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Lot 35
*ARTHUR MERIC BLOOMFIELD BOYD (1920-1999) 'Bride and the Beast's Head' signed, dated '59 and numbered 3/25 in pencil to the margin, etching, the image 35cm x 40cm Literature: 'Arthur Boyd' Philipp, Franz, pub;. Thames and Hudson, 1967, plate 114, listed as 'Falling Figure with Beast's Head'Provenance: The Collection of Bournemouth & Poole College.
Lot 43
*JOHN LIDELL (1924-2005) 'Time and Tide' signed, dated '94, titled and numbered 5/6 in pencil to the margin, linocut, 64cm x 34cm (sheet) (unframed)Provenance: The Collection of Bournemouth & Poole College.John Liddell was an inspiring teacher and a gifted printmaker and artist. His wood engravings and linocuts, often highly coloured and alive with wit and observation, captured the buildings, coast, countryside and day-to-day life of his surroundings. Many were produced in his studio at his home in Bournemouth, on the two antique Albion presses of which he was very proud.
Lot 53
MILTON GLASER (1929-2020) 'Nude with Blots' titled, signed and dated 1980 and numbered 117/200 in pencil to the margin, lithograph, the image 55cm x 44cmMilton Glaser was an American graphic designer. His most notable designs include the I Love New York logo, a 1966 poster for Bob Dylan, and the logos for DC Comics, Stony Brook University and Brooklyn Brewery.Provenance: The Collection of Bournemouth & Poole College.
Lot 56
BRITISH SCHOOL, 20TH CENTURY Abstract Composition signed "Riley '59" in pencil lower right, mixed media on paper, 25cm x 35cmAn attribution to Bridget Riley has been previously suggested. Although this would appear atypical for the Artist's oeuvre at this period, it may represent an interesting transition from her early figurative works toward the abstract and Op art styles she adopted from 1960 onwards.Provenance: The Collection of Bournemouth & Poole College.
Lot 59
BRITISH SCHOOL, 20TH CENTURY Abstract Composition signed "Riley '59" in green ink lower left, mixed media on paper, 35cm x 49cmAn attribution to Bridget Riley has been previously suggested. Although this would appear atypical for the Artist's oeuvre at this period, it may represent an interesting transition from her early figurative works toward the abstract and Op art styles she adopted from 1960 onwards.Provenance: The Collection of Bournemouth & Poole College.
Lot 6
*CERI RICHARDS (1903-1971) 'The Green Metaphor' from "Twelve Lithographs for Six Poems by Dylan Thomas" (1965), signed and dated in pencil lower right, numbered 18/50 in pencil lower left, lithograph, published by Curwen Press, 79cm x 59cm (sheet)Provenance: The Collection of Bournemouth & Poole College.
Lot 83
*JAKE SUTTON (B. 1947) 'Timeless Quality on Building' figures on the Royal Crescent, Bath, a limited edition to commemorate the Centenary of Ernest Ireland Construction (1898-1998), signed and numbered 102/350 in pencil, titled in plate, lithograph, 31cm x 37cmProvenance: The Collection of Bournemouth & Poole College.
Lot 91
*PETER CHASE (Contemporary) 'In the Street' signed, dated '77, titled and numbered 1/10 in pencil to the margin, screenprint, 44cm x 39cm; together with three smaller etchings by Chase: 'See Ya Mate', 'Back Street Madonna', and 'A Secret Place' (4)Provenance: The Collection of Bournemouth & Poole College.
Lot 97
*ARTHUR HENRY ANDREWS (1906-1966) 'The Villa Medici, Rome' signed lower right, oil on board, 90cm x 70cmProvenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.
Lot 98
*ARTHUR HENRY ANDREWS (1906-1966) 'Montmartre' Parisian street scene from the top of some steps, signed lower right, oil on canvas, 66cm x 92cm (unframed on stretcher)Provenance: The Collection of Bournemouth & Poole College.Arthur Henry Andrews was a painter, print maker and teacher who was born in London in 1906. After graduating Andrews held a number of teaching posts in Sheffield and Derby Colleges of Art and Batley School of Art, eventually becoming Principal of Poole College of Further Education and Art Advisor to Dorset Education Committee. He showed at Foyles Gallery and at public galleries in Bradford and Leeds, where he had one-man shows, also in group exhibitions at the Royal Academy, Grabowski and Redfern Galleries. He was made a member of the Design and Industries Association in 1934, SWE in 1935. Sir Edward Marsh held his work, as did the Victoria and Albert Museum and public galleries in Leeds, Bournemouth and Southport. Arthur Andrews and Sushila Singh met whilst students at Hornsey School of Art and latterly Royal College of Art under William Rothenstein, where they graduated in 1929. The pair were married in 1930. Works by Andrews and Singh are held in public collections such as Atkinson Art Gallery, Russell-Cotes Art Gallery and the Paintings in Hospitals Scheme, as well as private collections around the world.
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46745 item(s)/page