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Lot 272
Various Beswick and other pottery figures, to include penguin with umbrella, 12cm high, another penguin, a Kunstabteilung semi porcelain group, Goebel, Hummel, Poole seal, Pendelfin, other animals, Arthur Wood jug, other studio pottery, etc., to include Trentham Artware 136 jug, Grounger, Barnstable pottery basket, large Art Nouveau design vase, unmarked, etc. (a quantity)
Lot 111
A collection of model buildings including Lilliput Lane Butterwick, Stoney Beck, etc, together with a boxed Gromit figure - Salty Sea Dog, a boxed Feathers Disguise, various musical novelty ornaments, a Poole pottery dolphin, a pressed glass Queen Victoria 1887 Jubilee tankard, a Copeland mug with printed decoration of sporting scenes - Perth 1962, etc
Lot 5
Five boxes of assorted sundry china, etc, to include a Poole pottery baluster shaped vase with stylised leaf decoration on a red ground, impressed mark and No'd. 85 and handwritten monogram "JM-ABA-85", a Royal Albert "Lady Hamilton" pattern part tea service, a Royal Albert "Old Country Roses" pattern part tea service, various decoration china wares to include Aynsley, collectors' plates, etc
Lot 132
POPULAR MUSIC: Small selection of signed and multiple signed cards, album pages, postcard photographs etc., by various 1960's pop singers and groups, including Brian Poole, Ricky West, Alan Blakley, Alan Howard and Dave Munden (of Brian Poole and The Tremeloes), Eric Haydock, Allan Clarke, Graham Nash, Tony Hicks and Bobby Elliott (of The Hollies, signed 4½ x 6 photograph with overall creasing and a small tear to the left edge), Manfred Mann, Paul Jones, Mike Vickers, Mike Hugg and Tom McGuinness (of Manfred Mann), Dick Taylor, Brian Pendleton, John Stax, Viv Prince and Phil May (of The Pretty Things), Perry Ford, John Carter and Ken Lewis (of The Ivy League) etc. With creasing, small tears and age wear. FR to G, 7
Lot 124
SALGHURID, ABISH BINT SA’D (662-685h). Dinar, Dar al-Mulk Shiraz 673h . OBVERSE: In field: ornament | la ilaha illa Allah | Muhammad | rasul Allah sala Allah | ‘alayhi Abish bint | Sa‘d. REVERSE: In margin: Duriba hadha al-dinar bi-Dar al-Mulk Shiraz hamahu Allah ta‘ala sanat thalath wa saba‘in wa sitt mi‘at. REVERSE: In field: Qaan | Padshah ‘alam | al-‘azam | Abaqa khallada Allah | mulkahu. WEIGHT: 11.35g. REFERENCES: cf Diler p.275, 115; cf Sotheby’s, 5 October 1989, lot 506, same rev. die; cf BMC IX, 688f [676h?]. CONDITION: Some marginal weakness but good very fine, very rare. Although Diler does not mention it, the extra phrase hamahu Allah ta‘ala in the reverse margin of this remarkable type is clearly visible in the Sotheby’s catalogue illustration and is fully transcribed by Lane Poole in BMC. It is unfortunate that the unit of the date is not clearer on the illustration of the British Museum specimen, as this coin appears to share an obverse die with the Sotheby’s coin, and it is possible that both coins are in fact dated 673h. The exceptional weight of this coin, a feature it shares with the BMC and Sotheby’s examples, may support the view that this additional phrase marks it out as being a special issue; a survey of more than 20 other Salghurid dinars of Abish offered in commerce in recent years suggests that regular dinars were generally struck weighing between 3g and 7.5g.
Lot 356
Mughal, Shah Jahan (1037-1068h), a collector’s copy of the famous 200-mohurs of Dar al-Khilafat Shahjahanabad 1064h, apparently made of silver, 2.214kg (cf BMC (Moghul Emperors) p. lxxxvii and Plate XXXIII, illustrating casts held in the British Museum), some surface faults, very fine overall and offered as a copy. The calligraphy on this piece is clearly different from the casts illustrated in BMC, indicating that it may have been prepared from illustrations of one of these gigantic coins rather than by someone who had access to a genuine specimen. Its weight appears to be correct, however; writing in BMC Poole noted that a genuine 200-mohur piece seen in the early nineteenth century ‘…weighed above 70 oz (33,600 grs),’ which would equate to almost exactly 2.2kg. It seems that no authentic example of this type has been seen for more than a century and a half, but copies such as the present piece nevertheless convey the sheer size and magnificence of these lost originals.
Lot 197
Medina green and blue glass vase 15cm high unsigned and a E Keanas Swedish green and blue glass cylindrical vase L 1453/17, 28cm high a Poole pottery delphis dish and a Briglin pottery vase. Mdina and Ekenas both good condition, no cracks or chips. Briglin pottery good condition Poole, good condition, but discoloured at back
Lot 84
Owen (Robert) A New View of Society: or, Essays on the Formation of the Human Character Preparatory to the development of a plan for gradually amerliorating the condition of Mankind, second edition, preliminaries, stained, spotted, original boards, remains of original paper label to spine, spine ends split, stained, corners worn, rubbed, [Goldsmiths' 21679; Kress B6768; cf. PMM 271], 8vo, 1816.⁂ Owen lays down the principles which had guided his 'Lanark Experiment' in which he had greatly improved the living and working conditions of the workers at his New Lanark cotton mills. Owen's central thesis was that man's character was made not by him but by circumstances beyond his control and that the formation of upright responsible citizens would result from individuals being placed under proper physical, moral and social influences from the earliest age.Provenance: 'Wm. Furmage, London Tavern, Poole', landlord of said tavern c.1839-c.1855 (ink inscription to upper board).
Lot 385
A silver triple snuff box, probably by Davies Brothers or Dingley Brothers, Birmingham 1911, shaped rectangular form, engine-turned decoration, the smaller hinged cover embossed with a figure and inscribed 'Paul Pry', length 6.cm, approx. weight 2.7oz. Paul Pry was a farce in three acts, and was the most notable play written by 19th-century English playwright John Poole in 1825. Paul Pry is also a definition of a nosy person.
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46745 item(s)/page