 engine overhaul courtesy of Brunt's of Silverdale in Staffordshire. The vendor acquired the Rolls-Royce in 2003, at which point the odometer was reading an unwarranted 35,860 miles (it now stands at 41, 985 miles). The following year he treated the 20/25 to new swivel pins and stainless steel exhaust system and currently describes the car's mechanical condition as 'very good', however some attention may be needed to the front nearside shock absorber. Apparently very original (and complete down to its 'Goshawk' scuttle plate), 'AXH 158' has been confirmed by the Rolls-Royce Enthusiast's Club as the only 20/25 of its type in existence. Its appearance on the market therefore provides an exciting opportunity for Rolls-Royce aficionados everywhere to tender for a unique and desirable motorcar of fascinating history.
The Bull a rare plaster maquette figure designed by Phoebe Stabler, painted in colours annotated in pencil Stabler, minor chips to paint work 33cm. wide Catalogue Notes This figure was designed by Phoebe Stabler and produced both from a kiln in her Hammersmith garden and also at Carter, Stabler & Adams' Poole Pottery. Literature British Art & Design 1900-1960, V&A Museum, page 78-79 for a stoneware example made by Carter, Stabler & Adams Poole Pottery.
A Poole Pottery Contemporary Carafe vase designed by Alfred Read, pattern X/PLT, painted with columns in Tropic Turquoise, Purbeck and Smoke grey, printed and painted marks, 38.5cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 103 for a comparable Carafe vase illustrated.
Collection of various Poole Delphis pattern Bowls, Vases and Pin Trays, comprising three small squat Vases, eight 5" diameter Bowls, three rectangular Pin Trays, two further round Bowls, an octagonal Pin Tray and six further trapezoid Pin Dishes, all decorated in reds, oranges, greens and blues in abstract designs, largest piece is 8" diameter Condition: Generally good condition – one small trapezoid dish and one small circular dish broken. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Mixed lot: comprising Poole Delphis pattern round pedestal Dish, 10.5" diameter and a further smaller example, both decorated in abstract design (2) Condition: Generally good condition. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Mixed lot: two Poole Pottery Aegean Owl decorated Chargers, one decorated with an orange background, the other a grey mottled background, one bearing signature for Diana Davies, the other marked J Williams, both 12" diameter Condition: Generally good condition. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Mixed lot: Poole Delphis Pottery wares comprising four various small circular Bowls, a small circular Vase, two abstract shaped Dishes and a further Poole Aegean example, largest piece 12" long Condition: Generally good condition. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Mixed lot: comprising a Carter Stabler and Adams Ltd Poole Pottery floral decorated Jug, and a further similar floral decorated plate by Audrey Miles Osman, 10" diameter (2) Condition: Jug with rim chips and both pieces crazed. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Mixed lot: three large Wall Chargers, all approx 14" diameter to include example decorated in abstract shapes marked "Karen Brown 2005", a floral decorated Poole Pottery example and a further Poole Pottery example decorated in abstract floral design in reds, yellows and browns Condition: Generally good condition. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
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