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WARHOL (A) (1928-1987), THE PHILOSOPHY OF ANDY WARHOL, signed first edition dated 1975, with a can of Campbells `chicken Noodle` soup on the half title, d.j, un-clipped, Cassell, 1975

`Andy Warhol`s Frankenstein` a film poster, printed in the USA 107 x 71cm.

A group of assorted pictures, prints and engravings, to include `Veduta del Ponte e Castello Sant`Angelo` after Piranesi; `Ruines du Pont D`Auguste sur la Nera A Narni after Ph. Hachert, a lithographic portrait of Liszt, coaching scenes after pollard, a lithograph after Delacroix, an oil of a soup tin in the manner of Warhol and others. (qty)

After Andy Warhol (1928-1987): Marilyn suite of 10 screen-prints on museum board paper, printed by Sunday B Morning, stamped verso with `published by Sunday B Morning` and `Fill in your own signature`, measuring approximately 36 by 36 inches, complete with certificate of authenticity.

After Andy Warhol (1928-1987): Chairman Mao suite of 5 screen-prints on museum board paper, printed by Sunday B Morning, stamped verso with `published by Sunday B Morning` and `Fill in your own signature`, measuring approximately 33.5 by 29.5 inches, complete with certificate of authenticity.

After Andy Warhol (1928-1987): Flowers suite of 10 screen-prints on museum board paper, printed by Sunday B Morning, stamped verso with `published by Sunday B Morning` and `Fill in your own signature`, measuring approximately 36 by 36 inches, complete with certificate of authenticity.

After Andy Warhol (1928 - 1947) - Sunday B Morning - A large screen printed image of Chairman Mao in bright colours, 91 cm by 91 cm, framed.

Andy Warhol (1928-1987), after, Cow, silkscreeen printed in colours, 1966, on wallpaper, the full sheet printed to the edges, 1155 x 751mm (45.5 x 275/8in)

Andy Warhol (1928-1987), after, from Campbell Soup II, ten silkscreens, originally printed in 1969, each with Sunday B. Morning rubber stamp verso, on wove paper, the full sheets, each sheet 890 x 585mm (35 x 23in)

Andy Warhol (1928-1987), after, Marilyn, the complete set of ten silkscreens printed in colours, each with the Sunday B. Morning rubber stamp verso, on stiff wove paper, the full sheet printed to the edges, each sheet 915 x 915mm (36 x 36in)

Andy Warhol (1928-1987), after, Four Marylins, 1985, offset lithograph printed in colours, 1985, bearing the signature in black, on wove paper, the full sheet printed to the edges, 940 x 610mm (37 x 24in)

Andy Warhol (1928-1987), Best in Children’s Books, volumes 5, 15, 21 and 27 from the publication, each volume containing a story illustrated in colour by Andy Warhol, original decorated boards, slightly rubbed at extremities, 8vo, New York, [c.1957-1959]

Andy Warhol (1928-1987), after, Look at Warhol; Moonwalk; Montreux Jazz Festival, four offset lithographs printed in colours, on wove paper, with full margins, various sizes

Andy Warhol (1928-1987), after, Self Portrait, offset lithograph printed in colours, on wove paper, with full margins, 865 x 865mm (34 x 34in)

Marie Cosindas (b.1925), Andy Warhol in the Factory, 1966, Chromogenic print, signed, titled and dated verso, 240 x 186mm (9.5 x 71/4in)

Warhol (Andy). The Philosophy of Andy Warhol (From A to B and Back Again), 1st ed., New York, 1975, light stain to foredge, original cloth-backed boards, small dent, d.j., light edge wear, 8vo, initialed “AW” in black marker pen to half title, together with Three Novels, by Ronald Firbank, pub. New Directions, c. 1950, original cloth, one or two light stains, d.j. designed by Andy Warhol, loss to upper panel, tears and repairs, 8vo. (2)

Pietro Psaier (20th Century) - Silvered finish figure - The Spirit of Ecstasy, standing on an octagonal marbled base, bears signature, 40.5cm high. Pasier was for many years claimed to have been a collaborator and friend of Andy Warhol, however in recent times many bodies including the Warhol Foundation have denounced this claim. Many now feel that the very existence of Psaier is in fact an elaborate hoax.

ANDY WARHOL Tate Gallery Exhibition Poster, 1971, showing Marilyn Monroe, signed by the artist. 29 x 20ins. Provenance: Collected at a private viewing at Anthony D`Offay Gallery in the summer of 1986, where there was an Exhibition of Warhol self- portraits. (See illustration)

ANDY WARHOL His Children`s Book. Copyright 1983, printed in Switzerland.

Warhol (Andy) Playboy 35th. Anniversary Poster Bunny Ears limited edition printed in purple and blue on red background with original card certificate and envelope framed and glazed c.900 x 600mm Los Angeles n.d; and 3 others various v.s.(4)

Halcyon Days enamel box of Elvis designed by Andy Warhol

A mixed group of prints. Including a large etching of a surgeon fighting with Death over a naked woman, a tribute to Andy Warhol titled Cuba’s Soup, a portrait of Nelson and a Turkish street scene. Etchings, screen print, stipple-engraving. Various sizes, largest 73.5 x 53.5cm ( 29 x 21 in), this one unframed (4)

Andy Warhol (1928-1987) Marilyn (announcement) (f.&s.21) silkscreen printed in colours, 1981, signed in black felt-tip pen, from the edition of unknown size, published by Castelli Graphics, New York, on a folded invitation card as published, the full sheet, in good condition, 177 x 177mm (63/4 x 63/4 in)

Andy Warhol (1928-1987) After. poster for Tate Gallery, offset lithograph printed in colours, 1971, signed in black felt-tip pen, on wove paper, the full sheet printed to the edges, in good condition, 763 x 509 mm (30 x 20 in) This lot is accompanied by a certificate of authenticity from the Heritage Club, London

Andy Warhol (1928-1987) $ (F.&.S.278) silkscreen printed in a unique combination of colours, 1982, signed in pencil numbered 7/60, published by Andy Warhol, New York, on Lennox museum board, the full sheet printed to the edges, in good condition, sheet 500 x 395 mm (193/4 x 15 in)

* Andy Warhol (1928-1987) Ingrid Bergman with Hat (F.& S. II.315) silkscreen printed in colours, 1983, signed in pencil, numbered 226/250, printed by Rupert Jasen Smith, with his blindstamp, published by Galerie Börjeson, Malmö, Sweden, with his rubber stamp verso, on Lenox Museum Board, the full sheet printed to the edges, in good conditon apart from a few tiny ink losses at extreme lower right edge of sheet, 963 x 963 mm (38 x 38 in) 289* This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

* Andy Warhol (1928-1987) Jane Fonda (F. & S.II.268) silkscreen printed in colours, 1982, with the 1982 Andy Warhol copyright and the “Andy Warhol Art A uthentication Board Inc. Outside the Published Edition” stamp verso, printed by Rupert Jasen Smith, with his blindstamp, published by Friends of Tom Hayden, Santa Monica, aside from the edition of 100, on Lenox Museum Board, with full margins, in good condition, 1010 x 806 mm (393/4 x 313/4 in) 289* This lot has been imported from outside the EU to be sold at auction, and therefore the buyer must pay the import at a rate of 5% on the hammer and 17.5% on the buyer`s premium.

Andy Warhol (1928-1987) Kiku (F & S. 307) silkscreen printed in colours, 1983, signed in pencil, numbered 84/300, published by Gendai Hanga Centre, Tokyo, on wove paper, the full sheet printed to the edges, in good condition, 510 x 650 mm (20 x 251/2 in)

Andy Warhol (1928-1987) Speed Skater (f.&s.ii.303) silkscreen printed in colours, 1983, signed in pencil, numbered IX/CL, on Arches 88 paper, the full sheet printed to the egdes, in good condition, sheet 881 x 648 mm (341/2 x 251/4 in)

Andy Warhol (1928-1987) After. Marilyn, rosenthal transfer-printed porcelain plaque in colours, with the certificate of authenticity verso, numbered 41/49, within the original presentation box, in good condition, 490 x 490 mm (191/4 x 191/4 in)

Andy Warhol WARHOL, Andy The Philosophy Of Andy Warhol, (From A To B & Back Again), New York: Harcourt Brace Jovanovich, 1975, signed and inscribed in black felt pen on the title page To Larry B [indistinct] Andy Warhol, Palm Beach 1975, along with a sketch of a Campbells Soup can, with original dust jacket View on Christie's.com

Andy Warhol Grateful Dead A poster for Video Sutra II... Andy Warhol, Michael McClure Grateful Dead and Others, KQED, San Fransisco, April 26 1967 -- 22x14in. (56x35.5cm.) View on Christie's.com

Andy Warhol Mick Jagger A collection of ten promotional cards, each printed with Warhol and Jagger signatures, produced to advertise the forthcoming portfolio of ten silkscreen prints by Warhol of Mick Jagger, Seabird Editions, 1975, in common mount, accompanied by original Castelli Graphics invite card concerning the edition, overall measurements -- 30½x22½in. (78x57cm.) View on Christie's.com

Andy Warhol A poster, The American Indian Series, Ace gallery, Los Angeles, March 1977, signed in black felt pen by Andy Warhol -- 49x34in. (124.5x86.5cm.) unfolded View on Christie's.com

Andy Warhol An edition of Interview magazine, September 1978, signed and inscribed in black felt pen on the portrait cover To Marvin, Andy Warhol together with doodles, framed -- 25x19in. (63.5x48.5cm.), accompanied by a document concerning the provenance (2) View on Christie's.com

Andy Warhol An edition of Interview magazine, February 1981, signed in black felt pen on the portrait cover by Andy Warhol, framed -- 25x19in. (63.5x48.5cm.), accompanied by document concerning the provenance (2) View on Christie's.com

Fifth New York Film Festival Lincoln Centre, September 20-30, 1967, U.S. -- 45x24in. (114x61cm.), (A-) unfolded, signed on the back Andy Warhol and numbered 28 out of 250 Art by Andy Warhol View on Christie's.com

After Andy Warhol (1928-1987) Marilyn - monochrome Screenprint published by Sunday B. Morning 90 x 90cm; 35½ x 35½in ++Good condition

INDIANA ROBERT: (1928- ) American Pop Artist. A.L.S., R Indiana, one page, 4to, Vinalhaven, Maine, 26th September 1974, to Mr & Mrs Robert Allen, on the attractive printed stationery of Star of Hope Lodge. Indiana thanks his correspondents for their birthday greetings and explains that he sent the day on Vinalhaven `but had to come down to Portland for the Symphony Orchestra Presentation. Hope you have seen the poster.` Accompanied by the original envelope hand addressed by Indiana. Together with an oblong slim 8vo colour portion of a magazine image boldly signed in black ink by Andy Warhol and individual signatures of LeRoy Neiman and Raphael Soyer on cards associated with their works or galleries. Generally VG, 4

WARHOL ANDY: (1928-1987) American Pop Artist. Signed 10 x 8 photograph, the image depicting a group of actors and actresses standing together in costume in a scene from Blood for Dracula (1974), a film which Warhol produced. Signed (‘Andy Warhol’) by the artist with his name alone in bold black ink to a largely clear area at the head of the image. VG

WARHOL ANDY: (1928-1987) American Pop Artist. Bold black ink signature (`Andy Warhol`) on a white card. Matted in black beneath a 5.5 x 9.5 photograph of the artist seated in a full length pose to an overall size of 11 x 19.5. VG

After Andy Warhol (1928-1987) MARILYN MONROE A suite of ten, by Sunday B. Morning, each print bearing the blue ink stamp `Published By Sunday B. Morning` and `Fill In Your Own Signature` verso, on each. colour screenprints, full sheet printed to the edges depicting Marilyn Monroe in various colour combinations, printed on heavy museum board 91.2 x 91.2cms; 36 x 36in., each unframed With certificate of authenticity and original box. "In August `62 I started doing silkscreens. I wanted something stronger that gave more of an assembly line effect. With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so that the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was also simple, quick and chancy. I was thrilled with it. When Marilyn Monroe happened to die that month, I got the idea to make silkscreens of her beautiful face `The First Marilyns`. (Andy Warhol). See illustration

* Psaier (Pietro, 1936-2004). “Spirit of Ecstasy”, a rare sculpted desk piece statuette, c. 1970s, in homage to, and in the manner of Charles Sykes, the artist’s interpretation of the iconic emblem of Rolls Royce, silver-plated cast-bronze, with deliberately “distressed” finish, with stamped inscribed signature by the artist to conical base, and indistinctly numbered “180” beneath one wing, mounted upon a black marble octagonal base, height 16in (41cm) Pietro Psaier, well known for his vibrant paintings, worked with Andy Warhol in his New York studios, and reputedly exhibited jointly with Warhol in 1978. Sadly he lost his life when his remote beach-house in Sri Lanka was washed away in the great Tsunami disaster of December 2004. (1)

AFTER ANDY WARHOL, CONTEMPORARY WOOL CARPET, `DIAMOND DUST SHOES`, DESIGNED 1980, made by Ege Axminster with an allover shoe design, 183cm x 273cm

`Andy Warhol`s Blood for Dracula` a British quad film poster, printed by W E Berry Ltd, unmounted, 105.5 x 76cm.

After Andy Warhol (1928-1987) PORTRAIT OF ALLEN MIDGETTE, 1965; AND THE FACTORY, EAST 47TH STREET, NEW YORK, 1965-ILLUSTRATIONS FOR THE FRONT AND BACK BOOK-COVERS FOR ANDY WARHOL`S INDEX one with signature silkscreen on silver card 27 x 21cms; 10 5/8 x 8 1/4in. (a pair)

After Andy Warhol 1928-1987- "Marilyn"; c.1980 after the original edition, published by Sunday B Morning circa mid 1980`s, bears `Fill in your own signature` and `Sunday B Morning` each stamped in ink verso, screenprint in colours, full sheet printed to the edges, full suite of ten images depicting Marilyn Monroe in various colour combinations, 91.2x91.2cm., ea., loose and boxed as issued, (10), (unframed).

Pietro Psaier: Andy Warhol; La Tragedia Kennedy; Certified The Factory 6/20 bearing two Andy Warhol signatures; silk screen print of The Kennedy Cortege After The Assassination with over painted red boxes enclosing blue crosses; framed and glazed.

Pietro Psaier (1939-2005) and Warhol, "The Male Body & Other Parts - Queer & Proud", bears signatures, 13/100, proof factory edition stamp, silkscreen on linen, 85 x 60cm.; 33.5 x 23.5in.

WARHOL ANDY: (1928-1987) American Pop Artist. Bold, black ink signature (`Andy Warhol`) on a slim oblong 8vo piece. VG

WARHOL ANDY: (1928-1987) American Pop Artist. Signed colour 4 x 6 postcard, being a reproduction of the artist`s painting entitled 100 Cans (1962) which features Warhol`s famous Campbell`s Soup cans. Signed (`Andy Warhol`) in black ink to the lower white border. Some extensive, although light, smudging to the signature. VG

WARHOL ANDY: (1928-1987) American Pop Artist. Vintage signed postcard photograph of Warhol in a head and shoulders pose. Boldly signed with his initials alone in black ink to the lower white border. A striking signed image. VG

Andy Warhol (1928-1987) after. liz taylor" exhibit offset lithograph printed in colours 1965 printed on wove paper backed onto card the full sheet printed to the edges some paper discolouration and minor staining " sheet 570 x 665mm.

Andy Warhol (1928-1987) after the last self portra offset lithograph printed in colours" on wove paper the full sheet printed to the edges in good condition " sheet 850 x 850mm.

Andy Warhol (1928-1987) after kimiko. poster offset lithograph printed in colours" 1981 signed in black felt-tip pen on wove paper backed onto linen the full sheet printed to the edges in good condition " sheet 1260 x 780mm.

Andy Warhol (1928-1987) after 10 statues of libert lithographic poster" printed in colours 1986 bearing a signature in black felt-tip pen on smooth wove paper the full sheet with minor handling creases otherwise in good condition " sheet 950 x 685mm.

Warhol.Andy Warhol`s Exposures" d-j sgd 1979 photographic illustrations original cloth dust-jacket signed by Warhol at edge slight creasing to upper edge 4to " 1979.

After Andy Warhol "Sticky Fingers, The Rolling Stones"; published by Atlantic Records 1971, Designer Craig Braun; Concept and Photography by Andy Warhol - off-set lithograph with metal zipper, bears signature in black felt pen, 32x32cm, (A/F) Note: New York 1969, Andy Warhol suggested to Mick Jagger that it would be amusing to have a real zipper on an album cover. A year later, Jagger proposed the idea for Sticky Fingers being the first release on the new Rolling Stones label.

Attributed to Andy Warhol 1928-1987- Mercedes Benz C111; off-set lithograph with screenprint printed in colours on possibly thin Kohler hand-made paper with woodchips, the full sheet with margins, bears signature and Mercedes Benz emblem with Swastik in white pen, numbered 3/50, bears signature in pencil lower right, 92x60cm

AFTER ANDY WARHOL - `Marilyn Sunday B Morning 1980`s`, colour print with green colour background, 36" x 36" (see illustration).