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Click here to subscribePETERS (Ivo) The Somerset and Dorset in the Fifties and the Sixties, 4 vol., d.w's, original cloth, Poole, Oxford Publishing Co. & Guild Publishing, 1981/86 with WOOD (Walter & C.A. Wilkinson, illustrator) Fishing Boats & Barges from the Thames to Lands End, foxed, original cloth with picture onlay to upper board, 1922 plus a quantity of related v.s. (c.40)
Poole Pottery - Delphis - Janet Laird (no.56) - Carol Cutler (no.57) -Two 20th century retro vintage studio pottery bowls having vivid volcano coloured glazes with clear glaze to the outer part of the bowls. Both having the Poole stamp to the base and both signed. Largest measures; 27cm in diameter.
A BOX AND LOOSE CERAMICS, GLASS, BEVELLED EDGE MIRROR ETC, to include three Poole pottery birds and a mouse, Beswick 'Greenfinch' No.2105, nine Royal Albert 'The Queen Mothers Favourite Flowers' collectors plates, Grafton China coffee set, two framed New Hall vault prints with paperwork, Crown Ducal jardiniere (chiped rim) etc
§ Philip Sutton, RA (British, b.1928) Israeli Landscape inscibed to verso with title and dated '1951/2' oil on canvas (unframed) 123 x 91cm (48 x 35in) Other Notes: Born in Poole, Philip Sutton was educated at the Slade School of Fine Art and is best known for his colourful portrayal of landscapes and still life scenes. 'Israeli Landscape' (1951-52), like many of his other earlier works, highlights the influence of Matisse on the artist's bold use of colour. Sutton had his first solo show at Roland, Browse & Delbanco in 1956 and his works were featured in retrospectives at the Leeds City Art Gallery and the Royal Academy. Canvas taught, cleaned, and subsequently varnished. Extensive craquelure evident in places, particularly about 2/3 down the canvas, where pressure seems to have been applied in a manner conducive to concentric craquelure. Canvas unframed, and edges covered with masking take.
POOLE POTTERY: A TWIN HANDLED TRADITIONAL VASE, shape no. 437, decorated in the YQ pattern, probably designed by Truda Carter, with a band of stylised flowers in polychrome, painted by Anne Hatchard, impressed and painted marks, 26.5cm high Condition Report: Item has been professionally restored, otherwise appears good.
POOLE POTTERY CARTER STABLER ADAMS "BLUE BIRD" VASE, shouldered form, two stylised handles, decorated in the DV pattern, shape no. 973, painted in polychrome by Ann Hatchard, impressed and painted marks, 21.5cm high Condition Report: Item appears to be in good overall condition with no visible signs of restoration, some crazing to lower section of vase.
POOLE POTTERY: A TRADITIONAL VASE, shouldered globular form, decorated in the ER pattern, painted in polychrome, the centre with a bouquet of flowers with a geometric border, painted by Ruth Pavely, impressed and painted marks, 36cm high Condition Report: The vase has been professionally restored, some crazing but otherwise appears good.
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![A set of five Wade ceramics NatWest pig money banks, Panda Group money bank and Poole pottery vase [7] Est £30 - £50.](https://cdn.globalauctionplatform.com/c1adf5b9-a90a-4241-95bf-a9f000e8bbc0/a5d3b603-fa46-43e4-a326-aa1500ad9020/468x382.jpg)
